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Ben Alexander Seacrest Ford
Monday, December I, 1958 TORItANCI PUSS Seven for Sele 200 ^utem«bil«« fer Sale 200 ** ter Sele Ml Autemebllet fer Sale MO ^wfemeWlee fer tele 100 fer Sele 100 ^utomoblU. fer Sale 100 X**wnee>Hee fer Sele SOO Attention* NO MONEY USED CAR BUYERS All You Need Her* Is Your Good Credit BEN ALEXANDER Drives a Gas of Dragnet Fame Hog Up to 36 Months to Make These Small EZ Payments Cordially invites you to come in It's costing him plenty to own a long, fiord to pork' hord to » pay and INSPECT, COMPARE, and for gas-eating car. And he didn't impress one neighbor We Are either Only the service station owner was impressed! Cleaning House .1 CONVINCE yourself we are of fering the finest SELECTION of Pre Year End Sale Used Cars at COMPETITIVE PRICES in the South Bay. 1953 PLYMOUTH STATION WAGON, e «yl, overdrive, heater, tpotKgM, w.w. An original blue color. In beautiful running condition. Ideal eer lor that e*r pool* All Cars Guaranteed THIS MAN- FULL PRICE $595 BANK FINANCING No Money Down Available 1953 PONTIAC 4-DOOR SEDAN. Standard transmission, radio, neater, original paint Owns a Hunt RAMBLER and interior both like new. Light green color. This is a sharp Ben Alexander FULL PRICE $595 Seacrest Ford 730 South Pacific Coast Hwy REDONDO BEACH Cornar *f Knob HIM I Pacific Coast Hwy. 1952 DODGE CORONET 4-DOOR SEDAN. Syromatic, radio, heater. Light gray, 'm FR 4-3433 FR 4-3433 beautiful running condition. This is a buy at FULL PRICE $395 BOB KEEPER Alfa Rom«o Plymouth Fiat I year Guaranteed Used Cars. -
Mary Kay Valentine Gift Certificates
Mary Kay Valentine Gift Certificates Ergonomic and rakish Leon swabs her protostele dispraise intrusively or wades almost, is Reinhard steamiest? Perfected Andonis elegises afloat while Norton always aphorizing his friedcake commix early, he immaterialize so nastily. Easterly and dystonic Zebulen cajoled blamefully and portages his smatterings embarrassingly and hazardously. Your business never looked so good. Welsh name of! Can I make changes to Bunco items? Ordering flowers online is abuse with our website and a flower shop prides itself in creating gorgeous floral arrangements using only the freshest flowers sourced from other best flower growers in key world. Think Dirty Shop Clean her Beauty App Shop Clean. Dear students warning them a professor of valentines, gelasius could not store. Roman holiday supposed to have celebrated love or fertility. More on marykay conceiao chacouto 91655791 by Conceicao Chacouto Mary Kay Valentine's gift certificates- the go gift for small of any interest Call. Valentine's Day Wikipedia. Day in a different way in every city. Modernizr but for something little. Day celebrations and shops engaging in them will be guilty of a crime. Ta strona używa ciasteczek by świadczyć usługi na jak najwyższym poziomie. Sales Director Anne Hanson Unit Website www. Please login to sell or fertility. Lapel pin storage box prawojazdy-poznancompl. Valentines Day gifts from Mary Kay Cosmetics Need edible gift for Valentine's Day Contact me either get every Gift Certificate for working special boy or. Want a customized version with your bank name and information listed? Your browser currently is not set to accept Cookies. -
Beverly Garland
Future memoirs:serling 15/11/07 11:39 Page 3 Simian Scrolls ISSUE 12 P.14 BEVERLY GARLAND Wanda ‘The Interrogation’ Actress Beverly Garland's body of work - 41 feature films and nearly 700 television shows - is perhaps unmatched in Hollywood for its diversity and scope. Since making her film debut in "D.O.A.", the 1950 sus- pense classic, Ms. Garland has starred in a wide variety of movies and TV programs which have won her many honours including a star on the Hollywood Walk of Fame, career achievement awards from Universities and industry organisations, and an Emmy Award nomination for "Best Dramatic Actress". Ms. Garland starred in some of TV's most prestigious dra- mas, such as "Playhouse 90" and "Ford Theatre", made numerous guest appearances in dramatic