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Johannes Brahms String Sextets Mp3, Flac, Wma
Johannes Brahms String Sextets mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Classical Album: String Sextets Country: Netherlands Released: 2008 Style: Romantic MP3 version RAR size: 1253 mb FLAC version RAR size: 1833 mb WMA version RAR size: 1435 mb Rating: 4.2 Votes: 528 Other Formats: VOC DMF TTA RA MP1 MOD WMA Tracklist String Sextet No. 1 In B Flat Major Op. 18 1 Allegro Ma Non Troppo 15:15 2 Andante, Ma Moderato 9:32 3 Scherzo, Allegro Molto 3:07 4 Rondo, Poco Allegretto E Grazioso 10:22 String Sextet No. 2 In G Major Op. 36 5 Allegro Non Troppo 14:42 6 Scherzo, Allegro Non Troppo, Presto Giocoso 7:11 7 Poco Adagio 9:05 8 Poco Allegro 8:30 Companies, etc. Licensed From – CRD Records Credits Cello – David Smith Cello [With] – Moray Welsh Composed By – Johannes Brahms Engineer – Bob Auger Ensemble – Alberni Quartet* Producer – Simon Lawman Viola – Berian Evans Viola [With] – Roger Best Violin – Howard Davis , Peter Pople Notes This CD is not an individual release, this is the CD#19 of the 60 CD box set: Complete Works - L'Oeuvre Intégrale - Gesamtwerk. Recording: 1978, London. Licensed from CRD Records, UK. Total time: 77'47. Packaging: cardboard CD wallet. Barcode and Other Identifiers Barcode: 5 028421 554198 Label Code: LC09421 Rights Society: STEMRA SPARS Code: DDD Matrix / Runout: 010101 FMG9355419 @ 1 Mastering SID Code: IFPI LW03 Mould SID Code: IFPI AAHT 9 Related Music albums to String Sextets by Johannes Brahms Beethoven - Quartetto Italiano - Beethoven The Late Quartets Johannes Brahms - Violin Sonatas Ensemble Yehudi Menuhin, Johannes Brahms - String Sextets Nos. -
Roland Böer Orchestra E Coro Del Teatro Regio
visual cover st1819.pdf 19/10/2018 15:40:07 I CONCERTI 2018-2019 ROLAND BÖER DIRETTORE ORCHESTRA E CORO DEL TEATRO REGIO GIOVEDÌ 18 APRILE 2019 – ORE 20.30 TEATRO REGIO C M Y CM MY CY CMY K Roland Böer (foto Carlo Cofano) e l’Orchestra e il Coro del Teatro Regio (foto Edoardo Piva) Roland Böer direttore Celine Byrne soprano La vedova, Un angelo e Soprano I Marina Comparato contralto Un angelo, La regina e Contralto I Carlo Allemano tenore Obadia, Acab e Tenore I Adrian Eröd basso Elias e Basso I Maria de Lourdes Rodrigues Martins soprano Soprano II Roberta Garelli contralto Contralto II Matteo Pavlica tenore Tenore II Enrico Bava basso Basso II Valentina Escobar voce bianca Il fanciullo Andrea Secchi maestro del coro Orchestra e Coro del Teatro Regio Felix Mendelssohn-Bartholdy (1809-1847) Elias oratorio in due parti su parole dell’Antico Testamento per soli, coro e orchestra op. 70 (1845-1847) Restate in contatto con il Teatro Regio: f T Y p Felix Mendelssohn-Bartholdy Elias op. 70 In Germania, nella prima metà dell’Ottocento, la pratica amatoriale del canto si sviluppò anche come fattore di aggregazione sociale per una borghe- sia in piena ascesa: si moltiplicarono così Singvereine (associazioni corali) e festival musicali cittadini i cui cavalli di battaglia erano Il Messia di Händel, Le Stagioni e La Creazione di Haydn, la Nona sinfonia di Beethoven. I fe- stival promuovevano anche la composizione di nuovi oratori: una schiera di epigoni si rifece spontaneamente ai modelli della tradizione attingendo a soggetti biblici, davvero popolari nei paesi di religione protestante, dove gli ascoltatori conoscevano a memoria le Scritture. -
Francis Poulenc
CHAN 3134(2) CCHANHAN 33134134 WWideide bbookook ccover.inddover.indd 1 330/7/060/7/06 112:43:332:43:33 Francis Poulenc © Lebrecht Music & Arts Library Photo Music © Lebrecht The Carmelites Francis Poulenc © Stephen Vaughan © Stephen CCHANHAN 33134(2)134(2) BBook.inddook.indd 22-3-3 330/7/060/7/06 112:44:212:44:21 Francis Poulenc (1899 – 1963) The Carmelites Opera in three acts Libretto by the composer after Georges Bernanos’ play Dialogues des Carmélites, revised English version by Joseph Machlis Marquis de la Force ................................................................................ Ashley Holland baritone First Commissioner ......................................................................................James Edwards tenor Blanche de la Force, his daughter ....................................................... Catrin Wyn-Davies soprano Second Commissioner ...............................................................................Roland Wood baritone Chevalier de la Force, his son ............................................................................. Peter Wedd tenor First Offi cer ......................................................................................Toby Stafford-Allen baritone Thierry, a valet ........................................................................................... Gary Coward baritone Gaoler .................................................................................................David Stephenson baritone Off-stage voice ....................................................................................... -
Berlioz's Les Nuits D'été
Berlioz’s Les nuits d’été - A survey of the discography by Ralph Moore The song cycle Les nuits d'été (Summer Nights) Op. 7 consists of settings by Hector Berlioz of six poems written by his friend Théophile Gautier. Strictly speaking, they do not really constitute a cycle, insofar as they are not linked by any narrative but only loosely connected by their disparate treatment of the themes of love and loss. There is, however, a neat symmetry in their arrangement: two cheerful, optimistic songs looking forward to the future, frame four sombre, introspective songs. Completed in 1841, they were originally for a mezzo-soprano or tenor soloist with a piano accompaniment but having orchestrated "Absence" in 1843 for his lover and future wife, Maria Recio, Berlioz then did the same for the other five in 1856, transposing the second and third songs to lower keys. When this version was published, Berlioz specified different voices for the various songs: mezzo-soprano or tenor for "Villanelle", contralto for "Le spectre de la rose", baritone (or, optionally, contralto or mezzo) for "Sur les lagunes", mezzo or tenor for "Absence", tenor for "Au cimetière", and mezzo or tenor for "L'île inconnue". However, after a long period of neglect, in their resurgence in modern times they have generally become the province of a single singer, usually a mezzo-soprano – although both mezzos and sopranos sometimes tinker with the keys to ensure that the tessitura of individual songs sits in the sweet spot of their voices, and transpositions of every song are now available so that it can be sung in any one of three - or, in the case of “Au cimetière”, four - key options; thus, there is no consistency of keys across the board. -
Central Reference CD List
Central Reference CD List January 2017 AUTHOR TITLE McDermott, Lydia Afrikaans Mandela, Nelson, 1918-2013 Nelson Mandela’s favorite African folktales Warnasch, Christopher Easy English [basic English for speakers of all languages] Easy English vocabulary Raifsnider, Barbara Fluent English Williams, Steve Basic German Goulding, Sylvia 15-minute German learn German in just 15 minutes a day Martin, Sigrid-B German [beginner’s CD language course] Berlitz Dutch in 60 minutes Dutch [beginner’s CD language course] Berlitz Swedish in 60 minutes Berlitz Danish in 60 minutes Berlitz Norwegian in 60 minutes Berlitz Norwegian phrase book & CD McNab, Rosi Basic French Lemoine, Caroline 15-minute French learn French in just 15 minutes a day Campbell, Harry Speak French Di Stefano, Anna Basic Italian Logi, Francesca 15-minute Italian learn Italian in just 15 minutes a day Cisneros, Isabel Latin-American Spanish [beginner’s CD language course] Berlitz Latin American Spanish in 60 minutes Martin, Rosa Maria Basic Spanish Cisneros, Isabel Spanish [beginner’s CD language course] Spanish for travelers Spanish for travelers Campbell, Harry Speak Spanish Allen, Maria Fernanda S. Portuguese [beginner’s CD language course] Berlitz Portuguese in 60 minutes Sharpley, G.D.A. Beginner’s Latin Economides, Athena Collins easy learning Greek Garoufalia, Hara Greek conversation Berlitz Greek in 60 minutes Berlitz Hindi in 60 minutes Berlitz Hindi travel pack Bhatt, Sunil Kumar Hindi : a complete course for beginners Pendar, Nick Farsi : a complete course for beginners -
