DOCSLIB.ORG

The National Video Archive of Performance

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

1 The National Video Archive of Performance Title Venue Author Director Duration Date Ref. 2071 Royal Court Theatre Duncan Macmillan Katie Mitchell 66 mins 13/11/2014 14/15 39 Steps, The Criterion By John Buchan, Maria Aitken 90 mins 11/01/2008 08/01 adapted by Patrick Barlow Abigail’s Party Wyndham’s Mike Leigh Lindsay Posner 97 mins 17/07/2012 12/11 Absence of War, The National Theatre David Hare Richard Eyre 145 mins 20/11/1993 93/06 (Olivier) Absurdia Donmar Warehouse NF Simpson, NF Douglas Hodge 88 mins 24/08/2007 07/08 Simpson, Michael Frayn Accolade St James Theatre Emlyn Williams Blanche McIntyre 131 mins 03/12/2014 14/17 Adler and Gibb Royal Court Theatre Tim Crouch Tim Crouch 100 mins 04/07/2014 14/10 After Darwin Hampstead Theatre Timberlake Wertenbaker Lindsay Posner 120 mins 21/08/1998 98/09 After Electra Tricycle Theatre April de Angelis Samuel West 116 mins 24/04/2015 15/11 After Mrs Rochester Duke of York’s Polly Teale Polly Teale 100 mins 10/10/2003 03/09 Aladdin Old Vic Bille Brown with Sean Mathias Part 1: 75 mins, 20/01/2005 05/01 original score by Gareth Part 2: 65 mins Valentine Aladdin Hackney Empire Susie McKenna Susie McKenna 140 mins 09/01/2010 10/01 Albion Almeida Mike Barlett Rupert Goold 161 mins 03/11/2017 17/19 Alchemist, The National Theatre Ben Jonson Nicholas Hytner Part 1: 77 mins, 18/11/2006 06/06 (Olivier) Part 2: 64 mins All My Sons Apollo, London Arthur Miller Howard Davies 135 mins 28/06/2010 10/06 All’s Well That Ends Royal Shakespeare William Shakespeare Nancy Meckler Part 1 87 mins 26/09/2013 13/13 Well Theatre, Stratford- Part 2 82 mins upon-Avon American Psycho Almeida Theatre Book by Roberto Aguirre- Rupert Goold 148 mins 27/01/2014 14/02 Sacasa; music and lyrics by Duncan Sheik, based on the novel by Bret Easton Ellis Amy’s View Aldwych Theatre David Hare Richard Eyre 145 mins 13/04/1998 98/03 An Die Musik Tricycle Theatre Pip Simmons Pip Simmons 90 mins 06/10/2000 00/06 Anatomy of a Suicide Royal Court Theatre Alice Birch Katie Mitchell 116 mins 28/06/2017 17/10 Angry Brigade, The Bush Theatre John Ford Matthew Dunster 25/05/2015 15/13 Antigone Bristol Old Vic Brendan Kennelly after Heather Williams 90 mins 16/03/2002 02/04 Sophocles 2 The National Video Archive of Performance Title Venue Author Director Duration Date Ref. Antony & Cleopatra Swan Theatre William Shakespeare Gregory Doran Part 1: 74 mins, 13/10/2006 06/05 Part 2: 95 mins Arcadia Theatre Royal Tom Stoppard Trevor Nunn 195 mins 24/05/1995 95/08 Haymarket Arlecchino and Zanni Battersea Arts Centre Marcello Magni 65 mins 23/01/2002 02/02 Art Old Vic Yasmina Reza Matthew Wackus 90 mins 27/01/2017 17/04 As You Like It Albery Theatre William Shakespeare Declan Donnellan Part 1: 75 mins, 11/02/1995 95/02 Part 2: 1 00 mins As You Like It Rose Theatre, William Shakespeare Peter Hall Part 1: 60 mins, 