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No Classes on Monday! MIT’s The Weather Today: Partly cloudy, 72°F (22°C) Oldest and Largest Tonight: Cloudy, 68°F (20°C) Tomorrow: Partly cloudy, 70°F (21°C) Newspaper Details, Page 2 Volume 125, Number 39 Cambridge, Massachusetts 02139 Friday, September 16, 2005 Building 46 Lights Up the Brain MIT Observes Const. By Hannah Hsieh Each wing contains state-of-the- are located on the second floor, al- Who knows how the natural light- art laboratories, wireless access, though classes will not be held there ing, bold colors and bamboo forest conference rooms, student reading until later in the semester. of the new- rooms, and clinical space. The Brain Day on the Internet ly-minted and Cognitive Sciences classrooms BCS, Page 12 By Ray C. He reach out and teach something new.” Feature B u i l d i n g STAFF REPORTER 46 will af- True to form, MIT has chosen to Actions required by law unclear fect the research of MIT’s leading celebrate the new, federally-mandated “The law doesn’t require any real cognitive scientists. Constitution Day in an online format. activities,” Stewart said. “It turns out The building, due to receive its Within a week of tomorrow, all uni- that an activity could be posting up a new inhabitants beginning next week, versities receiving federal funds must Web site or making available material will bring together three previously teach the Constitution, according to — you don’t have to have a talk or in- separate groups of researchers into an amendment added by Senator Rob- vite a real audience.” a space designed to facilitate inter- ert C. -
Tim Delaughter
TIM DELAUGHTER AWARDS/NOMINATIONS EMMY AWARD NOMINATION (2009) UNITED STATES OF TARA Best Original Main Title Theme Music FEATURE FILM VISIONEERS Jory Weitz, prod. Visioneers Film Productions Jared Drake, dir. THUMBSUCKER Bob Yari, Anne Carey, prods. Yari Film Group Mike Mills, dir. ETERNAL SUNSHINE OF Charlie Kaufman, Anthony Bregman, prods. THE SPOTLESS MIND Michel Gondry, dir. Focus Features *Song TELEVISION UNITED STATES OF TARA Steven Spielberg, prod. DreamWorks Television Craig Gillespie, dir. BIO DeLaughter’s career began in 1991 as vocalist/guitarist of the Dallas-based alternative rock band Tripping Daisy . Inspired by the Beatles’ psychedelic period, the group was signed to Island Records and released four acclaimed albums before disbanding as a result of the untimely death of guitarist Wes Berggren from a drug overdose in 1999. After leaving music for a brief time to start his family, DeLaughter soon found the lure of a return to performing and recording irresistible. The result was the Dallas symphonic pop group The Polyphonic Spree . Described as less a band than a happening, the group’s two dozen members perform in flowing white robes – an appropriate backdrop for their happy, uplifting musical message of catchy pop laced with gospel. The unusual group boasts a ten-member choir, a pair of keyboardists, a percussionist, bassist, guitarist, flautist, trumpeter, trombonist, violist, French horn player and even a theremin player, with DeLaughter serving as musical director, lead singer, and creative shaman. Generating huge interest with their performance at Austin’s South-by-Southwest music festival in 2002, the Spree were eventually hand-picked by David Bowie to play his Meltdown Festival at London’s Royal Festival Hall, and later signed to Hollywood The Gorfaine/Schwartz Agency, Inc. -
KWLC Fall Semester 2011
KWLC Fall Semester 2011 The Fall 2011 schedule is here! From Rock, to Dubstep, Classical to Jazz, KWLC is serving up a bit of everything on the platter of commercial-free radio broadcasting this semester. Shows marked with an asterisk are web-only and stream online at luther.edu/kwlc. Monday Wednesday Friday 8–9 PM: Mike Jungbluth (Rock)* 8 – 9P: Travis Houle (Rock)* *8 – 9P: Peter Jarzyna (Rock) 9-10 PM: Logan Langley and 9 – 10P: Erik Sand and Sam Zook *9 – 10P: Dylan Hinton (Rock) Andrew Meland (Variety Hour)* (Rock/Folk Rock)* 10 – 11P: Josh Bacon and Jamison 10-11 PM: Bianca Lutchen (Rock) 10 – 11P: Joe Thor (Rock) Ash (Rock) 11-12 AM: Cate Anderson (Rock) 11 – 12A: Kelsey Simpkins (Rock) 11 – 