DOCSLIB.ORG

Fashion in the Making: 100 Years of Parsons (PDF)

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

PARSONS THE NEW SCHOOL FOR DESIGN PERIODICALS RATE PAID 66 FIFTH AVENUE NEW YORK, NEW YORK NEW YORK, NY 10011 PERMIT NO. 760-830 VOLUMEVOLUME 23, 23,NUMBER NUMBER 5, JANUARY 7, MAY 2006 2006 THE ALUMNI MAGAZINE OF RE:D Magazine Letters to the Editor LETTER FROM THE DEAN We want to hear from you. RE:D welcomes Editor-in-Chief In this issue of RE:D, we are pleased to mark 100 years of Fashion Design at Parsons. letters to the editor regarding published Mira Jacob articles, alumni news, and suggestions If there is anything even better than being 100, it is being 100 and looking younger. Managing Editor for features. Letters may be edited for We are proud of many things about the Parsons Fashion Design program, and not the Kate Evanishyn content and/or space. Please include least of them is that America’s oldest fashion design program is one of its freshest. your year of graduation, degree com- Parsons is a consistent trendsetter in an industry that thrives on change. Alumni Relations pleted, and major. Elaine Cappiello It is a process that has not stopped in a century, and it will continue in the years to Submissions come. New tracks of study, new curricula, an MFA program for the most advanced Assistant Editor Original manuscripts, photo submissions, studies in fashion design, and an even stronger faculty are just some of the things Sarah Kricheff and/or artwork will be considered for ahead. We are committed to assuring that Parsons remains not just among the leading Creative Director publication. Unsolicited manuscripts, institutions of fashion design in the United States, but the preeminent institution: Meg Callery related materials, photography, and the gold standard of fashion education. artwork will not be returned. Designers We rarely look back: there is too much excitement to the future and besides, who Anna Ostrovskaya Address Changes has the time? But this is a special moment, and we are entitled, I think, to enjoy the Paula Giraldo Please submit address changes at: pleasures of retrospection. I am thrilled to congratulate an extraordinary department www.newschool.edu/alumni on its enduring position in design education, its astonishing list of graduates, and its Production starring role in the history of American fashion. My hearty appreciation goes out to Phoebe Berg RE:D Tim Gunn and the faculty, staff, students, and alumni on this milestone year. Parsons The New School for Design Copy Editors 66 Fifth Ave., 7th Floor Joanna Yas New York, NY 10011 Ellen Davidson [email protected] Paul Goldberger, Dean PARSONS Parsons The New School for Design USPS 760-830 www.parsons.newschool.edu/dean Volume 23, Number 7, May 2006 PARSONS is published ten times a year in September, October, November, December, January, April, May, June, July, and August by The New School 66 West 12th St. New York, NY 10011 Periodicals rate paid at New York, NY. Postmaster: Send address changes to Parsons 66 West 12th St. New York, NY 10011 above: Dean Paul Goldberger. Photo by Nick Ferrari ’03. www.parsons.newschool.edu/RE:D front and back cover: Runway shots from 2004 and 2005 Parsons Benefit and Fashion Shows. inside front cover: Detail from Jordan Dennett’s ’06 sketch for the Fashion Centennial project. For more information see page 7. CONTRIBUTORS CONTENTS LETTER FROM THE RE:DITOR features Happy 100th Birthday, Parsons Fashion Design! Need I say you 10 Fashion in the Making: 100 Years of Parsons look fabulous? Oh, it’s not just that impressive list of alumni by Stéphane Houy-Towner you’ve been wearing for the last century, or the decades of fantastic fashion you’ve given us, or even your exotic, Paris- 16 A Century of Iconic Parsons Fashion meets-New York history. Everyone knows it takes more than a Illustrations by Richard Rosenfeld ’67 splashy past to make it in the fashion industry, and what has kept you a cut above the rest is your ability to roll with the run- 18 Making It Work: Tim Gunn ways, change with the times, and take a good risk when you see carmela spinelli is the associate chair stéphane houy-towner is a research by June Weir of the Fashion Design Department. She associate with the Metropolitan it. To celebrate, we’ve put together a very special issue of RE:D, has worked for such luxury companies Museum of Art’s Costume Institute and 22 Hot Shots: Photography and Fashion Collaborate replete with all sorts of goodies, including stunning sketches as Saks Fifth Avenue and LVMH Moët a fashion and accessories scholar. He is by Michelle Bogre from faculty member Richard Rosenfeld ’67 (page 16), an inter- Hennessy-Louis Vuitton. She has a mas- the co-curator of the museum’s exhibi- ter’s degree in the history of decorative tion Rara Avis: Selections from the Iris view with the ever-charming Fashion Design Chair Tim Gunn arts from the Cooper-Hewitt, National Barrel Apfel Collection, and has been a news at parsons (page 18), and the student sketches of now-famous alumni, as Design Museum and Parsons The New contributing editor to Elle Décor and School for Design. Grolier’s The New Book of Knowledge. 