Us Premiere of Matt Charman's the Machine
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Gregory Clarke Sound Designer
Gregory Clarke Sound Designer Agents Giles Smart Assistant Ellie Byrne [email protected] +44 (020 3214 0812 Credits In Development Production Company Notes THE HOUSE OF SHADES Almeida By Beth Steel 2020 Dir. Blanche McIntyre ALL OF US National Theatre By Francesca Martinez 2020 Dir. Ian Rickson THE REALISTIC JONESES Theatre Royal Bath By Will Eno 2020 Dir. Simon Evans Theatre Production Company Notes THE BOY FRIEND Menier Chocolate Factory Book, Music and Lyrics by Sandy Wilson 2020 Dir. Matthew White THE WIZARD OF OZ Chichester Festival Adapted by John Kane from the motion 2019 Theatre picture screenplay A DOLL'S HOUSE Lyric Hammersmith By Henrik Ibsen in a new adaptation by 2019 Tanika Gupta Dir. Rachel O’Riordan. United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Company Notes THE SECRET DIARY OF Ambassadors Theatre Based on the novel by Sue Townsend ADRIAN MOLE AGED 13 3/4 Dir. Luke Sheppard Book & Lyrics by 2019 Jake Brunger, Music & Lyrics by Pippa Cleary Transfer of Menier Chocolate Factory production THE BRIDGES OF MADISON Menier Chocolate Factory Book by Marsha Norman COUNTY Music & Lyrics by Jason Robert Brown 2019 Based on the novel by Robert James Waller Direction Trevor Nunn THE BEACON Druid By Nancy Harris 2019 Dir. Garry Hynes RICHARD III Druid / Lincoln Center NYC By William Shakespeare 2019 Dir. Garry Hynes ORPHEUS DESCENDING Theatr Clwyd / Menier By Tennessee Williams 2019 Chocolate Factory Dir. Tamara Harvey THE BAY AT NICE Menier Chocolate Factory By David Hare 2019 Dir. -
Press Information !
Press Information ! ! VIBRANT NEW WRITING | UNIQUE REDISCOVERIES Spring-Summer Season 2017 | April–July 2017 The premiere production outside Australia FOOD by Steve Rodgers. Directed by Cressida Brown. Lighting by Richard Williamson. Sound by Jon McLeod. Movement Direction by Ita O’Brien. Presented by NewPlay Productions in association with Neil McPherson for the Finborough Theatre. Cast: Scott Karim. Lily Newbury-Freeman. Emma Playfair. “ ‘Member when you were smart? Year six, start of high school, you know, fractions, Pythagoras’s thing, all that? One day, just like that, ya got dumb, made yourself dumb, like that was more attractive.” In its first production outside Australia, acclaimed Australian drama Food opens at the Finborough Theatre for a four week limited season on Tuesday, 20 June 2017 (Press Nights: Thursday, 22 June and Friday 23 June 2017 at 7.30pm). Nancy left, choosing chaos, freedom and sex. Elma stayed behind and cooked. Now Nancy is back. On a stretch of Australian highway, sisters Elma and Nancy run their family takeaway joint – their days heavy with deep frying and memories. While they quietly wage war with their past and dream of a brighter future, a young life-loving Turkish traveller arrives, bringing a charm and sensuality that turns their world upside down. Food is the first production outside Australia of Australian playwright Steve Rodgers, directed by Cressida Brown, the Artistic Director of Offstage Theatre, and director of the critically acclaimed Amphibians and Walking the Tightrope. Playwright Steve Rodgers -
Donmar Warehouse Projects Ltd HEAD of FINANCE
Donmar Warehouse Projects Ltd HEAD OF FINANCE Responsible to: Executive Director Responsible for: Management Accountant, Finance Assistant Location 3 Dryden Street, London WC2E 9NA Term of employment Full time, permanent position Working Hours 40 hours per week and evening work where necessary Salary Dependent on experience ABOUT THE DONMAR “Powerhouses do not come much smaller, nor more powerful, than the Donmar Warehouse” Sunday Times “The Donmar is a credit to the British stage” Observer “One of the glories of London’s theatre scene” Evening Standard The Donmar Warehouse, led by Michael Longhurst, Artistic Director and Henny Finch, Executive Director, is a 251-seat subsidised theatre located in the heart of Covent Garden in London’s West End. Since 1992 the Donmar has built a reputation for artistic excellence as one of the UK’s leading producing theatres. From our iconic warehouse space in the heart of London’s West End, we