Literary Taste Œ Some Fossilized Preferences
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Authors, Translators & Other Masqueraders
Transgressing Authority – Authors, Translators and Other Masqueraders Alexandra Lopes The huge success of Walter Scott in Portugal in the first half of the 19th century was partially achieved by sacrificing the ironic take on authorship his Waverley Novels entailed. This article examines translations of his works within the context of 19th century Portugal with a focus on the translation(s) of Waverley. The briefest perusal of the Portuguese texts reveals plentiful instances of new textual authority, which naturally compose a sometimes very different author(ship) -- an authorship often mediated by French translations. Thus a complex web of authority emerges effectively, if deviously, (re)creating the polyphony of authorial voices and the displacement of the empirical author first staged by the source texts themselves. Keywords: authorship, literary translation, translation history, translatability L’immense succès connu par Walter Scott au Portugal dans la première moitié du XIXe siècle se doit en partie au sacrifice de la dimension ironique de la voix auctoriale dans sa série Waverley. Cet article examine les traductions des oeuvres de Scott dans le contexte du Portugal de l’époque en portant une attention particulière aux traductions de Waverley. Même un très bref aperçu des textes portuguais révèle de nombreux exemples d’instances nouvelles d’autorité narrative, lesquelles créent une voix auctoriale parfois très différente de celle du texte original à cause souvent du rôle médiateur des traductions françaises. Un tissu complexe de voix auctoriales émerge ainsi, bien que par le biais d’artifices, recréant la polyphonie des voix auctoriales et le déplacement de l’auteur empirique, mis en scène d’abord par les textes originaux. -
Sir Walter Scott's French Visitors
' " SIR WALTER SCOTT'S FRENCH VISITORS R. K. GORDON "JN Sir Walter Scott's journal under date of 14th September, 1827, the following entry occurs: "Enter IVIiss Sinclairs, two in number, also a translator, and a little Flemish woman, his wife -very good-humoured, rather a little given to compliment; name Fauconpret. They are to return at night in a gig as far as Kelso -a bold undertaking." The reference to the Frenchman is kindly ..enough, though there is a hint of irritation at the compliments, and perhaps a slight shrug of amusement at foreign manners. This person, so casually dismissed as "a translator", had his share -of fame in his own country. The translation of the Waverley Novels by A. ]. B. Defauconpret had beaten all rival versions, had brought wealth to Gosselin its publisher, and had made Scott ·one of the most popular authors in every part of France. It is still the standard French version. And Defauconpret not only won readers for Scott; he was responsible also, in part at least, for the stream of French tourists to Scotland in the 20's of the last century, for some of Scott's French admirers could not rest satisfied till they had seen the places described in the poems and novels, and till they had at any rate tried to behold the great man himself. To have made the Voyage d'Abbotsford, and to be able to say, "I have seen Walter Scott," gave one a claim to some literary distinction in France, until at last so many could make the claim that it lost all value. -
Of St Cuthbert'
A Literary Pilgrimage of Durham by Ruth Robson of St Cuthbert' 1. Market Place Welcome to A Literary Pilgrimage of Durham, part of Durham Book Festival, produced by New Writing North, the regional writing development agency for the North of England. Durham Book Festival was established in the 1980s and is one of the country’s first literary festivals. The County and City of Durham have been much written about, being the birthplace, residence, and inspiration for many writers of both fact, fiction, and poetry. Before we delve into stories of scribes, poets, academia, prize-winning authors, political discourse, and folklore passed down through generations, we