5 Oscar de la Renta honored . Illustration takes discovered in the archives by Fashion’s tenacious Associate on Current magazine . Fashion provides Chair Carmela Spinelli (page 30). Parsons retrospective . Design and Technology In fact, it has been such a joy to put together this (and every!) collaborates with Comedy Central issue of RE:D that it is with very mixed feelings that I announce my own departure from Parsons. For the last three years, I have profiles had one of the best jobs imaginable—creating a publication that 30 RE:TROSPECT Commemorative Stamps reflects the intelligence, vitality, caring, and beauty that all of by Carmela Spinelli you put into the world on a daily basis. The experience has been Faculty member june weir was the richard rosenfeld ’67 is a faculty nothing short of incredible, and I thank you for it. former vice president of Fairchild member in the Fashion Design 32 Giving: Donna Karan ’68 Publications, where she served as both Department. He has worked as a fash- 33 RE:SPOND Peter Som ’97 As for the future—keep sending Parsons news of your many fashion editor and assistant publisher ion artist at Women’s Wear Daily and achievements and projects! In return, RE:D’s incomparable staff of Women’s Wear Daily and W. She has as an illustrator for a number of depart- in every issue also worked as the news editor for ment stores, including Neiman Marcus. of editors, writers, and designers will continue to amaze you with Vogue, the deputy style editor for the His work has appeared in Vogue, 1 Letter from the Dean beautiful issues. New York Times magazine, the execu- Seventeen, Brides, the New York Times, tive fashion editor for Harper’s Bazaar, and WWD Illustrated: 1960s–1990s 2 Letter from the RE:DITOR Best, and contributing editor for Mirabella. (Fairchild Books & Visuals, 2003). 4 You Tell Us: Letters to the RE:DITOR 8 RE:TINA Making a Scene in New York 24 RE:COGNITION Reunion Mira Jacob, Editor-in-Chief 25 RE:CORD Class Notes LOOKING FOR THE NEXT RE:DITOR Mira Jacob’s departure from RE:D leaves a hole in our staffing as well as our hearts. If you are an experienced Chair and faculty member of the matthew sussman is an eclectic editor with sensational design sensibility, an ability Department of Photography, photographer, director, and producer michelle bogre is a photographer, whose work has ranged from interna- to connect people and ideas, a flair for writing, and writer, and intellectual property lawyer. tional documentary television to make- this page: Fashion Design Department graduate Cara Enteles’s ’87 painting is a passion for Parsons, we’d like to hear from you. Her work has appeared in numerous over reality shows. He is currently on featured in her exhibition Spider Stories currently running in West Palm Beach, FL. magazines and books. One of her staff at The New School. Details of this job description can be found at: www.caraenteles.com photographs is featured in the show www.newschool.edu/admin/hr/joblist.htm. The Way We Worked currently on display at the National Archives in Washington, D.C. you tell us news at parsons Letters to the RE:DITOR In the last issue we asked, “Which fashion designer Spotlight on 2006 Benefit Honoree has had the most influence on your work?” Oscar de la Renta Before David Chu, founder of Elsa Schiaparelli has had the Nautica, left the company most influence on my work. From high-end couture to affordable jeans and linens to launch his own signature She stands alone as an innova- to perfume, Oscar de la Renta’s expansive reach has label, I had the opportunity tor and visionary way beyond had a significant impact on the world of fashion for to work very closely with him. her time. She transcended the the past 40 years. Well known for his luxurious, femi- Chu was committed to drawing traditional approach to design nine, fairytale-like designs worn by “ladies who lunch” inspiration from authentic by pushing the boundaries and top celebrities, de la Renta has dressed the likes sources through research. He to the max, whether through of Sarah Jessica Parker and Beyoncé, as well as First was also devoted to simple, construction, form, or textiles. Ladies Laura Bush, Hillary Clinton, Nancy Reagan, and functional design. From him, It still remains important for Jacqueline Kennedy Onassis.
Recommended publications
  • Charitably Chic Lynn Willis