12A: Michaela Peterson 12-1 AM: Rahul Patle and Perran 12 – 1A: Carl Sorenson (Rock) (Rock) Wetzel (House/Dubstep) 12 – 1A: Marissa Schuh (Rock) Tuesday Thursday 9–10 PM: Kenza Sahir (Acoustic *9 – 10P: Ryan Castelaz (Rock) Rock)* 10 – 11P: Seth Duin (Rock) 10–11 PM: Quincy Voris (Rock) 11 – 12A: Katherine Mohr (Rock) 11–12 AM: Gunnar Halseth (Rock) 12 – 1A: Michael Crowe (Loud 12–1 AM: Georgia Windhorst Rock) (Rock) The AM | October 7th, 2011 2 KWLC Fall Semester 2011, cont. Saturday Sunday 7 – 8A: Lilli Petsch-Horvath (Classical) 7A – 12P: Sunday Services 8 – 9A: Hannah Strack (Broadway) 12 – 1P: Maren Quanbeck (Classical) 9 – 10A: Thando May (Afro-Pop) 1 – 2P: Alex Robinson (Classical) 10 – 11A: Marin Nycklemoe (Blues) 2 – 3P: Matt Lind (Classical) 11 – 12P: Noah Lange (Bluegrass/Folk) 3 – 4P: Michael Peterson (Classical) 12 – 12:50P: Margaret Yapp (Folk) 4 – 5P: Leif Larson (Jazz) 12:50 – 4:30P: Fall Football Coverage 5 – 6P: Kevin Coughenour (Jazz) 4:30 – 5P: Kyle Holder (Rock) 6 – 7P: Ted Olsen (Jazz) 5 – 6P: Cole Matteson (Folk/Bluegrass) 7 – 8P: Fred Burdine (Jazz) 6 – 7P: Ashley Urspringer (Rock) 8 – 9P: David Clair (Jazz) 7 – 8P: Rose Weselmann (Rock) 9 – 10P: Carl Cooley (Jazz/Rock) 8 – 9P: Gene Halverson (Rock) 10 – 11P: Emily Cochrane (Rock) 9 – 10P: Imsouchivy Suos (World) 11 – 12A: Matt Dickinson (Rock) 10 – 11P: Megan Creasey (Elec. -
On Not Giving up Too Easily: Thoughts for Ash Wednesday Posted On: 4Th March 2014 | Author: Philip Endean SJ Photo Jeff Pioquinto, SJ by at Flickr.Com
On Not Giving Up Too Easily: Thoughts for Ash Wednesday Posted on: 4th March 2014 | Author: Philip Endean SJ Photo Jeff Pioquinto, SJ by at flickr.com If your thoughts as you prepare to begin Lent are of what you plan to give up and of how much you will suffer without chocolate or alcohol during the next six weeks, perhaps it is time to realign your approach to the season. Will your chosen Lenten observance help you to grow as you journey towards Easter? Philip Endean SJ wants to remind us that ‘this great season of grace’ is not a time for constriction: ‘Lent is only Christian if it is positive.’ Before I was ordained, I worked for a year in a primary school in Mexico City. On Ash Wednesday morning, I arrived on the site at 7.30 am, as usual. Three things became quickly clear. Firstly, the headmistress had forgotten to engage a priest for the day. Secondly, absolutely nothing could happen within the culture of that school on Ash Wednesday before ashes had been duly distributed to all and sundry. Thirdly, in default of a proper padrecito, the foreign seminarian was going to have to step in. Thus, through a distorting microphone in the school yard, I found myself improvising a catechetical dialogue: imagine Joyce Grenfell in bad Mexican Spanish. ‘Now, children. I’m going to make the sign of the cross on all your foreheads. We use a cross because someone died on it. Does anyone know who died on the cross?’ It was a deliberately easy question, expecting the answer ‘Jesus’. -
BEST of 2011 – OUR FAVOURITE ALBUMS of the YEAR 1317 Commercial Drive Vancouver, BC Tel: 604-251-6964 Email: [email protected] Web: Highlifeworld.Com
HIGHLIFE Donec Egestas Scelerisque WORLD dolor: MUSIC BEST OF 2011 – OUR FAVOURITE ALBUMS OF THE YEAR 1317 Commercial Drive Vancouver, BC tel: 604-251-6964 email: [email protected] web: highlifeworld.com BEST OF 2011 BOMBINO Agadez Niger From the Saharan sands of Niger comes this recording by the brilliant guitarist/vocalist Bombino, who manages to create a distinctive desert blues style with echoes of both Ali Farka Toure and Tinariwen. An essential recording! TOM WAITS Bad As Me USA Gravelly-voiced poet and musical maverick Tom Waits returns with this strong batch of rocking blues stompers and tender ballads, joined by the likes of Keith Richards, Marc Ribot and David Hidalgo. Beginning with a train journey north to Chicago and ending in a bar on New Year’s eve (singing ‘Auld Lang Syne’ no less) this is a trip worth taking. Highly recommended! KIRAN AHLUWALIA Aam Zameen: Common Ground Canada Indo-Canadian vocalist Kiran Ahluwalia, known for her beautifully updated Ghazal music, this time does some continent hopping as she collaborates with desert blues sensations Tinariwen and Terakaft. From the opening take on Nusrat Fateh Ali Khan’s classic ‘Mustt Mustt’, propelled by handclaps and call and response vocals, we are in for an exciting cross-cultural musical feast. WILCO The Whole Love USA The 8th release by Jeff Tweedy and cohorts impressively reprises the various musical inclinations of this effortlessly creative group. From the off-kilter whirlwind of the opener to the epic beauty of the 12 minute closer, this is an album by a band at the top of their game. -