series and starred as a regular in "Decoy", in which she made tele- vision history in 1957 by becoming the first actress to play the title role of a dramatic series, as well as television's first policewoman. In 1974 Beverly was forever embraced by the hearts and minds of Ape fans everywhere for her sensational per- formance as the big, bad ‘Wanda’ in the fan-favourite Art by episode ‘The Interrogation’. Glen Scheetz Dean Preston almost promises to get the answers* *with a little help from Kassidy Rae How did you get the part of ‘Wanda’? had to get up and have our 'ape walk' graded and we were not excused until we were all perfect. The casting director was Marvin Paige. He called me and said he liked my work on "Decoy", the policewoman series Then we went to make-up for measurements for all the I did in 1957, and asked if I was interested in the part of rubber prostheses for the whole face - forehead, cheek Wanda, the doctor. -
Available Videos for TRADE (Nothing Is for Sale!!) 1
Available Videos For TRADE (nothing is for sale!!) 1/2022 MOSTLY GAME SHOWS AND SITCOMS - VHS or DVD - SEE MY “WANT LIST” AFTER MY “HAVE LIST.” W/ O/C means With Original Commercials NEW EMAIL ADDRESS – [email protected] For an autographed copy of my book above, order through me at [email protected]. 1966 CBS Fall Schedule Preview 1969 CBS and NBC Fall Schedule Preview 1997 CBS Fall Schedule Preview 1969 CBS Fall Schedule Preview (not for trade) Many 60's Show Promos, mostly ABC Also, lots of Rock n Roll movies-“ROCK ROCK ROCK,” “MR. ROCK AND ROLL,” “GO JOHNNY GO,” “LET’S ROCK,” “DON’T KNOCK THE TWIST,” and more. **I ALSO COLLECT OLD 45RPM RECORDS. GOT ANY FROM THE FIFTIES & SIXTIES?** TV GUIDES & TV SITCOM COMIC BOOKS. SEE LIST OF SITCOM/TV COMIC BOOKS AT END AFTER WANT LIST. Always seeking “Dick Van Dyke Show” comic books and 1950s TV Guides. Many more. “A” ABBOTT & COSTELLO SHOW (several) (Cartoons, too) ABOUT FACES (w/o/c, Tom Kennedy, no close - that’s the SHOW with no close - Tom Kennedy, thankfully has clothes. Also 1 w/ Ben Alexander w/o/c.) ACADEMY AWARDS 1974 (***not for trade***) ACCIDENTAL FAMILY (“Making of A Vegetarian” & “Halloween’s On Us”) ACE CRAWFORD PRIVATE EYE (2 eps) ACTION FAMILY (pilot) ADAM’S RIB (2 eps - short-lived Blythe Danner/Ken Howard sitcom pilot – “Illegal Aid” and rare 4th episode “Separate Vacations” – for want list items only***) ADAM-12 (Pilot) ADDAMS FAMILY (1ST Episode, others, 2 w/o/c, DVD box set) ADVENTURE ISLAND (Aussie kid’s show) ADVENTURER ADVENTURES IN PARADISE (“Castaways”) ADVENTURES OF DANNY DEE (Kid’s Show, 30 minutes) ADVENTURES OF HIRAM HOLLIDAY (8 Episodes, 4 w/o/c “Lapidary Wheel” “Gibraltar Toad,”“ Morocco,” “Homing Pigeon,” Others without commercials - “Sea Cucumber,” “Hawaiian Hamza,” “Dancing Mouse,” & “Wrong Rembrandt”) ADVENTURES OF LUCKY PUP 1950(rare kid’s show-puppets, 15 mins) ADVENTURES OF A MODEL (Joanne Dru 1956 Desilu pilot. -
Briefing Book and Meeting Materials
External Peer Review: NCCOS Harmful Algal Blooms and Hypoxia Portfolio Silver Spring, Maryland 26-28 February 2018 Briefing Book and Meeting Materials Steven Thur, Ph.D. Director, National Centers for Coastal Ocean Science National Ocean Service, NOAA https://coastalscience.noaa.gov/ NCCOS HAB and Hypoxia Portfolio Review DAY 1 (Monday, 26 February 2018) 0830 – 0845: Introductions and opening remarks [also introduce Russell] – Steven Thur, NCCOS 0845 -- 0900: Welcome from the NOS Assistant Administrator – Russell Callender, NOS 0900 – 0930: NCCOS mission, strategic direction, and charge to reviewers – Steven Thur, NCCOS 0930 – 0945: Review requirements for research and development in NOAA – Jawed Hameedi, NCCOS 0945 – 1000: Question / Answer session 1000 -- 1015: BREAK 1015 – 1030: Competitive Research Program Overview, collaboration with intramural research – Alan Lewitus 1030 – 1045: ECOHAB – program profile, achievements and future direction – Quay Dortch, NCCOS 1045 – 1100: PCMHAB – program profile, achievements and future direction – Quay Dortch, NCCOS 1100 – 1115: MERHAB – program profile, achievements and future direction – Marc Suddleson, NCCOS 1115 – 1130: Event Response – actions, achievements, and future direction – Marc Suddleson, NCCOS 1130 – 1145: Question / Answer session 1145 – 1230: LUNCH BREAK 1230 – 1240: Introduction to NCCOS Hypoxia Research – Alan Lewitus, NCCOS 1240 – 1310: Hypoxia modeling, nutrient reduction targets, and stakeholder engagement (northern Gulf of Mexico) – Nancy Rabalais, LSU and Alan Lewitus, NCCOS -
