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DRAGNET the Big Blast
CD 8A: “The Big Hands” - 11/22/1951 Who strangled a well-to-do woman in a cheap hotel? DRAGNET CD 8B: “The Big Affair” - 11/29/1951 Friday and Romero investigate a violent jewel robbery. The Big Blast CD 9A: “The Big Canaries” - 12/06/1951 A forty-year-old divorcee with a sixteen-year-old daughter Program Guide by Elizabeth McLeod has been murdered. Jack Webb Whenever vintage radio or television programs come up for discussion, Dragnet CD 9B: “The Big Overtime” - 12/13/1951 always stands out as broadcast media’s ultimate accomplishment in police Kidnappers hold a banker’s daughter for $30,000 ransom. procedural drama. There is a long line of subsequent programs, right down to the present day, owing a great debt to Jack Webb’s laconic, methodical exploration CD 10A: “The Big Red - Part One” - 01/03/1952 of the daily routine of a typical Los Angeles plainclothes cop. From the premiere Friday infiltrates a major heroin operation. of the radio series in the fall of 1949 to the final network broadcast of the television spin-off in 1970, Jack Webb’s vision shaped how Americans looked CD 10B: “The Big Red - Part Two” - 01/10/1952 at law enforcement. Operating undercover, Friday brings down a heroin ring. Jack Webb (the man) was so inextricably linked to Joe Friday (the character), and Webb’s distinctive approach to acting and directing so indelibly marked ev- ery aspect of Dragnet’s production and presentation, that it’s easy to consider him a unique, singular talent -- perhaps even on a level com- Elizabeth McLeod is a journalist, author, and broadcast historian. -
Dragnet Anthology Document.Pdf
Dragnet Anthology Table of Contents Dragnet in a sentence .......................................................................................................................................... 1 The search for Premier missing episodes, 3/16/07: ............................................................................................ 2 Great Link to Music Origins ............................................................................................................................... 2 Newspaper Posting, Thursday, July 7, 1949 ....................................................................................................... 2 Dragnet TV Series 1951 through 2003 ............................................................................................................... 3 Dragnet (1951) .................................................................................................................................................... 3 Dragnet (1967) .................................................................................................................................................... 4 MCA Logo for Dragnet Movie ........................................................................................................................... 4 Dragnet (1989) .................................................................................................................................................... 5 L.A. Dragnet ...................................................................................................................................................... -
American Heritage Center
UNIVERSITY OF WYOMING AMERICAN HERITAGE CENTER GUIDE TO ENTERTAINMENT INDUSTRY RESOURCES Child actress Mary Jane Irving with Bessie Barriscale and Ben Alexander in the 1918 silent film Heart of Rachel. Mary Jane Irving papers, American Heritage Center. Compiled by D. Claudia Thompson and Shaun A. Hayes 2009 PREFACE When the University of Wyoming began collecting the papers of national entertainment figures in the 1970s, it was one of only a handful of repositories actively engaged in the field. Business and industry, science, family history, even print literature were all recognized as legitimate fields of study while prejudice remained against mere entertainment as a source of scholarship. There are two arguments to be made