January 17, 2021 the Inspiration for the Netflix Original Film Starring Carey Mulligan, Ralph Fiennes, and Lily James

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January 17, 2021 the Inspiration for the Netflix Original Film Starring Carey Mulligan, Ralph Fiennes, and Lily James LEGALIZE (ALL OF) IT Carl L. Hart’s “Drug Use for Grown-Ups” COLD WARRIORS Rich Cohen on being a Connecticut hockey dad PLUS James Comey, Leonora Carrington and the latest thrillers JANUARY 17, 2021 Here Is The Fire Now By Danez Smith FOR ME, FOR YOU, FOR US, Black historical fic- tion can salt real wounds both fresh and inher- ited. I’ll never forget my mother’s hour of tears after she saw the film adaptation of “The Hate U Give.” Or the row of us waiting stone still in the movie theater, trying to steady our weeping, like a pew at a well-cast funeral, af- ter seeing “Fruitvale Station.” Or my stepfa- ther’s stern shoulders broken down by “Selma”; or the real nightmares of water and THE PROPHETS By Robert Jones Jr. 388 pp. G.P. Putnam’s Sons. $27. scars after “Beloved”; or the movies, books, shows avoided because “I can’t really handle * another slavery thing right now.” 1 Meeting yourself in media is no guarantee that the mirror will be kind or wanted. In- H stead, it’s often a jagged glass you catch your- self in before it catches you. And even when B you know it’s coming, the blood’s still warm and sharp. What of me, of us, was I to witness 1 in “The Prophets,” the debut novel of Robert Jones Jr., set on an antebellum plantation in * Mississippi? I double-checked my wounds before I en- tered Jones’s novel, wanting to be aware of where I was numb and where raw. I wanted to be good to myself and hopefully fair to a book I arrived at with baggage and implications. SIMONE MARTIN-NEWBERRY CONTINUED ON PAGE 16 Book Review JANUARY 17, 2021 THE INSPIRATION FOR THE NETFLIX ORIGINAL FILM STARRING CAREY MULLIGAN, RALPH FIENNES, AND LILY JAMES Fiction 14 NINE DAYS The Race to Save Martin Luther King Jr.’s Life 1 THE PROPHETS and Win the 1960 Election By Robert Jones Jr. By Stephen Kendrick and Paul Kendrick Reviewed by Danez Smith Reviewed by Raymond Arsenault 7 Thrillers 15 ALL LARA’S WARS Reviewed by Sarah Lyall By Wojciech Jagielski Reviewed by Steven Lee Myers 12 THE REVOLUTION ACCORDING TO RAYMUNDO MATA 22 The Shortlist By Gina Apostol The Pandemic Economy Reviewed by Randy Boyagoda Reviewed by Zachary Karabell 12 THE HEARING TRUMPET By Leonora Carrington Children’s Books Reviewed by Blake Butler 18 GONE TO THE WOODS 15 THE PUSH Surviving a Lost Childhood By Ashley Audrain By Gary Paulsen Reviewed by Claire Martin Reviewed by Jarrett Krosoczka 17 HADES, ARGENTINA 18 WHAT’S THE MATTER, MARLO? By Daniel Loedel By Andrew Arnold Reviewed by Benjamin Nugent BEAR ISLAND By Matthew Cordell 17 THE LIAR’S DICTIONARY Reviewed by Sydney Smith By Eley Williams Bestselling author of A Very English Scandal Reviewed by Patricia T. O’Conner Features “A true-life chronicle that delves Nonfiction 6 By the Book into the secrets of the heart.” Susan Minot — WALL STREET JOURNAL 8 DRUG USE FOR GROWN-UPS Chasing Liberty in the Land of Fear By Carl L. Hart 13 Essay Reviewed by Casey Schwartz Listen for the Music “Shimmers with longing By S. Kirk Walsh and regret...beautifully made 9 SAVING JUSTICE Truth, Transparency, and Trust 23 Sketchbook and quite wonderful.” By James Comey By Leanne Shapton and Teddy Blanks Reviewed by Joe Klein — NEW YORK TIMES BOOK REVIEW 10 I CAME AS A SHADOW Etc. An Autobiography By John Thompson with Jesse Washington 4 New & Noteworthy Reviewed by Jason Zengerle 5 Letters 19 Best-Seller Lists 11 PEE WEES Also available Confessions of a Hockey Parent 19 Editors’ Choice By Rich Cohen 20 Inside the List as an e-book from Reviewed by Mark Rotella 20 Paperback Row Other Press 14 AFTERSHOCKS By Nadia Owusu Reviewed by Fahima Haque OTHER PRESS OTHERPRESS.COM TO SUBSCRIBE to the Book Review by mail, visit nytimes.com/getbookreview or call 1-800-631-2580 THE NEW YORK TIMES BOOK REVIEW 3 A Special Edition On Sale Now New & Noteworthy HOMO IRREALIS: ESSAYS, by André Aciman. (Farrar, Straus & Giroux, $27.) In this col- lection, the author of “Call Me by Your Name” Uncover and other novels contemplates the life of the imagination, and the ability to hold competing Your Path realities simultaneously in mind. FAUST, by Johann Wolfgang von Goethe. Translated by Zsuzsanna Ozsvath and Frede- to Success rick Turner, with illustrations by Fowzia Ka- rimi. (Deep Vellum, paper, $15.95.) A new translation gives readers occasion to revisit the classic and timeless story of ambition and moral compromise. DISPATCHES FROM THE RACE WAR, by Tim Wise. (City Lights, paper, $17.95.) Drawing on events from the killing of Trayvon Martin to the Black Lives Matter protests last