17/12/2004 04/16 Kingston Part 2: 50 mins Ashes to Ashes Royal Court Theatre Harold Pinter Harold Pinter 60 mins 24/10/1996 96/13 Upstairs (at the Ambassadors) At Home With Mr Battersea Arts Centre devised by the Punch Glyn Edwards Part 1: 44 mins, 17/01/1997 97/02 Punch and Judy College of Part 2: 38 mins Professors Avenue Q Noël Coward Christopher Key Evan Ensign 120 mins 12/03/2009 09/03 Babes in the Wood Sadler’s Wells Roy Hudd Roy Hudd 154 mins 20/01/1995 95/01 Bakkhai Almeida Euripides adapted by James Macdonald 108 mins 20/08/2015 15/18 Anne Carson Barbers of Surreal, The Lyric Studio, devised by Forkbeard directed by Forkbeard 100 mins 04/03/1999 99/02 Hammersmith Fantasy Fantasy Barnum Menier Chocolate Music by Cy Coleman, Gordon Greenberg 110 mins 01/03/2018 18/01 Factory Lyrics by Michael Stewart, Book by Nark Bramble Before the Party Almeida Theatre, Rodney Ackland Matthew Dunster 125 mins 26/04/2013 13/06 London Beggar’s Opera, The Bristol Old Vic John Gay Gareth Machin 135 mins 02/05/2002 02/09 Betrayal Comedy Theatre Harold Pinter Ian Rickson 91 mins 28/07/2011 11/12 Big Life, The Apollo, London Paul Sirett Clint Dyer 136 mins 22/06/2005 05/07 Billy Elliot Victoria Palace, Lee Hall, Elton John Stephen Daldry Part 1: 80 mins, 15/07/2008 08/07 London Part 2: 80 mins Birdland Royal Court Theatre Simon Stephens Carrie Cracknell 112 mins 01/05/2014 14/03 Birthday Royal Court Theatre Joe Penhall Roger Michell 90 mins 01/08/2012 12/13 Birthday Party, The Duchess Theatre Harold Pinter Lindsay Posner Part 1: 80 mins, 24/06/2005 05/08 Part 2: 45 mins 3 The National Video Archive of Performance Title Venue Author Director Duration Date Ref. Bitter Sweet Years, The Theatre Museum Alan Beresford Tom Wakeley 63 mins 12/05/1996 96/07 Picture Gallery Black Men Walking Royal Court, Jerwood Testament Dawn Walton 78 mins 04/04/2018 18/03 Upstairs Blithe Spirit Savoy Noël Coward Thea Sharrock Part 1: 45 mins, 17/05/2005 05/05 Part 2: 50 mins, Part 3: 35 mins Blithe Spirit Gielgud Theatre Noël Coward Michael Blakemore 135 mins 26/05/2014 14/06 Bloody Sunday, Scenes Tricycle Theatre Edited by Richard Nicolas Kent with Part 1: 83 mins, 06/10/2005 05/14 from the Saville Norton-Taylor Charlotte Westenra Part 2: 51 mins Inquiry blue/orange Duchess Theatre Joe Penhall Roger Michell 110 mins 17/07/2001 01/11 Blunt Speaking Minerva, Chichester Mark Clements Corin Redgrave 60 mins 09/08/2002 02/15 Festival Theatre Boeing Boeing Comedy Theatre Marc Camoletti, Matthew Warchus 145 mins 25/04/2007 07/05 Translated by Beverley Cross Box of Delights, The Wilton’s Music Hall Piers Torday based Justin Audibert 98 mins 14/12/2017 17/20 on the Novel by John Masefield Boy with a Cart, The Chelsea Methodist Christopher Fry Adam Roberts 90 mins 09/06/1994 94/09 Church Brain, The Natural History Paul B Davies Paul B Davies 90 mins 30/09/2000 00/05 Museum Brand Theatre Royal Henrik Ibsen translated Adrian Noble 150 mins 28/08/2003 03/08 Haymarket