against this narrow vision. In the first place, entertainment is very much an industry. It employs thousands. It requires vast capital expenditure, and it lives or dies on profit. In the second place, popular culture is more universal than any other field. Each individual’s experience is unique, but one common thread running throughout humanity is the desire to be taken out of ourselves, to share with our neighbors some story of humor or adventure. This is the basis for entertainment. The Entertainment Industry collections at the American Heritage Center focus on the twentieth century. During the twentieth century, entertainment in the United States changed radically due to advances in communications technology. The development of radio made it possible for the first time for people on both coasts to listen to a performance simultaneously. The delivery of entertainment thus became immensely cheaper and, at the same time, the fame of individual performers grew. -
Film Noir Database
www.kingofthepeds.com © P.S. Marshall (2021) Film Noir Database This database has been created by author, P.S. Marshall, who has watched every single one of the movies below. The latest update of the database will be available on my website: www.kingofthepeds.com The following abbreviations are added after the titles and year of some movies: AFN – Alternative/Associated to/Noirish Film Noir BFN – British Film Noir COL – Film Noir in colour FFN – French Film Noir NN – Neo Noir PFN – Polish Film Noir www.kingofthepeds.com © P.S. Marshall (2021) TITLE DIRECTOR Actor 1 Actor 2 Actor 3 Actor 4 13 East Street (1952) AFN ROBERT S. BAKER Patrick Holt, Sandra Dorne Sonia Holm Robert Ayres 13 Rue Madeleine (1947) HENRY HATHAWAY James Cagney Annabella Richard Conte Frank Latimore 36 Hours (1953) BFN MONTGOMERY TULLY Dan Duryea Elsie Albiin Gudrun Ure Eric Pohlmann 5 Against the House (1955) PHIL KARLSON Guy Madison Kim Novak Brian Keith Alvy Moore 5 Steps to Danger (1957) HENRY S. KESLER Ruth Ronan Sterling Hayden Werner Kemperer Richard Gaines 711 Ocean Drive (1950) JOSEPH M. NEWMAN Edmond O'Brien Joanne Dru Otto Kruger Barry Kelley 99 River Street (1953) PHIL KARLSON John Payne Evelyn Keyes Brad Dexter Frank Faylen A Blueprint for Murder (1953) ANDREW L. STONE Joseph Cotten Jean Peters Gary Merrill Catherine McLeod A Bullet for Joey (1955) LEWIS ALLEN Edward G. Robinson George Raft Audrey Totter George Dolenz A Bullet is Waiting (1954) COL JOHN FARROW Rory Calhoun Jean Simmons Stephen McNally Brian Aherne A Cry in the Night (1956) FRANK TUTTLE Edmond O'Brien Brian Donlevy Natalie Wood Raymond Burr A Dangerous Profession (1949) TED TETZLAFF George Raft Ella Raines Pat O'Brien Bill Williams A Double Life (1947) GEORGE CUKOR Ronald Colman Edmond O'Brien Signe Hasso Shelley Winters A Kiss Before Dying (1956) COL GERD OSWALD Robert Wagner Jeffrey Hunter Virginia Leith Joanne Woodward A Lady Without Passport (1950) JOSEPH H. -
Retro: Eastern Illinois Sat, Nov 30, 1963
Retro: Eastern Illinois Sat, Nov 30, 1963 North vs South, part 2 from TV Guide-Eastern Illnois edition WCIA 3-Champaign/WMBD 31-Peoria/W71AE LaSalle-Peru (CBS; 71 relays 31) 6:30 Sunrise Semester "Outlines of Art" 7:00 Captain Kangaroo 8:00 Alvin 8:30 Tennessee Tuxedo 9:00 Quick Draw McGraw 9:30 Mighty Mouse 10:00 Rin Tin Tin 10:30 Roy Rogers 11:00 Sky King 11:30 (3) History Telecourse "New Dealism: Second Phase" 11:30 (31) CBS News 11:45 (31) Army-Navy Game Preview noon College Football: Army-Navy Game 3:00 Football Scoreboard 3:15 CBS All-America Team 3:45 (3) Cartoon Carnival 3:45 (31) Air Force Story 4:00 (3) I Search for Adventure 4:00 (31) Film Feature "South of Germany" 4:30 (3) What Do You Say? 5:00 Hop 6:00 News/Weather/Sports 6:30 Jackie Gleason 7:30 Defenders 8:30 Phil Silvers 9:00 Gunsmoke 10:00 (3) Wanted-Dead or Alive 10:00 (31) News 10:30 (3) News/Weather/Sports 10:30 (31) Movie "The Invisible Man's Revenge" 11:00 (3) Movie "The Detective" 11:55 (31) Movie "Chinatown Squad" WTVP 17-Decatur/WTVH 19-Peoria/W70AF Champaign-Urbana (ABC; 70 relays 17) 9:00 (19) My