Geneva Cultural Trails
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Home of the World Trade Organization Geneva Foreword
Home of the World Trade Organization Geneva Foreword THIS BOOK ON THE HISTORY AND WORKS OF ART of the Centre William Rappard of the works, donated by countries and labour would not have been possible ten years ago. The reason for this is simple: despite unions during the ILO era, had been either the building’s rich past, illustrious occupants and proud appearance, it was a little concealed or removed. In restoring these works, antiquated and not particularly well known or even well liked. Located in a magnificent the WTO took on an identity that was not strictly park on the shore of Lake Geneva, with a spectacular view of the Alps, it has a speaking its own, but of which its staff and somewhat turbulent past. Members have become proud. AS THE FIRST BUILDING IN GENEVA built to house an international organization, THE WORKS OF ART PRESENTED IN THIS BOOK , many of which have been the Centre William Rappard, named after a leading Swiss diplomat, was originally given a new lease of life by the WTO, display a wide variety of styles and techniques. the headquarters of the International Labour Office (ILO). The ILO left the building Many of them represent labour in its various forms – an allusion, of course, to the in 1940 during the Second World War, but later moved back in 1948, only to leave activities of the ILO, the building’s original occupant. Other works, such as Eduardo for good in 1975 when the Centre William Rappard was handed over to its new Chicharro’s “Pygmalion”, are more unusual. -
List of Contributors, Indicies
This PDF is a selection from an out-of-print volume from the National Bureau of Economic Research Volume Title: Issues in US-EC Trade Relations Volume Author/Editor: Robert E. Baldwin, Carl B. Hamilton and Andre Sapir, editors Volume Publisher: University of Chicago Press Volume ISBN: 0-226-03608-1 Volume URL: http://www.nber.org/books/bald88-1 Publication Date: 1988 Chapter Title: List of contributors, Indicies Chapter Author: Robert E. Baldwin, Carl B. Hamilton, Andre Sapir Chapter URL: http://www.nber.org/chapters/c5968 Chapter pages in book: (p. 391 - 400) Contributors Robert E. Baldwin Carl Hamilton Department of Economics Institute for International Economic University of Wisconsin Studies Madison, Wisconsin 53706 Stockholm University S-106 91 Stockholm Giorgio Basevi Sweden Dipartimento di Scienze Economiche Dermot Hayes Universita di Bologna Department of Economics Strada Maggiore 45 Iowa State University 40125 Bologna Ames, Iowa 50010 Italy J. P. Hayes Juergen B. Donges Trade Policy Research Centre The Kiel Institute of World 1, Gough Square Economics Fleet Street D-2300 Kiel-1 London EC4A 3DE Federal Republic of Germany England Henry Ergas Robert E. Hudec Organization for Economic Law School Cooperation and Development University of Minnesota 2, rue Andre Pascal 285 Law Center 75016 Paris 229 19th Avenue South France Minneapolis, Minnesota 55455 Harry Flam Henryk Kierzkowski Institute for International Economic Graduate Institute of International Studies Studies Stockholm University 132, rue de Lausanne S-106 91 Stockholm CH-1221 Geneva 21 Sweden Switzerland 389 390 Contributors Paolo Kind Andre Sapir Department of Economics Universitt Libre de Bruxelles University of Chicago CP 140 1126 East 59th Street 50 Avenue Roosevelt Chicago, Illinois 60637 1050 Brussels Belgium Dieter Kirschke Institute for Agricultural Alexander H. -
Labour Standards and World Trade Law: Interfacing Legitimate Concerns