by Michael Meyer Breakfast of Eels, A Print Room at the Robert Holman Robert Hastie 125 mins 01/04/2015 15/08 Coronet Breaking China Redbridge Drama Fiona Graham Rosamunde Hutt 55 mins 28/06/2002 02/11 Centre Broken Glass Duke of York’s Arthur Miller David Thacker 145 mins 04/05/1995 95/04 Butley Ducheess Simon Gray Lindsay Posner 124 mins 16/08/2011 11/13 Called to Account Tricycle Edited by Richard Nicolas Kent Part 1: 65 mins, 09/06/2007 07/07 Norton-Taylor Part 2: 65 mins Cardenio Swan Theatre William Shakespeare Gregory Doran 156 mins 09/07/2011 11/11 Caretaker, The Everyman, Liverpool Harold Pinter Christopher Morahan Act 1: 61 mins, 27/11/2009 09/13 Act 2: 67 mins Carnival, Notting Hill, Notting Hill Various N/A Unspecified 16- 01/13 2001 27/08/2001 4 The National Video Archive of Performance Title Venue Author Director Duration Date Ref. Cat on a Hot Tin Roof Novello Tennessee Williams Debbie Allen 204 mins 08/04/2010 10/03 Caucasian Chalk Circle, National Theatre a new version by Frank Simon McBurney 178 mins 14/06/1997 97/08 The (Olivier) McGuinness after Bertolt Brecht Cause Celebre Old Vic Terence Rattigan Thea Sharrock 133 mins 12/05/2011 11/09 Chairs, The Royal Court Theatre Eugene Ionesco Simon McBurney 90 mins 09/12/1997 97/13 Chalk Garden, The Donmar Warehouse Enid Bagnold Michael Grandage Part 1: 80 mins, 31/07/2008 08/08 Part 2: 30 mins Cheating Hearts, The Gate Theatre Pierre Marivaux, Laurence Boswell 114 mins 15/04/1994 94/08 translated by Ranjit Volt Cherry Orchard, The Swan Theatre, Anton Chekhov, in a Adrian Noble 140 mins 13/01/1996 96/01 Stratford-upon-Avon version by Peter Gill from a literal translation by Ted Braun Cherry Orchard, The National Theatre Anton Chekhov new Trevor Nunn 135 mins 17/01/2001 01/03 (Cottesloe) version by David Lan Cherry Orchard, The Old Vic Anton Chekhov new Sam Mendes Part 1: 75 mins, 12/08/2009 09/10 (The Bridge Project) version by Tom Stoppard Part 2: 65 mins Chicken Soup with Tricycle Theatre Arnold Wesker Giles Croft Part 1: 37 mins, 16/11/2005 05/16 Barley Part 2: 44 mins, Part 3: 43 mins Children, The Royal Court Theatre Lucy Kirkwood James Macdonald 113 mins 30/11/2016 16/18 Christmas Carol, A V&A Norfolk House Charles Dickens Tim Carroll 65 mins 30/12/2012 12/19 Music Room Christmas Carol, A / Young Vic Charles Dickens Mark Dornford-May 90 mins 17/01/2008 08/02 Ikrismesi Kherol Cinderella Birmingham Carole Todd Part 1: 80 mins, 15/02/1996 96/03 Hippodrome Part 2: 66 mins Clearing, The Bush Theatre Helen Edmundson Lynne Parker 150 mins 14/01/1994 94/02 Cloaca Old Vic Maria Goos Kevin Spacey 85 mins 07/12/2004 04/15 Cloud Nine Almeida Caryl Churchill Thea Sharrock Part 1: 63 mins, 03/12/2007 07/11 Part 2: 55 mins Collection, The Richmond Theatre Harold Pinter Joe Harmston 55 mins 27/06/1998 98/06 Colored Museum, The V & A George C.
Recommended publications
  • April De Angelis Plays 1: Ironmistress; Hush; Playhouse Creatures; the Positive Hour Pdf

