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Helen Kluger Playwright
Helen Kluger Playwright Agents Nicki Stoddart [email protected] +44 (0) 20 3214 0869 Credits Theatre Production Company Notes THE DACHA Glasgow Lunchtime Theatre directed by Philip Howard BETTER IN MY DREAMS Waterman's Arts Centre, Brentford Dir: Sylvia Syms HONEY, YOU'RE TALKING New End Theatre, Hampstead, Kings Co-written with THROUGH YOUR HAT! Head and Salisbury Playhouse Elizabeth Romilly SWEET POUNDS OF FLESH Performed at The Arts Theatre Club TABLE HOPPING AT JOE'S Performed at the IVC, Covent Garden Co-written with Gary Lyons Radio Production Company Notes FOOTBALLERS' WIVES Radio 4 Dir: Jeremy Mortimer WE WHO SERVE Radio 4 Dir: Jeremy Mortimer FIFTEEN LOVE Radio 5 Co-written with Gillian Bevan and Tessa Peake- Jones Dir: Sally Avens SYNCHRO Radio 4 Dir: Jeremy Mortimer NO RIGHTS, ONLY Radio 4 Co-written with Gillian Bevan and Tessa Peake- WRONG Jones Dir: Lesley Manning An Independent Tight Assets Theatre Production United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Company Notes RUKULIBAM World Service Dir: Gordon House "Independent" newspaper choice of "95". Bronze award winner in The New York Festivals. ONE DAY, I'LL FLY AWAY Radio 4 Dir: Sally Avens PASSIONATE PLAYING World Service Dir: Gordon House HOLDING HANDS Radio 4 Dir: Tessa Peake-Jones Starring Barbara Leigh-Hunt and Richard Pasco. FUNNY BONES Radio 4 Dir: Marilyn Imrie ON THE ROCKS Radio 4 Dir: Pauline Harris LONELY HEARTS Radio 4 Dir: Sally Avens THE DACHA Radio 4 Dir: Gemma Jenkins THE SISTER OF DEATH Radio 4 Dir: Sally Avens GOOSE A thriller written for Dir: Celia de Wollf the Internet Starring Imelda Staunton as Janet and Tessa Peake-Jones as Margaret. -
(TU Dresden) Does the Body Politic Have No Genitals?
Accepted manuscript version of: Schwanebeck, Wieland. “Does the Body Politic Have No Genitals? The Thick of It and the Phallic Nature of the Political Arena.” Contemporary Masculinities in the UK and the US: Between Bodies and Systems, edited by Stefan Horlacher and Kevin Floyd, Palgrave Macmillan, 2017, pp. 75–98, doi:10.1007/978-3-319-50820-7. Wieland Schwanebeck (TU Dresden) Does the Body Politic Have No Genitals? The Thick of It and the Phallic Nature of the Political Arena Though it may not have required drastic proof, recent news from the political arena suggests that certain distinguished statesmen tend to rely on a candid exhibition of genitals in order to draw attention to their virility and, by implication, to their political power. Silvio Berlusconi made the headlines in 2010, when he insisted that the missing penis of a Mars statue be restored before the sculpture was deemed suitable to adorn his office as Italian Prime Minister, horrified reactions amongst art historians notwithstanding (cf. Williams). This anecdote sits comfortably amongst other tales from the bunga bunga crypt, yet one may as well wonder whether Berlusconi is not just a tad less inhibited than some of his colleagues when it comes to acknowledging that the body politic requires visible proofs of manhood. Slavoj Žižek has characterized the contemporary media environment as one in which it would not appear out of the question for a politician to “allow a hard-core video of his or her sexual shenanigans to circulate in public, to convince the voters of his or her force of attraction or potency” (208). -
Across Britain, Nature Is in Vogue, the Countryside Is the New Chic. The
Across Britain, nature is in vogue, the countryside is the new chic. The vintage pastoral patterns of Cath Kidston, the bright floral designs and gentrified tweed of Joules, and the Hunter-welly clad urbanites clambering down from their Range Rovers boldly proclaim the rural as a middle- class fashion statement. A perceived ‘nature deficit’ has fuelled a new interest in all things rural, rustic and wholesome, as seen in the expansion of charitable organisations like the National Trust and the Royal Society for the Protection of Birds (RSPB). Membership of such associations are at an all-time high – in 