Friend Flicka 9:30 Jetsons 10:00 Casper 10:30 Beany & Cecil 11:00 Bugs Bunny 11:30 Allakazam noon (17) My Friend Flicka noon (19) Farm Report 12:30 American Bandstand (guests Chubby Checker and Donald Jenkins) 1:30 (17) Bourbon Street Beat 1:30 (19) Bids from the Kids 2:30 (17) Texan 2:30 (19) Sea Hunt 3:00 Wide World of Sports: Grey Cup '63: Hamilton 21-BC 10 6:00 Laughs for Sale 6:30 Hootenanny (from Pittsburgh: guests the Tarriers, Josh White, the Brothers Four, Ian & Sylvia (Tyson), Will Holt, Elan Stuart, John Carignon, and Woody Allen) 7:30 Lawrence Welk 8:30 Jerry Lewis (guests Pearl Bailey, Phil Foster, Peter Nero, Jack Jones, and Lucho Navarro) 10:30 Untouchables 11:30 (17) Roaring 20s 11:30 (19) Rebel mid. -
September 2020 Schedule
September, 2020 Olympic legend Jesse Owens is the focus of the September 2 installment of “Moments in Time.” www.channelpittsburgh.org Changes May Occur | Actual Times May Vary Depending On The Viewing Device WEEKDAYS SATURDAY SUNDAY 7AM To Morning Music Show 9AM 9AM Home on the Read to Me Range Lux Radio 10AM The Singing You are There School Days Cowboy Streets Smart 11AM Roy Rogers Movie Serial Bowl & Trigger 12PM Wylie Ave Matinee Movie Backlot Bijou Theater 1PM General Audiences Heroes of the West The Big Picture 2PM TelePlay Billy the Kid People & Places Four Star Playhouse 3PM Adventure of Robin Hood Presenting Olde World Adventures Bonanza Alfred 4PM Tales of Justice Beverly Hillbillies Hitchcock Crime Scene Beverly Hillbillies 5PM On the Job I Married Joan Mr. & Mrs. North The Boys I Married Joan Mr. & Mrs. North 6PM Adventures of Ozzie & Harriet Mickey Rooney Sir Lancelot Adventures of Ozzie & Harriet Welcome to Comedyville Sir Lancelot Still in its early stages, Channel Pittsburgh is a non-profit streaming television station to provide opportunities for local media artists and media students. The programming is to be a mix of local production, classic movies, vintage television shows and more. CUSTOM MADE A custom made program is an CUSTOMIZED A customized program is original series created from comprised of public domain public domain and/or orphan material exclusively episodes of television series that have been for Channel Pittsburgh. modified exclusively for Channel Pittsburgh. TUESDAY 8:00 p.m. 9:00 p.m. Decoy Martin Kelso (Morgan Far- Casey (Beverly Garland) ley) finds himself drawn into SEPTEMBER 1 Pittsburgh Tempo Powerful guitarist Zack poses as the heir to a mur- a con to swindle local busi- 7:00 p.m. -
Monterey.Org/Departments/ Montereyrecreation.Aspx October 10-16, 2014 Your Community Newspaper Vol
Kiosk In This Issue Fri. Oct. 10 Fashions For Food Fashion Show & Tea Meals on Wheels & Chico’s Sally Griffin Center 700 Jewell Ave.$25 375-4454 • Sar. Oct. 11 Concert with David Holodiloff PF Art Center Butterflies - Page 5 More butterflies - Page 14 And Cross Country - Page 21 $10 adv., $15 door 8310375-2208 • Sun. Oct. 12 Chili Contest Benefits One Starfish Pacific Grove’s Homeless Parking Project Community Church Carmel Valley Rd. www.wehelphomelesswomen.org • Mon. Oct. 13 Adult Ceramic Class Hilltop Ceramics 6-8:45 PM sign up http://www. Times monterey.org/Departments/ MontereyRecreation.aspx October 10-16, 2014 Your Community NEWSpaper Vol. VII, Issue 6 or first class meeting • Wed. Oct. 15 Back-to-Back Incidents Keep Pacific Grove Police Running Dine Out With Friends (Of the PG Library) Il Vecchio 110 Central Ave. • Sat. Oct. 18 Rummage Sale 9AM-4PM Christian Church 442 Central, P.G. 372-0363 • Sat. Oct. 18 Flip for Whales™ Benefit whale watch Limited Tickets 9 AM - 2 PM 831-901-3833 • Wed. Oct. 22 Dine Out With Friends (Of the PG Library) Pt. Pinos Grill At the PG Golf Links • Sat. Oct. 25 Science Saturday: Spiders & Snakes 11:00 AM - 3:00 PM Pacific Grove Police Cdr. McSorely was part of the team Thomas Pontarolo PG Museum of Natural History investigating the incident involving the SUV which ran A helicopter landed in the middle of Sunset to pick up a • through the side of Victorian Corner restaurant. young girl who had been hit by a car and transport her to a Fri. -