    April De Angelis Plays 1: Ironmistress; Hush; Playhouse Creatures; the Positive Hour Pdf

    FREE APRIL DE ANGELIS PLAYS 1: IRONMISTRESS; HUSH; PLAYHOUSE CREATURES; THE POSITIVE HOUR PDF April De Angelis | 336 pages | 01 Jun 2000 | FABER & FABER | 9780571197095 | English | London, United Kingdom April de Angelis Plays 1 | Faber & Faber De Angelis began her career in the s as an actress with the Monstrous Regiment theatre company. Her plays often feature historical figures. Playhouse Creatures and A Laughing Matter are set in the London theatrical milieu of the 17th and 18th centuries respectively. Wanderlust examines Victorian colonialism and Ironmistress is a verse play exploring Lady Charlotte Guest 's factory ownership. De Angelis tends to write to commission and several of her plays April de Angelis Plays 1: Ironmistress; Hush; Playhouse Creatures; The Positive Hour been produced by Max Stafford-Clark 's Out of Joint theatre company. From Wikipedia, the free encyclopedia. This biography of a living person needs additional citations for verification. Please help by adding reliable sources. Contentious material about living persons that is unsourced or poorly sourced must be removed immediatelyespecially if potentially libelous or harmful. More duologues for all accents and ages. Psychology Press. Retrieved 10 April Categories : English women dramatists and playwrights Living people births English opera librettists English people of Sicilian descent Alumni of the University of Sussex Alumni of East 15 Acting School Women opera librettists 20th-century British dramatists and playwrights 20th-century English women writers 21st-century British dramatists and playwrights 21st-century English women writers. Namespaces Article Talk. Views Read Edit View history. Help Learn to edit Community portal Recent changes Upload file. Download as PDF Printable version.
  • Young Vic Announces New Dates for Cush Jumbo in Hamlet

    Young Vic Announces New Dates for Cush Jumbo in Hamlet

    Press Release 19 March 2021 Young Vic sets new dates for Cush Jumbo in Hamlet HAMLET By William Shakespeare Directed by Greg Hersov Young Vic Main House From 27 September – 13 November 2021 Press Night 4 October The Young Vic announces their highly anticipated production of Hamlet, starring Cush Jumbo and directed by Greg Hersov, will begin previews from 27 September 2021, with Press Night 4 October. This new version of Shakespeare’s great tragedy will see Cush Jumbo (The Good Wife, The Good Fight) make her YV debut as a new kind of Hamlet, reuniting with her long-time collaborator Greg Hersov, to bring us this tale of power, politics and desire. Kwame Kwei-Armah, Artistic Director of the Young Vic, said: “I am delighted that this extraordinary new version of Hamlet will play at the YV this autumn. I want to take this opportunity to thank each audience member who kept their tickets in the show through this period of uncertainty; I can’t wait to have you back into our house, to step into the extraordinary world Cush, Greg and the company will create. Finally, I look forward to sharing more detail on the rest of our 2021 season, including more imminent plans for welcoming you back to the YV, very soon. Until then, peace and love.” Further Hamlet cast and creative team to be announced. Hamlet is currently sold out, but to be the first to hear about future ticket releases, sign up to receive email alerts here. ENDS For more information, contact Emma Hardy: [email protected] For images, click here.
  • What Ever Happened to In-Yer-Face Theatre?

    What Ever Happened to In-Yer-Face Theatre?

    What Ever Happened to in-yer-face theatre? Aleks SIERZ (Theatre Critic and Visiting Research Fellow, Rose Bruford College) “I have one ambition – to write a book that will hold good for ten years afterwards.” Cyril Connolly, Enemies of Promise • Tuesday, 23 February 1999; Brixton, south London; morning. A Victorian terraced house in a road with no trees. Inside, a cloud of acrid dust rises from the ground floor. Two workmen are demolishing the wall that separates the dining room from the living room. They sweat; they curse; they sing; they laugh. The floor is covered in plaster, wooden slats, torn paper and lots of dust. Dust hangs in the air. Upstairs, Aleks is hiding from the disruption. He is sitting at his desk. His partner Lia is on a train, travelling across the city to deliver a lecture at the University of East London. Suddenly, the phone rings. It’s her. And she tells him that Sarah Kane is dead. She’s just seen the playwright’s photograph in the newspaper and read the story, straining to see over someone’s shoulder. Aleks immediately runs out, buys a newspaper, then phones playwright Mark Ravenhill, a friend of Kane’s. He gets in touch with Mel Kenyon, her agent. Yes, it’s true: Kane, who suffered from depression for much of her life, has committed suicide. She is just twenty-eight years old. Her celebrity status, her central role in the history of contemporary British theatre, is attested by the obituaries published by all the major newspapers. Aleks returns to his desk.
  • BRENDAN KENNELLY Katleyn Ferguson