create world-class theatre with international impact. Our intimate auditorium offers audiences – 95,000 annually - a unique shared experience, and an unparalleled connection with performers. We believe that representation matters; diversity of identity, of perspective, of lived experience enriches our work and our lives. We develop new artists and future audiences through our renowned training programmes and our Discover educational activity in schools and communities. We share the theatre we make widely through transfers, tours and on screen. A registered charity, with a turnover of around £7m/year, the Donmar is funded by a combination of Arts Council England investment (7%), box office (35%) fundraising from individuals, Trusts and Foundations and corporate sponsorships (53%), and other income (5%). -
Discourse Analysis of the Interaction Between the Therapist and the King in Overcoming the King’S Stuttering Disorder in Tom Hooper’S the King’S Speech
PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI DISCOURSE ANALYSIS OF THE INTERACTION BETWEEN THE THERAPIST AND THE KING IN OVERCOMING THE KING’S STUTTERING DISORDER IN TOM HOOPER’S THE KING’S SPEECH A THESIS Presented as a Partial Fulfillment of the Requirements to Obtain the Magister Humaniora (M.Hum.) Degree in English Language Studies by Nurvita Wijayanti Student Number: 146332019 THE GRADUATE PROGRAM OF ENGLISH LANGUAGE STUDIES SANATA DHARMA UNIVERSITY YOGYAKARTA 2016 i PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI ii PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI iii PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI iv PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI v PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI ACKNOWLEDGEMENTS It is a delightful opportunity for me to express my deepest gratitude to all of those who have supported me in accomplishing this thesis. Firstly, my deepest gratitude goes to Allah SWT for showing me the light to have my courage finishing this thesis. I present the best gratitude to my lovely advisor Dr. B.B Dwijatmoko, M.A. for his guidance and patience. He has been a good advisor who has listened and shared opinion regarding the ideas contributing in this thesis. Great thanks also go to Dr. Francis Borgias Alip, M.Pd., M.A. and Dr. E. Sunarto, M.Hum who give me a fruitful contribution to my thesis as the second readers. I dedicate this thesis to my lovely parents, Martini Lastianingsih, S.H and (alm) Pranoto, S.H, and siblings, Fajar Putra Pradika and Yudanti Kurnia Dewi, who are always be my motivation whenever I am about to give up finishing this thesis. Their endless love indeed works to keep up my encouragement and spirit. -
Albion Full Cast Announced
Press release: Thursday 2 January The Almeida Theatre announces the full cast for its revival of Mike Bartlett’s Albion, directed by Rupert Goold, following the play’s acclaimed run in 2017. ALBION by Mike Bartlett Direction: Rupert Goold; Design: Miriam Buether; Light: Neil Austin Sound: Gregory Clarke; Movement Director: Rebecca Frecknall Monday 3 February – Saturday 29 February 2020 Press night: Wednesday 5 February 7pm ★★★★★ “The play that Britain needs right now” The Telegraph This is our little piece of the world, and we’re allowed to do with it, exactly as we like. Yes? In the ruins of a garden in rural England. In a house which was once a home. A woman searches for seeds of hope. Following a sell-out run in 2017, Albion returns to the Almeida for four weeks only. Joining the previously announced Victoria Hamilton (awarded Best Actress at 2018 Critics’ Circle Awards for this role) and reprising their roles are Nigel Betts, Edyta Budnik, Wil Coban, Margot Leicester, Nicholas Rowe and Helen Schlesinger. They will be joined by Angel Coulby, Daisy Edgar-Jones, Dónal Finn and Geoffrey Freshwater. Mike Bartlett’s plays for the Almeida include his adaptation of Maxim Gorky’s Vassa, Game and the multi-award winning King Charles III (Olivier Award for Best New Play) which premiered at the Almeida before West End and Broadway transfers, a UK and international tour. His television adaptation of the play was broadcast on BBC Two in 2017. Other plays include Snowflake (Old Fire Station and Kiln Theatre); Wild; An Intervention; Bull (won the Olivier Award for Outstanding Achievement in an Affiliate Theatre); an adaptation of Medea; Chariots of Fire; 13; Decade (co-writer); Earthquakes in London; Love, Love, Love; Cock (Olivier Award for Outstanding Achievement in an Affiliate Theatre); Contractions and My Child Artefacts. -