Ariadne Auf Naxos Soile Isokoski ∙ Sophie Koch Jochen Schmeckenbecher ∙ Johan Botha
RICHARD STRAUSS ARIADNE AUF NaXOS SOILE ISOKOSKI ∙ SOPHIE KoCH JOCHEN SCHMECKENBECHER ∙ JOHAN BOTHA ORCHESTER DER WIENER STAATSOPER conducted by CHRISTIAN THIELEMANN staged by SVEN-ERIC BECHTOLF WIENER STAATSOPER RICHARD STRAUSS ARIADNE AUF NaXOS Orchestra Orchester der Wiener Staatsoper Here is one of the truly overwhelming successes in recent opera Conductor Christian Thielemann history: Christian Thielemann’s sensational return to the Vienna State Stage Director Sven-Eric Bechtolf Opera to conduct his first-ever performances there of Richard Strauss, with an ideal cast in an acclaimed production of Ariadne auf Naxos. “A triumph [...] world stars and ensemble shine” (Die Presse). “Strauss Primadonna (Ariadne) Soile Isokoski in all his glory”(Wiener Zeitung). “Festival standard [...] electrifying The Composer Sophie Koch excitement” (Kronen Zeitung). A Music Teacher Jochen Schmeckenbecher The Tenor (Bacchus) Johan Botha Director Sven-Erich Bechtolf “has again delved deeply into music Zerbinetta Daniela Fally and text”, observed the opera magazine Opernnetz in its rave review Harlequin Adam Plachetka of the performance captured here. “In Rolf Glittenberg’s beautiful Scaramuccio Carlos Osuna Jugendstil salon, he is constantly in touch with the heartbeat of the Truffaldin Jongmin Park story [...] For Bechtolf it is the subtle development of the characters Brighella Benjamin Bruns and their relationships with each other, as well as the work’s delicate The Dancing Master Norbert Ernst irony, that remain of paramount importance. As Ariadne, Soile Isokoski radiates enchanting vocal beauty as she forms endless nuances in one The Major-Domo Peter Matić blossoming phrase after another. Daniela Fally sings the gruellingly Lackey Marcus Pelz difficult part of Zerbinetta with great flexibility, acting it with nonchalant A Wigmaker Won Cheol Song coquettishness. -
Curriculum Vitae Name: Saara Kiiveri
Curriculum Vitae Name: Saara Kiiveri Address: Leikkimäki 3 A 4 02400 Kirkkonummi FINLAND Home page: www.saarakiiveri.com E-mail: [email protected] Phone: +358 40 5079027 Voice Type: Lyric soprano ROLES IN PRODUCTIONS 2019 F. Pacius: Die Loreley, Lenore, Alexander Theatre, Helsinki 2018 W .A. Mozart: Così Fan tutte, FiordiliGi /staGe cover role, FNO (Finnish National Opera), Helsinki 2018 G. Rossini: La Cenerentola, about 30 minutes show For children arranged with two soloist, guitar and Flute, roles of Cenerentola and Tisbe, FNO, Helsinki 2017 W. A. Mozart: Die ZauberFlöte, Erste Dame,FNO, Helsinki 2017-2018 Timo Hietala: Ihmepoika A (Wonderboy A, school opera/ world premiere), FNO, Helsinki 2017 Riikka Talvitie: The JudGe’s wiFe (world premiere), Balder’s Hall, Helsinki 2017 G. Rossini: Barbiere di SiviGlia, about 25 minutes show For children arranGed with two soloist, Guitar and Flute, roles oF Rosina, Berta and voice of Bartolo, FNO, Helsinki 2016 W. A. Mozart: Don Giovanni, Donna Elvira, Alexander Theatre, Helsinki 2016 Time Out –opera (Listen, I composing! –production) composed by young, Aino’s role, FNO, Helsinki 2016 W.A. Mozart: Die ZauberFlöte, about 25 minutes show For children arranGed with two soloist, Guitar and Flute, roles oF Pamina, Queen oF the NiGht and Papagena, FNO, Helsinki 2015 M. Ravel: L’enFant et les sortilèGes, La Princesse, Sibelius Academy, Helsinki 2015/2016 W.A. Mozart: Die ZauberFlöte, Pamina, cooperation project with Sibelius-Academy and Savonlinna Opera Festival, Savonlinna/Helsinki 2015 G. Rossini: Il viaGGo a Reims, Madama Cortese, Sibelius Academy, Helsinki 2014 K. Aho: Frida y DieGo (world premiere), Tina Modotti, Sibelius Academy, Helsinki 2014 W .A. -
EL ARRANQUE (Argentina)
