Madison Avenue Shops

Total Page:16

File Type:pdf, Size:1020Kb

Madison Avenue Shops SPECIAL ADVERTISING SECTION OF ADVERTISING AGE JUNE 23, 2008 • C1 June 23, 1960 Volume 01 • Number 01 25 Cents a Copy • $3 a Year CHICAGO 11 • Published Weekly at 200 E. Illinois St. • DE 7-5200 With which is incorporated Advertising Agency Magazine, formerly Advertising & Selling NEW YORK 17 630 Third Ave. • YU 6-5050 Copyright, 1960, by Advertising Publications, Inc. THE NATIONAL NEWSPAPER OF MARKETING Second-Best Year Ever... Kennedy-Nixon Race... in the now-infamous series of one- Revolutionary Technology... on-one debates between the two contenders, carried on live prime- ’60 Auto Sales How TV Alters time television for the first time in Sterling Cooper Wins history. Hitting 6.6M, U.S. Elections But also deserving credit was Kodak Projector Account the Kennedy team’s understanding TV Spending Up Kennedy Team’s Use of Medium of television and how to use it— New Agency Team Scores Taylor canceled scheduled pitches Gives Candidate the Advantage both at the debates and in lively, Business Coup; Advertiser from other agencies—including In First Live Prime-Time Debates celebrity-studded television adver - Cancels All Other Pitches hot shop Doyle Dane Bernbach— DETROIT —Despite periodic moans tising that contrasted completely and awarded Sterling Cooper the from Detroit, the result seems to be By Julie Liesse with the Nixon campaign’s ap - NEW YORK —Eastman Kodak Co. business immediately after the the second best automobile year on CHICAGO —The role played by tele - proach. last week awarded its slide projec - meeting. record, somewhere near 6,600,000 vision in the recently completed With 88% of American house - tor business to Sterling Cooper. Kodak decided to break away units in 1960. holds owning a television set— Sterling Cooper’s new leader - from its main agency, J. Walter At the same time, the imports— compared to just 11% in 1950—the ship team, Partner-Creative Direc - Thompson Co., for its new slide which have grown to account for emerging medium now can reach a projector and sought ideas from more than 10% of the market—are S majority of U.S. voters, and clearly several Madison Avenue shops. S E R taking a pasting, except for Volks- P was poised to play a central role in The ad campaign will launch D E T A wagen and Mercedes. I this year’s presidential race. what Kodak says is a revolution - C O DVERTISING GE With forecasts for a downturn S A A was one of ary new technology in slide pro - S in 1961, U.S. automakers are A many voices that encouraged the jectors. Internally dubbed “the picking up the tab of more than Sen. John Kennedy VP Richard Nixon government and the television in - Q&A with Don Draper, Page C4 $80,000,000 for television enter - presidential election may usher in dustry to use the 1960 presidential tainment on the networks in the permanent changes to the way election to establish the medium’s wheel,” the new system offers a 1960-61 season. This figure does American political campaigns are responsibility as a public service removable circular tray for storing not include network national and waged. communication and education ve - slides and dropping them into the regional spot commercials, which Observers agree that Presi - hicle. The three television networks R projection system. Kodak says the E A added another $12,143,000 in dent-elect John F. Kennedy, who agreed eventually to broadcast four B new trays accommodate twice as N I R 1959. won the popular vote in the elec - live presidential debates, represent - A many slides as the company’s cur - Advanced bookings for General tion by a mere 112,000 votes—a ing a total of 19 hours of prime- C rent Cavalcade