By Order of the King

Total Page:16

File Type:pdf, Size:1020Kb

By Order of the King By Order of the King. Downloaded from https://www.holybooks.com Downloaded from https://www.holybooks.com Downloaded from https://www.holybooks.com GWYNPLAINK AND DEA. \_Fn7itispiece. Downloaded from https://www.holybooks.com Downloaded from https://www.holybooks.com Downloaded from https://www.holybooks.com : By Order of the King. VICTOR HUGO. THE AUTHORISED ENGLISH TRANSLATION OF VICTOR HUGO S "L' HOMME QUI RIT." ILLUSTRATED. LONDON BRADBURY, EVANS, & CO., lo, BOUVERIE ST. Downloaded from https://www.holybooks.com1871. ^9 ^^ /\.6^fy?- Downloaded from https://www.holybooks.com CONTENTS. PRELIMINARY CHAPTER.— URSUS I ANOTHER PRELIMINARY CHAPTER.'—THE COMPRACHICOS . I9 Part I. BOOK THE FIRST. Nigtt not so ISIacIt as fElan. CHAP. PAGE I.— PORTLAND BJLL 3I II. —LEFT ALONE 36 IIL —ALONE 39 IV. —QUESTIONS -43 V.:—THE TREE OF HUMAN INVENTION 45 VL—STRUGGLE BETWEEN DEATH. AND NIGHT . 49 yiL —THE NORTH POINT OF PORTLAND 54 BOOK THE SECOND. ffifie J^oofter at Sts. I. —SUPERHUMAN LAWS S8 II. —OUR FIRST ROUGH SKETCHES FILLED IN . .60" Downloaded from https://www.holybooks.com vi CONTENTS. PAGE CHAP. ^A TROUBLED SEA ..•••! 111. —TROUBLED MEN ON THE ENTERS ON THE IV.—A CLOUD DIFFERENT FROM THE OTHERS 68 SCENE . 76 V. —HARDQUANONNE VI.—THEV THINK THAT HELP IS AT HAND . 1° "9 VII. —SUPERHUMAN HORRORS 82 VIIL —NIL ET NOX SEA 84 IX.—THE CHARGE CONFIDED TO A RAGING . 86 X.—THE COLOSSAL SAVAGE, THE STORM °9 XI. —THE CASKETS XIL—FACE TO FACE WITH THE ROCK 9' XIIL—FACE TO FACE WITH NIGHT 94 XIV, —ORTACH 95 XV. —PORTENTOSUM MARE 9° SILENCE . .101 XVI.—THE PROBLEM SUDDENLY WORKS IN . XVII. —THE LAST RESOURCE 'OJ XVIII.—THE HIGHEST RESOURCE I06 BOOK THE THIRD. L —CHESIL 112 II.—THE EFFECT OF SNOW I16 HI. —A BURTHEN MAKES A ROUGH ROAD ROUGHER . 120 IV. —ANOTHER FORM OF DESERT I24 V. —MISANTHROPY PLAYS ITS PRANKS I28 VI.—THE AWAKING I40 Downloaded from https://www.holybooks.com — CONTENTS. vii Part 1 1. BOOK THE FIRST. ®f)c Wisnlsstins ^^rescnce of t&e i|ast. Matt tcflects IHait. —« CHAP. PAGE I. —LORD CLANCHARLIE I44 II.—LORD DAVID DIRRY-MOIR 154 III. —THE DUCHESS JOSIANA I59 IV. —THE LEADER OF FASHION I66 V.'—QUEEN ANNE I72 VI. —BARKILPHEDRO . '. '. 1 78 VII. —BARKILPHEDRO GNAWS HIS WAY 183 VIH. —INFERI 188 IX. —HATE IS AS STRONG AS' LOVE ' igO X. —THE FLAME WHICH WOULD BE SEEN IF MAN WERE TRANS- PARENT 196 XL ^—BARKILPHEDRO IN AMBUSCADE 202 XII. —SCOTLAND, IRELAND, AND ENGLAND 205 BOOK THE SECOND. 6&>sn]ilatne anH Hea. I. —WHEREIN WE SEE THE FACE OF HIM OF WHOM WE HAVE HITHERTO SEEN ONLY THE ACTS .... 213 II. —DEA 217 IIL —"OCULOS NON HABET, ET VIDET " 220 IV. —WELL-MATCHED LOVERS 222 V. —THE BLUE SKY THROUGH THE BLACK CLOUD . 224 VI. —URSUS AS TUTOR, AND URSUS AS GUARDIAN . 22? VIL^BUNDNESS, GIVES LESSONS IN CLAIRVOYANCE .. 23I VIII. —NOT ONLY HAPPINESS, BUT PROSPERITY . 234 IX.—^ABSURDITIES WHICH FOLKS WITHOUT TASTE CALL POETRY 239 Downloaded from https://www.holybooks.com VIU CONTENTS. OH*P. ""AGE X. —AN outsider's VIEW OF MEN AND THINGS . 244 XI.