need to know why the city is here. Durham is a place steeped in history, with evidence of a pre-Roman settlement on the edge of the city at Maiden Castle. Its origins as we know it today start with the arrival of the community of St Cuthbert in the year 995 and the building of the white church at the top of the hill in the centre of the city. This Anglo-Saxon structure was a precursor to today’s cathedral, built by the Normans after the 1066 invasion. It houses both the shrine of St Cuthbert and the tomb of the Venerable Bede, and forms the Durham UNESCO World Heritage Site along with Durham Castle and other buildings, and their setting. The early civic history of Durham is tied to the role of its Bishops, known as the Prince Bishops. The Bishopric of Durham held unique powers in England, as this quote from the steward of Anthony Bek, Bishop of Durham from 1284-1311, illustrates: ‘There are two kings in England, namely the Lord King of England, wearing a crown in sign of his regality and the Lord Bishop of Durham wearing a mitre in place of a crown, in sign of his regality in the diocese of Durham.’ The area from the River Tees south of Durham to the River Tweed, which for the most part forms the border between England and Scotland, was semi-independent of England for centuries, ruled in part by the Bishop of Durham and in part by the Earl of Northumberland. -
One Word More on Scott's Anonymity Thomas R
Studies in Scottish Literature Volume 14 | Issue 1 Article 12 1979 One Word More on Scott's Anonymity Thomas R. Dale Follow this and additional works at: https://scholarcommons.sc.edu/ssl Part of the English Language and Literature Commons Recommended Citation Dale, Thomas R. (1979) "One Word More on Scott's Anonymity," Studies in Scottish Literature: Vol. 14: Iss. 1. Available at: https://scholarcommons.sc.edu/ssl/vol14/iss1/12 This Article is brought to you by the Scottish Literature Collections at Scholar Commons. It has been accepted for inclusion in Studies in Scottish Literature by an authorized editor of Scholar Commons. For more information, please contact [email protected]. Thomas R. Dale One Word More on Scott's Anonymity Mr. Seamus Cooney in his "Scott's Anonymity--Its Motives and Consequences" (BBL, 10 (1973), pp. 207-219) presents a compre- hensive survey of the various motives or implied by Scott for maintaining the anonymity of the Wavepley Novels from 1814 to 1827. Besides the many motives suggested in Scott's prefaces--some obviously playfully, others with some appearance of sincerity--Mr. Cooney points out another more po tent motive, probably only partly realized by Scott himself. This is the psychological need for anonymity in the writing process itself. Scott, it appears, adopted a number of narra tive personae different from his "real" self and felt that with disclosure of his authorship his novel-writing would corne to an end. (Why this did not apply to the poems is not mentioned.) The intention of this note is to corroborate but modify Mr. -
Sir Walter Scott's Templar Construct
Copyright is owned by the Author of the thesis. Permission is given for a copy to be downloaded by an individual for the purpose of research and private study only. The thesis may not be reproduced elsewhere without the permission of the Author. SIR WALTER SCOTT’S TEMPLAR CONSTRUCT – A STUDY OF CONTEMPORARY INFLUENCES ON HISTORICAL PERCEPTIONS. A THESIS PRESENTED IN FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN HISTORY AT MASSEY UNIVERSITY, EXTRAMURAL, NEW ZEALAND. JANE HELEN WOODGER 2017 1 ABSTRACT Sir Walter Scott was a writer of historical fiction, but how accurate are his portrayals? The novels Ivanhoe and Talisman both feature Templars as the antagonists. Scott’s works display he had a fundamental knowledge of the Order and their fall. However, the novels are fiction, and the accuracy of some of the author’s depictions are questionable. As a result, the novels are more representative of events and thinking of the early nineteenth century than any other period. The main theme in both novels is the importance of unity and