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Cinéma Du Réel Est Aussi Bibliothèque publique d’information | Cinéma 13 – 22 mars 2020 Cinéma du réel 42e festival international du film documentaire « Il se pourrait que l’image soit du règne animal... c’est sans doute très vrai : elle est du ressort profond de la mémoire d’espèce et la mémoire d’espèce est quelque chose de commun entre toutes les espèces, y compris l’espèce humaine... Ils ne supportent pas ça, je ne sais pas pourquoi, on ne supporte pas qu’espèce humaine soit pris au sens littéral du terme... L’image est ce par quoi l’espèce persiste malgré tout... c’est une trace... une trace qui attend, aux aguets. » Fernand Deligny (lire « Ce qui ne se voit pas », dans le Cahier du réel, page 163) Sommaire Cahier du réel du catalogue #2 AVANT-PROPOS FOREWORDS 4 AVANT-PROPOS 162 LES JURYS THE JURIES 6 Fernand Deligny Ce qui ne se voit pas – 163 LES PRIX THE AWARDS 12 Vitalina, dans la chambre d’écho – Antoine Thirion 165 SÉLECTION INTERNATIONALE INTERNATIONAL SELECTION 14 Mosco, à hauteur d’homme – Thierry Garrel 169 SÉLECTION FRANÇAISE FRENCH SELECTION 39 Mosco Lévi Boucault – Au-delà des apparences – Nathalie Bauer 172 AVANT-PREMIÈRES PREMIERES 60 Hans-Jürgen Syberberg et les pouvoirs d’Allemagne – Pierre Gras 176 PREMIÈRE FENÊTRE A FIRST WINDOW 68 Le pouvoir et le réel – Claudine Bories et Patrice Chagnard 181 DANS LA CHAMBRE DE VANDA A 20 ANS IN VANDA’S ROOM, 20 YEARS ON… 70 Geoffroy de Lagasnerie Qu’appelle-t-on « violences policières » ? – 183 MOSCO BOUCAULT, UNE EXPÉRIENCE DOCUMENTAIRE A DOCUMENTARY EXPERIENCE Fatma Chérif 78 Notre image... mais quelle image ?– 186 FACE-À-FACE AVEC LE POUVOIR FACE TO FACE WITH POWER 92 Filmer l’oiseau-Dialogue avec Jacques Perconte – Vincent Sorrel 188 FRONT(S) POPULAIRE(S), QUE FAIRE DE NOUS ? POPULAR FRONT(S), WHAT TO DO WITH US ? 111 Genèse de Calamity Jane & Delphine Seyrig: A Story – Babette Mangolte 192 SÉANCES SPÉCIALES SPECIAL SCREENINGS 134 LE FESTIVAL PARLÉ FESTIVAL CONVERSATIONS 146 PARISDOC 150 ACTION CULTURELLE CULTURAL ACTION 153 CINÉMA DU RÉEL SUR INTERNET CINÉMA DU RÉEL ON INTERNET 155 CIRCULATION 156 L’ÉQUIPE THE TEAM 157 REMERCIEMENTS ACKNOWLEDGEMENTS 159 PARTENAIRES PARTNERS 200 INDEX 222 Avant-propos 2020 Cinéma du réel Festival Festival Cinéma du réel 2020 Cinéma du réel Festival Bibliothèque d’actualité située au sein d’un Centre culturel, la Bpi est L’association Les Amis du Cinéma du réel a été créée OUI, nous sommes tous solidairement partie prenante par ses collections, sa programmation culturelle et ses médiations, en 1984 rien moins que sous la présidence d’honneur d’une même économie qui se nourrit de succès en salles positionnée de plein pied au cœur de la société et de ses débats, de ses de Joris Ivens. Elle soutient depuis lors aux côtés de autant que de succès d’estime, d’artisanat autant que de lignes de fractures. C’est tout le sens de son investissement en matière de la Bibliothèque publique d’information l’organisation productions plus riches, mais dans tous les cas de films du festival et compte une centaine de membres issus qu’il faut continuer à porter, parfois contre vents et cinéma documentaire qui s’incarne aussi bien au sein de la bibliothèque de la profession du cinéma en France et à l’étranger. marées, auprès de toutes les générations de publics. que dans la plateforme de vidéo à la demande Les yeux doc, en salle avec Réalisateurs, auteurs, producteurs, distributeurs, la programmation de La cinémathèque du documentaire et qui brille exploitants, chargés de programmes à la télévision, Cinéma du réel continue de son côté à intensifier de tous ses feux à travers sa plus ancienne manifestation, le Festival partenaires institutionnels clés du monde documentaire, ParisDOC, son offre au service des professionnels, en Cinéma du réel. tous partagent le désir de voir se perpétuer un geste nouant des partenariats avec d’autres festivals tels que S’il a 42 ans le Festival ne porte pas pour autant les traces de l’âge documentaire par essence divers et libre, de donner Cinedoc à Tbilissi, Jihlava en République Tchèque et puise sa jeunesse dans la vitalité et le talent des cinéastes qu’il une place à l’émergence de nouveaux talents et de et TIFF à Turin dont certains projets seront présentés programme et la diversité de son public. Il étend désormais sa contribuer à irriguer le festival d’une pensée plurielle lors des séances Works-in-progress. À noter que l’an issue de pratiques expérimentées au quotidien. dernier, trois des projets qui y avaient été présentés en programmation sur le web et circule dans la France entière pour le cours de fabrication ont été programmés en première bénéfice du public le plus large. Il doit bien sûr sa longévité au partenariat Cette année plus que jamais, l’association Les Amis mondiale aux dernières éditions des festivals de fructueux tissé avec l’association des