    Charitably Chic Lynn Willis

    Philadelphia University Spring 2007 development of (PRODUCT) RED, a campaign significantly embraced by the fashion community. Companies working with Focus on . Alumni Focus on . Industry News (PRODUCT) RED donate a large percentage of their profits to the Global Fund to fight Lynn Willis Charitably Chic AIDS. For example, Emporio Armani’s line donates 40 percent of the gross profit By Sara Wetterlin and Chaisley Lussier By Kelsey Rose, Erin Satchell and Holly Ronan margin from its sales and the GAP donates Lynn Willis 50 percent. Additionally, American Express, Trends in fashion come and go, but graduated perhaps the first large company to join the fashions that promote important social from campaign, offers customers its RED card, causes are today’s “it” items. By working where one percent of a user’s purchases Philadelphia with charitable organizations, designers, University in goes toward funding AIDS research and companies and celebrities alike are jumping treatment. Motorola and Apple have also 1994 with on the bandwagon to help promote AIDS a Bachelor created red versions of their electronics and cancer awareness. that benefit the cause. The results from of Science In previous years, Ralph Lauren has the (PRODUCT) RED campaign have been in Fashion offered his time and millions of dollars to significant, with contributions totaling over Design. Willis breast cancer research and treatment, which $1.25 million in May 2006. is senior includes the establishment of health centers Despite the fashion industry’s focus on director for the disease. Now, Lauren has taken image, think about what you can do for of public his philanthropy further by lending his someone else when purchasing clothes relations Polo logo to the breast cancer cause with and other items.
  • 2Bemag Issue05.Pdf

    2Bemag Issue05.Pdf

    EDITORIAL The fifth issue of 2bemag is finally here, and so far the journey has been interesting, challenging and full of surprises, but most importantly - so rewarding! Step by step we are closer to achieving the initial idea behind 2bemag, to create a base of both readers and contributors that is as international and diverse as possible. The photographers collaborating for issue Nr. 5 are for e.g. from Austria, Sweden, France, Spain, Canada and Russia, and it gives our whole team such immense pleasure to receive and be able to publish more diverse and original work for every day that passes. The essence of 2bemag is really about, freedom of expression through the medium of photography, videography & writing and as always we invite you to collaborate with us. It is important for us to be able to give our fellow collaborators free hands to realize their dreams, and with the finished end result be able to shine the spotlight solely on the artists behind the contributions. Always feel free to contact them for new assignments, comment on their work or simply keep on following their path! We love to discover a talent – as well as we love to be discovered by a new reader. Come as you are and join us again for a new issue of 2bemag, full packed with international raw talent. Be with us 2beMag Staff e-mail: [email protected] 02 2beMag www.2bemag.com STAFF Editor in Chief JOSE GRIMM General Coordinator ROMAN AUSTIN Art Director DANI MELO Advertising EMMA WIKSTRÖM Net Working DR.
  • The Law, Culture, and Economics of Fashion

    The Law, Culture, and Economics of Fashion

    THE LAW, CULTURE, AND ECONOMICS OF FASHION C. Scott Hemphill* & Jeannie Suk** INTRODUCTION....................................................................................................... 102! I. WHAT IS FASHION? ............................................................................................. 109! A. Status ........................................................................................................... 109! B. Zeitgeist ....................................................................................................... 111! C. Copies Versus Trends .................................................................................. 113! D. Why Promote Innovation in Fashion? ........................................................ 115! II. A MODEL OF TREND ADOPTION AND PRODUCTION ........................................... 117! A. Differentiation and Flocking ....................................................................... 118! B. Trend Adoption ............................................................................................ 120! C. Trend Production ........................................................................................ 122! III. HOW UNREGULATED COPYING THREATENS INNOVATION ............................... 124! A. Fast Fashion Copyists ................................................................................. 124! B. The Threat to Innovation ............................................................................. 128! 1. Harmful copying ..................................................................................
  • Creative Arts Emmy® Awards for Programs and Individual Achievements at the Nokia Theatre L.A