Músicas del mundo EL ARRANQUE (Argentina) Miércoles 19 de noviembre de 2003· 7:30 p.m. SALA DE CON IERTO BANCO DE LA REPÚBLICA O Digitalizado por la Biblioteca Luis Ángel Arango del Banco de la República, Colombia. Camilo Ferrero, primer bandoneón Juan Ramiro Boero, egundo bandoneón Ramiro Gallo, primer violín Pedro Pablo Pedroso segundo violín 1 Martín Vazquez, guitarra y bajo Arie) Rodríguez, piano Ignacio Varchausky, contrabajo Ariel Ardit, voz e de su formación en 1996, El Arranque ha ganado una excelente reputación como la orque ta de tango integrada por mú ico jóvene , má importante en el mundo. Recientement r alizó una erie de concierto junto a Wynton Mar ali y la Lincoln Center Jazz Orche tra en el Lincoln Center de ueva York, varias funcione en el Festival Bueno Aire Tango del Teatro Nacional Palai Chaillot de Paris, y má de 50 concierto en todo Japón producidos por la famo a MIN-ON Concert As ociation. A í mi mo El Arranque es parte integral y vibrante de la escena de tango de Buenos Aire, en donde toca tanto en teatro y ala como en la Milonga (alones de baile) más populares. Digitalizado por la Biblioteca Luis Ángel Arango del Banco de la República, Colombia. En u primer año El Arranque desarrolló un repertorio bailable que fue rápidamente aceptado y celebrado por la comunidad de tango, y hacia finales de 1997 había realizado más de 200 espectáculos en Buenos Aires. En 1998 la agrupación fue invitada a grabar su primer disco compacto para la compañía Vaiven. E te disco fue apadrinado por dos figuras legendarias de la historia del Tango: el bandoneonista Leopoldo Federico y la cantante Nelly Ornar. -
Naxcat2005 ABRIDGED VERSION
CONTENTS Foreword by Klaus Heymann . 4 Alphabetical List of Works by Composer . 6 Collections . 88 Alphorn 88 Easy Listening 102 Operetta 114 American Classics 88 Flute 106 Orchestral 114 American Jewish Music 88 Funeral Music 106 Organ 117 Ballet 88 Glass Harmonica 106 Piano 118 Baroque 88 Guitar 106 Russian 120 Bassoon 90 Gypsy 109 Samplers 120 Best Of series 90 Harp 109 Saxophone 121 British Music 92 Harpsichord 109 Trombone 121 Cello 92 Horn 109 Tr umpet 121 Chamber Music 93 Light Classics 109 Viennese 122 Chill With 93 Lute 110 Violin 122 Christmas 94 Music for Meditation 110 Vocal and Choral 123 Cinema Classics 96 Oboe 111 Wedding 125 Clarinet 99 Ondes Martenot 111 White Box 125 Early Music 100 Operatic 111 Wind 126 Naxos Jazz . 126 Naxos World . 127 Naxos Educational . 127 Naxos Super Audio CD . 128 Naxos DVD Audio . 129 Naxos DVD . 129 List of Naxos Distributors . 130 Naxos Website: www.naxos.com NaxCat2005 ABRIDGED VERSION2 23/12/2004, 11:54am Symbols used in this catalogue # New release not listed in 2004 Catalogue $ Recording scheduled to be released before 31 March, 2005 † Please note that not all titles are available in all territories. Check with your local distributor for availability. 2 Also available on Mini-Disc (MD)(7.XXXXXX) Reviews and Ratings Over the years, Naxos recordings have received outstanding critical acclaim in virtually every specialized and general-interest publication around the world. In this catalogue we are only listing ratings which summarize a more detailed review in a single number or a single rating. Our recordings receive favourable reviews in many other publications which, however, do not use a simple, easy to understand rating system. -
Boston Symphony Orchestra Concert Programs, Season 111, 1991-1992
BOSTON Symphony Orchestra SeijiOzawa MUSIC DIRECTOR One Hundred Eleventh Season EH HORN d Our 152" l/ear THE E.B. HORN COMPANY 429 WASHINGTON STREET, BOSTON, MA BUDGET TERMS ALL MAJOR CREDIT CARDS ACCEPTED AVAILABLE MAIL OR PHONE ORDERS (617) 542-3902 OPEN MON. AND THURS. 