Erica Lovell

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ERICA LOVELL TRAINING: 2013 Bell Shakespeare, Actor Training, Shakespeare Lab 2011 UNSW Graduate, BA Media & Communications and English Literature (Theatre and Performance Studies) ImPACT Youth Ensemble 2002 NIDA, Young Actors Studio THEATRE: Macbeth Macduff SheShakespeare Michelle Casey Malvolio Twelfth Night Fingerless Theatre Alex Robson The Merchant of Venice Nerissa Sport for Jove Dir. Richard Cottrell The Jack Manning Trilogy: Gail Ensemble Theatre A Conversation Dir: Sandra Bates Tutu Christina NIDA Dir: Angus Wilkinson Happiness Zelda Ensemble Theatre Dir: Sandra Bates Great Falls Bitch Ensemble Theatre Dir: Anna Crawford Ordinary Days Deb Darlinghurst Theatre Co/Squabbalogic Dir: Grace Barnes A Little Night Music Fredrika Armfeldt Opera Australia Dir: Stuart Maunder Spring Awakening Martha Sydney Theatre Company Dir: Geordie Brookman A Little Night Music Fredrika Armfeldt Opera Australia Dir: Stuart Maunder Little Women Amy March Kookaburra Nat’l Musical Theatre Co Dir: Stuart Maunder The Whistling Man Ensemble PACT Theatre Dir: Regina Heilman A Midsummer Night’s Dream Hermia The Powers That Be Productions lisa mann creative management pty ltd telephone: +61 2 9387 8207 fax: +61 2 9389 0615 p.o. box 3145, Redfern, nsw 2016 australia email: [email protected] www.lmcm.com.au ERICA LOVELL P a g e | 2 THEATRE (cont): The War Briseis NIDA Young Actors Studio Everyone Was There & Carla Cooked Ensemble School of Media, Film & Theatre TELEVISION: A Place To Call Home Eve Walker Seven Network (Ops) Ltd (Series 1 - 2, 4) Dir: Various TV Shooter Producer AFTRS All Saints Rene Poulder Seven Network (Ops) Ltd (Series 7, Ep 23) Dir: Catherine Millar All Saints Sister Anita Seven Network (Ops) Ltd Chandon Pictures Tiffany Shadowfax TV (Series 1, Ep 1) Dir: Rob Carlton/Alex Weinress Sea Patrol Briony Walters Channel 9/McElroy All Media (Series 1, Ep 12) Dir: Geoff Bennett FILM: Cedar Boys Brigid Templar Films/Screen Australia Dir: Serhat Caradee Blooded (Short) 180 Project (2011) SHORT FILM: Silent Night Birth Mother AFTRS Dir: Nastassja Djalog VOICE OVER: 2010 Jetty – ABC Radio musical .

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Abigail Mckern
Abigail McKern Agents Charlotte Davies Assistant [email protected] Cat Palethorpe +44 (0)20 3214 0800 [email protected] +44 (0) 20 3214 0800 Roles Stage Production Character Director Company MERCHANT OF VENICE Nerissa Peter Hall West End THE CHERRY ORCHARD Dunyarsha Sam Mendes Aldwych Theatre DEATH OF A SALESMAN The Woman Robert Falls Lyric Theatre THE MAGISTRATE Agatha Poskitt Nick Broadhurst Savoy Theatre SHE STOOPS TO CONQUER Richard Cottrell Sydney Theatre Company 5 CHARACTERS IN SEARCH TBA Mike Alfreds Shared Experience OF A GOOD NIGHT'S SLEEP, NORTH BY NORTHWEST Mrs Thornhill Simon Philips Adelaide Festival NORTH BY NORTHWEST Mrs Thornhill Simon Philips Bath Theatre Royal and Toronto Royal Alexander A ROOM WITH A VIEW Mrs Honeychurch Adrian Noble CAT ON A HOT TIN ROOF Big Mama Rob Hastie Theatr Clwyd BRAVE NEW WORLD Linda James Dacre Northampton Royal and Derngate United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Character Director Company PRIDE AND PREJUDICE Lady Catherine De Tamara Harvey Sheffield Crucible Theatres Bourgh SHAKESPEARE IN LOVE The Nurse Declan Donellan/ West End Noel Coward A TALE OF TWO CITIES Miss Pross James Dacre Northampton Royal and Derngate TRAVELLING LIGHT Ida Nick Hytner National Theatre TRAVESTIES Nadya Philip Wilson Birmingham Rep THE IMPORTANCE OF Miss Prism Philip Wilson Birmingham Rep BEING ERNEST BUS STOP Grace James Dacre New Vic/Scarborough co- production LINGUA FRANCA, Madge Fox