    Creative Arts Emmy® Awards for Programs and Individual Achievements at the Nokia Theatre L.A

    FOR IMMEDIATE RELEASE August 16, 2014 7:00 PM PT The Television Academy tonight (Saturday, August 16, 2014) presented the 2014 Creative Arts Emmy® Awards for programs and individual achievements at the Nokia Theatre L.A. LIVE in Los Angeles. This first ceremony of the 66th Emmy Awards honored guest performers on television dramas and comedy series, as well as the many talented artists and craftspeople behind the scenes to create television excellence. Produced for the 20th year by Spike Jones, Jr., this year’s Creative Arts Awards featured an array of notable presenters, among them Jane Lynch, Tony Hale, Amy Schumer, Allison Janney, Tim Gunn and Heidi Klum, Comedy Central’s Key & Peele, Fred Armisen and Carrie Brownstein, Morgan Freeman, Tony Goldwyn, Aisha Tyler, Joe Manganiello and Carrie Preston. Highlights included Jon Voight’s moving posthumous presentation of the Academy’s prestigious Governors Award to casting icon, Marion Dougherty. Voight was one of Dougherty’s discoveries. The awards, as tabulated by the independent accounting firm of Ernst & Young LLP, were distributed as follows: Program Individual Total HBO 4 11 15 NBC 1 9 10 PBS 2 6 8 Fox 1 6 7 Netflix - 7 7 CBS 1 5 6 ABC 1 4 5 Discovery Channel 2 2 4 Disney Channel 1 3 4 FOX/NatGeo - 4 4 Showtime 1 3 4 Cartoon Network - 3 3 FX Networks - 3 3 Comedy Central - 2 2 Starz - 2 2 Adult Swim - 1 1 AMC - 1 1 CartoonNetwork.com - 1 1 CNN 1 - 1 comcast.com 1 - 1 ESPN 1 - 1 FunnyOrDie.com 1 - 1 justareflektor.com 1 - 1 Nat Geo WILD - 1 1 National Geographic Channel 1 - 1 pivot.tv 1 - 1 TNT 1 - 1 TELEVISION ACADEMY 2014 CREATIVE ARTS EMMY AWARDS This year’s Creative Arts telecast partner is FXM; a two-hour edited version of the ceremony will air Sunday, August 24 at 8:00 PM ET/PT with an encore at 10:00 PM ET/PT on FXM.
  • Nordstrom to Open Brand New Store at Westfield Topanga in Canoga Park, Calif

    Nordstrom to Open Brand New Store at Westfield Topanga in Canoga Park, Calif

    Nordstrom to Open Brand New Store at Westfield Topanga in Canoga Park, Calif. September 26, 2006 The newly relocated store to carry the company's most comprehensive designer offering in the country SEATTLE, Sept. 26 /PRNewswire-FirstCall/ -- Nordstrom, Inc. (NYSE: JWN) will open its newly relocated store at Westfield Topanga Mall in Canoga Park, Calif., on Friday, October 6 at 10:00 a.m. The 200,000 square foot, three- level store will feature the company's most comprehensive designer offering in the country along with brand new design concepts, amenities and services. Nordstrom at Topanga will feature four designer ready-to-wear boutiques from Chanel, Valentino, Dolce & Gabbana, along with the company's first Gucci ready-to-wear boutique. The store will also feature collections from Azzaro, Badgley Mischka, Blumarine, Chloe, Calvin Klein, Derek Lam, Lanvin, Marni, Proenza Schouler, Roberto Cavalli, Vera Wang and Zac Posen. (Logo: http://www.newscom.com/cgi-bin/prnh/20001011/NORDLOGO ) "Our customers have responded exceptionally well to the best product the market has to offer," said Pete Nordstrom, president of merchandising. "We've increased our designer offering in many stores across the country and, in the last year, we've made designer collections available online. We are eager to unveil our strongest comprehensive collection of designer merchandise across women's, footwear and accessories at Nordstrom Topanga." Among the designer departments on the store's second floor is a redesigned and expanded 'via C' department which includes some of the most cutting edge names in fashion including Doo.ri, Dsquared2, Jovovich-Hawk, McQ, Phillip Lim, Prada Denim and more.
  • PS122 Gala 17 Silent Auction Artworks