projectors. The Motors TV in the 1960-61 season margin of just 0.1% over Vice time programming—so that cover - Don Draper new projectors are scheduled to were up in cost and in number of President Richard Nixon—was age was not merely relegated to the tor Don Draper and the agency’s hit the market next year at a price shows. The company has 176 pro - helped significantly by television weekend time slots reserved for new director of client services, of $137 to $180. gram hours scheduled, which will in two ways. programs such as “Meet the Press.” Duck Phillips, presented the Kodak is the nation’s 17th cost $48,466,000. It spent only First were the images presented (Continued on Page C14) agency’s concept to Kodak execu - largest advertiser, with total ad $33,856,000 last season. tives. The idea was so strong that spending of $35.5 million this past While GM has expanded, Ford Kodak’s Joe Harriman and Lynn year. # and Chrysler have lowered their TV budgets. Ford will lay out 1960’s 100 Leading Advertisers... $17,674,340 for 82 hours, where last year it spent $21,676,000. Companies Spend Record $2.6B Chrysler has contracted for 67 pro - gram hours costing $13,020,400 CHICAGO —The 100 largest na - bacco Co. was up 2% (see chart, this year, as against $14,441,000 tional advertisers invested $2.6 bil - Page C10) . S S E last year. R lion in advertising in 1960, up 4% Grocery products are the largest P D E The total on TV for all the T from $2.5 billion in 1959. single product segment repre - A I auto companies stands at about C The perennial leader, General sented, garnering $567,800,000 in O S S $10,000,000 more this year than A Motors, continued to pull away advertising—about a fifth of the last. The first TV debates played an influential role in the election outcome. from the field, riding a record 100 leaders’ total. Second-largest NBC is continuing to get the sales crest and hiking advertising was the $353,000,000 expenditure largest share of the auto TV dollar Last Minute News Flashes to an estimated $168,500,000, up by five auto companies—GM, total—about $44,500,000. ABC 9% from $155,000,000 in 1959. Ford, Chrysler, American Motors will take in $20,728,000, while McCann, Marschalk Create Interpublic Inc. GM was the only auto company and Studebaker-Packard. # CBS will get about $15,173,000. NEW YORK —Interpublic Inc. has been created as the holding com - of Detroit’s Big Three to raise ad Dinah Shore is the highest sin - pany for two wholly owned subsidiaries, McCann-Erickson and expenditures. Next was Procter & Today: The top 100 U.S. advertis - gle figure earner, costing Chevrolet Marschalk & Pratt, it was announced at press time. The brainchild of Mc - Gamble, which boosted expendi - ers increased ad spending in 2006 $13,000,000 for full sponsorship of Cann President Marion Harper, this will allow the company to acquire in - tures 3% to an estimated $127, 000, - by 3.1% to a record $104.8 billion. one hour per week on NBC, but the dependent service agencies to represent competing marketers. Industry 000 from $123,000,000 in 1959. The No. 1 spender was Procter & swing to part-time participation in sources expressed skepticism that this kind of setup is viable. Third was General Foods Corp., Gamble Co., up 6.8% to $4.90 bil - more shows is noted. This has been with $110,000,000, up 7% from lion, followed by AT&T, up 26% particularly encouraged by ABC, Clearasil Account Moves to Sterling Cooper $103,000,000 in 1959. Of the top to about $3.34 billion. The biggest with a lot of new b&w shows in its NEW YORK —Vicks Chemical Co. has tapped Sterling Cooper as ten leaders, only four increased ad - cut came at No. 3 General Motors, portfolio. agency of record for its Clearasil