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The Road to Bristol Old Vic
250 YEARS OLD Thank you for being part of one of the most signiﬁcant anniversaries in the history of British theatre. We’ve done our best to curate a programme worthy of your efforts, inspired by the astonishing creativity of the thousands of artists – from Sarah Siddons to Sally Cookson – who have delighted and entertained you and your forebears over the last 250 years. But at heart, ours is a story of passion, survival and reinvention. All the other theatres producing plays in 1766 have fallen down or been demolished because, at some point in their history, their audiences abandoned them. This one has survived because each time it’s faced disaster, Bristolians from all over the world have given it new life. It happened in 1800, when popular demand led to the ceiling being tipped up and the new gallery being built, increasing the capacity to an eye-watering 1,600. It happened in 1933 when Blanche Rogers initiated the campaign that the old place should be saved and become ‘Bristol’s Old Vic’. It happened in 2007 when Dick Penny held the open meeting (which many of you attended), leading to the Arts Council continuing its vital support for the theatre. And it’s happening throughout this wonderful anniversary, as you carry us towards the ﬁnal stage of the refurbishment that will set us securely on our adventures over the next 250 years. So as you read about the shows we’re staging and the projects we’re curating during our birthday year, don’t forget to give yourself a warm pat on the back for being the people who are, in the end, responsible for all of it.
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Shakespeare on Film, Video & Stage
William Shakespeare on Film, Video and Stage Titles in bold red font with an asterisk (*) represent the crème de la crème – first choice titles in each category. These are the titles you’ll probably want to explore first. Titles in bold black font are the second- tier – outstanding films that are the next level of artistry and craftsmanship. Once you have experienced the top tier, these are where you should go next. They may not represent the highest achievement in each genre, but they are definitely a cut above the rest. Finally, the titles which are in a regular black font constitute the rest of the films within the genre. I would be the first to admit that some of these may actually be worthy of being “ranked” more highly, but it is a ridiculously subjective matter. Bibliography Shakespeare on Silent Film Robert Hamilton Ball, Theatre Arts Books, 1968. (Reissued by Routledge, 2016.) Shakespeare and the Film Roger Manvell, Praeger, 1971. Shakespeare on Film Jack J. Jorgens, Indiana University Press, 1977. Shakespeare on Television: An Anthology of Essays and Reviews J.C. Bulman, H.R. Coursen, eds., UPNE, 1988. The BBC Shakespeare Plays: Making the Televised Canon Susan Willis, The University of North Carolina Press, 1991. Shakespeare on Screen: An International Filmography and Videography Kenneth S. Rothwell, Neil Schuman Pub., 1991. Still in Movement: Shakespeare on Screen Lorne M. Buchman, Oxford University Press, 1991. Shakespeare Observed: Studies in Performance on Stage and Screen Samuel Crowl, Ohio University Press, 1992. Shakespeare and the Moving Image: The Plays on Film and Television Anthony Davies & Stanley Wells, eds., Cambridge University Press, 1994.