    PS122 Gala 17 Silent Auction Artworks

    Silent Auction Catalog Artworks LOT #5: Lynn Hershman Leeson Wrapped, 2007. Digital Archive Print. 31” x 24”. Edition of 6. Courtesy of the artist and Bridget Donahue. Value: $18,000 Minimum Bid: $12,000 Lynn Hershman Leeson (born 1941 in Cleveland, Ohio) is an artist and filmmaker whose five decade long career addresses the relationship between the body and technology. Her practice in media-based technology has helped legitimise digital art forms. Her work is featured in the collections of the Museum of Modern Art, the Walker Art Center, and the University Art Museum in Berkeley California. Her retrospective exhibition “Lynn Hershman Leeson: Civic Radar” is currently on view at the Yerba Beuna Center for the Arts until Mary 21, 2017. The New York Times calls Leeson “a pioneer feminist in the realm of film and performance.” LOT #6: assume vivid astral focus Suite of Four Obama Ladies, 2013. Color screen print and digital pigmented layer on Rieves BFK paper. Each 18” x 28”. Edition of 10. Courtesy of Suzanne Geiss. Value: $6,500 Minimum Bid: $2,000 assume vivid astro focus (avaf) is both an alias of Brazilian-born New York-based artist Eli Sudbrack, and the name of an international group of visual and performance artists, with French multimedia artist Christophe Hamaide-Pierson one of the main collaborators. avaf is included in the permanent collection of the Museum of Modern Art, New York and the Judith Rothschild Foundation Contemporary Drawing Collection. LOT #7: Angelo Filomeno Untitled, 2004. Embrodery and crystal on fabric. 20.5” x 20.5”. Courtesy of Sheri L.
  • Interest Groups, Media, and the Elite Opinions’ Impact on Public Opinion

    Interest Groups, Media, and the Elite Opinions’ Impact on Public Opinion

    The American Gaze at the American Gays The American Gaze at the American Gays: Interest Groups, Media, and the Elite Opinions’ Impact on Public Opinion Honors Thesis 2013 Minkyung Kim UC Berkeley 2 Abstract In a recent wave of events, President Obama had announced his open acceptance and support of gay marriage in America; many celebrities have endorsed and said “It Gets Better”, to help with gay teenagers – and the majority of America stands behind them. But the trend towards an acceptance of gays has been established way before Obama, Lady Gaga, or “It Gets Better” Campaign. In this study, I seek the answer to the puzzling question of, “what made the public opinion change regarding the gay population?” After looking at public opinion trend, I seek the answer through some quantitative ways: through the political interest groups’ financial and media data; seeking media infiltration of “gay” in the news and TV shows; and lastly, the elite’s opinion through the channels of Supreme Court of the United States, State of the Union Address, and Presidential Campaign platforms of each parties. My data analysis goes back through roughly last thirty-five years (from 1977 to the present) of what “gay” is, and how it changed in the eyes of the American public. As none of the previous literature does a comprehensive look at all three factors as the change in attitude towards “the gays”, I discover that there is a general pattern, as there are more influences in the interest groups, the media, and the elites’ opinion, the public opinion in America went up, seemingly the former leading the latter; however, that pattern is not always so true – in fact, public opinion may lead elite opinion or media exposure.
  • Norman Norell