—GWYNPLAINE THINKS JUSTICE, AND URSUS TALKS TRUTH 248 1 Xn.— URSUS THE POET DRAGS ON URSUS THE PHILOSOPHER . 255 BOOK THE THIRD, Wtit 3St5mnmc[ af tlje JFfesuw. I. —THE TADCASTER INN 258 IL —OPEN AIR ELOQUENCE . 261 III. —WHERE THE PASSER-BY REAPPEARS 265 IV.—CONTRARIES FRATERNISE IN HATE 270 V. THE WAPENTAKE . — ... 274 VI. —THE MOUSE EXAMINED BY THE CATS 277 VII.^—WHY SHOULD A GOLD PIECE LOWER ITSELF BY MIXING WITH A HEAP OF PENNIES 1 ..... 284 VIII. —SYMPTOMS OF POISONING 29O IX, —ABYSSUS ABYSSUM VOCAT 294 BOOK THE FOURTH. zit ectii of ffiottaw. I. THE TEMPTATION — OF ST. GWYNPLAINE 302 II.— FROM GAY TO GKAVE 308 III.—LEX, REX, FEX IV. —URSUS SPIES THE POLICE 316 V. —^A FEARFUL PLACE 320 THE KIND VL— OF MAGISTRACY UNDER THE WIGS OF FORMER DAYS . 322 VII. —SHUDDERING 32s VIH.—LAMENTATION 327 Downloaded from https://www.holybooks.com — CONTENTS. IX BOOK THE FIFTH. Wije Sea aria JFate uxt tnobeD ig if|c same JSreatf;. CHAP. I'AGE I.^THE DURABIWTY OF FRAGILE THINGS .... 339 II. —THE WAIF KNOWS ITS OWN COURSE 347 III. —AN AWAKENING 358 IV.—FASCINATION 360 V. —WE THINK WE REMEMBER ; WE FORGET .... 365 BOOK THE SIXTH. Mtsm taiavc ttSmnt Ssttects. I. —WHAT THE MISANTHROPE SAID 372 II. —WHAT HE DID 375 III. —COMPLICATIONS 385 IV.—MCENIBUS SURDIS CAMPANA MUTA 388 v.—STATE POLICY DEALS WITH LITTLE MATTERS AS WELL AS WITH GREAT 393 BOOK THE SEVENTH. Z\!t Wtaneas. — I.—THE AWAKENING 4OI IL—THE RESEMBLANCE OF A PALACE TO A WOOD . ... 4O3 in. —EVE 407 IV.—SATAN 413 V. —THEY RECOGNISE, BUT DO NOT KNOW, EACH OTHER . 422 Downloaded from https://www.holybooks.com CONTENTS. BOOK THE EIGHTH. Kit Capitol ant( tljinp aroutiB it. PAGE CHAP. ... I.—ANALYSIS OF MAJESTIC MATTERS 'Hi ^^ II. —IMPARTIALITY • 443 III.—THE OLD HALL . 44° IV. —THE OLD CHAMBER ...••.•• 452 V. —ARISTOCRATIC GOSSIP VL-7-THE HIGH AND THE LOW 459 OCEANS VII.—STORMS OF MEN ARE WORSE THAN STORMS OF . 463 GOOD VIII —HE WOULD BE A GOOD BROTHER, WERE HE NOT A SON 478 BOOK THE NINTH. In l^uins. 1.—IT IS THROUGH EXCESS OF GREATNESS THAT MAN REACHES EXCESS OF MISERY 482 II.-^THE DREGS 4^^ CONCLUSION. ®Ije §,isijt aria ti^e Sea. I. —A WATCH-DOG MAY BE A GUARDIAN ANGEL . , 5°^ II. —BARKILPHEDRO, HAVING AIMED AT THE EAGLE, BRINGS DOWN THE DOVE , 504. HI. —PARADISE REGAINED BELOW SII IV, —NAY ; ON HIGH ! 516 Downloaded from https://www.holybooks.com ILLUSTRATIONS. GWYNPLAINE AND DEA Frontispiece. THE TREE OF HUMAN INVENTION 47 "LET Us PRAY" Ill THE DUCHESS JOSIANA 1 59 URSUS HARANGUING THE CROWD 261 THE PERFORMANCE IN THE COURTYARD OF THE TADCASTER INN 268 THE WAPENTAKE ARRESTS GWYNPLAINE 3 12 URSUS WATCHING THE PROCESSION OF JUSTICE .... 320 GWYNPLAINE AND BARKILPHEDRO 363 GWYNPLAINE IN THE HOUSE OP LORDS 466 " "I come; DEA, BEHOLD, I COME ! 