line. The acne treatment had been han - vertising, one held even and five which dropped 19.8% to roughly GM is said to be reaching for dled by Lennen & Newell. Billings were not disclosed. cut back: Ford Motor Co., Lever $3.30 billion. maximum circulation and a wider Bros., General Electric, Colgate- The largest category was auto - spread of entertainment this year, Color TV Has Trebled Effect Over B&W Palmolive Co. and Chrysler Corp. motive, which dropped 5.7% to as contrasted to a former policy of CINCINNATI —Color TV commercials more than treble the impact of b&w Seventh-place American Home $19.8 billion, followed by retail, up buying big-name stars and costly ads, according to a survey. The new study showed that it takes 3,589 b&w Products Corp. remained level, 2% to $19.1 billion, and telecom, specials. # set viewers to get the same commercial impact as 1,000 color set viewers. while No. 10 R.J. Reynolds To - up 9.6% to almost $11 billion. C2 • JUNE 23, 2008 SPECIAL ADVERTISING SECTION OF ADVERTISING AGE Stepping Back to 1960... 60M Americans Smoke... Welcome to the ‘Mad Men’ Issue U.S. Tobacco Companies Mark Record Year A nation-changing election, an evolving agency business model, new medi - By Patricia Riedman ums fighting for consumer attention—maybe things haven’t changed much CHICAGO — Costs of Cigaret Advertising It’s a banner year for Per Carton and Per Million Cigarets Sold since the “Mad Men” era after all. American tobacco companies. Not When Initiative came to us on behalf of Lionsgate to create a retro issue only is 1960 seeing record sales of Brand ‘59 Sales Ad Ad cost Ad cost of ADVERTISING AGE to celebrate the DVD release of the first season of “Mad cigarets in the U.S., but more Amer - (billions) investment per million per carton Men,” we loved the idea of seeing the show, based on the advertising indus - icans are smoking than ever before.
Recommended publications
  • Oktoberfest’ Comes Across the Pond
    Friday, October 5, 2012 | he Torch [culture] 13 ‘Oktoberfest’ comes across the pond Kaesespaetzle and Brezeln as they Traditional German listened to traditional German celebration attended music. A presentation with a slideshow was also given presenting by international, facts about German history and culture. American students One of the facts mentioned in the presentation was that Germans Thomas Dixon who are learning English read Torch Staff Writer Shakespeare because Shakespearian English is very close to German. On Friday, Sept. 28, Valparaiso Sophomore David Rojas Martinez University students enjoyed expressed incredulity at this an American edition of a famous particular fact, adding that this was German festival when the Valparaiso something he hadn’t known before. International Student Association “I learned new things I didn’t and the German know about Club put on German and Oktoberfest. I thought it was English,” Rojas he event great. Good food, Martinez said. was based on the good people, great “And I enjoyed annual German German culture. the food – the c e l e b r a t i o n food was great.” O k t o b e r f e s t , Other facts Ian Roseen Matthew Libersky / The Torch the largest beer about Germany Students from the VU German Club present a slideshow at Friday’s Oktoberfest celebration in the Gandhi-King Center. festival in the Senior mentioned in world. he largest the presentation event, which takes place in included the existence of the Munich, Germany, coincided with Weisswurstaequator, a line dividing to get into the German culture. We c u ltu re .” to have that mix and actual cultural VU’s own festival and will Germany into separate linguistic try to do things that have to do with Finegan also expressed exchange,” Finegan said.