Labour Standards and World Trade Law: Interfacing Legitimate Concerns ∗ Thomas Cottier & Alexandra Caplazi Institute of European & International Economic Law University of Berne Abstract. This paper examines the linkage of trade and the core labour standards confirmed at the Copenhagen Social Summit and reaffirmed at the 86th International Labour Conference 1998 in Geneva. Currently, there is no consensus to what extent the WTO should be involved in labour issues, nor is there clear conceptual guidance as to how the various core standards may interact with trade regulation. We submit that the WTO labour-related measures should focus on a product-related approach while the implementation of broader policies and efforts should be pursued within the ILO. In including a social clause in the WTO, it should be con- sidered that not all of the selected four core labour standards are suitable for WTO implemen- tation. In particular, the political rights of freedom of association and collective bargaining can hardly operate as product-related approach. We further submit that a fruitful interaction between WTO and ILO could emerge similar to the one in process with WIPO in the field of intellectual property, based upon the TRIPs-Agreement and shared standards and concerns. The existence and structure of the TRIPs-Agreement may provide a legal model for linking labour standards and trade. ∗ We are indepted to Steve Charnovitz, Yale University, Maya Hertig, Daniel Wüger and Alwin Kopse for detailed comments on an earlier draft. 1 Table of Contents I. Introductory....................................................................................................................... 3 II. The Development of Labour Standards in International Law ........................................... 4 A. Motivations .................................................................................................................. -
Art, Crafts and Design As Themes on Swiss Stamps Richard Donithorn
Art, Crafts and Design as Themes on Swiss Stamps Richard Donithorn -------------------------------------------------------------------------------------------------------------------------------------------------------- Art, Crafts and Design as Themes on Swiss Stamps Zumstein catalogue numbers are used throughout this document. The compiler would welcome answers to the queries (??) highlighted and any other corrections/additions to the text. Painters and Painters' works on stamps . Z243 Historical Subjects Definitives – Based on painting by James Vibert – 'The Oath of Union'. Z244, 245, 246 of Yr.1941 Historical Subjects Definitives - based on paintings by Ferdinand Hodler showing William Tell, 'The Kneeling Warrior' and 'The Dying Ensign'. The latter two?? from the painting 'Rückzug aus Marignano'. Z247 Historic Subjects Definitive – Based on painting by Niklaus Deutsch 'The Standard Bearer'. Z511 Portrait of Alberto Giacometti by Hans Erni . Z513 Portrait of Le Corbusier by Hans Erni . Z565 – 567 Europa theme: Painting – 'Le Mönch' ('The Monk') - Ferdinand Hodler, 'Still Life with Guitar' - René Auberjonois, 'L'efeuilleuse' - Maurice Barraud . Z627 Portrait of Paul Klee by Hans Erni . Z637 Swiss Arts and Craft Centre 50th Anniversary . Z638 Centenary of the Swiss Art History Society . Z651 'The Parish Clerk' by Albert Anker . Z725/26 Europa theme: 'Protection of Nature & the Environment'–Man/Woman's heads by Hans Erni . Z769 Swiss-French joint issue - 'Meta' by Jean Tinguely . Z802 Portrait of Angelika Kaufmann by Hans Erni (also appears on Liechtenstein Z750) . Z804 Portrait of Frank Buchser by Hans Erni . Z827 Sketch of statue of Christopher Columbus by Vincenzo Vela . Z828 – 830 Comic/Graphic Art – Bernard Cosendal, Phillippe Chappuis, Yves Robellaz . Z848 – 851 Women artists: Pictures titled: 'Work No. 095' by Emma Kunz, 'Great Singer Lilas Goergens' by Aloïse, 'Under the Rain Cloud' by Meret Oppenheim, 'Four Spaces with Horizontal Band' by Sophie Taeuber-Arp (see also Dadaism stamp in Yr. -
Elmyrdehory, Artist and Faker