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Chloe Armstrong
JOSH MCCONVILLE | Actor FILM Year Production / Character Director Company 2017 1% Stephen McCallum Head Gear Films Skink 2016 WAR MACHINE David Michôd Porchlight Films Payne 2015 JOE CINQUE'S CONSOLATION Sotiris Dounoukos Consolation Productions Chris 2014 DOWN UNDER Abe Forsythe Riot Films Gav 2013 THE INFINITE MAN Hugh Sullivan Infinite Man Productions P/L Dean Trilby 2012 THE TURNING “COMMISSION” David Wenham ArenaMedia Vic Lang TELEVISION Year Production/Character Director Company 2017 HOME & AWAY Various Seven Network Caleb 2015 CLEVERMAN Wayne Blair ABCTV Dickson 2013 THE KILLING FIELD Samantha Lang Seven Network Operations Jackson 2012 REDFERN NOW Various ABC TV/Blackfella Films Photographer Shanahan Management Pty Ltd Level 3 | Berman House | 91 Campbell Street | Surry Hills NSW 2010 PO Box 1509 | Darlinghurst NSW 1300 Australia | ABN 46 001 117 728 Telephone 61 2 8202 1800 | Facsimile 61 2 8202 1801 | [email protected] 2011 WILD BOYS Various Southern Star Productions No. 8 Ben 2009 UNDERBELLY II: Various Screentime A TALE OF TWO CITIES Hurley THEATRE Year Production/Character Director Company 2017 CLOUD 9 Kip Williams Sydney Theatre Company Clive/Cathy 2016 A MIDSUMMER NIGHT’S DREAM Kip Williams Sydney Theatre Company Bottom 2016 ALL MY SONS Kip Williams Sydney Theatre Company George Deever 2016 HAY FEVER Imara Savage Sydney Theatre Company Sandy Tyrell 2016 ARCADIA Richard Cottrell Sydney Theatre Company Bernard Nightingale 2015 HAMLET Damien Ryan Bell Shakespeare Hamlet 2015 AFTER DINNER Imara Savage Sydney Theatre Company
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Josh Mcconville
JOSH MCCONVILLE Training: NIDA and Griffith University Film: Lone Wolf Conrad Jonathan Ogilvie Future Pictures Fantasy Island Sarge Jeff Wadlow Columbia Pictures Top End Wedding Officer Kent Wayne Blair Goalpost M4M Ice Man Paul Ireland Toothless Pictures Escape and Evasion Seth Storm Ashwood Bronte Pictures The Merger Snapper Mark Grentell Umbrella Entertainment 1% Skink Stephen McCallum Head Gear Films War Machine Payne David Michod Netflix Down Under Gav Abe Wild Eddie Joe Cinque's Consolation Chris Sotiris Dounoukos Consolation Productions The Infinite Man Dean Trilby Hugh Sullivan Infinite man Productions The Turning "Commission" Vic lang David Wenham ArenaMedia TV: Wakefield Scott Jocelyn Moorhouse & Kim Morduant Jungle Ent. Mr Inbetween S2 Alex Nash Edgerton Blue-Tongue Films Home and Away Caleb Snow Alan Bateman 7 Network Cleverman Dickson Leah Purcell Goalpost Pictures Redfern Now Photographer Various ABC TV / Blackfella Films Wild Boys Ben Barratt Southern Star Ent. Shirley Barratt Underbelly II Michael Hurley C9 Network Tony Tilse Theatre: Cloud 9 Clive/Cathy Kip Williams Sydney Theatre Company A Midsummer Night's Dream Bottom Kip Williams Sydney Theatre Company All My Sons George Deever Kip Williams Sydney Theatre Company Hay Fever Sandy Tyrell Imara Savage Sydney Theatre Company Arcadia Bernard Nightingale Richard Cottrell Sydney Theatre Company Hamlet Hamlet Damien Ryan Bell Shakespeare Tour Death of A Salesman Biff Adam Mitchell Black Swan Theatre Company The Boys Brett Sprague Sam Strong Griffin Theatre Company Josh McConville
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Clive Francis Photo: Steve Lawton