illustrating the destructive nature of any division. The protagonists unify under the banner of King Richard and the Templars pursue a course of independence. Scott’s works also helped to formulate notions of Scottish identity, Freemasonry (and their alleged forbearers the Templars) and Victorian behaviours. However, Scott’s image is only one of a long history of Templars featuring in literature over the centuries. Like Scott, the previous renditions of the Templars are more illustrations of the contemporary than historical accounts. One matter for unease in the early 1800s was religion and Catholic Emancipation. -
Desire, Villainy, and Capital in Eighteenth-Century Fiction
THE UNIVERSITY OF CHICAGO IMAGINARY WANTS: DESIRE, VILLAINY, AND CAPITAL IN EIGHTEENTH-CENTURY FICTION A DISSERTATION SUBMITTED TO THE FACULTY OF THE DIVISION OF THE HUMANITIES IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF ENGLISH LANGUAGE AND LITERATURE BY SAMUEL TOMAN ROWE CHICAGO, ILLINOIS AUGUST 2017 Table of contents List of figures iii Acknowledgements iv Introduction 1 1. Consumptive production 6 2. The persecutory plot 21 3. Tragedy and the other Enlightenment 36 I. Moll’s bundles: desire, tragi-comedy, and criminality in Defoe 42 1. The picaresque, the providential, the tragi-comic 44 2. Fortune, mastery, and the picaresque 54 3. The projector’s fortune, the tradesman’s bait 65 4. Bundles and baits 72 II. “Strange Diligence”: Lovelace and the rake ethic 90 1. The persecutory plot in Richardson 93 2. Strange diligence 99 3. Hedonism without heart 107 4. Smith’s shop 117 5. “Visionary gratification” and tragedy 126 III. Beckford’s insatiable caliph: oriental despotism and consumer society 129 1. The Asiatic mode of consumption 136 2. Luxuriance, privation, and the market 143 3. Beyond the palace of the senses 149 4. Enameling the sensorium 159 5. Damnation, the gaze, and sociality 164 IV. Matthew Lewis and the gothic face 174 1. The persecutory plot in romantic fiction 179 2. Gothic faciality 187 3. Lewis: capital accumulation and the flaming eye 203 Bibliography 217 ii List of figures 1. Sketch of Vathek’s tower attributed to William Beckford, c. 1843-4. Page 151. 2. Bookplate from William Lane’s circulating library. Page 202. -
The Highland Clans of Scotland
:00 CD CO THE HIGHLAND CLANS OF SCOTLAND ARMORIAL BEARINGS OF THE CHIEFS The Highland CLANS of Scotland: Their History and "Traditions. By George yre-Todd With an Introduction by A. M. MACKINTOSH WITH ONE HUNDRED AND TWENTY-TWO ILLUSTRATIONS, INCLUDING REPRODUCTIONS Of WIAN'S CELEBRATED PAINTINGS OF THE COSTUMES OF THE CLANS VOLUME TWO A D. APPLETON AND COMPANY NEW YORK MCMXXIII Oft o PKINTED IN GREAT BRITAIN CONTENTS PAGE THE MACDONALDS OF KEPPOCH 26l THE MACDONALDS OF GLENGARRY 268 CLAN MACDOUGAL 278 CLAN MACDUFP . 284 CLAN MACGILLIVRAY . 290 CLAN MACINNES . 297 CLAN MACINTYRB . 299 CLAN MACIVER . 302 CLAN MACKAY . t 306 CLAN MACKENZIE . 314 CLAN MACKINNON 328 CLAN MACKINTOSH 334 CLAN MACLACHLAN 347 CLAN MACLAURIN 353 CLAN MACLEAN . 359 CLAN MACLENNAN 365 CLAN MACLEOD . 368 CLAN MACMILLAN 378 CLAN MACNAB . * 382 CLAN MACNAUGHTON . 389 CLAN MACNICOL 394 CLAN MACNIEL . 398 CLAN MACPHEE OR DUFFIE 403 CLAN MACPHERSON 406 CLAN MACQUARIE 415 CLAN MACRAE 420 vi CONTENTS PAGE CLAN MATHESON ....... 427 CLAN MENZIES ........ 432 CLAN MUNRO . 438 CLAN MURRAY ........ 445 CLAN OGILVY ........ 454 CLAN ROSE . 460 CLAN ROSS ........ 467 CLAN SHAW . -473 CLAN SINCLAIR ........ 479 CLAN SKENE ........ 488 CLAN STEWART ........ 492 CLAN SUTHERLAND ....... 499 CLAN URQUHART . .508 INDEX ......... 513 LIST OF ILLUSTRATIONS Armorial Bearings .... Frontispiece MacDonald of Keppoch . Facing page viii Cairn on Culloden Moor 264 MacDonell of Glengarry 268 The Well of the Heads 272 Invergarry Castle .... 274 MacDougall ..... 278 Duustaffnage Castle . 280 The Mouth of Loch Etive . 282 MacDuff ..... 284 MacGillivray ..... 290 Well of the Dead, Culloden Moor . 294 Maclnnes ..... 296 Maclntyre . 298 Old Clansmen's Houses 300 Maclver .... -
Henry Weber: Medieval Scholar, Poet, and Secretary to Walter Scott Kurt Gamerschlag