521 Downloaded from https://www.holybooks.com Downloaded from https://www.holybooks.com BY ORDER OF THE KING. ^ 3^omance of (!Hnfllt0|) ll^tstoirg. PRELIMINARY CHAPTER. URSUS. Ursus and Homo were fast friends. Ursus was a man, Homo a wolf. Their dispositions tallied. It was the man who had christened the wolf: probably he had also chosen his own name. Having found Ursus fit for himself, he had found Homo fit for the beast. , Man and wolf turned their partnership to account at fairs, at village fetes, at the comers of streets where passers-by throng, and out of the need which people seem to feel everywhere to listen to idle gossip, and to buy quack medicine. The wolf, gentle and courteously subordinate, diverted the crowd. It is a pleasant thing to behold the tameness of animals. Our greatest delight is to see all the varieties of domestication parade before us. This it is which collects so many folks on the road of royal processions. Ursus and Homo went about from cross-road to cross-road, from the High Street of Aberystwith to the High Street of Jed- burgh, from country-side to country-side, from shire to shire, from \ town to town. One market exhausted, they went on to another. Ursus lived in a small van upon wheels, which Homo was civilised ' enough to draw by day and guard by night. On bad roads, up hills, and where there weit too many ruts, or there was too much mud, the man buckled the trace round his neck and pulled fra- ternally, side by side with the wolf. They had thus grown old together. They encamped at hap-hazard on a common, in the glade of a wood, on the waste patch of grass where roads intersect, Downloaded from https://www.holybooks.com 2 BY ORDER OF THE KING. at the outskirts of villages, at the gates of towns, in market-places, in public walks, on the borders of parks, before the entrances of churches. When the cart drew up on a fair green, when the gossips ran up open-mouthed and the curious made a circle round the pair, Ursus harangued and Homo approved. Homo, with a bowl in his mouth, politely made a collection among the audience. They gained their livelihood. The wolf was lettered, likewise the man. The wolf had been trained by the man, or had trained himself unassisted, to divers wolfish arts, which swelled the re- ceipts. " Above all things, do not degenerate into a man," his friend would say to him. Never did the wolf bite : the man did now and then. At least, to bite was the intent of Ursus. He was a misanthrope, and to italicise his misanthropy he had made himself a juggler. To live, also ; for the stomach has to be consulted. Moreover, this juggler- misanthrope, whether to add to the complexity of his being or to perfect it, was a doctor. To be a doctor is little : Ursus was a ventriloquist. You heard him speak without his moving his lips. He counterfeited, so as to deceive you, any one's accent or pro- nunciation. He imitated voices so exactly that you believed you heard the people themselves. All alone he simulated; the murmur of a crowd, and this gave him a right to the title ,of Engastrimythos, which he took. He reproduced all sorts of cries of birds, as of the thrush, the wren, the pipit lark, otherwise called the grey cheeper and the ring ousel, all travellers like, himself: so that at, times when the fancy struck him, he made you awareeither of a public thoroughfare filled with the uproar of men, or of a meadow loud with -the voices of beasts—at one tune stormy as a.