    [Show full text]
  • Dec 2004 Current List
    Fighter Opponent Result / RoundsUnless specifiedDate fights / Time are not ESPN NetworkClassic, Superbouts. Comments Ali Al "Blue" Lewis TKO 11 Superbouts Ali fights his old sparring partner Ali Alfredo Evangelista W 15 Post-fight footage - Ali not in great shape Ali Archie Moore TKO 4 10 min Classic Sports Hi-Lites Only Ali Bob Foster KO 8 21-Nov-1972 ABC Commentary by Cossell - Some break up in picture Ali Bob Foster KO 8 21-Nov-1972 British CC Ali gets cut Ali Brian London TKO 3 B&W Ali in his prime Ali Buster Mathis W 12 Commentary by Cossell - post-fight footage Ali Chuck Wepner KO 15 Classic Sports Ali Cleveland Williams TKO 3 14-Nov-1966 B&W Commentary by Don Dunphy - Ali in his prime Ali Cleveland Williams TKO 3 14-Nov-1966 Classic Sports Ali in his prime Ali Doug Jones W 10 Jones knows how to fight - a tough test for Cassius Ali Earnie Shavers W 15 Brutal battle - Shavers rocks Ali with right hand bombs Ali Ernie Terrell W 15 Feb, 1967 Classic Sports Commentary by Cossell Ali Floyd Patterson i TKO 12 22-Nov-1965 B&W Ali tortures Floyd Ali Floyd Patterson ii TKO 7 Superbouts Commentary by Cossell Ali George Chuvalo i W 15 Classic Sports Ali has his hands full with legendary tough Canadian Ali George Chuvalo ii W 12 Superbouts In shape Ali battles in shape Chuvalo Ali George Foreman KO 8 Pre- & post-fight footage Ali Gorilla Monsoon Wrestling Ali having fun Ali Henry Cooper i TKO 5 Classic Sports Hi-Lites Only Ali Henry Cooper ii TKO 6 Classic Sports Hi-Lites Only - extensive pre-fight Ali Ingemar Johansson Sparring 5 min B&W Silent audio - Sparring footage Ali Jean Pierre Coopman KO 5 Rumor has it happy Pierre drank before the bout Ali Jerry Quarry ii TKO 7 British CC Pre- & post-fight footage Ali Jerry Quarry ii TKO 7 Superbouts Ali at his relaxed best Ali Jerry Quarry i TKO 3 Ali cuts up Quarry Ali Jerry Quarry ii TKO 7 British CC Pre- & post-fight footage Ali Jimmy Ellis TKO 12 Ali beats his old friend and sparring partner Ali Jimmy Young W 15 Ali is out of shape and gets a surprise from Young Ali Joe Bugner i W 12 Incomplete - Missing Rds.
    [Show full text]
  • The West Wing Weekly Episode 1:05: “The Crackpots and These Women
    The West Wing Weekly Episode 1:05: “The Crackpots and These Women” Guest: Eli Attie [West Wing Episode 1.05 excerpt] TOBY: It’s “throw open our office doors to people who want to discuss things that we could care less about” day. [end excerpt] [Intro Music] JOSH: Hi, you’re listening to The West Wing Weekly. My name is Joshua Malina. HRISHI: And I’m Hrishikesh Hirway. JOSH: We are here to discuss season one, episode five, “The Crackpots and These Women”. It originally aired on October 20th, 1999. This episode was written by Aaron Sorkin; it was directed by Anthony Drazan, who among other things directed the 1998 film version of David Rabe’s Hurlyburly, the play on which it was based having been mentioned in episode one of our podcast. We’re coming full circle. HRISHI: Our guest today is writer and producer Eli Attie. Eli joined the staff of The West Wing in its third season, but before his gig in fictional D.C. he worked as a political operative in the real White House, serving as a special assistant to President Bill Clinton, and then as Vice President Al Gore’s chief speechwriter. He’s also written for Studio 60 on the Sunset Strip, House, and Rosewood. Eli, welcome to The West Wing Weekly. ELI: It’s a great pleasure to be here. JOSH: I’m a little bit under the weather, but Lady Podcast is a cruel mistress, and she waits for no man’s cold, so if I sound congested, it’s because I’m congested.