Laura Morrod Resume
LAURA MORROD – Editor FATE Director: Lisa James Larsson. Producer: Macdara Kelleher. Starring: Abigail Cowen, Danny Griffin and Hannah van der Westhuysen. Archery Pictures / Netflix. LOVE SARAH Director: Eliza Schroeder. Producer: Rajita Shah. Starring: Grace Calder, Rupert Penry-Jones, Bill Paterson and Celia Imrie. Miraj Films / Neopol Film / Rainstar Productions. THE LAST KINGDOM (Series 4) Director: Sarah O’Gorman. Producer: Vicki Delow. Starring: Alexander Dreymon, Ian Hart, David Dawson and Eliza Butterworth. Carnival Film & Television / Netflix. THE FEED Director: Jill Robertson. Producer: Simon Lewis. Starring: Guy Burnet, Michelle Fairlye, David Thewlis and Claire Rafferty. Amazon Studios. ORIGIN Director: Mark Brozel. Executive Producers: Rob Bullock, Andy Harries and Suzanne Mackie. Producer: John Phillips. Starring: Tom Felton, Philipp Christopher and Adelayo Adedayo. Left Bank Pictures. THE GOOD KARMA HOSPITAL 2 Director: Alex Winckler. Producer: John Chapman. Starring: Amanda Redman, Amrita Acharia and Neil Morrissey. Tiger Aspect Productions. THE BIRD CATCHER Director: Ross Clarke. Producers: Lisa Black, Leon Clarance and Ross Clarke. Starring: August Diehl, Sarah-Sofie Boussnina and Laura Birn. Motion Picture Capital. BRUCE SPRINGSTEEN: IN HIS OWN WORDS Director: Nigel Cole. Producer: Des Shaw. Starring: Bruce Springsteen. Lonesome Pine Productions. 4929 Wilshire Blvd., Ste. 259 Los Angeles, CA 90010 ph 323.782.1854 fx 323.345.5690 [email protected] HUMANS (Series 2) Director: Mark Brozel. Producer: Paul Gilbert. Starring: Gemma Chan, Colin Morgan and Emily Berrington. Kudos Film and Television. AFTER LOUISE Director: David Scheinmann. Producers: Fiona Gillies, Michael Muller and Raj Sharma. Starring: Alice Sykes and Greg Wise. Scoop Films. DO NOT DISTURB Director: Nigel Cole. Producer: Howard Ella. Starring: Catherine Tate, Miles Jupp and Kierston Wareing. -
Young Vic Announces New Dates for Cush Jumbo in Hamlet
Press Release 19 March 2021 Young Vic sets new dates for Cush Jumbo in Hamlet HAMLET By William Shakespeare Directed by Greg Hersov Young Vic Main House From 27 September – 13 November 2021 Press Night 4 October The Young Vic announces their highly anticipated production of Hamlet, starring Cush Jumbo and directed by Greg Hersov, will begin previews from 27 September 2021, with Press Night 4 October. This new version of Shakespeare’s great tragedy will see Cush Jumbo (The Good Wife, The Good Fight) make her YV debut as a new kind of Hamlet, reuniting with her long-time collaborator Greg Hersov, to bring us this tale of power, politics and desire. Kwame Kwei-Armah, Artistic Director of the Young Vic, said: “I am delighted that this extraordinary new version of Hamlet will play at the YV this autumn. I want to take this opportunity to thank each audience member who kept their tickets in the show through this period of uncertainty; I can’t wait to have you back into our house, to step into the extraordinary world Cush, Greg and the company will create. Finally, I look forward to sharing more detail on the rest of our 2021 season, including more imminent plans for welcoming you back to the YV, very soon. Until then, peace and love.” Further Hamlet cast and creative team to be announced. Hamlet is currently sold out, but to be the first to hear about future ticket releases, sign up to receive email alerts here. ENDS For more information, contact Emma Hardy: [email protected] For images, click here. -
Rapid Write Response: J'ouvert