Recommended publications
  • Conference Programme Guernsey 28-30 June 2019 Organised by the Victor Hugo in Guernsey Society
    IN GUERNSEY CONFERENCE 2019 Conference Programme Guernsey 28-30 June 2019 Organised by The Victor Hugo in Guernsey Society Supported by the Guernsey Arts André Gill illustration for L’Eclipse, 25 April 1869, from the Gérard Pouchain collection. from the Gérard Pouchain April 1869, 25 L’Eclipse, André Gill illustration for Commission About The Victor Hugo In Guernsey Society Welcome from The Victor Hugo In Guernsey Society Victor Hugo wrote many of his greatest works on The Victor Hugo in Guernsey Society welcomes you to its 3rd In~ a letter to his publisher, Lacroix, in December the island of Guernsey, a small British dependency Victor Hugo in Guernsey conference. This weekend in the 1868, after he had announced the publication of 20 miles off the coast of France. Hugo was in exile, but island of Hugo’s exile will focus on the novel Hugo published a new work by Hugo which he characterised as a Roman despite his grief for his family and his homeland he was 150 years ago in 1869, L’Homme qui rit, (The Man who Laughs), historique, the famous novelist wrote: inspired by the beauty of the rocky landscape and seas written on Guernsey and set in England. Our sister island of “When I paint history I make my historical characters that surrounded him to produce magnificent novels – Alderney plays a pivotal part in the narrative, and even our old do only what they have done or could do, their characters including Les Misérables, and Les Travailleurs de la mer – Norman law finds its way into the text.
    [Show full text]
  • Lundi 1 Avril 2019 : *Victor Hugo Est Un Des Personnages Illustres Qui
    Lundi 1er avril 2019 : *Victor Hugo est un des personnages illustres qui ont fait l’objet de pochoirs disséminés dans le 5e arrondissement de Paris et réalisés par Christian Guémy alias C215, artiste urbain. Leur localisation est indiquée sur un plan disponible à l’entrée du Panthéon ou à la Mairie du 5e. Ces portraits sont exposés depuis le 10 juillet et jusqu’à juin 2019. Celui de Hugo se trouve, Carine Fréard l’a repéré, en venant du boulevard St-Michel, rue Soufflot, 100 m environ après avoir croisé la rue Saint-Jacques, sur le trottoir de gauche. *10h à 12h 30 et 14h à 17h 30 : L’Invisible au Visible mêlé, exposition inédite de dessins de Hugo à la Maison Vacquerie-Musée Victor Hugo, Rives-en-Seine (Villequier), Du 9 mars au 26 mai, tous les jours sauf le mardi et le dimanche matin ; 14h à 17h 30 le dimanche. *10h 30 à 17h 30 : Exposition « La Poésie sans mots » (du 15 mars au 15 avril) à la Bibliothèque du 1er étage et Exposition permanente, Maison natale de Victor Hugo, 140 Grande Rue, sauf le mardi : Rez-de chaussée - « Hugo bisontin ? » (hommages des Bisontins à l’auteur et liens tissés par lui avec sa ville natale) -; 1er étage - « L’homme engagé » (exposition permanente) ; quatre thématiques et leurs prolongements aujourd’hui : la liberté d’expression (partenaire : Reporters sans frontières); misère- égalité-justice (partenaire : ATD Quart Monde pour la lutte contre la misère) ; l’enfance et l’éducation, dans la chambre natale (partenaire : Unicef pour les droits de l’enfant) ; liberté des peuples, dans le salon de la rue de Clichy, où Hugo a reçu quantité d’invités de 1874 à 1878, donné par Alice et Edouard Lockroy à la ville de Besançon (partenaire : Amnesty International) ; cave voûtée - salle Gavroche, espace pour l’action culturelle – projections, conférences, expositions temporaires, lectures, petites mises en scène théâtrales ou musicales – capable d’accueillir 65 personnes .
    [Show full text]
  • THE MAN WHO LAUGHS / 1927 (O Homem Que Ri)
    CINEMATECA PORTUGUESA-MUSEU DO CINEMA REVISITAR OS GRANDES GÉNEROS - A COMÉDIA (PARTE III): O RISO 2 de dezembro de 2020 THE MAN WHO LAUGHS / 1927 (O Homem Que Ri) um filme de Paul Leni Realização: Paul Leni / Argumento: J. Grubb Alexander, segundo o romance “L’ Homme Qui Rit” de Victor Hugo, adaptado por Bela Sekely / Fotografia: Gilbert Warrenton / Direcção Artística: Charles D. Hall, Joseph Wright, Thomas F. O’Neill / Figurinos: David Cox, Vera West / Montagem: Maurice Pivar, Edward Cahn / Conselheiro Técnico: Professor R.H. Newlands / Intérpretes: Conrad Veidt (Gwynplaine), Mary Philbin (Dea), Olga Baclanova (Duquesa Josiana), Josephine Crowell (Rainha Anne), George Siegmann (Dr. Hardquannnone), Brandon Hurst (Barkilphedro, o bobo), Sam De Grasse (Rei James), Stuart Holmes (Lord Dirry-Noir), Cesare Gravina (Ursus), Nick De Ruiz (Wapentake), Edgar Norton (Lord Alto Conselheiro), Torben Meyer (“Comprachicos”), Julius Molnar Jr. (Gwynplaine, em criança), Charles Puffy, Frank Puglia, Jack Goodrich, Carmen Costello, Zimbo (Homo, o cão-lobo) Produção: Carl Laemmle (Universal) / Cópia: 35mm, preto e branco, mudo com intertítulos em inglês, legendado eletronicamente em português, 132 minutos, a 22 imagens por segundo / Estreia Mundial: Cinema Central, Nova Iorque, em 27 de Abril de 1928 / Estreia em Portugal: Condes, em 21 de Janeiro de 1930. Acompanhamento ao piano por João Paulo Esteves da Silva _____________________________ Se Paul Leni não tivesse sido um grande realizador, bastaria o trabalho como “cenógrafo” para lhe reservar um lugar na história do cinema, à semelhança de um Mitchell Leisen, um William Cameron Menzies, um Lazare Meerson, num estilo de trabalho cuja tradição ainda hoje se encontra num Dean Tavoularis, por exemplo.