2010, the number of RSPB members stood at more than double that of the three major political parties.1 Both now place new emphasis on family adventures in the outdoors; the new ‘natural playgrounds’ of the National Trust parallel the growing Forest School movement. In bookshops, ‘new nature writing’ dominates the shelves whilst window displays are full of bucolic book covers, nature lino prints, and matching floral tea towels. Essayists, anecdotal writers, prose-poets, and natural historians like Robert Macfarlane, Kathleen Jamie, Roger Deakin, and Helen MacDonald (to name but a few) call us back to the wild, opening our eyes to their landscapes (and ours) with beautiful and nostalgic evocations of what we are missing in the twenty-first century. Often, this nostalgia drives the authors backwards, to a lost landscape that is at once more remote and free of human interference (except that of the lonely poet). Sometimes it is conflicted: Jamie has criticised the romanticized stance of the ‘lone, enraptured male’ nature writer, with time and funds to conquer far-off Celtic fringes.2 Others argue that when the rural is eulogised, the urban becomes lamented. -
Shakespeare and London Programme
andShakespeare London A FREE EXHIBITION at London Metropolitan Archives from 28 May to 26 September 2013, including, at advertised times, THE SHAKESPEARE DEED A property deed signed by Mr. William Shakespeare, one of only six known examples of his signature. Also featuring documents from his lifetime along with maps, photographs, prints and models which explore his relationship with the great metropolis of LONDONHighlights will include the great panoramas of London by Hollar and Visscher, a wall of portraits of Mr Shakespeare, Mr. David Garrick’s signature, 16th century maps of the metropolis, 19th century playbills, a 1951 wooden model of The Globe Theatre and ephemera, performance recording and a gown from Shakespeare’s Globe. andShakespeare London In 1613 William Shakespeare purchased a property in Blackfriars, close to the Blackfriars Theatre and just across the river from the Globe Theatre. These were the venues used by The Kings Men (formerly the Lord Chamberlain’s Men) the performance group to which he belonged throughout most of his career. The counterpart deed he signed during the sale is one of the treasures we care for in the City of London’s collections and is on public display for the first time at London Metropolitan Archives. Celebrating the 400th anniversary of the document, this exhibition explores Shakespeare’s relationship with London through images, documents and maps drawn from the archives. From records created during his lifetime to contemporary performances of his plays, these documents follow the development of his work by dramatists and the ways in which the ‘bardologists’ have kept William Shakespeare alive in the fabric of the city through the centuries. -
YOUR UNIVERSITY SURREY.AC.UK 3 Welcome Community News
Spring 2017 News from the University of Surrey for Guildford residents SURREY.AC.UK UNIVERSITYOFSURREY UNIOFSURREY Your invitation to WON DER 13 May 2017 11am - 5pm University of Surrey, Guildford Please register via: surrey.ac.uk/festivalofwonder MUSIC · FOOD · TALKS · SPORT · DISCOVERY · WONDER Incorporating FREE Penelope Keith, DBE Community Reps scheme Festival ofFEST Wonder Spring on campus Guest Editor p2 Your view counts p5 Celebrating 50 years p11 Meet the team p12 2. The University’s 50th Anniversary celebrations 1. Waving flags on Guildford High Street 2. Mayor of Guildford, Councillor Gordon Jackson (left) and Vice-Chancellor, Professor Max Lu (right) 3. Folarin Oyeleye (left) and Tamsey Baker (right) 1. 3. Celebrating 50 years at home in Guildford The bells of Guildford Cathedral rang out on 9 September 2016 to mark the beginning of the University of Surrey’s 50th Anniversary year, celebrating half a century of calling Guildford ‘home’. The University’s Royal the cobbles of Guildford In the 50 years since setting Residents of Guildford and Charter was signed in 1966, High Street, adorned with up home on Stag Hill, the surrounding area are establishing the University banners and brought to the University has been warmly invited to join the in Guildford from its roots in life by the waving of blue warmly welcomed as part University as it ends its 50th Battersea, London. Exactly and gold flags, and made of the local community Anniversary celebrations 50 years later, bells pealed their way up to Holy in Guildford. Its staff and with a bang, in the form of across Battersea and ended Trinity Church. -