MUSIC NOTES: Exploring Music Listening Data As a Visual Representation of Self
MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall A thesis submitted in partial fulfillment of the requirements for the degree of: Master of Design University of Washington 2016 Committee: Kristine Matthews Karen Cheng Linda Norlen Program Authorized to Offer Degree: Art ©Copyright 2016 Chad Philip Hall University of Washington Abstract MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall Co-Chairs of the Supervisory Committee: Kristine Matthews, Associate Professor + Chair Division of Design, Visual Communication Design School of Art + Art History + Design Karen Cheng, Professor Division of Design, Visual Communication Design School of Art + Art History + Design Shelves of vinyl records and cassette tapes spark thoughts and mem ories at a quick glance. In the shift to digital formats, we lost physical artifacts but gained data as a rich, but often hidden artifact of our music listening. This project tracked and visualized the music listening habits of eight people over 30 days to explore how this data can serve as a visual representation of self and present new opportunities for reflection. 1 exploring music listening data as MUSIC NOTES a visual representation of self CHAD PHILIP HALL 2 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF: master of design university of washington 2016 COMMITTEE: kristine matthews karen cheng linda norlen PROGRAM AUTHORIZED TO OFFER DEGREE: school of art + art history + design, division -
Polyphonic Spree the Beginning Stages of Zip
1 / 5 Polyphonic Spree The Beginning Stages Of Zip Sep 5, 2019 — AUSTIN, TEXAS (SEPTEMBER 5, 2019) – The first batch of Dale's Pale ... band to come out of central Texas in a very long time, takes the stage. ... Graves, Peelander-Z, White Denim and the Polyphonic Spree. ... Zip Code:.. ... CRASH ADEN SEMIAUTOMATIC POLYPHONIC SPREE LOWFISH CINEMATIC ORCHEST TRANS AM ... Address: Suite/Floor City: State: Zip: Country: Phone:( ) Fax:( ) E-mail: Mail this to: CMJ New Music ... weeks for delivery of first issue).. ... JULIE DOIRON PANTYBOY BEEF TERMINAL POLYPHONIC SPREE RADIO 4 ... WENDY CARLOS CINEMATIC ORCHEST OUTRAGEOUS CHERRY EARLY ... Cardholder Signature: Name: Company: Address: Suite/Floor: City: State: Zip: .... (2011) Black Moon "Enta Da Stage" (1993) Black Moon "War Zone" (1999) Black ... The Aftermath" (1996) Dr. Dre "2001" (1999) Dr. Dre "Presents The Early Years ... Epidemic "Illin Spree" (2011) Epidemic "Monochrome Skies" (2012) Epidemic ... Official "The Anti-Album" (2003) Serengeti & Polyphonic "Terradactyl" (2009) .... The Polyphonic Spree - The Beginning Stages Of... | Section 1,Section 2 ... MP3-Version ZIP-Größe: 2892 mb. FLAC-Version ZIP-Größe: 1133 mb. WMA-Version .... MARSVOLTA 2 JANE'S ADDICTION 3 MONEEN 4 ME FIRST AND THE 5 SWORDS PROJECT 6 ... LANES 22 POLYPHONIC SPREE 23 BURNING SPEAR 24 DANDY WARHOLS 25. ... Cardholder Signature Company State: Suite/Floor Zip: .... Aug 22, 2014 — The criterium is perfect for spectators since the action is fast, as riders zip through a circular ... Taking the stage at Finish Line Village will be Wichita Falls-based cover ... of Polyphonic Spree — kick drummer and guitarist Taylor Young and ... at the HHH breakfast beginning at 5 a.m. -
Album Review: Bon Iver's 22, a Million