Screening the LAPD
1 Screening the L.A.P.D.: Cinematic Representations of Policing and Discourses of Law Enforcement in Los Angeles, 1948-2003. by Robert Bevan University College London Ph.D. Thesis 2 Declaration I, Robert Bevan, confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this has been indicated in the thesis. 3 Thesis Abstract This thesis examines cinematic representations of the L.A.P.D. within the context of discourses of law enforcement in Los Angeles and contends that these feature films constitute a significant strand within such discourse. This contention, which is based upon the various identifiable ways in which the films engage with contemporary issues, acknowledges that the nature of such engagement is constrained by the need to produce a commercially viable fictional entertainment. In four main chronological segments, I argue that it is also influenced by the increasing ethnic and gendered diversity of film-makers, by their growing freedom to screen even the most sensitive issues and by the changing racial and spatial politics of Los Angeles. In the 1940s and 1950s, the major studios were prepared to illustrate some disputed matters, such as wire-tapping, but represented L.A.P.D. officers as white paragons of virtue and ignored their fractious relationships with minority communities. In the aftermath of the Watts riot of 1965, racial tensions were more difficult to ignore and, under a more liberal censorship regime, film-makers―led by two independent African American directors―began to depict instances of police racism and brutality. -
Ben Alexander
Ben Alexander Titles: 40 Sources: 3 Stills: 8 Born: Nicholas Benton Alexander III; Goldfield, Nevada, May 26th 1911 th Died: Hollywood; July 5 1969 “PENROD” mk.II (Alexander) in a studio publicity shot with “PENROD” mk.I (Wesley Barry) Advice from mother on how best to deal with father, in “BOY OF MINE” Source: The Silents Majority Halliwell’s Filmgoer’s Companion entry: sticking his six-year old tongue out at his brother’s girl-friend. Ben Alexander began as a “American boy actor of the silent days; later a cuddlesome, strikingly Aryan infant, sleepy and character man.” sensual in a Robert Mitchumish way, gradually becoming more aquiline as adolescence approached. Halliwell’s Television Companion entry: He was the screen’s second "PENROD", “American actor, a former child star of the handsomer than Wesley Barry had been, more cinema, who in later life played a second lead passionate than puckish. cop in "Dragnet" and "The Felony Squad"” Though never a star again – the real magic left him with the onset of puberty, and he became, The Moving Picture Boy entry: in his own words, purely a commercial actor – the handsome Alexander continued to get good “ "The freckled expounder and interpreter of a secondary roles during the Twenties and early child’s soul, to whom nice little Jackie Coogan Thirties. (He was, for instance, one of the and all other studious Baedekers of child young Germans in "ALL QUIET ON THE psychology must bow the knee… Incredible WESTERN FRONT", and Lew Ayres, its hero, artistry." Such was the verdict of Germany’s became his closest real-life friend.) At first his "Filmwoche", in 1924, on the playing of Nicholas roles were decent and idealistic, then turned Benton Alexander III, better known as Ben or caddish or worse in films like "ARE THESE Benny. -
Dragnet 54-05-11 247 the Big Look.Pdf