Elmyr de Hory, Artist and Faker Hillstrom Museum of Art Elmyr de Hory, creating a drawing with figures in the style of Modigliani, Picasso, and Matisse, photographed by Pierre Boulat for a February 6, 1970 Life Magazine article, at de Hory’s villa La Falaise, Ibiza Elmyr de Hory, Artist and Faker February 15 through April 18, 2010 Opening Reception February 15, 7 to 9 p.m. Public Lectures Jonathan Lopez, Sunday, February 28, 2010, 3:30 p.m. Mark Forgy, Sunday, March 21, 2010, 3:30 p.m. Lectures are free and open to the public, and will be presented in Wallenberg Auditorium, Nobel Hall of Science on the Gustavus Adolphus College campus. Elmyr de Hory, Artist and Faker is supported by a generous grant from the Carl and Verna Schmidt Foundation. The majority of the photographs of works lent by Mark Forgy are by Robert Fogt Photography. On the cover: Portrait of a Woman, in the style of Amedeo Modigliani, c.1975, oil on canvas, 21 x 14 ½ inches, Collection of Mark Forgy Hillstrom Museum of Art gustavus.edu/finearts/hillstrom DIRECTOR’S NOTES he exploits of numerous infamous art forgers have been widely recounted, and one of the most fascinating and notorious cases has to do with Hungarian-born Elmyr de Hory (1906-1976). After an early life of privilege that included art studies in Budapest, Munich and Paris, de Hory’s situation was turned upside down by World War II, during which he was imprisoned thrice, his family’s estate was Ttaken, and his father died in Auschwitz. -
Luzern, September 2007
Luzern, September 2007 Lucerne September 2007 LUCERNE'S LION MONUMENT After flying into Zurich and taking the train to Lucerne, we walked to the Lion monument... a very peaceful setting made all the more enjoyable with the knowledge that the return walk would be mostly downhill and followed by wine, cheese and chocolates! The traditionally neutral Swiss supplied mercenaries to foreign governments and enjoyed a reputation for honoring their agreements. In 1792 the Swiss Guards’ ABOVE: Bertel Thorwaldsen's Lõwendenkmal, Lucerne honor was put to the test, when --after trying to escape the French Revolution--King Louis XVI, Marie-Antoinette, and their children were hauled back to the Tuileries Palace in Paris. A mob of working-class Parisians stormed the palace in search of aristocratic blood. More than 700 Swiss officers and soldiers died while defending the palace, without knowing that their royal employers--like Elvis--had left the building. In the early 1800s, the Danish artist Bertel Thorvaldsen was hired to sculpt a monument to the fallen Swiss Guards. The sculpture was carved in a sandstone cliff above the city center HANS ERNI: Mondays, when many tourist attractions are closed, is a good day to walk the 2 miles from the Center of Lucerne to the Museum of Swiss Transportation which is co-located with an IMAX, a planetarium and a delightful collection of work by local artist Hans Emi. h t t p : / / w w w . h a n s - e r n i . c h / h t m l / l i t h o g r a p h i e n . -
The Moneymuseum Collection of Bibliophile Books
! The MoneyMuseum Collection of Bibliophile Books A!bibliophile!book!represents!not!only!the!intellectual!achievement!of!an!author!but!the!combined! skills!of!the!artisans!and!artists!who!produced!it!—!the!designer,!the!papermaker,!the!printer,!the! lithographer!and!finally,!the!bookbinder.!Together!they!create!an!object!that!often!needs!years!of! intensive!individual!and!collective!work.!! A!bibliophile!book!is!a!labor!of!love,!art!and!craft,!and!it!also!serves!as!a!record!of!a!particular! moment!in!time.!That!is!no!less!true!for!artisanal!modern!books,!even!with!all!the!recent!technical! advances!in!the!production!of!fine!books!in!areas!like!typography!and!photographic!processing! and!reproduction.!A!beautiful!book!is!a!joy!to!behold.! The!bibliophile!books!in!the!MoneyMuseum’s!collection!may!not!appeal!to!the!broadest!possible! sector!of!the!public!but!they!will!always!be!appreciated!by!those!who!understand!their!many,!very! special!qualities.! ! ! ! ! 1 von 25! !! www.sunflower.ch! ! Chinese Woodblock Prints ! This volume results from a collaboration between the eminent art historian Tcheng-Chen-To and the celebrated author Lu Hsun. The colored woodblock prints date from the late Ming Dynasty and were first published in 1644. Collected in the Shih Chu studio, Beijing Editor: Jung Pao Chai Hsin Chi, Beijing Woodblock!printing!uses!relief!carving!on!a!block!of!hardwood!to!transfer!ink,!and!later,!color,!to! paper.!The!white!areas!on!the!paper!appear!where!the!block!of!wood!has!been!carved!away!so! that!it!does!not!come!in!contact!with!the!paper.!! -