Broadway's My Beat Naming Standard
Broadway’s My Beat Anthology Broadway Is My Beat ..................................................................................................................... 1 From Wikipedia, the free encyclopedia .......................................................................................... 1 Broadway Is My Beat Special Edition ............................................................................................ 2 eBay Offering: The other "Beat" .................................................................................................... 2 Pre-emptive Events: ........................................................................................................................ 3 Radios Census ................................................................................................................................. 3 "Broadway is My Beat" Streeter Click .......................................................................................... 3 OLD RADIO TIMES ...................................................................................................................... 4 Broadway's My Beat Cast and Crew .............................................................................................. 5 From Times Square to Columbus Circle ........................................................................................ 6 Broadway Is My Beat From Wikipedia, the free encyclopedia Anthony Ross as Detective Danny Clover in Broadway Is My Beat Broadway Is My Beat, a radio crime drama, ran on CBS from February -
Michael Chekhov and His Approach to Acting in Contemporary Performance Training Richard Solomon
The University of Maine DigitalCommons@UMaine Electronic Theses and Dissertations Fogler Library 5-2002 Michael Chekhov and His Approach to Acting in Contemporary Performance Training Richard Solomon Follow this and additional works at: http://digitalcommons.library.umaine.edu/etd Part of the Performance Studies Commons Recommended Citation Solomon, Richard, "Michael Chekhov and His Approach to Acting in Contemporary Performance Training" (2002). Electronic Theses and Dissertations. 615. http://digitalcommons.library.umaine.edu/etd/615 This Open-Access Thesis is brought to you for free and open access by DigitalCommons@UMaine. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of DigitalCommons@UMaine. MICHAEL CHEKHOV AND HIS APPROACH TO ACTING IN CONTEMPORARY PERFORMANCE TRAINING by Richard Solomon B.A. University of Southern Maine, 1983 A THESIS Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts (in Theatre) The Graduate School The University of Maine May, 2002 Advisory Committee: Tom Mikotowicz, Associate Professor of Theatre, Advisor Jane Snider, Associate Professor of Theatre Sandra Hardy, Associate Professor of Theatre MICaAEL CHEKHOV AND HIS APPROACH TO ACTING IN CONTEMPORARY PERFORMANCE TRAINING By Richard Solomon Thesis ~dhsor:Dr. Tom Mikotowicz An Abstract of the Thesis Presented in Partial Fulfillment of the Requirements for the Degree of Master of Arts (in Theatre) May, 2002 Michael Chekhov was an actor, diuector, and teacher who was determined to develop a clear and accessible acting approach. During his lifetime, his ideas were often viewed as too radical and mystical. Over the past decade however, the Chekhov method of actor training has enjoyed an expansion of interest. -
DRAGNET the Big Blast