Paddock Suite, The Courtyard, 55 Charterhouse Street, London, EC1M 6HA p: + 44 (0) 20 73360351 e: [email protected] Clive Francis Photo: Steve Lawton Playing Age: 51 - 60 years Greater London, England, United Location: Other: Equity Kingdom Eye Colour: Blue Height: 5'9" (175cm) Hair Colour: Light/Mid Brown Weight: 11st. 8lb. (73kg) Hair Length: Mid Length Stage 2018, Stage, Frank Doel, 84 Charing Cross Road, Cambridge Arts Theatre, Richard Beecham 2017, Stage, Mr Thwaites, Slaves of Solitude, Hampstead Theatre, Jonathan Kent 2016, Stage, Mr Birling, An Inspector Calls, PW Productions, Playhouse Theatre, Stephen Daldry 2016, Stage, Frank Doel, 84 Charing Cross Road, Cambridge Arts Theatre, James Roose Evans 2016, Stage, Major George Rice, Les Blancs, National Theatre, Yael Farber 2015, Stage, William Pennington, The Gathered Leaves, Park Theatre, Anthony Eden 2015, Stage, Frank Doel, 84 Charing Cross Road, Salisbury Playhouse, James Roose Evans 2013, Stage, Sir Hector Benbow, THARK, Snapdragon Productions, Clive francis 2012, Stage, Doctor Willis, The Madness of George III, Apollo Theatre, London, Chris Luscombe 2011, Stage, Jimmy Broadbent, The Reluctanct Debutante, Ian Fricker Productions, Belinda Lang 2010, Stage, Ken Lay, ENRON, Headlong. West End & UK Tour, Rupert Gould 2009, Stage, Argan, THE HYPOCHONDRIAC, English Touring Theatre, Gemma Bodinetz 2008, Stage, Scrooge, A CHRISTMAS CAROL, Guildford, Clive Francis 2008, Stage, President Eisenhower, NEVER SO GOOD, National Theatre, Howard Davies 2008, Stage, Sir, THE DRESSER, Palace Theatre
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LOCANTRO Theatre
Tony Locantro Programmes – Theatre MSS 792 T3743.L Theatre Date Performance Details Albery Theatre 1997 Pygmalion Bernard Shaw Dir: Ray Cooney Roy Marsden, Carli Norris, Michael Elphick 2004 Endgame Samuel Beckett Dir: Matthew Warchus Michael Gambon, Lee Evans, Liz Smith, Geoffrey Hutchins Suddenly Last Summer Tennessee Williams Dir: Michael Grandage Diana Rigg, Victoria Hamilton 2006 Blackbird Dir: Peter Stein Roger Allam, Jodhi May Theatre Date Performance Details Aldwych Theatre 1966 Belcher’s Luck by David Mercer Dir: David Jones Helen Fraser, Sebastian Shaw, John Hurt Royal Shakespeare Company 1964 (The) Birds by Aristophanes Dir: Karolos Koun Greek Art Theatre Company 1983 Charley’s Aunt by Brandon Thomas Dir: Peter James & Peter Wilson Griff Rhys Jones, Maxine Audley, Bernard Bresslaw 1961(?) Comedy of Errors by W. Shakespeare Christmas Season R.S.C. Diana Rigg 1966 Compagna dei Giovani World Theatre Season Rules of the Game & Six Characters in Search of an Author by Luigi Pirandello Dir: Giorgio de Lullo (in Italian) 1964-67 Royal Shakespeare Company World Theatre Season Brochures 1964-69 Royal Shakespeare Company Repertoire Brochures 1964 Royal Shakespeare Theatre Club Repertoire Brochure Theatre Date Performance Details Ambassadors 1960 (The) Mousetrap Agatha Christie Dir: Peter Saunders Anthony Oliver, David Aylmer 1983 Theatre of Comedy Company Repertoire Brochure (including the Shaftesbury Theatre) Theatre Date Performance Details Alexandra – Undated (The) Platinum Cat Birmingham Roger Longrigg Dir: Beverley Cross Kenneth
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EP Stage Chronology