    [Show full text]
  • The Television Project: Some of My Best Friends
    The Television Project: Some of My Best Friends Highlights from the National Jewish Archive of Broadcasting Examine Anti-Semitism Through Classic TV Beginning March 18, 2016 New York, NY – With the second installment of its new, ongoing exhibition series, the Jewish Museum will continue introducing visitors to a dynamic part of its collection: the National Jewish Archive of Broadcasting (NJAB). The Television Project: Some of My Best Friends will be on view from March 18 through August 14, 2016 exploring the full range of the medium’s approach to anti-Semitism, from the satire and humor of the situation comedy to serious dramas that dissect the origins, motivations, and consequences of prejudice. Clips from such programs as All in the Family, Downton Abbey, Mad Men, Gunsmoke, and The Mary Tyler Moore Show will be featured. Some of My Best Friends features Mary Richards standing up to an anti- Semitic friend in The Mary Tyler Moore Show, “Some of My Best Friends Are Rhoda;” Jews fighting to prevent neo-Nazis from holding a rally in a predominantly Jewish town in Skokie; and Jewish emigrants confronting hatred in the Old West in the Gunsmoke episode, “This Golden Land” (featuring a young Richard Dreyfuss) and Little House on the Prairie, “The Craftsman.” Also included are clips from the first episode of the acclaimed Mad Men, where Roger Sterling suggests to Don Draper that their ad agency hire a Jew prior to meeting with a new Jewish-owned client; an LA Law segment, “Rohner vs. Gradinger,” depicting a confrontation between a Jewish lawyer and his Jew-hating WASP mother-in-law and her close friend; the bigoted Archie Bunker looking for a “Jew lawyer” because Jews are “smarter and shrewder” in Norman Lear’s groundbreaking All in the Family, “Oh, My Aching Back;” and a scene from Downton Abbey showing the family matriarch (Maggie Smith) expressing displeasure at news of a cousin romantically involved with a Jew.
    [Show full text]
  • Accepted Manuscript Version
    Research Archive Citation for published version: Kim Akass, and Janet McCabe, ‘HBO and the Aristocracy of Contemporary TV Culture: affiliations and legitimatising television culture, post-2007’, Mise au Point, Vol. 10, 2018. DOI: Link to published article in journal's website Document Version: This is the Accepted Manuscript version. The version in the University of Hertfordshire Research Archive may differ from the final published version. Copyright and Reuse: This manuscript version is made available under the terms of the Creative Commons Attribution-NonCommercial- NoDerivatives License CC BY NC-ND 4.0 ( http://creativecommons.org/licenses/by-nc-nd/4.0/ ), which permits non-commercial re-use, distribution, and reproduction in any medium, provided the original work is properly cited, and is not altered, transformed, or built upon in any way. Enquiries If you believe this document infringes copyright, please contact Research & Scholarly Communications at [email protected] 1 HBO and the Aristocracy of TV Culture : affiliations and legitimatising television culture, post-2007 Kim Akass and Janet McCabe In its institutional pledge, as Jeff Bewkes, former-CEO of HBO put it, to ‘produce bold, really distinctive television’ (quoted in LaBarre 90), the premiere US, pay- TV cable company HBO has done more than most to define what ‘original programming’ might mean and look like in the contemporary TV age of international television flow, global media trends and filiations. In this article we will explore how HBO came to legitimatise a contemporary television culture through producing distinct divisions ad infinitum, framed as being rooted outside mainstream commercial television production. In creating incessant divisions in genre, authorship and aesthetics, HBO incorporates artistic norms and principles of evaluation and puts them into circulation as a succession of oppositions— oppositions that we will explore throughout this paper.