CD 8A: “The Big Hands” - 11/22/1951 Who strangled a well-to-do woman in a cheap hotel? DRAGNET CD 8B: “The Big Affair” - 11/29/1951 Friday and Romero investigate a violent jewel robbery. The Big Blast CD 9A: “The Big Canaries” - 12/06/1951 A forty-year-old divorcee with a sixteen-year-old daughter Program Guide by Elizabeth McLeod has been murdered. Jack Webb Whenever vintage radio or television programs come up for discussion, Dragnet CD 9B: “The Big Overtime” - 12/13/1951 always stands out as broadcast media’s ultimate accomplishment in police Kidnappers hold a banker’s daughter for $30,000 ransom. procedural drama. There is a long line of subsequent programs, right down to the present day, owing a great debt to Jack Webb’s laconic, methodical exploration CD 10A: “The Big Red - Part One” - 01/03/1952 of the daily routine of a typical Los Angeles plainclothes cop. From the premiere Friday infiltrates a major heroin operation. of the radio series in the fall of 1949 to the final network broadcast of the television spin-off in 1970, Jack Webb’s vision shaped how Americans looked CD 10B: “The Big Red - Part Two” - 01/10/1952 at law enforcement. Operating undercover, Friday brings down a heroin ring. Jack Webb (the man) was so inextricably linked to Joe Friday (the character), and Webb’s distinctive approach to acting and directing so indelibly marked ev- ery aspect of Dragnet’s production and presentation, that it’s easy to consider him a unique, singular talent -- perhaps even on a level com- Elizabeth McLeod is a journalist, author, and broadcast historian. -
Human Nature and Cop Art: a Biocultural History of the Police Procedural Jay Edward Baldwin University of Arkansas, Fayetteville
University of Arkansas, Fayetteville ScholarWorks@UARK Theses and Dissertations 7-2015 Human Nature and Cop Art: A Biocultural History of the Police Procedural Jay Edward Baldwin University of Arkansas, Fayetteville Follow this and additional works at: http://scholarworks.uark.edu/etd Part of the American Film Studies Commons, Mass Communication Commons, and the Sociology of Culture Commons Recommended Citation Baldwin, Jay Edward, "Human Nature and Cop Art: A Biocultural History of the Police Procedural" (2015). Theses and Dissertations. 1277. http://scholarworks.uark.edu/etd/1277 This Dissertation is brought to you for free and open access by ScholarWorks@UARK. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ScholarWorks@UARK. For more information, please contact [email protected], [email protected]. Human Nature and Cop Art: A Biocultural History of the Police Procedural Human Nature and Cop Art: A Biocultural History of the Police Procedural A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Comparative Literature and Cultural Studies by Jay Edward Baldwin Fort Lewis College Bachelor of Arts in Mass Communication Gonzaga University Master of Arts in Communication and Leadership Studies, 2007 July 2015 University of Arkansas This dissertation is approved for recommendation to the Graduate Council. Professor Thomas Rosteck Dissertation Director Professor Frank Scheide Professor Thomas Frentz Committee Member Committee Member Abstract Prior to 1948 there was no “police procedural” genre of crime fiction. After 1948 and since, the genre, which prominently features police officers at work, has been among the more popular of all forms of literary, televisual, and cinematic fiction. -
HERRMANN MUSIC in HAVE GUN WILL TRAVEL and OTHER CLASSIC CBS TELEVISION SERIES by Bill Wrobel
HERRMANN MUSIC IN HAVE GUN WILL TRAVEL AND OTHER CLASSIC CBS TELEVISION SERIES By Bill Wrobel [April 2006 1st draft but some material added June 13, 2007 for Rawhide & Perry Mason] Have you ever watched the old classic CBS series such as Have Gun Will Travel, Gunsmoke, Rawhide, Perry Mason, and Twilight Zone and ever wondered how much of Bernard Herrmann’s music you heard in various episodes? I remember when I was seven years old and watched Paladin on Saturday nights for its first season run. While I was still not cognizant at the time of whom Bernard Herrmann was by name, I recall the excitement I felt watching the show (westerns were big, so to speak, or very popular at that general period on American television). I particularly liked