Album Review: Bon Iver’s 22, a Million 22, a Million, the newest album by American indie folk band Bon Iver, leaves the listener with an overarching question: Is there any border left between acoustic and electronic music? Although ambiguous as to which category it falls into, Bon Iver manages to respect both genres with a rich, homogenous mixture of experimental and traditional instrumentation. However, the album is a motley of songs that—both individually and as a group—build to nowhere, like a fleeting thought that crosses the mind at one point, but leaves no lasting impression. Founded in 2007 by singer/songwriter Justin Vernon, Bon Iver has been the vanguard of the indie folk/experimental genre. Vernon—a Wisconsin native with deep ties to the American wilderness—is undeniably influenced by a guitar-and-voice acoustic sound that is reminiscent of childhood campfires, roasting s’mores, and long silences between experienced fishermen. Tracks like “29 #Strafford APTS” and “00000 Million” have obvious connections to the folk genre: banjo, acoustic guitar, three and four-part vocal harmonizing, and chatter and laughter among musicians before the start of the song. These elements anchor the album, preventing it from straying too far from the group’s previous releases. During the five-year gap between the album Bon Iver and 22, a Million, Bon Iver evidently delved into the uncharted territory of experimental music. The use of synthesizers, vocal filtration, extensive sampling, and static-ridden beats establishes a distinctive atmosphere of digital haziness, a complementary frame for Vernon’s midwestern accent-tinged voice. -
If There Is No Conversation, We'll Be Back
University of South Carolina Scholar Commons November 2015 11-17-2015 The aiD ly Gamecock, Tuesday, November 17, 2015 University of South Carolina, Office oftude S nt Media Follow this and additional works at: https://scholarcommons.sc.edu/gamecock_2015_nov Recommended Citation University of South Carolina, Office of Student Media, "The aiD ly Gamecock, Tuesday, November 17, 2015" (2015). November. 7. https://scholarcommons.sc.edu/gamecock_2015_nov/7 This Newspaper is brought to you by the 2015 at Scholar Commons. It has been accepted for inclusion in November by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. NEWS 1 UNIVERSITY OF SOUTH CAROLINA TUESDAY, NOVEMBER 17, 2015 VOL. 106, NO. 42 ● SINCE 1908 Rivalry week begins Brittany Franceschina @BRITTA_FRAN Clemson-Carolina Rivalry Week kicked off this Monday with the 31st annual Carolina Clemson Blood Drive as well as the CarolinaCan Food Drive. Both of these events give students the opportunity to not only give back to the community, but to beat Clemson. The Carolina-Clemson Blood Drive, going on from Nov. 16 to 20 at various locations around campus, Madison MacDonald / THE DAILY GAMECOCK encourages students to donate Third-year biochemistry and molecular biology student Alkeiver Cannon (center) voiced her concerns Monday with @USC2020Vision. blood through the Red Cross. In the past the Carolina Greek Programming Board organized it, but it is now transforming ‘If there is no conversation, into a student organization. The Blood Drive in association with the Red Cross also aims to educate students we’ll be back’ on the importance of donating blood. -
In This Issue: Upcoming Programs
Volume 14, Number 4 November 2013 G’num* The newsletter of the Washington Butterfly Association P.O. Box 31317 Seattle WA 98103 www.naba.org/chapters/nabaws *G’num is the official greeting of WBA. It is derived from the name of common Washington butterfly food plants, of the genus Eriogonum. In this issue: President’s Message p 2 Watching Washington Butterflies p 3 Species Profile p 7 Monarch by Jeanne Dammarell Upcoming Programs December 4: Restoration of Taylor’s Checkerspot in Washington: Species and Habitats. Mary Linders, a highly respected naturalist from the WA Depart- ment of Fish and Wildlife, has led the program of restoring the Taylor's Check- erspot Butterfly (Euphydryas editha taylori) and its prairie habitat in the Fort Lew- is and South Sound area. She will discuss WA state's unique prison program, the Sustainability in Prisons Project, which assists in rearing butterflies for release as well as in restoration of previously occupied prairie habitat. Mary is an excellent presenter. January 25: Winter Party, no scheduled program. Mary Linders surveys for Taylor’s Checkerspots on the artillery range at Fort Lewis. (Regina Johnson) Washington Butterfly Association G’num pg 1 Trip Reports With three August trips in a row all cancelled due to weather, one carload made a final effort and hiked the Naches Loop Trail on August 31, suggested by Melanie Weiss who'd been doing butterfly surveys there for the Park Service. The weather and scenery were glorious and lots of flowers were still in bloom. The 5-mile loop goes through Mount Rainier National Park and then crosses into the William O. -