'TIL 7 ^^H^BH Seiji Ozawa, Music Director One Hundred and Eleventh Season, 1991-92 Trustees of the Boston Symphony Orchestra, Inc. Nelson J. Darling, Jr., Chairman Emeritus J.P. Barger, Chairman George H. Kidder, President Mrs. Lewis S. Dabney, Vice-Chairman Archie C. Epps, Vice-Chairman Mrs. John H. Fitzpatrick, Vice-Chairman William J. Poorvu, Vice-Chairman and Treasurer David B. Arnold, Jr. Dean Freed Mrs. August R. Meyer Peter A. Brooke Avram J. Goldberg Molly Millman James F. Cleary Francis W. Hatch Mrs. Robert B. Newman John F. Cogan, Jr. Julian T. Houston Peter C. Read Julian Cohen Mrs. Bela T. Kalman Richard A. Smith William M. Crozier, Jr. Mrs. George I. Kaplan Ray Stata Deborah B. Davis Harvey Chet Krentzman Nicholas T. Zervas Nina L. Doggett R. Willis Leith, Jr. Trustees Emeriti Vernon R. Alden Mrs. Harris Fahnestock Mrs. George R. Rowland Philip K. Allen Mrs. John L. Grandin Mrs. George Lee Sargent Allen G. Barry E. Morton Jennings, Jr. Sidney Stoneman Leo L. Beranek Albert L. Nickerson John Hoyt Stookey Mrs. John M. Bradley Thomas D. Perry, Jr. John L. Thorndike Abram T. Collier Irving W. Rabb Other Officers of the Corporation John Ex Rodgers, Assistant Treasurer Michael G. McDonough, Assistant Treasurer Daniel R. Gustin, Clerk Administration Kenneth Haas, Managing Director Daniel R. -
Catalogo Per Autori Ed Esecutori
Abel, Carl Friedrich Quartetti, archi, Op. 8, No. 5, la maggiore The Salomon Quartet The Schein String Quartet Addy, Obo Wawshishijay Kronos Quartet Adorno, Theodor Wiesengrund Zwei Stucke fur Strechquartett op. 2 Buchberger Quartett Albert, Eugene : de Quartetti, archi, Op. 7, la minore Sarastro Quartett Quartetti, archi, Op. 11, mi bemolle maggiore Sarastro Quartett Alvarez, Javier Metro Chabacano Cuarteto Latinoamericano 1 Alwyn, William Quartetti, archi, n. 3 Quartet of London Rhapsody for String Quartet Arditti string quartet Andersson, Per Polska fran Hammarsvall, Delsbo The Follinger-Hedberg Quartet The Galli Quintet The Goteborg Quartet The Halsingborg Quartet The Kjellstrom Quartet The Skane Quartet Andriessen, Hendrik Il pensiero Raphael Quartet Aperghis, Georges Triangle Carre Trio Le Cercle Apostel, Hans Erich Quartetti, archi, Op. 7 LaSalle Quartet Arenskij, Anton Stepanovic Quartetti, archi, op. 35 Paul Rosenthal, Vl Matthias Maurer, Vla Godfried Hoogeveen, Vlc Nathaniel Rosen, Vlc Arriaga y Balzola, Juan Crisostomo Jacobo Antonio : de Quartetti, archi, No. 1, re minore Voces Streichquartette Quartet sine nomine Rasoumovsky Quartet Quartetti, archi, No. 2, la maggiore Voces Streichquartette Quartet sine nomine Rasoumovsky Quartet 2 Quartetti, archi, Nr. 3, mi bemolle maggiore Voces Streichquartette Quartet sine nomine Rasoumovsky Quartet Atterberg, Kurt Quartetti, archi, Op. 11 The Garaguly Quartet Aulin, Tor Vaggvisa The Follinger-Hedberg Quartet The Galli Quintet The Goteborg Quartet The Halsingborg Quartet The Kjellstrom -
CUL Keller Archive Catalogue
HANS KELLER ARCHIVE: working copy A1: Unpublished manuscripts, 1940-49 A1/1: Unpublished manuscripts, 1940-49: independent work This section contains all Keller’s unpublished manuscripts dating from the 1940s, apart from those connected with his collaboration with Margaret Phillips (see A1/2 below). With the exception of one pocket diary from 1938, the Archive contains no material prior to his arrival in Britain at the end of that year. After his release from internment in 1941, Keller divided himself between musical and psychoanalytical studies. As a violinist, he gained the LRAM teacher’s diploma in April 1943, and was relatively active as an orchestral and chamber-music player. As a writer, however, his principal concern in the first half of the decade was not music, but psychoanalysis. Although the majority of the musical writings listed below are undated, those which are probably from this earlier period are all concerned with the psychology of music. Similarly, the short stories, poems and aphorisms show their author’s interest in psychology. Keller’s notes and reading-lists from this period indicate an exhaustive study of Freudian literature and, from his correspondence with Margaret Phillips, it appears that he did have thoughts of becoming a professional analyst. At he beginning of 1946, however, there was a decisive change in the focus of his work, when music began to replace psychology as his principal subject. It is possible that his first (accidental) hearing of Britten’s Peter Grimes played an important part in this change, and Britten’s music is the subject of several early articles.