summer, Wise calls to account his fellow white citizens and exhorts them to combat racist power structures. VINELAND REREAD, by Peter Coviello. (Colum- bia University, paper, $20.) Coviello, an Eng- lish professor at the University of Illinois at Chicago, argues that Thomas Pynchon’s nov- el “Vineland” is an underrated masterwork of political comedy and humanism. WRITING THE VIRUS, edited by Andrea Scrima and David Dario Winner. (Outpost19 Books, paper, $18.50.) Early in the pandemic, the liter- ary journal StatORec invited writers to de- scribe what they were going through. This an- thology gathers 31 of their responses. WHAT WE’RE READING More than ever, I’ve been using music as a buf- fer, when needed, against the outside world. In that vein, I finally cracked open TESTIMONY, Robbie Robertson’s autobiography. A big fan of the Band, I was eager to learn more about the roots of the group’s singular sound. As history, the book delivers. Sure, there is plenty of Dylan With stories on building the ideal skill set, profiles in leadership and — and the Big Pink section is especially strong — but there is also stirring examples of those who broke the mold, this special edition will lots of great stuff about obscure early episodes and encounters, musical and not, that helps illuminate the origins of songs that help you be a motivator, build results and succeed. made characters like Virgil Caine and Crazy Chester indelible — and illustrate how much hard work was involved. Still, I find Rob- The New York Times Leadership special edition is now available ertson less likable as the book proceeds (granted, likability is not a from your favorite retailer, magazine.store, or Amazon.com key rock ’n’ roll attribute) and sense a creeping defensiveness that is surely tied to his being just one side of the story. Levon Helm tells another in “This Wheel’s on Fire.” That’s next on my list. ©2020 Meredith Corporation. All rights reserved. —ED SHANAHAN, METRO REPORTER AND SENIOR STAFF EDITOR 4 SUNDAY, JANUARY 17, 2021 Letters to this notion when he states that “conservatism is by its nature NEW FROM THE EDITORS OF specific and local,” but stops THE NEW YORK TIMES MAGAZINE there. It seems clear to me that Barack Obama, who, even as president, carefully tended to his relationships with his wife and children, attended church regu- larly and allowed his thought- fully considered decisions and opinions to be influenced by the wisdom of others, is a far more conservative man than Donald Trump. Perhaps the most ironic de- SHIVANI PARASNIS basement of the idea of con- servatism is seen through the prism of environmentalism. Exclamation Point liberal democracy expends great What could be more conserva- energy attempting to erode is the tive than the desire to preserve TO THE EDITOR: claimed supremacy of religion, in and protect nature? Even the Too bad W. S. Merwin isn’t particular Christianity; the insu- very terms, conservatism and around to take the other side larity of a community; a sense of conservation, share etymological regarding Elisa Gabbert’s effu- collective intolerance; exclusion; roots. sive praise of “punctuation as a truncated meaning and false superpower and a secret weap- security. All of which stand at the PETER BURWASSER on” in her Jan. 3 On Poetry col- door, rifle in hand, against a more PHILADELPHIA umn. Merwin stopped punctuat- perfect union. Lots to Celebrate ing his poems in 1988. He said SUSAN E. MULLENDORE that he felt that punctuation TUCSON, ARIZ. TO THE EDITOR: “stapled” the language to the ♦ In her Dec. 27 letter to the editor, page. “I think punctuation is Jessica Benjamin writes, “I im- prose. We don’t punctuate our TO THE EDITOR: plore you: Stop featuring celebri- speech, and we don’t punctuate In the second paragraph of his ties in your By the Book column.” when we sing,” Merwin said. review of “Conservatism,” An- I implore you: Don’t stop. Al- “Poetry always has to have one drew Sullivan writes, “A defense though the word “celebrity” has foot in song and in speech.” of the status quo against disrup- over time become associated While I do not agree that all tion comes naturally to anyone with glossy entertainment, it in punctuation ought to be removed truly comfortable in the world.” A fact refers to a person, in any from poetry — periods, commas dozen pages later, in the second field (including writing, by the and a rare exclamation mark are paragraph of her review of Ra- way), who is celebrated. Kurt really all poets need — I do think chel Holmes’s new biography, Vonnegut once argued that writ- that poetry ought not be written “Sylvia Pankhurst,” Francesca ers should emerge from every- with a staple gun. Wade repeats the following quote where, not just literature pro- J.
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