    [Show full text]
  • Television Shows
    Libraries TELEVISION SHOWS The Media and Reserve Library, located on the lower level west wing, has over 9,000 videotapes, DVDs and audiobooks covering a multitude of subjects. For more information on these titles, consult the Libraries' online catalog. 1950s TV's Greatest Shows DVD-6687 Age and Attitudes VHS-4872 24 Season 1 (Discs 1-3) DVD-2780 Discs Age of AIDS DVD-1721 24 Season 1 (Discs 1-3) c.2 DVD-2780 Discs Age of Kings, Volume 1 (Discs 1-3) DVD-6678 Discs 24 Season 1 (Discs 4-6) DVD-2780 Discs Age of Kings, Volume 2 (Discs 4-5) DVD-6679 Discs 24 Season 1 (Discs 4-6) c.2 DVD-2780 Discs Alfred Hitchcock Presents Season 1 DVD-7782 24 Season 2 (Discs 1-4) DVD-2282 Discs Alias Season 1 (Discs 1-3) DVD-6165 Discs 24 Season 2 (Discs 5-7) DVD-2282 Discs Alias Season 1 (Discs 4-6) DVD-6165 Discs 30 Days Season 1 DVD-4981 Alias Season 2 (Discs 1-3) DVD-6171 Discs 30 Days Season 2 DVD-4982 Alias Season 2 (Discs 4-6) DVD-6171 Discs 30 Days Season 3 DVD-3708 Alias Season 3 (Discs 1-4) DVD-7355 Discs 30 Rock Season 1 DVD-7976 Alias Season 3 (Discs 5-6) DVD-7355 Discs 90210 Season 1 (Discs 1-3) c.1 DVD-5583 Discs Alias Season 4 (Discs 1-3) DVD-6177 Discs 90210 Season 1 (Discs 1-3) c.2 DVD-5583 Discs Alias Season 4 (Discs 4-6) DVD-6177 Discs 90210 Season 1 (Discs 4-5) c.1 DVD-5583 Discs Alias Season 5 DVD-6183 90210 Season 1 (Discs 4-6) c.2 DVD-5583 Discs All American Girl DVD-3363 Abnormal and Clinical Psychology VHS-3068 All in the Family Season One DVD-2382 Abolitionists DVD-7362 Alternative Fix DVD-0793 Abraham and Mary Lincoln: A House
    [Show full text]
  • Gunsmoke: an Investigation of Conversational Implicature and Guns & Ammo Magazine
    California State University, San Bernardino CSUSB ScholarWorks Theses Digitization Project John M. Pfau Library 2002 Gunsmoke: An investigation of conversational implicature and Guns & Ammo magazine Kerry Lynn Winn Follow this and additional works at: https://scholarworks.lib.csusb.edu/etd-project Part of the Rhetoric and Composition Commons Recommended Citation Winn, Kerry Lynn, "Gunsmoke: An investigation of conversational implicature and Guns & Ammo magazine" (2002). Theses Digitization Project. 2069. https://scholarworks.lib.csusb.edu/etd-project/2069 This Thesis is brought to you for free and open access by the John M. Pfau Library at CSUSB ScholarWorks. It has been accepted for inclusion in Theses Digitization Project by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. GUNSMOKE: AN INVESTIGATION OF CONVERSATIONAL IMPLICATURE AND GUNS & AMMO MAGAZINE A Thesis Presented to the Faculty of California State University, San Bernardino In Partial Fulfillment of the Requirements for the Degree Master of Arts in English Composition by Kerry Lynn Winn March 2002 GUNSMOKE: AN INVESTIGATION OF CONVERSATIONAL IMPLICATURE AND GUNS & AMMO MAGAZINE A Thesis Presented to the Faculty of California State University, San Bernardino by Kerry Lynn Winn March 2002 Approved by: Ph . D . , I Chair, Sunny Hyon English Date Rong Chen, Ph.D. ABSTRACT In the United States, numerous citizens fear that their Second Amendment right to bear arms will be obliterated. One text that discusses this issue is a popular gun enthusiast's magazine. Guns & Ammo. I will analyze this magazine's content through linguistics, particularly Grice's implicature. As a result I hope it will give me a better viewpoint of the gun community's perspective regarding firearms.