    BRENDAN KENNELLY Katleyn Ferguson

    BRENDAN KENNELLY Katleyn Ferguson Beginning with the publication of Cast a Cold Eye (with Rudi Holzapfel) by Dolmen Press in 1959, Brendan Kennelly has produced more than thirty collections of poetry. He has also written novels and plays; translated and produced versions of works in Irish, Spanish, Latin, and Greek; and seen his writing adapted into pieces for the concert hall and stage. He has served as literary critic, editor, and anthologist; commented for print and television media on sports and culture; and reworked his own material for republication in new forms. For more than forty years a member of the School of English at Trinity College Dublin where he was Professor of Modern Literature, Kennelly has taught at universities across North America and Europe; spoken at hospitals, secondary schools and business management conferences; been interviewed on television chat shows; and performed his poetry widely. In 2010 he was awarded the Irish PEN Award for Contribution to Irish Literature. In his most widely discussed poem sequences, anthologies, and collections, Kennelly’s method has been to combine apparently disparate perspectives in service to a larger theme or themes. This has made him a writer who is particularly well suited to tell the stories of modern Ireland during a period of significant social change. As artist, teacher, and cultural commentator Kennelly has produced works that interrogate the legacy of Ireland’s colonial history, the place of religion in contemporary culture and politics, gender, language, and the role of poets and artists. If Kennelly’s work records the end or failing of twentieth-century Ireland’s primary authorities, it also affirms the flux, possibility, and complicated coexistence of the forms of life that have replaced these authorities.
  • HEANEY, SEAMUS, 1939-2013. Seamus Heaney Papers, 1951-2004

    HEANEY, SEAMUS, 1939-2013. Seamus Heaney Papers, 1951-2004

    HEANEY, SEAMUS, 1939-2013. Seamus Heaney papers, 1951-2004 Emory University Stuart A. Rose Manuscript, Archives, and Rare Book Library Atlanta, GA 30322 404-727-6887 [email protected] Collection Stored Off-Site All or portions of this collection are housed off-site. Materials can still be requested but researchers should expect a delay of up to two business days for retrieval. Descriptive Summary Creator: Heaney, Seamus, 1939-2013. Title: Seamus Heaney papers, 1951-2004 Call Number: Manuscript Collection No. 960 Extent: 49.5 linear feet (100 boxes), 3 oversized papers boxes (OP), and AV Masters: 1 linear foot (2 boxes) Abstract: Personal papers of Irish poet Seamus Heaney consisting mostly of correspondence, as well as some literary manuscripts, printed material, subject files, photographs, audiovisual material, and personal papers from 1951-2004. Language: Materials entirely in English. Administrative Information Restrictions on access Collection stored off-site. Researchers must contact the Rose Library in advance to access this collection. Special restrictions apply: Use copies have not been made for audiovisual material in this collection. Researchers must contact the Rose Library at least two weeks in advance for access to these items. Collection restrictions, copyright limitations, or technical complications may hinder the Rose Library's ability to provide access to audiovisual material. Terms Governing Use and Reproduction All requests subject to limitations noted in departmental policies on reproduction. Emory Libraries provides copies of its finding aids for use only in research and private study. Copies supplied may not be copied for others or otherwise distributed without prior consent of the holding repository.
  • UPSTAGE Winter 2009 Hedda Gabler 1 PSYCHOLOGY–The Study of the Mind and Mental Processes, Especially in Relation to Behavior

    UPSTAGE Winter 2009 Hedda Gabler 1 PSYCHOLOGY–The Study of the Mind and Mental Processes, Especially in Relation to Behavior