    [Show full text]
  • DOSSIER DE PRESSE Carl Laemmle Présente SYNOPSIS
    DOSSIER DE PRESSE Carl Laemmle présente SYNOPSIS En Angleterre, à la fin du XVIIe siècle, le roi Jacques se débarrasse de son ennemi, Conrad Veidt dans le Lord Clancharlie, et vend son jeune fils, Gwynplaine, aux trafiquants d’enfants qui le défigurent. Le garçon s’enfuit et sauve du froid un bébé aveugle, Dea. Tous les deux sont recueillis par Ursus, un forain. Gwynplaine, baptisé « L’Homme qui rit », devient un célèbre comédien ambulant. Le bouffon Barkilphedro découvre L’HOMME son ascendance noble et la dévoile à la reine Anne, qui a succédé au roi Jacques. QUI RIT The Man Who Laughs un film de Paul Leni États-Unis – 1928 – 116 min – visa n°106196 AU CINÉMA LE 9 OCTOBRE à l’occasion du 150ème anniversaire du roman de Victor Hugo EN RESTAURATION 4K Nouvelle orchestration musicale : The Berklee Silent Film Orchestra DISTRIBUTION : PRESSE : MARY-X DISTRIBUTION SF EVENTS cnc n°4438 Tél. : 07 60 29 18 10 308 rue de Charenton 75012 Paris [email protected] Tel. : 01 71 24 23 04 / 06 84 86 40 70 [email protected] NOTES DE PRODUCTION Au début des années 20, le Studio Universal sous la direction de Carl Laemmle Sr connaît deux gros succès avec des films historiques à costumes, Notre-Dame-de- Paris de Wallace Worsley (1923), déjà adapté de Victor Hugo et Le Fantôme de l’Opéra de Rupert Julian (1925) d’après Gaston Leroux. Les deux films avaient pour star Lon Chaney. Universal décide de continuer le filon avec L’Homme qui rit. La pré-production commence en mai 1927.
    [Show full text]
  • By Victor Hugo P
    BRUSSELS COMMEMORATES 150 YEARS of ‘LES MISÉRABLES’ SIZED FOR VICTOR HUGO PRESS KIT CONTENTS Brussels commemorates 150 years of ‘Les Misérables’ by Victor Hugo p. 3 On the programme p. 4 Speech by the Ambassador of France in Belgium p. 5 I. Les Misérables, Victor Hugo and Brussels: a strong connection p. 6 II. Walk : in the footsteps of Victor Hugo p. 8 III. Book : In the footsteps of Victor Hugo between Brussels and Paris p. 12 IV. Brusselicious, gastronomic banquet : les Misérables p. 13 V. Events «Les Misérables : 150th anniversary» • Gastronomy p. 15 • Exhibitions p. 15 • Conferences p. 17 • Film p. 19 • Theater p. 20 • Guided tours p. 21 Contacts p. 23 Attachment P. 24 BRUsseLS COMMEMORAtes 150 YEARS Of ‘Les MisÉRABLes’ BY ViCTOR HUGO LES MISÉRABLES IS ONE OF THE GREATEST CLASSICS OF WORLD LITERATURE. THE MASTERPIECE BY VICTOR HUGO ALSO REMAINS VERY POPULAR THANKS TO THE MUSICAL VERSION AND THE MANY MOVIES. Over thirty films have been made of ‘Les Miserables’ and Tom Hooper (The King’s Speech) is currently shooting a new version with a top cast. In March, it is exactly 150 years since ‘Les Misérables’ by Victor Hugo was published. Not in Paris as is often assumed, but in Brussels. The first theatrical performance of ‘Les Misérables’, an adaptation of the book by his son Charles, also took place in Brussels. In addition to these two premieres of ‘Les Misérables’, Brussels played a crucial role in Victor Hugo’s life and his career as a writer and thinker. Closely related to Hugo’s connection with Brussels is also his call for a United States of Europe.