    [Show full text]
  • 64Th Annual Advertising Hall of Fame Induction Ceremony, His Remarks Will Be Directed to Two Young People in the Audience: His Grandchil- Dren, Ages 5 and 10
    SPECIAL ADVERTISING SECTION OF ADVERTISING AGE By Nancy Giges Since its beginning in 1948, the American Advertising Federation’s Advertising Hall of Fame has honored the extraordinary achievements of advertising leaders, their signifi- cant professional contributions to the advertising industry and their personal contri- butions to society. For the 64th year, members of the advertising industry are gathering in New York to honor a class of seven individuals and one corporation being inducted into the pres- tigious Advertising Hall of Fame for their lifetime achievements. The inductees are: Rance Crain, president, Crain Communications Inc., and editor in chief, Advertising Age Bob Giraldi, president, Giraldi Media, and film director Philip H. Knight, co-founder and chairman, NIKE Inc. Shelly Lazarus, chairman emeritus, Ogilvy & Mather Byron E. Lewis Sr., founder and chairman emeritus, UniWorld Group Inc. Gerry Rubin, co-founder, RPA Bob Scarpelli, former chairman and chief creative officer, DDB Worldwide McDonald’s Corporation “It’s an all-star lineup: people who have broken new barriers, forged new ground,” says Draftfcb CEO-President Laurence Boschetto, chairman of this year’s Advertising Hall of Fame. “Everybody is brilliant in their own right.” April 29, 2013 Advertising Hall of Fame C1 Individuals selected have had exceptionally distinguished and extraordinary ca- legend is someone who inspires, who has consistently—year in and year out—dem- reers in the U.S. or for an American company abroad. They must meet four key crite- onstrated an exemplary track record of doing extraordinary things to make the in- ria: to have completed their primary careers or had careers spanning at least 35 years, dustry the best it can be,” he says.
    [Show full text]
  • Miriam Colón-Valle Doctor of Humane Letters As a Lifetime Advocate For
    Miriam Colón-Valle Doctor of Humane Letters As a lifetime advocate for equitable access to the arts, the founder of the Puerto Rican Traveling Theater, and a trailblazing stage, film, and television actress, you, Miriam Colón-Valle, are a true Latina icon. Born and raised in Ponce, Puerto Rico, you started in the theater at the age of 12, and in just three short years, you landed your first feature film role, as Lolita in Los peloteros, or The Ball Players. The movie was a production of the civic-minded DIVEDCO, the Division of Community Education of Puerto Rico, a program that sought to stimulate artistic production. At the urging of your teachers and mentors, you moved to New York City to further your training and gained admission to the Actors Studio after a single audition before famed actor-directors Elia Kazan and Lee Strasberg. Your stage credits include performances on Broadway and at Minneapolis’s Guthrie Theater and Los Angeles’s Mark Taper Forum. Your long list of Hollywood credits includes the television series Bonanza, Gunsmoke, and NYPD Blue, as well as the films One-Eyed Jacks and The Appaloosa, both opposite Marlon Brando. You also played Mama Montana in Brian De Palma’s Scarface, starring Al Pacino, and had memorable roles in John Sayles’s Lone Star and City of Hope, Sydney Pollack’s Sabrina, and Billy Bob Thornton’s All the Pretty Horses. More recently, you were honored with the Imagen Award for your title role in 2013’s Bless Me, Última, Carl Franklin’s adaptation of the classic Chicano novel by Rudolfo Anaya.
    [Show full text]
  • Selling Nostalgia: Mad Men, Postmodernism and Neoliberalism Deborah Tudor [email protected], [email protected]
    Southern Illinois University Carbondale OpenSIUC Neoliberalism and Media Global Media Research Center Spring 2012 Selling Nostalgia: Mad Men, Postmodernism and Neoliberalism Deborah Tudor [email protected], [email protected] Follow this and additional works at: http://opensiuc.lib.siu.edu/gmrc_nm A much earlier version of this project was published in Society, May 2012. This version expands upon the issues of individualism under neoliberalism through an examination of ways that the protagonist portrays a neoliberal subjectivity. Recommended Citation Tudor, Deborah, "Selling Nostalgia: Mad Men, Postmodernism and Neoliberalism" (2012). Neoliberalism and Media. Paper 4. http://opensiuc.lib.siu.edu/gmrc_nm/4 This Article is brought to you for free and open access by the Global Media Research Center at OpenSIUC. It has been accepted for inclusion in Neoliberalism and Media by an authorized administrator of OpenSIUC. For more information, please contact [email protected]. Selling Nostalgia: Mad Men , Postmodernism and Neoliberalism Deborah Tudor Fredric Jameson identified postmodernism as the “cultural logic of late capitalism” in his 1984 essay of the same name. Late capitalism, or neoliberalism, produces a society characterized by return to free market principles of the 19 th century and cultivates a strong return to rugged individualism. (Kapur) Postmodern cultural logic emphasizes visual representations of culture as a dominant cultural determinant. It is this framework that opens a discussion of Mad Men, a series that uses a mid century advertising firm as a filter for a history that is reduced to recirculated images. In Norman Denzin’s discussion of film and postmodernism, he examines how our media culture’s embodies neoliberal, postmodern notions of life and self.