    UPA PUblicAtion of the edUcAtionSTAGE department At ROUNDABOUTTHEATRECOMPANY UP Winter2009 UPSTAGE WINTER 2009 Hedda Gabler 1 PSYCHOLOGY– The study of the mind and mental processes, especially in relation to behavior. Hedda: Is there something I can help you with? Miss Tesman: No, no, no! Hedda Tesman must only have happy thoughts at a time like this Hedda: Happy thoughts? I can’t control my thoughts. 2 ROUNDABOUTTHEATRECOMPANY The Roundabout Theatre Company’s production of Hedda Gabler stars Mary-Louise Parker, Peter Stormare, and Michael Cerveris in this adaptation by Christopher Shinn. On the following pages are interviews with some of the actors as well as a section titled, “The World of The Play,” which provides more information about understanding Ibsen, his history, and his world. 4 The PSYCHOLOGY of Acting: Mary-Louise Parker 4 The PSYCHOLOGY of Directing: Ian Rickson 6 The PSYCHOLOGY of Ibsen: The World of the Play 8 6 The PSYCHOLOGY of Hedda: The Women Who Have Played Hedda 10 The PSYCHOLOGY of Adaptation: Christopher Shinn 12 The PSYCHOLOGY of Costume Design: Ann Roth 14 The PSYCHOLOGY of Language: Vocabulary 15 8 10 12 14 15 UPstAge contribUTORS: greg mccaslin Director of Education; reneé flemings Director of Instruction and Curriculum Development; ted sod Education Dramaturg; Jennifer dibella Education Program Manager; Jay gerlach Education Associate for Theatre-Based Programs; Amanda hinkle Education Associate for School-Based Programs; Kayla carpenter Education Intern; emily meagher Education Intern. coVer: Artwork for the Roundabout Theatre Company production of Hedda Gabler. Production photos: Nigel Parry. copyright © 2008 roundabout theatre company, inc. All rights reserved.
  • June 17 – Jan 18 How to Book the Plays

    June 17 – Jan 18 How to Book the Plays

    June 17 – Jan 18 How to book The plays Online Select your own seat online nationaltheatre.org.uk By phone 020 7452 3000 Mon – Sat: 9.30am – 8pm In person South Bank, London, SE1 9PX Mon – Sat: 9.30am – 11pm Other ways Friday Rush to get tickets £20 tickets are released online every Friday at 1pm Saint George and Network Pinocchio for the following week’s performances. the Dragon 4 Nov – 24 Mar 1 Dec – 7 Apr Day Tickets 4 Oct – 2 Dec £18 / £15 tickets available in person on the day of the performance. No booking fee online or in person. A £2.50 fee per transaction for phone bookings. If you choose to have your tickets sent by post, a £1 fee applies per transaction. Postage costs may vary for group and overseas bookings. Access symbols used in this brochure CAP Captioned AD Audio-Described TT Touch Tour Relaxed Performance Beginning Follies Jane Eyre 5 Oct – 14 Nov 22 Aug – 3 Jan 26 Sep – 21 Oct TRAVELEX £15 TICKETS The National Theatre Partner for Innovation Partner for Learning Sponsored by in partnership with Partner for Connectivity Outdoor Media Partner Official Airline Official Hotel Partner Oslo Common The Majority 5 – 23 Sep 30 May – 5 Aug 11 – 28 Aug Workshops Partner The National Theatre’s Supporter for new writing Pouring Partner International Hotel Partner Image Partner for Lighting and Energy Sponsor of NT Live in the UK TBC Angels in America Mosquitoes Amadeus Playing until 19 Aug 18 July – 28 Sep Playing from 11 Jan 2 3 OCTOBER Wed 4 7.30 Thu 5 7.30 Fri 6 7.30 A folk tale for an Sat 7 7.30 Saint George and Mon 9 7.30 uneasy nation.
  • Market Rules