Studies in Scottish Literature Volume 25 | Issue 1 Article 14 1990 Henry Weber: Medieval Scholar, Poet, and Secretary to Walter Scott Kurt Gamerschlag Follow this and additional works at: https://scholarcommons.sc.edu/ssl Part of the English Language and Literature Commons Recommended Citation Gamerschlag, Kurt (1990) "Henry Weber: Medieval Scholar, Poet, and Secretary to Walter Scott," Studies in Scottish Literature: Vol. 25: Iss. 1. Available at: https://scholarcommons.sc.edu/ssl/vol25/iss1/14 This Article is brought to you by the Scottish Literature Collections at Scholar Commons. It has been accepted for inclusion in Studies in Scottish Literature by an authorized editor of Scholar Commons. For more information, please contact [email protected]. Kurt Gamerschlag Henry Weber: Medieval Scholar, Poet, and Secretary to Walter Scott Henry Weber appears on several occasions in Lockhart's biography of Scott, most memorably in Chapter 27. There, in a highly dramatic scene, we find him challenging Scott to a duel with pistols in Scott's library in Castle Street, Edinburgh. His words: "you have long insulted me, and I can bear it no longer,,,l seem an extraordinary statement to be used against as generous, warm, and understanding a person as Scott is usually portrayed to have been. One starts wondering about the story that may lie behind this scene. Both Lockhart and Scott offer the explanation that poor Weber had acted in a fit of madness. Anyway, he had to be put into a straight-jacket that night, and was later sent home to his family in the north of England, where he died in an asylum four years after the incident. -
The Ancient Parish of Kirkby Ravensworth
THE ANCIENT PARISH OF KIRKBY RAVENSWORTH by The Reverend Norman Butcher This book is dedicated to Mr. T.W. Metcalfe without whose inspiration and encouragement it would not have been written. I am greatly indebted to Mr. J. Merryne Watson of Newsham for his constant guidance and revision in the compilation of this exercise and for communicating to me his unrivalled knowledge of the life, history and geography of this parish, without which this work could not have been written. I am also indebted to Mr. E.T. Oram of Barwick-in-Elmet for his invaluable assistance in resolving the architectural nomenclature and kindred problems of this exercise. To each of the above and to all those who assisted me in this exercise, I express my thanks. Norman Butcher 1985 THE EARLY YEARS 6 THE PARISH OF KIRKBY RAVENSWORTH 15 THE PARISH CHURCH 17 Rectors 21 Perpetual Curates 22 Curates, ie Vicars 22 Parish Clerks 23 The Dedication of the Church 23 The Nave 26 The Chancel 31 The Porch 37 The Font 39 The Tower 40 Monuments 42 Furnishings 44 The Churchyard 46 Church Records 47 THE DAKYN TRUST 50 The Hospital 55 The School 57 KIRKBY HILL 62 RAVENSWORTH 65 THE FITZHUGHS 73 The Castle 79 WHASHTON 83 DALTON 89 GAYLES 103 NEWSHAM 111 NEW FOREST 120 ARCHITECTURAL NOTES 129 GLOSSARY 130 HISTORICAL TERMS 134 BIBLIOGRAPHY 137 POSTSCRIPT 139 THE EARLY YEARS There have probably been people living in this Parish for thousands of years but man’s first significant visits to this area were doubtless made during the summer months when he could fish and hunt the red deer, the roe deer, the wild ox and the wild pig, in addition to a great variety of small animals and birds. -
Or, a Summer Ramble in Scotland
SONG AND SCENERY; OR, ^ Rummer |(mnlrU in ^wtlani JAMES C. MOFFAT, PROFESSOR OF CHURCH HISTORY IN PKIN'CETON, NEW JERSEY; AUTHOR OF "a COMPARATIVE HISTORY OF RELIGIONS." ' Songs of my native Innd, To me how dear 1 Songs of my infancy. Sweet to mine ear ! Entwined with my youthtul days, Wi' the bonny banks and braes, . Where the winding burnie strays, Murmuring near." BARONESS NAIRNE. '; \ NEW YORK: ; >s^-:jH; . L. D. l^OBERTSON, 117 WALKER STREET. 