    Norman Norell

    Norman Norell Autor(en): [s.n.] Objekttyp: Article Zeitschrift: Textiles suisses [Édition multilingue] Band (Jahr): - (1968) Heft 5 PDF erstellt am: 30.09.2021 Persistenter Link: http://doi.org/10.5169/seals-796712 Nutzungsbedingungen Die ETH-Bibliothek ist Anbieterin der digitalisierten Zeitschriften. Sie besitzt keine Urheberrechte an den Inhalten der Zeitschriften. Die Rechte liegen in der Regel bei den Herausgebern. Die auf der Plattform e-periodica veröffentlichten Dokumente stehen für nicht-kommerzielle Zwecke in Lehre und Forschung sowie für die private Nutzung frei zur Verfügung. Einzelne Dateien oder Ausdrucke aus diesem Angebot können zusammen mit diesen Nutzungsbedingungen und den korrekten Herkunftsbezeichnungen weitergegeben werden. Das Veröffentlichen von Bildern in Print- und Online-Publikationen ist nur mit vorheriger Genehmigung der Rechteinhaber erlaubt. Die systematische Speicherung von Teilen des elektronischen Angebots auf anderen Servern bedarf ebenfalls des schriftlichen Einverständnisses der Rechteinhaber. Haftungsausschluss Alle Angaben erfolgen ohne Gewähr für Vollständigkeit oder Richtigkeit. Es wird keine Haftung übernommen für Schäden durch die Verwendung von Informationen aus diesem Online-Angebot oder durch das Fehlen von Informationen. Dies gilt auch für Inhalte Dritter, die über dieses Angebot zugänglich sind. Ein Dienst der ETH-Bibliothek ETH Zürich, Rämistrasse 101, 8092 Zürich, Schweiz, www.library.ethz.ch http://www.e-periodica.ch Norman Norell was born in Noblesville, Indiana, and as a child his family moved to Indianapolis where he lived until he was 19. From early boyhood he yearned to be an artist and his education was directed toward that goal. He went to New York to study painting at the Parsons School and then graduated from the Pratt Institute.
  • Council of Fashion Designers of America

    Council of Fashion Designers of America

    Council of Fashion Designers of America ANNUAL REPORT 2017 The mission of the Council of Fashion Designers of America is to strengthen the impact of American fashion in the global economy. B 1 Letter from the Chairwoman, Diane von Furstenberg, and the President and Chief Executive Officer, Steven Kolb In fashion, we respond to the world we live in, a point that was powerfully driven home in 2017. We were excited to see talents with broad cultural backgrounds and political ideas begin to express their experiences and beliefs through their collections. Diversity moved into the spotlight in ways we have never seen before. Designers embraced new approaches to business, from varying show formats to disruptive delivery cycles. It was also the year to make your voices heard, and CFDA listened. We engaged in civic initiatives important to our industry and partnered with Planned Parenthood, the ACLU, and FWD.us. We also relaunched our CFDA Health Initiative with guidelines to help those impacted by sexual assault or other forms of abuse. There’s no going back. In 2018, CFDA is moving ahead at full speed with an increased focus on inclusivity and women in fashion, the latter through an exciting new study with Glamour magazine. We may be a reflection of the world we live in, but we also work hard to make that world a better place. Altruism, after all, never goes out of style. 3 CFDA STRENGTHENED PILLARS WITH MISSION-DRIVEN ACTIONS MEMBERSHIP Fashion Professional Fashion Civic+ Retail Partnership Week + Market Development Supply Chain Philanthropy Opportunities SUSTAINABILITY INDUSTRY ENGAGEMENT SOCIAL AND EDITORIAL MARKETING AND EVENTS KEY UNCHANGED MODIFIED NEW PROVIDED INITIATIVES RELEVANT TO DESIGNERS EMERITUS AT EVERY STAGE OF CAREER DESIGNERS • Board Engagement • Philanthropy and Civic ICONIC Responsibility DESIGNERS • Mentorship • Editorial Visibility • Board Engagement • Fashion Week • Philanthropy and Civic ESTABLISHED Responsibility DESIGNERS • Mentorship • Editorial Visibility • NETWORK.
  • The Gathering

    The Gathering

    Manhattan’sThe Retail RentsInside: Pg. 12 WILL FEDS EYE MAGS?/3 LAUREN GETS ACTIVE/10 WWD WWDWomen’s Wear Daily • The THURSDAYRetailers’ Daily Newspaper • June 16, 2005• $2.00 List Sportswear The Gathering MILAN — “My resort collection reveals the essentials that have come to define an Armani style revisited for today’s ever-evolving woman,” Giorgio Armani said of his latest looks. Indeed, few things epitomize the designer’s style more than fluid fabrics, soft neutrals and feminine silhouettes, as seen here in his fitted, gathered silk jacket over printed silk pants. For more on the season, see pages 6 and 7. Tommy’s Tales of Woe: State Probes Revealed As Pretax Income Falls By Lisa Lockwood NEW YORK — “Tommy’s Troubles” might be a better name for his reality TV series. As Tommy Hilfiger Corp. reported a 45.9 percent drop in its preliminary net income for fiscal 2005, it disclosed Wednesday that it is in discussions with state and local tax authorities in New York and state authorities in New Jersey to settle an income-tax issue for its subsidiary, Tommy Hilfiger Licensing Inc. THLI is a Delaware intangible holding company that collects royalties from third parties and affiliated companies that use the Hilfiger trademark. See Tommy’s, Page14 PHOTO BY KHEPRI STUDIO PHOTO BY WWD.COM WWDTHURSDAY Sportswear GENERAL ™ Tommy Hilfiger reported a 45.9 percent drop in 2005 pretax income and 1 said it’s in talks with authorities in two states to settle an income tax issue. A weekly update on consumer attitudes and behavior based Saks Fifth Avenue has landed Hilary Swank as the Entertainment Industry on ongoing research from Cotton Incorporated 3 Foundation ambassador to its annual Key to the Cure campaign.
  • The Collection Is the Largest Fashion Donation in the Museum's History