Chronology of Stage Career, 1956-2015 Year Play Director Company/ Opening Role Author Theatre Performance 1956 Edward II Eric Salmon Ludlow Festival 10 July Gaveston Christopher Marlowe Ludlow Castle 1957 Tell-Tale Murder Geoffrey Staines Opera House, Scarborough June Philip Weathers Relations Are Best Apart Opera House, Scarborough Edwin Lewis As Long As They’re Happy Opera House, Scarborough Vernon Sylvaine The Magic Cupboard Opera House, Scarborough Percy Walsh The Case of the Frightened Guy Vaesen Connaught Theatre, Lady Worthing Edgar Wallace Moby Dick Peter Coe Arts Theatre, Ipswich 28 October Deckhand Orson Welles Henry IV, Part 1 Peter Coe Arts Theatre, Ipswich 11 November Prince John William Shakespeare 1958 Banana Republic Kenneth McClellan Hovenden Players 13 January Colonel Ceballos Kenneth McClellan Hovenden Theatre Club, London Hamlet Lionel Hamilton Northampton Repertory 10 March Player (Lucanius)/Priest William Shakespeare Players Royal Theatre, Northampton Book of the Month Earl Armstrong Company 11 April Colonel Howard Basil Thomas Arcadia Theatre, Lowestoft Barnes-Bradley Gathering Storm Catherine Armstrong Earl Armstrong Company April Frankie Gordon Glennon from Arcadia Theatre, Lowestoft Reynor’s Barton’s novel Envy My Simplicity One Wild Oat Lionel Hamilton Northampton Repertory 12 May Mr Pepys Vernon Sylvaine Players Royal Theatre, Northampton Saturday Night at the Crown Lionel Hamilton Northampton Repertory 26 May Walter Greenwood Players Royal Theatre, Northampton Spider’s Web New Zealand Players tour, Elgin Agatha Christie countrywide from Whangarei to Invercargill The Importance of Being Algernon Moncrieff Earnest Oscar Wilde 1960 The Long and the Short and the Anthony Richardson The Queen’s Players 28 March 777 Pte. Evans, T.
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Acting Shakespeare
Ian Mckellen Acting Shakespeare This booklet originally served as a programme for 1\cting Shakespeare' on Sunday 31st August 1986, 500 of which were personally signed by Ian McKellen. -1- CTING SHAKESPEARE began in America and Scandinavia, a drama 977, when I was invited to pre school in Moscow ( quite illegally), an sent a solo performance for the open air theatre in Washington DC, a Edinburgh International Festival. I was restaurant in Charlottesville, Virginia, as acting for the Royal Shakespeare Company well as theatre festivals in Paris, Belfast, at the time and, with my mind full of Bolton and of course, Edinburgh. Shakespeare, it was almost inevitable that Much of this touring has been a quickly-devised show should be based organised by the British Council, who on that work. have had to respond to the regular cuts in The first performance in St Cecilia's their grants by sponsoring more and more Hall was pretty tame. I'd scarcely worked soloists and fewer and fewer full com out what I wanted to say, let alone learnt panies of actors. the famous speeches. So I had cribs stuf Most recently I tapped the commer fed up my sleeve, with prompts all over the cial possibilities of Shakespeare with a run little stage. That might have been the end in Los Angeles and ew York, followed by of it and as I've never much liked other a tour of Canada. people's one-man shows, I shouldn't have During these ten years the show has much missed my own.