Submission to The
007 A On Submission to the Panel of the World Trade Organization at the Centre William Rappard, Geneva, Switzerland BOHEMIAN UNION – IMPORT RESTRICTIONS ON TUNA FROM THE EMPIRE OF AVALON SUBMISSION OF THE APPLICANT EMPIRE OF AVALON 2003 A. General I EMPIRE OF AVALON Table of Contents A. General Table of Contents I List of References IV I. Conventions, Treaties IV II. Cases IV 1. WTO and GATT IV 2. International Court of Justice VI 3. Other International Courts and Tribunals VI III. Treatises, Restatements, Digests VII IV. Articles and Contribution IX V. Materials XIII List of Abbreviations XV B. Argument Statement of Facts 1 Summary of Arguments 1 Arguments 2 I. Jurisdiction of the WTO Dispute Settlement Body 2 1. The Dispute Falls within the Scope of the WTO Agreements 2 2. Violation of Obligations 3 A. General II EMPIRE OF AVALON 3. Mandatory Jurisdiction 3 II. The Panel Should Not Hear Representatives of Non-Governmental Organizations (NGOs) 3 1. NGOs Have No Legal Entitlement to Be Heard in WTO Panel Proceedings 4 a) Panel’s Discretion under Art. 13 DSU 4 b) Discretion is Not Limited 4 2. Hearing of NGOs Undermines the WTO Dispute Settlement System 6 III. BOHEMIA Has Violated Provisions of GATT 1994 6 IV. BOHEMIA’s Import Ban is Not Justified Under Art. XX GATT 1994 7 1. Art. XX lit. g GATT 1994 7 a) Exhaustible Natural Resource 7 b) No Relation to the Conservation Objective 8 c) No Conjunction With Domestic Restrictions 9 d) Import Ban Falls Outside the Territorial and Jurisdictional Scope of Art. -
Plakate Hans Erni
Plakate Hans Erni 1953-1967 1 2 Plakate von Hans Erni 1953-1967 3 4 Erni Hans * 1909 Luzern, †2015 ebenda Nach einer Lehre als Vermessungstechniker und als Bauzeichner in einem Archi- tekturbüro besuchte Hans Erni 1927 und 1928 die Kunstgewerbeschule in Luzern. Anschliessend verbrachte Erni Studienaufenthalte an der Académie Julian in Paris und an der Akademie in Berlin. Es folgten zahlreiche Reisen durch Europa und Afrika; zwischen 1929 und 1933 war sein Wohnsitz abwechselnd Luzern und Paris. In Paris machte Erni Bekanntschaft mit Kandinsky, Klee, Braque und Picasso, und wurde Mitglied der Pariser Künstlergruppe «Abstraction-Création» – eine kosmopo- litische Vereinigung von Künstlern der Moderne. 1935 Mitglied des Schweizerischen Werkbundes (SWB), 1937 Mitbegründer der Gruppe abstrakter Schweizer Künstler «Allianz». Für die Schweizerische Landesausstellung in Zürich 1939 schuf er ein 91 Meter langes und fünf Meter hohes Wandbild mit dem Titel «Die Schweiz, das Ferienland der Völker», mit dem er in der breiten Öffentlichkeit bekannt wurde. Seit diesem Zeitpunkt erhielt er zahlreiche Aufträge für Wandbilder und Plakate. Ernis künstlerische Arbeiten umfassen ein breites Spektrum: 1950 entstanden die ersten Keramiken, anfangs der 1960er-Jahre erste Bronze-Skulpturen. Auch den Philatelisten ist Hans Erni ein Begriff: 1965 gestaltete er die ersten fünf Briefmarken «Pro Juventute» für die PTT, auch für das Fürstentum Liechtenstein entwarf er drei Briefmarken-Serien. 1967 erhielt er den Luzerner Kunstpreis, 1979 wurde das Hans Erni Museum im Verkehrshaus der Schweiz in Luzern eröffnet. Bemerkenswert ist, dass Hans Erni, wie auch Hans Falk, seine Kunst nie in den Dienst der Wirtschaftswerbung stellte. So arbeitete er neben den Plakaten für den Tourismus, hauptsächlich für humanitäre-, kulturelle- und soziale Institutionen. -