ACT 1 Mash Rapid Write Response: J’Ouvert Written by Yasmine Lever Directed by Emma Wilkinson These pieces are written by 7 writers in response to J’Ouvert by Yasmin Cast: Kate Reid (9653-7868-6998) and Ray Sesay (5819-7831-7622) Joseph The Number 82 Written by Adanna Oji Directed by Nkechi Nwobani Akanwo Cast: Yvonne Campbell (0535-6751-0964) Funmi Florence Cole and Heather Lewis Upcoming Rapid Write Response Dates Wine Down Check back on the Theatre503 website for our next Rapid Write Response in our Autumn season. Until then, here’s what’s coming up this Summer at Written by Ekene Okobi Directed by Kaleya Baxe Cast: Angelina Chudi (2058-8972-5714) Janani Rajendra and Aïsha Kent (1410-8970-2592) Theatre503: By Way of Kensal Green FOLK THE POLICE REHEARSED READING. 24 JUN Written by James Directed by Alessandra Davison Reynolds A TINDER TRILOGY 25 – 29 JUN Cast: Arthur Velarde (9856-3494-6667) and Mercy Philips DRIP 26 – 27 JUN VOICES FROM HOME 30 JUN – 1 JUL MOTHERHOOD WEEK 02 – 06 JUL ACT 2 EDFRINGE PREVIEWS 15 – 28 JUL Dutty Wind Written by Nicole Latchana Directed by Kelechi Okafor More information about how to get involved can be found on our website Cast: Bruna Campos and Diana Yekinni (0457-9083-8923) www.theatre503.com or email [email protected] to join our writers’ mailing list. Poles Apart Written by Martin Edwards Directed by Shayde Sinclair Cast: Steffi Igbinovia and Shem Hamilton Curated by Leian Darell Queen (of) B(acchanal) Written by Hassan Govia Directed by Leian Darell Leian uses his work to explore identity, the black image and experience. -
It's… Cats! 00:00:08 Elliott Kalan Host
00:00:01 Dan McCoy Host On this episode of The Flop House, another current release! It’s… Cats! 00:00:08 Elliott Kalan Host That’s right! It’s the first annual? Flop House Catstacular Catstravaganza, with special guests — Natalie Walker and Jenny Jaffe! 00:00:18 Crosstalk Crosstalk Elliott: Live! Natalie: Womennnnn! [All laugh.] 00:00:21 Music Music Light, up-tempo, electric guitar with synth instruments. 00:00:48 Dan Host Hey, everyone! And welcome to The Flop House. I’m Dan McCoy. 00:00:52 Stuart Host Oh, hey there, Dan McCoy! I’m… Little Stewie Wellington! Wellington 00:00:55 Dan Host Oh. 00:00:56 Elliott Host And over here is Big Elliott Kalan, the fiercest lumberjack of the Northwest! 00:01:01 Dan Host And who do you have next to you, Elliott? 00:01:04 Elliott Host Sitting next to me, it’s— 00:01:05 Jenny Jaffe Guest Jenny Jaffe! 00:01:06 Elliott Host That’s right, everybody! Returning guest Jenny Jaffee! And Dan, who’s sitting next to you? 00:01:11 Dan Host Who is it? It’s Natalie Walker! 00:01:13 Natalie Guest It’s Natalie Walker! Walker [Laughter.] 00:01:15 Dan Host I don’t know. I’d—I wanted you to— 00:01:16 Crosstalk Crosstalk Stuart: We didn’t practice this bit, Elliott. You messed us up! Natalie: Oh, you know— [Indecipherable crosstalk.] 00:01:19 Natalie Guest Just a legendary Cats freak. 00:01:21 Dan Host Yeah. [Laughs.] [Stuart laughs.] 00:01:22 Jenny Guest I think it’s very fitting that there are so many of us to introduce, though! 00:01:25 Elliott Host Yes. -
The Danish Girl February 2016
THE DANISH GIRL FEBRUARY 2016 “possibly Britain’s most beautiful cinema..” (BBC) Britain’s Best Cinema – Guardian Film Awards 2014 FEBRUARY 2016 • ISSUE 131 www.therexberkhamsted.com 01442 877759 Mon-Sat 10.30-6.30pm Sun 4.30-5.30pm Try ourWe’re delicious HERE new for menu a perfect designed pre-theatre by supper BEST IN FEBRUARY chef . Jane’s credits include the DeliciousJane Collins dishes freshly prepared, and featuring local, Waterside Inn, Bray, Marco Pierre White’s seasonal produce Belvedere and, most recently, The Clarendon. FeaturingBring along local yourduck, ticketfine Hertfordshirefor a 15% discount steaks on our à la and home-madecarte breads. menu between 5pm & 7pm As ever, we’re open from morning till late from CONTENTS Monday to Saturday and Films At A Glance 16-17 for an expanded Obits 23 Awards 24-25 Brunch and roast lunch on Sundays. BOX OFFICE: 01442 877759 Le Mépris Mon to Sat 10.30-6.30 Brigitte Bardot: the template for every future dirty pout Sun 4.30-5.30 Page 12 SEAT PRICES FILMS OF THE MONTH Circle £9.00 Concessions £7.50 Table £11.00 Concessions £9.50 Royal Box Seat (Seats 6) £13.00 Whole Royal Box £73.00 All matinees £5, £6.50, £10 (box) Disabled and flat access: through the gate on High Street (right of apartments) Grandma When Harry Met Sally Lily Tomlin storms the screen Valentines: fabulous one liners, Director: James Hannaway without a single dirty pout fake org, no pouts 01442 877999 Page 12 Page 13 Advertising: Lynn Hendry 01442 877999 Artwork: Demiurge Design 01296 668739 The Rex High Street (Three Close Lane) Berkhamsted, Herts HP4 2FG BERKHAMSTED www.therexberkhamsted.com To book a table call 01442 300870 The Assassin The Sea Inside HERE Café Bar, 28-30 Lower Kings Road, Berkhamsted HP42AB Beautiful, stunning, fast and Exquisite, timeless, heart lifting/ “ Unhesitatingly The Rex furious. -