    [Show full text]
  • Victor Hugo's the Man Who Laughs
    Come to a Weekend Conference in Beautiful Guernsey: Victor Hugo’s The Man who Laughs The Victor Hugo In Guernsey Society Victor Hugo in Guernsey Conference 28th to 30th June 2019 Join leading international Victor Hugo experts for a weekend about Victor Hugo’s life and work, particularly while in exile in Guernsey. The Conference will be themed to celebrate the 150th Anniversary of the publication of Hugo’s L’Homme qui rit - The Man who Laughs. th Victor Hugo Saturday 29 June In Guernsey 9:00 CONFERENCE registration in the Harry Bound Room at Les Côtils Centre. 2019 9:30 BEAUTIFUL INSIDE & OUT, by GÉRARD AUDINET ‘Beautiful inside and out.’ Does the soul have a face? We are all familiar A with the concept of ‘inner beauty,’ but how do artists approach the problem of Conference with L’Homme Qui Rit depicting it? This illustrated talk will reflect on the representations of ugliness Supported by the Guernsey 28th to 30th June and beauty in later arts and media of Victor Hugo’s ‘The Man who Laughs.’ Arts The Victor Hugo In Guernsey Society Commission 10:30 Break for discussion, Coffee or tea. The Victor Hugo In Guernsey Society 11:00 JUSTICE IN THE MAN WHO LAUGHS, by MYRIAM ROMAN Victor Hugo in Guernsey 2019 Conference The representation of justice in ‘The Man who Laughs’ passes through a series of 28th to 30th June 2019 images and myths. The singularity of this novel seems to be to ask the last question of a possible divine injustice through a series of metaphors that project, on the PROGRAMME cosmos, terrifying images of the process and the punishment.
    [Show full text]
  • Polifonia, Cuiabá-MT, V. 23, Nº 34, Jul-Dez., 2016
    polifoniaeISSN 22376844 Romantismo e imaginário hugoano. Volubilidade do “Homem que ri” nas artes visuais Romanticism and the hugolian imaginary. The volubility of The man who laughs in visual arts El romantismo y el imaginario de Victor Hugo. La volubilidad de El hombre que ríe en las artes visuales Junia Barreto Universidade de Brasília Resumo O imaginário hugoano é permeado pela figura onírica do caos, que se traduz em excesso, estranhamento, totalidade; elementos que compõem a estética romântica. Excesso e desordem expressos na desfiguração do L’homme qui rit, imagem do caos, figura do amontoamento da massa, mas une force qui va. Texto de tonalidade ímpar, carrega em suas releituras contemporâneas − no romance gráfico ou no cinema − a extemporaneidade ao período romântico e, na expressão do verbo, traço e imagens, o que as une ao romantismo francês, em sua mutabilidade e multiplicidade de sentidos. Da palavra ampla do monstro irrompe a volúpia que desorganiza os sentidos e os gêneros, aproximando e distanciando a estética hugoana do protótipo romântico. Palavras-chave: imaginário hugoano, L’homme qui rit, artes visuais. Abstract The oneiric image of chaos permeates Hugo’s imaginary, translated into excess, strangeness and totality, elements that integrate the romantic aesthetics. Excess and disorder are expressed in the disfigurement of The man who laughs, an image of chaos and accumulation of masses, but “a force that moves”. That text has a unique tone, and its contemporary filmic and graphic novel re-readings are marked by extemporaneous romantic elements, so that they relate to French romanticism in its mutability and multiplicity of senses through words, traces and images.