Carroll Barnes (March 1–March 15) Carroll Barnes (1906–1997) Worked in Various Careers Before Turning His Attention to Sculpture Full Time at the Age of Thirty
1950 Sculpture in Wood and Stone by Carroll Barnes (March 1–March 15) Carroll Barnes (1906–1997) worked in various careers before turning his attention to sculpture full time at the age of thirty. His skills earned him a position as a professor of art at the University of Texas and commissions from many public and private institutions. His sculptures are created in various media, such as Lucite and steel. This exhibition of the California-based artist’s work presented thirty-seven of his sculptures. Barnes studied with Carl Milles (1875– 1955) at the Cranbrook Academy of Art. [File contents: exhibition flier] Color Compositions by June Wayne (March) June Wayne’s (1918–2011) work received publicity in an article by Jules Langsner, who praised her for developing techniques of drawing the viewer’s eye through imagery and producing a sense of movement in her subjects. Her more recent works (as presented in the show) were drawn from the dilemmas to be found in Franz Kafka’s works. [File contents: two articles, one more appropriate for a later show of 1953 in memoriam Director Donald Bear] Prints by Ralph Scharff (April) Sixteen pieces by Ralph Scharff (1922–1993) were exhibited in the Thayer Gallery. Some of the works included in this exhibition were Apocrypha, I Hate Birds, Walpurgisnacht, Winter 1940, Nine Cats, and Four Cows and Tree Oranges. Watercolors by James Couper Wright (April 3–April 15) Eighteen of James Couper Wright’s (1906–1969) watercolors were presented in this exhibition. Wright was born in Scotland, but made his home in Southern California for the previous eleven years. -
History of the Arts in the Olympic Games
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the q u alityo f the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. A Bell & Howell Information Company 300 North Zeeb Road. Ann Arbor. Ml 48106-1346 USA 313/761-4700 800/521-0600 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Reproduced with permission ofof the the copyrightcopyright owner.owner. FurtherFurther reproduction reproduction prohibited prohibited without without permission. -
WTO Publications Catalogue
WTO Publications Catalogue Page 1 of 1 World Trade Organization Centre William Rappard Rue de Lausanne 154 A Seán Keating mural (1961) located at the Centre William Rappard in Geneva, Switzerland which is home to the World Trade Organization. CH - 1211 Geneva 21 Switzerland 'http://qrcode.ka +ywa.com/im 41g.php?s=8&d=http%3A%2F%2Fwww.wto.or (22) 739g%2Fenglis ... 5315/08/2011 08 / 52 08 7 + 41 (22) 739 57 92 @ [email protected] New Titles 2 About the WTO 4 Legal Texts 12 Statistics 18 CONTENTS Research & Analysis 22 Trade Topics 37 Dispute Settlement 44 Resources 52 Sales Information 54 Title Index 65 New Publication Free Publication Forthcoming Download from Web Online Only Computer based training New Design To order direct : Online: http://onlinebookshop.wto.org ' +41 (22) 739 53 08 7 +41 (22) 739 57 92 @ [email protected] This catalogue provides information on titles as of September 2011. Prices and dates may occasionally vary and are subject to change without notice. Visit www.wto.org to register and receive free alerts when new titles become available. © 2011 WTO – Information and External Relations Division (IERD ) http://onlinebookshop.wto.org 1 Dispute Settlement One-Page Case Summaries (1995-2009) 2010 edition WTO Public Forum 2010: The Forces Shaping World Trade NEW TITLES WTO Appellate Body Repertory of Reports and Awards 1995–2010 (4th edition) WTO Annual Report 2011 The WTO Regime on Government Procurement: Challenge and Reform Trade patterns and global supply chains in East Asia: From trade in goods to trade in tasks