Qualitative Inquiry: Tensions and Transformations
Qualitative Inquiry: Tensions and Transformations Mary M. Gergen and Kenneth J. Gergen The domain of qualitative inquiry offers some of the richest and most rewarding explorations available in contemporary social science. This bounty is the outcome of a host of historical convergences. The area has welcomed scores of scholars who have found their disciplinary traditions narrow and constraining. Despite potential peer criticism, they have entered the qualitative world brimming with energy. Other denizens have found outlets for expressing particular commitments or skills; here there is space for societal critique and political activism, just as there are clearings for literary, artistic and dramatic expressions. Further, scholars from diverse arenas -- AIDS researchers, market analysts, ethnographers and more -- have entered in search of ways to bring new vitality to their customary pursuits. Perhaps most significantly, the tidal wave of theoretical and metatheoretical debates sweeping across the intellectual world - variably indexed as post-foundational, post-structural, post- Enlightenment, and postmodern - has swept into the qualitative harbor. Here these turbulent interchanges have produced profound challenges to the ways in which the social sciences are understood and practiced. As a result of these convergences the field of qualitative inquiry is replete with enthusiasm, creativity, intellectual ferment and action. As one researcher, Virginia Olesen, described it, "I don't think there's ever been a more exciting moment in terms of careful thought about the epistemologies of the methods, relations with participants, new modes and the growing strength of qualitative methods in important substantive fields such as education and nursing." (email, 11/25/98). There are cross- fertilizations, catalytic dialogues, and a prevailing sense of participation in a living revolution. -
2011 – Cincinnati, OH
Society for American Music Thirty-Seventh Annual Conference International Association for the Study of Popular Music, U.S. Branch Time Keeps On Slipping: Popular Music Histories Hosted by the College-Conservatory of Music University of Cincinnati Hilton Cincinnati Netherland Plaza 9–13 March 2011 Cincinnati, Ohio Mission of the Society for American Music he mission of the Society for American Music Tis to stimulate the appreciation, performance, creation, and study of American musics of all eras and in all their diversity, including the full range of activities and institutions associated with these musics throughout the world. ounded and first named in honor of Oscar Sonneck (1873–1928), early Chief of the Library of Congress Music Division and the F pioneer scholar of American music, the Society for American Music is a constituent member of the American Council of Learned Societies. It is designated as a tax-exempt organization, 501(c)(3), by the Internal Revenue Service. Conferences held each year in the early spring give members the opportunity to share information and ideas, to hear performances, and to enjoy the company of others with similar interests. The Society publishes three periodicals. The Journal of the Society for American Music, a quarterly journal, is published for the Society by Cambridge University Press. Contents are chosen through review by a distinguished editorial advisory board representing the many subjects and professions within the field of American music.The Society for American Music Bulletin is published three times yearly and provides a timely and informal means by which members communicate with each other. The annual Directory provides a list of members, their postal and email addresses, and telephone and fax numbers.