Amis du réel et au soutien de ses du Cinéma du réel a souhaité contribuer aux débats Sundance, Rotterdam et Berlin. nombreux partenaires institutionnels qui l’accompagnent de longue qui animent la profession et donner une place aux AVANT-PROPOS date et dont le soutien est essentiel pour qu’il puisse poursuivre son inquiétudes qui traversent le cinéma indépendant, qu’il Cette année, seront aussi lancés les premiers développement et son rayonnement. soit documentaire, fiction ou animation, court ou long. Rendez-vous européens du documentaire de patrimoine avec pour même objectif celui de soutenir AVANT-PROPOS Sous la houlette de sa déléguée générale, Catherine Bizern, Cinéma du réel est cette année plus que jamais ancré dans le présent. Un présent Le 17 mars, nous avons l’honneur d’accueillir au sein la visibilité des films documentaires et leur diffusion. du désormais traditionnel Forum public une où les liaisons parfois dangereuses entre réalité et fiction sont devenues manifestation coordonnée par les principales Les Matinales et la programmation des Premières des problématiques épineuses. Après Effractions, le tout nouveau organisations syndicales professionnelles (ACID, fenêtres seront l’occasion de questionner le festival littéraire de la Bpi qui s’attache à éclairer la façon dont le réel SRF, SPI, GNCR, DIRE, SDI, AFCAE, SCARE) documentaire et ses formes futures. Enfin, fait irruption dans la fiction contemporaine, Cinéma du réel se situe plus intitulée POUR DES ETATS GENERAUX DU la participation des jeunes générations – qu‘ils soient que jamais cette année aux avant-postes de cette dualité dans ce qu’elle CINÉMA INDÉPENDANT ET DE LA DIVERSITÉ. stagiaires ou bénévoles, publics étudiants, jury peut avoir de plus fructueux. Du cinéma de Pedro Costa qui rebat sans des jeunes, apprentis rédacteurs ou programmateurs – cesse les cartes du rapport entre fiction et documentaire, à celui Alors que l’époque, pour ne pas dire un modèle nous permet de partager le festival avec ceux qui de Mosco Boucault dont les films sont construits autour de figures économique destructeur de richesses partagées, construiront le cinéma de demain. héroïques brûlantes, souvent historiques, toutes génératrices de nous brutalise tous, auteurs, réalisateurs, producteurs, techniciens, diffuseurs, exploitants, équipes Au nom de tous les membres de l’association, je tiens mythologie voire de fiction, en passant par le festival parlé qui tissera de festivals, il nous a paru essentiel d’en appeler à à remercier l’ensemble des équipes du festival qui cette année les liens entre cinéma et littérature. une intelligence collective, critique et combattive œuvrent avec passion pour ce festival unique au Un très beau festival en perspective, concocté par toute une équipe pour déconstruire certaines idées reçues, parfois trop monde. Et je fais le vœu que l’engagement de nos et que j’ai le plaisir de vous laisser découvrir. facilement lâchées, puis gobées par l’ensemble de la partenaires à nos côtés nous permette d’en accompagner profession. NON, il n’y a pas trop de films et trop peu plus encore le développement et le rayonnement. –Christine Carrier de places dans les salles, NON tous les films français Directrice de la bibliothèque publique d’information ne se ressemblent pas, NON il n’y a pas trop de –Julie Paratian documentaires ou de « petits » films, trop de films Présidente de l’association Les Amis du Cinéma du réel français qui ne sont pas rentables et que le public ne voudrait plus voir… 5 4 Jury longs métrages 2020 Cinéma du réel Festival Feature Documentary Jury Festival Cinéma du réel 2020 Cinéma du réel Festival FLORIAN Florian Caschera, dit Sing Sing, HANIA Hania Mroué est la directrice et TERUTARÔ Producteur, programmateur, CRISTINA Elle commence très tôt à écrire CASCHERA est l’auteur de cinq disques de MROUÉ la fondatrice du Cinema traducteur. Diplômé à l’Univer- pour Il manifesto en tant que chansons hérétiques et cabos- Metropolis, la seule salle d’art OSANAÏ sité de Kyoto en art créatif. PICCINO critique de cinéma, en devient sées avec Eloise Decazes, avec et d’essai du Liban, qui a ouvert Depuis son arrivée à Paris en rédactrice dans les années 1990 qui il forme depuis plus de dix ses portes en 2006. En 2010 2003, il a collaboré à de nom- puis chef de service. Elle colla- ans le duo Arlt. Leur dernier elle a lancé une société de dis- breux projets autour du cinéma bore à des revues de cinéma album, Soleil enculé, est sorti tribution (MC Distribution) japonais en Europe, tel que : (Filmcritica), à des quotidiens juste avant l’hiver. Il a aussi dédiée au cinéma arabe indé- Consultant Japon au Festival locaux et des magazines fondé le festival littéraire pendant, ainsi qu’aux films des 3 Continents, rétrospec- (Amica, Grazia), à des pro- Tremble Parlure et anime régu- d’auteurs internationaux.
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