    Market Rules

    XML Template (2008) [21.11.2008–2:40pm] [88–93] {TANDF_REV}RIOC/RIOC_I_37_04/RIOC_A_355573.3d (RIOC) [Revised Proof] MARKET RULES US theatre now prefers to play it safe rather than risk controversy and alienate the mainstream, says playwright Christopher Shinn The question of self-censorship came to prominence in 2006, when New York Theatre Workshop, a major non-profit theatre widely viewed as politically progressive, cancelled a planned production of My Name is Rachel Corrie at the last minute. Weeks before the production was to travel from an acclaimed run in London at the Royal Court Theatre to the East Village for a stint at the Workshop, the theatre (depending on whom you believe) either postponed or cancelled the play. Jim Nicola, the artistic director of New York Theatre Workshop, told the Guardian: ‘In our pre-production planning and our talking around and listening in our communities in New York, what we heard was that after Ariel Sharon’s illness and the election of Hamas, we had a very edgy situation. We found that our plan to present a work of art would be seen as us taking a stand in a political conflict that we didn’t want to take.’ The theatre then made an unconvincing attempt to backtrack from this statement in the press – the production was delayed because the size of the set used in London would not fit into the Workshop’s space, the personnel didn’t have the proper visas to work in the US etc. There were other, only 88 XML Template (2008) [21.11.2008–2:40pm] [88–93] {TANDF_REV}RIOC/RIOC_I_37_04/RIOC_A_355573.3d (RIOC) [Revised Proof] MARKET RULES – CHRISTOPHER SHINN slightly more defensible rationalisations, including that the Workshop wanted more time to organise post-show discussions that would include voices seen as ‘pro-Israel’ to balance the perceived ‘pro-Palestinian’ bias of the play.
  • David Yelland Photo: Catherine Shakespeare Lane

    David Yelland Photo: Catherine Shakespeare Lane

    Paddock Suite, The Courtyard, 55 Charterhouse Street, London, EC1M 6HA p: + 44 (0) 20 73360351 e: [email protected] Phone: + 44 (0) 20 73360351 Email: [email protected] David Yelland Photo: Catherine Shakespeare Lane Eastern European, Scandinavian, Location: London Appearance: White Height: 5'11" (180cm) Other: Equity Weight: 13st. 6lb. (85kg) Eye Colour: Blue Playing Age: 51 - 65 years Hair Length: Mid Length Stage Stage, Cardinal Von Galen, All Our Children, Jermyn Street Theatre, Stephen Unwin Stage, Antigonus, The Winter's Tale, Globe Theatre, Michael Longhurst Stage, Lord Clifford Allen, Taken At Midnight, Chichester Festival Theatre & Haymarket Theatre, Jonathan Church Stage, Earl of Caversham, An Ideal Husband, Gate Theatre, Ethan McSweeney Stage, Sir George Crofts, Mrs Warren's Profession, Gate Theatre, Dublin, Patrick Mason Stage, Selwyn Lloyd, A Marvellous Year For Plums, Chichester Festival Theatre, Philip Franks Stage, Serebryakov, Uncle Vanya, The Print Room, Lucy Bailey Stage, King Henry, Henry IV Parts 1&2, Theatre Royal Bath & Tour, Sir Peter Hall Stage, Anthony Blunt, Single Spies, The Watermill, Jamie Glover Stage, Crofts, Mrs Warren's Profession, Theatre Royal Bath & West End, Michael Rudman Stage, President of the Court, For King & Country, Matthew Byam shaw, Tristram Powell Stage, Clive, The Circle, Chichester Festival Theatre, Jonathan Church Stage, Ralph Nickleby, Nicholas Nickleby, Chichester Festival Theatre,Gielgud , and Toronto, Philip Franks, Jonathan Church Stage, Wilfred Cedar, For Services Rendered, The Watermill
  • Timeline: Royal Court International (1989–2013) Compiled by Elaine Aston and Elyse Dodgson

    Timeline: Royal Court International (1989–2013) Compiled by Elaine Aston and Elyse Dodgson