    The Collection Is the Largest Fashion Donation in the Museum's History

    FOR IMMEDIATE RELEASE Images available upon request. The IMA at Newfields announces major gift of Indiana fashion designer Stephen Sprouse’s work The collection is the largest fashion donation in the museum’s history INDIANAPOLIS, Nov. 7, 2019— The Indianapolis Museum of Art at Newfields announces the landmark acquisition of the Stephen Sprouse Collection. This is one of the largest single gifts the IMA has ever received. It includes thousands of pieces, including men’s and women’s clothing, shoes, accessories, textile samples, design sketches, audio-visuals, photographs, business documents and press clippings. Two important portraits of Sprouse painted by Andy Warhol in 1984 are also part of this significant gift. “We are thrilled to have been entrusted with Stephen Sprouse’s legacy,” said Niloo Paydar, curator of textile and fashion arts at the IMA. “This acquisition marks the creation of the definitive collection of Stephen Sprouse fashion and archives–a chapter in 1980s and ‘90s American fashion history with roots in Indiana that the Indianapolis Museum of Art is proud to steward.” Joanne Sprouse and Brad Sprouse, Stephen’s mother and brother, donated the collection and archives in memory of Stephen to honor his legacy. Highlights include two rare leather jackets by Sprouse that were hand painted by the Italian artist Stefano Castronovo in the mid-1980s. The jackets depict a young Andy Warhol and Debbie Harry, the lead singer of Blondie. A unique dress worn by supermodel Kate Moss for the Choose or Lose campaign commercial in 1996 is also a part of the gift. Andy Warhol (American, 1928–1987), Stephen Sprouse (Double A fashion visionary, Stephen Sprouse (1953–2004) is best Portrait), 1984, synthetic polymer and silkscreen inks on canvas, 40 × 40 × 1-1/2 in.
  • Sponsorship Package

    Sponsorship Package

    MAKING IT WORK: LIFE LESSONS FROM GLOBAL FASHION ICON TIM GUNN A Virtual Event Presented by the JFS Behavioral Health Committee WHEN Thursday, April 29, 2021 EVENT TIME 12:00pm – 1:00pm VIP AFTER PARTY 1:00pm –1:30pm Honoring Caryl Lees Witte with the Linda Janon Behavioral Health Champion Award Photo credit: Scott McDermott It hasn’t always been fashion runways and hit television shows for style guru and fashion mentor, Tim Gunn. Best known as the Emmy Award winning co-host of Project Runway and most recently Amazon’s Making the Cut, he is also a New York Times bestselling author and former Chief Creative Officer for Liz Claiborne, Inc. Early in his adolescence, he suffered from social anxiety and depression, and spent more than two years at a psychiatric hospital. “I was a very unhappy kid…but that unhappiness spiraled downward to the point where I made a very serious suicide attempt.” Tim would later credit an insightful doctor for saving his life. “That’s how we get through life—by having people whom we trust, loved ones who are important to us, and by reaching out and saying ‘I need some help’.” In a candid conversation with JFS, Tim will detail how he overcame his struggles and share his everyday lessons for making it work. The JFS Behavioral Health Committee The Behavioral Health Committee at Jewish Family Service of San Diego, founded by Linda Janon in 1997, seeks to eliminate the stigma of mental illness through education and outreach. The Committee holds two community events per year to promote awareness on subjects related to behavioral health.