    [Show full text]
  • Music in GUNSMOKE Half-Hour Series PART II
    Music in GUNSMOKE Half-Hour Series PART II [all Season Six half-hour episodes] Next is the Gunsmoke Sixth Season, Volume One dvd... 1 2 Note than just slightly more than half of the music in the episodes of this season were original scores, including three by Bernard Herrmann, three by Goldsmith, three by Fred Steiner, two by Lyn Murray, etc. "Friend's Payoff" (September 3, 1960) *** C Original score by Lyn Murray. Synopsis: An old friend of Matt Dillon's that he hasn't seen in many years, Ab Butler, is shot. Mysteriously, a man named Joe Leeds (played by Tom Reese) enters Dodge to look for Ab Butler. Murray, Lyn. Gunsmoke. Friend's Payoff (ep). TV Series. Score no: CPN5918. FS. Format: OZM. Foreign Library : folders 3693-3703. Box 77. -#3694 "Speechless Lies" Take 3 (1:15) -00:23 thru 00:53 CBS cue #3693 "After Summer Merrily" Take 3, (00:35) 3 Scene: Chester is busy in the Marshal's office trying to fix an old chair. A small boy comes in with a written message, looking for the Marshal. -2:19 thru 3:34 CBS cue #3694 "Speechless Lies" Take 3 (1:15) Scene: The message is from Matt's old friend, Ab Butler, who says he was shot in the shot & needs help quick. Dillon on a horse & Chester in an open wagon go out to find him. -3:56 thru 4:44 Scene: Dissolve to Doc's office, being treated by Adams. Dillon starts to question Ab again. Note that I have no further info on this and following cues for this score.
    [Show full text]
  • Crew Knew What to Do . File For
    VOLUME 44 NUMBER 2 JANUARY 19, 1981 Crew Knew Avis/TWA Sponsor Pro Ski Team .File for MEX TWA has asked the Civil Aeronautics What to Do Board for authority to serve Mexico City OnNovember 30, Flight 171, aBoeing727 and Acapulco from St. Louis., starting under the command of Captain Ray Lutz, about June 1. Approval of the application made a nose-up landing at San Francisco. would permit restoration of nonstop serv­ In the words of an airport official, "The ice between St. Louis and the Mexican pilotdidaterrificjob," andal/133 persons · capital and establish the first single-plane . on board were safely evacuated. service between St. Louis and Acapulco. · The professional teamwork ofthe entire The present air agreement between the flight crew in turning an emergency into an U.S. and Mexico provides for St. Louis­ "incident" is eloquently conveyed in the Mexico service only by a M~xican carrier. debrief by SFO-based cabin attendant The CAB nevertheless could designate a Patricia Stewart. Her report is reprinted U.S.-flag carrier on the route, subject to here from "On the Line," the injlight approval by the Mexican government. · services publication. Bilateral discussions on a revised agree­ · by Patricia Stewart ment between the two nations begin in Mexico City on January 2~. _ I was working "A" position. We were on Ifits application is approved, TWA plans final approach into SFO and we were to offer daily nonstop service between St. seated for landing. I heard the landing gear Louis and Mexico City, and ·on to Aca­ doors open and noticed a strong vibrating pulco.
    [Show full text]