    Timeline: Royal Court International (1989–2013) Compiled by Elaine Aston and Elyse Dodgson The Timeline charts the Royal Court’s London-based presentations of international plays and related events from 1989–2013. It also records the years in which fi rst research trips overseas were made and exchanges begun. Writers are listed alphabetically within recorded events; translators for the Court are named throughout; directors are listed for full productions and major events. Full productions are marked with an asterisk (*) – other play listings are staged readings. 1989: First international Summer School hosted by the Royal Court 1992: Court inaugurates exchange with Germany 1993: Summer School gains support from the British Council Austrian & German Play Readings (plays selected and commissioned by the Goethe-Institut; presented in October) Rabenthal Jorg Graser; Soliman Ludwig Fels; In den Augen eines Fremdung Wolfgang Maria Bauer; Tatowierung Dea Loher; A Liebs Kind Harald Kislinger; Alpenglühen Peter Turrini 1994: First UK writers exchange at the Baracke, Deutsches Theater, Berlin, coordinated by Michael Eberth. British writers were Martin Crimp, David Greig, Kevin Elyot, Meredith Oakes and David Spencer. Elyse Dodgson, Stephen Daldry and Robin Hooper took part in panel discussions 1995: Daldry and Dodgson make initial contacts in Palestine Plays from a Changing Country – Germany (3–6 October) Sugar Dollies Klaus Chatten, trans. Anthony Vivis; The Table Laid Anna Langhoff, trans. David Spencer; Stranger’s House Dea Loher, trans. David Tushingham; Waiting Room Germany Klaus Pohl, trans. David Tushingham; Jennifer Klemm or Comfort and Misery of the Last Germans D. Rust, trans. Rosee Riggs Waiting Room Germany Klaus Pohl, Downstairs, director Mary Peate, 1 to 18 November* 1996: Founding of the International Department by Daldry; Dodgson appointed Head.
  • Arizona State University Commencement and Convocation Program

    Arizona State University Commencement and Convocation Program

    TE TA UN S E ST TH AT I F E V A O O E L F A DITAT DEUS N A E R R S I O Z T S O A N Z E I A R I T G R Y A 1912 1885 ARIZONA STATE UNIVERSITY COMMENCEMENT AND CONVOCATION PROGRAM Spring 2015 May 11–16, 2015 THE NATIONAL ANTHEM THE STAR SPANGLED BANNER O say can you see, by the dawn’s early light, What so proudly we hailed at the twilight’s last gleaming? Whose broad stripes and bright stars through the perilous fight O’er the ramparts we watched, were so gallantly streaming? And the rockets’ red glare, the bombs bursting in air Gave proof through the night that our flag was still there. O say does that Star-Spangled Banner yet wave O’er the land of the free and the home of the brave? ALMA MATER ARIZONA STATE UNIVERSITY Where the bold saguaros Raise their arms on high, Praying strength for brave tomorrows From the western sky; Where eternal mountains Kneel at sunset’s gate, Here we hail thee, Alma Mater, Arizona State. —Hopkins-Dresskell MAROON AND GOLD Fight, Devils down the field Fight with your might and don’t ever yield Long may our colors outshine all others Echo from the buttes, Give em’ hell Devils! Cheer, cheer for A-S-U! Fight for the old Maroon For it’s Hail! Hail! The gang’s all here And it’s onward to victory! Students whose names appear in this program are candidates for the degrees listed, which will be conferred subject to completion of requirements.
  • Filmography V6.Indd

    Filmography V6.Indd

    a filmography Foreword by The Irish Film Institute For over 60 years, the Irish Film Institute has been dedicated to the promotion of film culture in Ireland and therefore is proud to present this filmography of Samuel Beckett’s work. Beckett remains one of Ireland’s most important and influential artists and Samuel Beckett – A Filmography provides a snapshot of the worldwide reach and enduring nature of his creativity. As part of the Beckett centenary celebrations held in April 2006, the Irish Film Institute organised a diverse programme of films relating to the work of Beckett, including a tour of the line-up to cinemas around the country. Prior to this, the Irish Film Institute provided the unique opportunity to view all 19 films in the ‘Beckett on Film’ series by screening the entire selection in February 2001. This filmography provides the perfect accompaniment to these previous programmes and it illustrates that Beckett’s work will continue to be adapted for film and television worldwide for years to come. Photograph by Richard Avedon Samuel Beckett – A Filmography was made possible though the kind support of the Department of Arts, Sport and Tourism and the Beckett Centenary Council and Festival Committee. Mark Mulqueen Director, The Irish Film Institute An Introduction Compiling a filmography of Beckett’s work is both a challenging and daunting prospect. It was important, from the outset, to set some parameters for this filmography. Therefore, to this end, I decided to focus on the key area of direct adaptations of Beckett’s work filmed for cinema or television.