YM1* .Dtl.~,,, 4 +- iw' ~y``~ AD AN z a N CHESTERFIELD, #79 NBC #2k7 Rte] VASE DATE : MAY 11, 1954 DIRECTOR : JACK VviB SPONSOR : CHESTERFIELD CIGARETTES WRITER : JOHN ROBINSON AGENCY : CUNNINGHAM-WALSH MUSIC : WALTER SCHUMANN COAERCIAL SUPERVISOR : PETE 'PETERSON SCRIPT : JEAN MILLS TECHNICAL ADVISORS : SOUND: BUD TOLLEFSON & SGT . MARTY WYNN L .A .P .D . WAYNE KENWORTHY SGT . VANCE BRASHER : L.A P.D . .' ENGINEER : RAOUL ANRPhY- CAPT . JOHN DONOHOE : L.A,P.D, ANNCR. ' #1; G ORGE i I1-17IN ANNCR . #2 ; HAL GIBNEX, NB C CASE : "THE BIG LOOK " RE RSAL SCHEDULE- RE, CORDING: SUNDAY, MAY 9, 195+ CAST AND SOUND : 12 :00 - 2 :30 'P .M. EDITING : T .B .A . SCORING : T .B .A . ORCHESTRA : ANNOUNCERS : (COPS t;HRCTAT 1 LG 0182994 "THE BIG LOOK" C A S T SGT . JOE FRIDAY ., . .J1~CK WEBB OFF . FRANK SMITH, . ., ., . .c . .BEN ALEXANDER I$ADGE GRIFFIN . .a . .VIRGINIA'GREGG MILD HUDSON . .,' .HELEN I4 EBB VICTOR NADEL . .0 HERB VIGVAN RUDY MARNEI.L . .o .HERB MIS LG 0182995 DRAGN:'T RADIO MY 11, 1954 OPENING 1GI13NEY: Dragnet . brought to you by Chesterfield . For the 2 taste you want - the mildness you w,%nt - a really 3 refreshing smoke . Buy America's most popular tvo- 4 way cigarette - Chesterfield . They satisfy millions . LG 0182996 DRAGNET - RADIO -1- "THE BIG LOOK" N.B.C . #247 CHESTERFIELD #79 FOR BROADCAST : MAY 11, 1954 1 MUSIC : SIGNATURE 2 FENN : (EASILY) Ladies and gentlemen, the story you are about 3 to hear 'is true . The names have been changed to protect 4 the innocent . 5 MUSIC : DRUM ROLL UNDER - f f 6 GIBNEY: 'Dragnet is brought to,you by Chesterfield . -
Flykimround Trip Tov'-^'SK^
* THE EVENING STAR, Washington, D. C. A-12 TtJESDAT, nminn t, iom New Model of DC-7 Elderly Woman Rescued MAH FROM 8008 LUCK »0»P 1$ *687 TO THE As Arlington Home Burns 0001! WillFly Non-Stop to Fire yesterday destroyed a two- story frame home In the 1200 European Capitals block of North Twelfth street, Arlington, Va., after a passerby By the Associated Press |W led an elderly woman from the SANTA MONICA. Calif- building. Sept. enlarged model 7.—A new fireman, Raymond Evans, high-speed 9ne of the DC-7 series of was overcome by smoke and was transport, * capable j commercial treated at Arlington Hospital and flying non-stop between of most released. cities of Europe and thfe United was Three Arlington engine com- States, into production went panies, two truck companies s-raj yesterday at Douglas Aircraft H K an ambulance were sent to the f i&jwkwML' Co. fmmmM scene. Designated the DC-7, it Is house, according to neigh- long-range version of the The a bors, was owned by • - brother four-engine airliner now flying and sister, Mabel and Gerald in record time across the United Peek. C. W. Becker, 39, of 1721 States. The new transport has North Twelfth street, Arlington, led Miss Peck from the house. been labeled the “Seven Seas” She was restrained from going ~ jtr /[Ww J& mr j to emphasise Its intercontinen- back into the dwelling to recover Jk -'V" Blltt tal capabilities . perapnal belongings. Her brother Compared with current DC-7 was gway at the time. -
Coll E C T Ion P R O F
ARSC Study Guide Film Noir Television COLLECTION PROFILE Considered by some to be a movement and others a genre, the classic period of film noir stretched from 1941 to 1958, bookended by the seminal films The Maltese Falcon and Touch of Evil. Film noir (or literally “black film”), a term coined by the French film critic Nino Frank, was often used to describe films that exhibited low- key black and white cinematography reminiscent of German Expressionism and plots centered around moral ambiguity and a rampant fear of sexuality. Often described and studied strictly in terms of its filmic manifestations, many of the stylistic aesthetics and narrative techniques of noir were prevalent on American television in such programs ranging from crime dramas (“Johnny Staccato,” “The Man With a Camera,” Set in the shadows of New York's mean streets, NBC's noir series “77 Sunset Strip”), and police procedurals “Johnny Staccato” (1959-60) starred John Cassavetes as a jazz- (“Dragnet,” “Naked City,” “The Untouchables”), pianist turned private detective. Cassavetes also directed a to science fiction anthologies (“The Outer number of episodes. Limits,” “The Twilight Zone”). Many of these programs not only exhibit noir style, but showcase the artistic efforts of many film noir luminaries. John Brahm (The Lodger, Guest in the House) directed episodes of both “Alfred Hitchcock Presents” and “The Twilight Zone.” John Cassavetes (Shadows, A Woman Under the Influence) starred and directed in “Johnny Staccato.” Joseph Cotten (The Third Man, Shadow of a Doubt)