    [Show full text]
  • Hugo, Baudelaire, Camus, and the Death Penalty
    UC Irvine FlashPoints Title Capital Letters: Hugo, Baudelaire, Camus, and the Death Penalty Permalink https://escholarship.org/uc/item/0r30h8pt ISBN 9780810141537 Author Morisi, Eve Publication Date 2020 Peer reviewed eScholarship.org Powered by the California Digital Library University of California Capital Letters The FlashPoints series is devoted to books that consider literature beyond strictly national and disciplinary frameworks, and that are distinguished both by their historical grounding and by their theoretical and conceptual strength. Our books engage theory without losing touch with history and work historically without falling into uncritical positivism. FlashPoints aims for a broad audience within the humanities and the social sciences concerned with moments of cultural emergence and transformation. In a Benjaminian mode, FlashPoints is interested in how liter- ature contributes to forming new constellations of culture and history and in how such formations function critically and politically in the present. Series titles are available online at http://escholarship.org/uc/flashpoints. series editors: Ali Behdad (Comparative Literature and English, UCLA), Edi- tor Emeritus; Judith Butler (Rhetoric and Comparative Literature, UC Berkeley), Editor Emerita; Michelle Clayton (Hispanic Studies and Comparative Literature, Brown University); Edward Dimendberg (Film and Media Studies, Visual Studies, and European Languages and Studies, UC Irvine), Founding Editor; Catherine Gallagher (English, UC Berkeley), Editor Emerita; Nouri Gana (Comparative Lit- erature and Near Eastern Languages and Cultures, UCLA); Susan Gillman (Lit- erature, UC Santa Cruz), Coordinator; Jody Greene (Literature, UC Santa Cruz); Richard Terdiman (Literature, UC Santa Cruz), Founding Editor A complete list of titles begins on p. 267. Capital Letters Hugo, Baudelaire, Camus, and the Death Penalty Ève Morisi northwestern university press | evanston, illinois Northwestern University Press www.nupress.northwestern.edu Copyright © 2020 by Northwestern University Press.
    [Show full text]
  • 2017 Film Writings by Roderick Heath @ Ferdy on Films
    2017 Film Writings by Roderick Heath @ Ferdy On Films © Text by Roderick Heath. All rights reserved. Contents: Page La La Land (2016) 2 Waxworks (Das Wachsfigurenkabinett, 1924) / The Man Who Laughs (1928) 10 The Manchurian Candidate (1962) 23 Remorques (1941) 35 Shoot the Piano Player (Tirez sur les Pianiste, 1960) 45 Fellini ∙ Satyricon (1969) 54 The Silence of the Lambs (1991) 64 Pink Narcissus (1971) 75 Alien: Covenant (2017) 85 Live and Let Die (1973) / The Spy Who Loved Me (1977) / For Your Eyes Only (1981) 94 T2 Trainspotting (2017) 104 Song To Song (2017) 113 The Lost City of Z (2016) 121 Dunkirk (2017) 130 The Immortal Story (Histoire Immortelle; TV, 1968) 139 Le Samouraï (1967) 162 The Shout (1978) 174 The Ladies Man (1961) 172 Baby Driver (2017) 182 Me, You, Him, Her (Je, Tu, Il, Elle, 1974) / All Night Long (Toute Une Nuit, 1982) 191 The Mummy’s Hand (1940) / The Mummy’s Tomb (1942) / The Mummy’s Ghost (1944) / The Mummy’s Curse (1944) 204 The White Reindeer (Valkoinen Peura, 1953) 223 The Velvet Vampire (1971) 237 Night of the Demon (aka Curse of the Demon, 1957) 245 The Shining (1980) 258 Murder on the Orient Express (2017) 277 Justice League (2017) 287 The Shape of Water (2017) 294 The Disaster Artist (2017) 305 Star Wars: The Last Jedi (2017) 314 2017 Film Writings by Roderick Heath for Ferdy On Films La La Land (2016) Director/Screenwriter: Damien Chazelle By Roderick Heath A clogged LA freeway on a winter‘s day, ―Another Day of Sun,‖ cars backed up for miles on either side.