Completeandleft Felix ,Adler ,Educator ,Ethical Culture Ferrán ,Adrià ,Chef ,El Bulli FA,F
MEN WOMEN 1. FA Frankie Avalon=Singer, actor=18,169=39 Fiona Apple=Singer-songwriter, musician=49,834=26 Fred Astaire=Dancer, actor=30,877=25 Faune A.+Chambers=American actress=7,433=137 Ferman Akgül=Musician=2,512=194 Farrah Abraham=American, Reality TV=15,972=77 Flex Alexander=Actor, dancer, Freema Agyeman=English actress=35,934=36 comedian=2,401=201 Filiz Ahmet=Turkish, Actress=68,355=18 Freddy Adu=Footballer=10,606=74 Filiz Akin=Turkish, Actress=2,064=265 Frank Agnello=American, TV Faria Alam=Football Association secretary=11,226=108 Personality=3,111=165 Flávia Alessandra=Brazilian, Actress=16,503=74 Faiz Ahmad=Afghan communist leader=3,510=150 Fauzia Ali=British, Homemaker=17,028=72 Fu'ad Aït+Aattou=French actor=8,799=87 Filiz Alpgezmen=Writer=2,276=251 Frank Aletter=Actor=1,210=289 Frances Anderson=American, Actress=1,818=279 Francis Alexander+Shields= =1,653=246 Fernanda Andrade=Brazilian, Actress=5,654=166 Fernando Alonso=Spanish Formula One Fernanda Andrande= =1,680=292 driver.=63,949=10 France Anglade=French, Actress=2,977=227 Federico Amador=Argentinean, Actor=14,526=48 Francesca Annis=Actress=28,385=45 Fabrizio Ambroso= =2,936=175 Fanny Ardant=French actress=87,411=13 Franco Amurri=Italian, Writer=2,144=209 Firoozeh Athari=Iranian=1,617=298 Fedor Andreev=Figure skater=3,368=159 ………… Facundo Arana=Argentinean, Actor=59,952=11 Frickin' A Francesco Arca=Italian, Model=2,917=177 Fred Armisen=Actor=11,503=68 Frank ,Abagnale ,Criminal ,Catch Me If You Can François Arnaud=French Canadian actor=9,058=86 Ferhat ,Abbas ,Head of State ,President of Algeria, 1962-63 Fábio Assunção=Brazilian actor=6,802=99 Floyd ,Abrams ,Attorney ,First Amendment lawyer COMPLETEandLEFT Felix ,Adler ,Educator ,Ethical Culture Ferrán ,Adrià ,Chef ,El Bulli FA,F. -
Tackling Challenging Issues in Shakespeare for Young Audiences
Shrews, Moneylenders, Soldiers, and Moors: Tackling Challenging Issues in Shakespeare for Young Audiences DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Elizabeth Harelik, M.A. Graduate Program in Theatre The Ohio State University 2016 Dissertation Committee: Professor Lesley Ferris, Adviser Professor Jennifer Schlueter Professor Shilarna Stokes Professor Robin Post Copyright by Elizabeth Harelik 2016 Abstract Shakespeare’s plays are often a staple of the secondary school curriculum, and, more and more, theatre artists and educators are introducing young people to his works through performance. While these performances offer an engaging way for students to access these complex texts, they also often bring up topics and themes that might be challenging to discuss with young people. To give just a few examples, The Taming of the Shrew contains blatant sexism and gender violence; The Merchant of Venice features a multitude of anti-Semitic slurs; Othello shows characters displaying overtly racist attitudes towards its title character; and Henry V has several scenes of wartime violence. These themes are important, timely, and crucial to discuss with young people, but how can directors, actors, and teachers use Shakespeare’s work as a springboard to begin these conversations? In this research project, I explore twenty-first century productions of the four plays mentioned above. All of the productions studied were done in the United States by professional or university companies, either for young audiences or with young people as performers. I look at the various ways that practitioners have adapted these plays, from abridgments that retain basic plot points but reduce running time, to versions incorporating significant audience participation, to reimaginings created by or with student performers.