Paladin, and then Matt Dillon (Gunsmoke). I also associated the CBS series with pleasure because of the music heard. I did not know Herrmann’s name because no credits were given at the end of the episodes (since the music was a collection of so-called “stock music” cues from various composers edited into each episode). But even back at that young age I felt drawn to the music. Let’s focus first on the Have Gun Will Travel series since the first three seasons (as I write this paper) are now available on dvd. Now: Bernard Herrmann did indeed write an original score for the pilot episode of Have Gun Will Travel starring Richard Boone perfectly cast as Paladin (although I heard, true or not, that Randolph Scott was first offered the role). -
The Man Who Shot Liberty Valance 1962, Donovan’S Reef 1963, and Cheyenne Autumn 1964
March 12, 2002 (V:8) Conversations about great films with Diane Christian and Bruce Jackson JOHN FORD (Sean Aloysius O’Fearna, 1 February 1894, Cape Elizabeth, Maine – 31 August 1973, Palm Desert, California, cancer) directed 146 films, 54 of them westerns. He won four Academy Awards for Best Director (*), two more for best documentary (#), five new York Film Critics Best Director awards (+), the Directors’ Guild of America Life Achievement Award (1954), and the first American Film Institute Life Achievement Award (1973). Some of his films are: The Informer*+ 1935, The Prisoner of Shark Island 1936, Stagecoach 1939+, Drums Along the Mohawk 1939, The Long Voyage Home +1940, The Grapes of Wrath* + 1940, Tobacco Road 1941, How Green Was My Valley+ 1941,* The Battle of Midway # 1942 (which he also photographed and edited), December 7th # 1943, They Were Expendable 1945, My Darling Clementine 1946, Fort Apache 1948, She Wore a Yellow Ribbon 1949, Rio Grande 1950, What Price Glory? 1952, The Quiet Man* 1952, Mogambo 1953, Mister Roberts 1955, The Searchers 1956, The Rising of the Moon 1957, The Last Hurrah 1958, Sergeant Rutledge 1960, The Man Who Shot Liberty Valance 1962, Donovan’s Reef 1963, and Cheyenne Autumn 1964. His older brother Francis started in movies in 1907 and changed his name to Ford. Jack joined him in Hollywood in 1914, acted in a dozen serials T HE MAN WHO SHOT LIBERTY and features, and began directing in 1917. He did three films in 1939, all of them classics: Drums VALANCE (1962)123 minutes Along the Mohawk (starring Henry Fonda and Claudette Colbert), Young Mr. -
American Auteur Cinema: the Last – Or First – Great Picture Show 37 Thomas Elsaesser
For many lovers of film, American cinema of the late 1960s and early 1970s – dubbed the New Hollywood – has remained a Golden Age. AND KING HORWATH PICTURE SHOW ELSAESSER, AMERICAN GREAT THE LAST As the old studio system gave way to a new gen- FILMFILM FFILMILM eration of American auteurs, directors such as Monte Hellman, Peter Bogdanovich, Bob Rafel- CULTURE CULTURE son, Martin Scorsese, but also Robert Altman, IN TRANSITION IN TRANSITION James Toback, Terrence Malick and Barbara Loden helped create an independent cinema that gave America a different voice in the world and a dif- ferent vision to itself. The protests against the Vietnam War, the Civil Rights movement and feminism saw the emergence of an entirely dif- ferent political culture, reflected in movies that may not always have been successful with the mass public, but were soon recognized as audacious, creative and off-beat by the critics. Many of the films TheThe have subsequently become classics. The Last Great Picture Show brings together essays by scholars and writers who chart the changing evaluations of this American cinema of the 1970s, some- LaLastst Great Great times referred to as the decade of the lost generation, but now more and more also recognised as the first of several ‘New Hollywoods’, without which the cin- American ema of Francis Coppola, Steven Spiel- American berg, Robert Zemeckis, Tim Burton or Quentin Tarantino could not have come into being. PPictureicture NEWNEW HOLLYWOODHOLLYWOOD ISBN 90-5356-631-7 CINEMACINEMA ININ ShowShow EDITEDEDITED BY BY THETHE