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Julian Garner
JULIAN GARNER TRAINING National Institute of Dramatic Arts Graduate (NIDA) 2000 Bachelor of Drama THEATRE The Turquoise Elephant Jeff Griffin Theatre Company Dir: Gale Edwards Inner Voices Leo Red Line Productions Dir: Phil Rouse Arcadia Captain Brice, RN Sydney Theatre Co. Dir: Richard Cottrell Storm Boy Hideaway Tom Sydney Theatre Co. Dir: John Sheedy The Crucible John Proctor Sport For Jove Dir: Damien Ryan A Midsummer Night’s Dream Eguus Sport For Jove Dir: Susanna Dowling Much Ado About Nothing Don John Sport For Jove Dir: Damien Ryan Cyrano de Bergerac Le Bret/ Chef/ 2nd Poet Sport For Jove Dir: Adam Cook Helter Skelter Man Turtle Lab Dir: Jonathan Wald Dir: J God’s Ear Ted Pursued by a Bear Dir: Jonathan Wald Pericles Antiochus/Boult Bell Shakespeare Company As You Like It Duke/Wrestler Bell Shakespeare Company Romeo and Juliet Romeo Bell Shakespeare Company Measure for Measure Froth/Executioner Bell Shakespeare Company Wars of the Roses Clarence Bell Shakespeare Company Twelfth Night Orsino Bell Shakespeare Company Hamlet Fortinbras Bell Shakespeare Company As You Like It Oliver Bell Shakespeare Company An Adult Evening of Shel Silverstein Various Practical Theatre Company Mrs Warren’s Profession Frank Gardner Marian St Theatre Dir: Richard Buckham Communicating Doors Reece Wells Marian St Theatre Dir: John Krummel TELEVISION Operation Buffalo Syngeon ABC | Porchlight Films Dir: Peter Duncan Reckoning Young Arlen Sony Pictures | Playmaker Media Dir: Shawn Seet lisa mann creative management pty ltd telephone: +61 2 9387 8207 fax: +61 2 9389 0615 p.o. box 3145, Redfern, nsw 2016 australia email: [email protected] www.lmcm.com.au JULIAN GARNER P a g e | 2 TELEVISION (continued) Pulse John ABC TV (Series 1, Ep 6) Dir: Jennifer Laecey Home and Away Wally Burns Seven Network Ops Ltd Top of the Lake: China Girl Mike See-Saw Productions (Series 2) Dir: Jane Campion Home & Away Stuart Webber Seven Network Ops Ltd Australia the Story of Us Gov.
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Sir Ian Mclellan in Shakespeare
'ACTING GOOD PARTS WELL': SIR IAN McKELLEN IN SHAKESPEARE by HILARY EDITH W. LONG A thesis submitted to the Faculty of Arts of the University of Birmingham for the degree of DOCTOR OF PHILOSOPHY The Shakespeare Institute School of English Faculty of Arts The University of Birmingham March 2000 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. SYNOPSIS This thesis examines the performances which have earned Sir lan McKellen a reputation as one of the foremost Shakespearean actors of the day. His reputation has been built on five major performances: Richard II, Macbeth, Coriolanus, lago and Richard III. His performances as Hamlet, Romeo, Leontes and Kent were only limited successes. This thesis places McKellen's performances in these roles in the specific context of the production as a whole. Where it is relevant it assesses the significance of the casting of other roles, the influence of the personality, style and interests of the director, the policy of the theatre company and the impact of the performance space. This thesis identifies patterns in McKellen's work determined by his own personality and sexuality, the Cambridge education he shares with Sir Peter Hall, John Barton and Trevor Nunn, and his relationships with other actors.
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The William Harris Papers
The William Harris Papers Marymount Manhattan College 221 East 71st Street New York, New York 10021 Archives Collection #001 Processed October 2, 2001 Mary Elizabeth Brown William Balber (Billy) Harris was born April 9, 1951, in Pittsburgh, Pennsylvania. He was an alumnus of the Lawrenceville School and of Trinity College in Hartford, Connecticut. Upon graduation, he moved to New York. At one time, he lived on Reade Street in Tribeca, and at the time of his death, he lived in #7C at 160 Front Street near the Fulton Fish Market.1 He divided his time between two kinds of writing, one being business writing. He was a staff writer for Forbes Magazine and Institutional Investor and managing editor of Treasury and Risk Management and The Daily Deal. He was also a drama and dance critic. He became interested in the theater in Pittsburgh, where he worked designing props under Peter Chandler of Periwig Productions, and at the Kirby Arts Center. He recalled coming to New York from Pittsburgh at the age of 17 to pay $9 to see a performance of Hair.2 He was the theater editor for the SoHo Weekly News and managing editor of Theatre Crafts Magazine. He also wrote articles, criticism and reviews for Art Forum, Brooklyn Bridge, The New York Times, The Newark Star Ledger, and The Village Voice. It was in the course of this work that he amassed his collection of papers. Mr. Harris died of a massive coronary July 27, 2000, in New York City at the age of 49. He was survived by his mother Vivienne, of Pittsburgh; his sister, Ellen, who lived in Denver, and his brother John, a physician in the San Francisco area.
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