1874. Entereil according to Act of Congress, in the year 1S73. by L. D. ROBERTSON, in the oftlce of the Librarian of Congress, at Washington, D. C. %%5 Hi (.1 REV. JOHN MACLEAN, D.D., LL.D. EX-PRESIDENT OF PRINCETON COLLEGE ^his li^olume is r^espectfully inscijibed, BY THE AUTHOR. CHAPTER I. PAGE Society at Sea —A Herald of approaching Death—Paths of the Ocean—Ireland—Lough Foyle — First sight of Scottish Land and Sea^Firth of Clyde, 9 CHAPTER IL General Features of Scottish Scenery --Compared with Switzer- land — First sight of Edinburgh —Hawthornden—Roslyn— William Dunbar— Abbotsford, . .20 CHAPTER IIL Melrose — Cowdenknowes — Thomas of Erceldoune—Hawick— Teviotdale — John Leyden — Jedburgh — Kelso — Thomas Pringle—Berwick—Tweedside, 33 CHAPTER IV. To Lindisfarne —The Island —The Ruins —The Missionaries from lona—Aidan—Finan—Conflict with Canterbury— Cuthbert — Posthumous Adventures of St. Cuthbert—Fate of Holy Island —Poetry about it, 44 — CONTENTS. CHAPTER V. PAGE Eskdale — Kirkconnel—Annandale—The Bruces—Ettrick—-The Ettrick Shepherd—Yarrow, 66 CHAPTER VI. Lochmaben —The Castle of the Bruces —The Lochmaben Hai-per —Moffat—Craigie Burn Wood—The "Grey Mare's Tail"— Lanarkshire—The Douglas—Castle Dangerous, . -
Sir Walter Scott and the Sword Dance from Papa Stour, Shetland: Some Observations1
Folk Drama Studies Today - International Traditional Drama Conference 2002 Sir Walter Scott and the Sword Dance from Papa Stour, Shetland: Some Observations1 Paul Smith In December 1831 Sir Walter Scott published for the first time his account of the Sword Dance from Papa Stour, Shetland, as part of the notes to the Magnum Opus edition of his novel The Pirate.2 While this was not the first description of the dance to be published it arguably became the most influential, if for no other reason than its general accessibility. The focus of this essay is threefold: firstly, to examine what prompted Sir Walter to gather material on this topic; secondly, to explore where he obtained his information; thirdly, to investigate why he decided to include an account of the dance in the revised edition of the novel. Consequently, it is not the intention to present a complete history of the Papa Stour Sword Dance, but rather to look at the part Sir Walter played in its early documentary history.3 In the summer of 1814, at the invitation of the light-house engineer Robert Stevenson, Sir Walter took a six-week “vacation” in the company of several of the Commissioners of Northern Lights aboard their yacht, Pharos. As part of the annual inspections and surveys of light-houses, the party toured Orkney, Shetland, the Hebrides, and the coast of Northern Ireland.4 Humorously described by Sir Walter in his diary as the “Voyage in the Light-House Yacht to Nova Zembla, and the Lord Knows Where”,5 he saw it as an opportunity “.. -
Scott and the Biographers
Scott and the Biographers ROBERT SPEAIGHT HE life of Sir Walter Scott is an invitation to biography. The story is essentially a success story, although it began T with disappointment in love and very nearly ended in bankruptcy. The mixture of romance and realism that Scott's latest biographer1 discovers in his novels was the determining constituent of his character. Abbotsford may stand as its epitome. Scott made the money to build it, and his fervent historical imagination decreed the way it should be built. When his fortunes crashed and his powers began to fail, it still stood as it stands today. The interesting question is whether his work stands with it. Our knowledge of Scott, and our answer to the question, will now depend upon two major biographies. Each is a classic in its kind. For many of us Lockhart's life of his father-in-law has a place only a notch or two below Boswell. Lockhart was a con• troversial character, and his accuracy cannot always be relied upon. 'To be one of the best and one of the kindest as well as one of the cleverest men I know,' Scott wrote to his daughter, 'John's taste and talent for making enemies and powerful enemies is something extraordinary.' His gifts were those of the satirist, and the satirist — unlike the story-teller — takes unpopularity in his stride. Yet the note of Lockhart's life of Scott is a pietas that never cloys, and a judgement that rarely loses it balance. He is writing from a close knowledge of his subject, and of events still recent in memory.