    [Show full text]
  • KS3 Reading List – English the Stars Identify the Difficulty of the Text
    KS3 Reading List – English The stars identify the difficulty of the text. Three stars means that the book is more sophisticated and/or contains more mature themes and language. The most important thing about reading is to make it a pleasurable habit for life. Title Author Description Level It‘s an ordinary Thursday lunchtime for Arthur Dent until his house gets demolished. Hitchhiker's Guide to The Earth follows shortly afterwards to make way for a new hyperspace bypass and the Galaxy/Life the Adams, Douglas his best friend has just announced that he‘s an alien. At this moment, they‘re hurtling * Universe and Everything through space with nothing but their towels and an innocuous-looking book inscribed with the big, friendly words: DON‘T PANIC. Fiver could sense danger. Something terrible was going to happen to the warren – he felt sure of it. So did his brother Hazel, for Fiver‘s sixth sense was never wrong. They had to leave immediately, and they had to persuade the other rabbits to join them. Watership Down Adams, Richard And so begins a long and perilous journey of a small band of rabbits in search of a * safe home. Fiver‘s vision finally leads them to Watership Down, but here they face their most difficult challenge of all… Published in 1972 Watership Down is an epic journey, a stirring tale of adventure, courage and survival against the odds. The day she acquired some living tissue from the genetic engineering laboratory, was the day Frankie's life changed for ever. She'd never imagined her experiment would The Monster Garden Alcock, Vivien be so successful, but how will she keep the growing monster a secret from her * family? When Watts finds Frankenstein's notebook, he lends it to Vernon Bright, his science- Vernon Bright and mad friend.
    [Show full text]
  • Batman the Man Who Laughs Pdf Ebook by Ed Brubaker
    Download Batman The Man Who Laughs pdf ebook by Ed Brubaker You're readind a review Batman The Man Who Laughs ebook. To get able to download Batman The Man Who Laughs you need to fill in the form and provide your personal information. Book available on iOS, Android, PC & Mac. Gather your favorite ebooks in your digital library. * *Please Note: We cannot guarantee the availability of this file on an database site. Book Details: Original title: Batman: The Man Who Laughs 144 pages Publisher: DC Comics; 40614th edition (February 3, 2009) Language: English ISBN-10: 9781401216269 ISBN-13: 978-1401216269 ASIN: 1401216269 Product Dimensions:6.7 x 0.2 x 10.2 inches File Format: PDF File Size: 11928 kB Description: Witness Batmans first encounter with The Joker in this volume collecting the graphic novel BATMAN: THE MAN WHO LAUGHS, by Ed Brubaker and Doug Mahnke! This collection also includes DETECTIVE COMICS #784-786, a murder mystery tale guest-starring Green Lantern Alan Scott.... Review: Ed Brubaker takes on Batmans Clown Prince of Crime with another old school style foe the Made of Wood killer in this wonderful Batman comic.NOTE: This is actually two stories with Brubakers take on The Jokers origin story, which is very similar in concept to Alan Moores The Killing Joke, with the difference being the motivations of The Joker. Brubaker... Ebook File Tags: man who laughs pdf, green lantern pdf, made of wood pdf, killing joke pdf, alan scott pdf, dark knight pdf, golden age pdf, joker story pdf, jim gordon pdf, graphic novel pdf, bruce wayne
    [Show full text]
  • What Comes Next
    fi 39 CLUES ADVENTURE, MYSTERY 1 The maze of bones (Rick Riordan), 2008 2 One false note (Gordon Korman), 2008 3 The sword thief (Peter Lerangis), 2009 4 Beyond the grave (Jude Watson), 2009 5 The black circle (Patrick Carman), 2009 6 In too deep (Jude Watson), 2009 7 The viper's nest (Peter Lerangis), 2010 8 Book eight (Gordon Korman), 2010 9 Book nine (Linda Sue Park), 2010 fi BENEATH THE CROWN CANADIAN, HISTORICAL 1 The princess in the tower (Sharon Stewart: originally published as The Dark Tower, 1998, 2005 2 The nine days queen (Karleen Bradford), 2006 3 The last duchess (Sharon Stewart), 2006 fi DEAR AMERICA HISTORICAL Note: BPL is not collecting the entire "Dear America" series. BPL has: "Standing in the light: the captive diary of Catherine Carey Logan" (Mary Pope Osborne), "Voyage on the great Titanic" (Ellen Emerson White), "Across the wide and lonesome prairie" (Kristiana Gregory), and "The journal of Wong Ming- Chung: a Chinese miner" (Laurence Yep). fi DEAR CANADA CANADIAN, HISTORICAL Note: Written by various authors, indicated in parentheses after title. "A Christmas to remember" (2009), is a companion to the series featuring 11 stories that each revisit a favourite character from books in the series. 1 Orphan at my door (Jean Little), 2001 2 A prairie as wide as the sea (Sarah Ellis), 2001 3 Footsteps in the snow (Carol Matas), 2002 4 With nothing but our courage (Karleen Bradford), 2002 5 A ribbon of shining steel (Julie Lawson), 2002 6 Whispers of war (Kit Pearson), 2002 7 Alone in an untamed land (Maxine Trottier), 2003
    [Show full text]