Abigail Mckern
Abigail McKern Agents Charlotte Davies Assistant [email protected] Cat Palethorpe +44 (0)20 3214 0800 [email protected] +44 (0) 20 3214 0800 Roles Stage Production Character Director Company MERCHANT OF VENICE Nerissa Peter Hall West End THE CHERRY ORCHARD Dunyarsha Sam Mendes Aldwych Theatre DEATH OF A SALESMAN The Woman Robert Falls Lyric Theatre THE MAGISTRATE Agatha Poskitt Nick Broadhurst Savoy Theatre SHE STOOPS TO CONQUER Richard Cottrell Sydney Theatre Company 5 CHARACTERS IN SEARCH TBA Mike Alfreds Shared Experience OF A GOOD NIGHT'S SLEEP, NORTH BY NORTHWEST Mrs Thornhill Simon Philips Adelaide Festival NORTH BY NORTHWEST Mrs Thornhill Simon Philips Bath Theatre Royal and Toronto Royal Alexander A ROOM WITH A VIEW Mrs Honeychurch Adrian Noble CAT ON A HOT TIN ROOF Big Mama Rob Hastie Theatr Clwyd BRAVE NEW WORLD Linda James Dacre Northampton Royal and Derngate United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Character Director Company PRIDE AND PREJUDICE Lady Catherine De Tamara Harvey Sheffield Crucible Theatres Bourgh SHAKESPEARE IN LOVE The Nurse Declan Donellan/ West End Noel Coward A TALE OF TWO CITIES Miss Pross James Dacre Northampton Royal and Derngate TRAVELLING LIGHT Ida Nick Hytner National Theatre TRAVESTIES Nadya Philip Wilson Birmingham Rep THE IMPORTANCE OF Miss Prism Philip Wilson Birmingham Rep BEING ERNEST BUS STOP Grace James Dacre New Vic/Scarborough co- production LINGUA FRANCA, Madge Fox -
The Evolution of Sherlock Holmes: Adapting Character Across Time
The Evolution of Sherlock Holmes: Adapting Character Across Time and Text Ashley D. Polasek Thesis submitted in fulfilment of the requirements for the degree of DOCTOR OF PHILOSOPHY awarded by De Montfort University December 2014 Faculty of Art, Design, and Humanities De Montfort University Table of Contents Abstract ........................................................................................................................... iv Acknowledgements .......................................................................................................... v INTRODUCTION ........................................................................................................... 1 Theorising Character and Modern Mythology ............................................................ 1 ‘The Scarlet Thread’: Unraveling a Tangled Character ...........................................................1 ‘You Know My Methods’: Focus and Justification ..................................................................24 ‘Good Old Index’: A Review of Relevant Scholarship .............................................................29 ‘Such Individuals Exist Outside of Stories’: Constructing Modern Mythology .......................45 CHAPTER ONE: MECHANISMS OF EVOLUTION ............................................. 62 Performing Inheritance, Environment, and Mutation .............................................. 62 Introduction..............................................................................................................................62 -
Playing Shakespeare with Deutsche Bank Production of Twelfth Night
2016 shakespeare’s globe Annual review contents Welcome 5 Theatre: The Globe 8 Theatre: The Sam Wanamaker Playhouse 14 Celebrating Shakespeare’s 400th Anniversary 20 Globe Education – Inspiring Young People 30 Globe Education – Learning for All 33 Exhibition & Tour 36 Catering, Retail and Hospitality 37 Widening Engagement 38 How We Made It & How We Spent It 41 Looking Forward 42 Last Words 45 Thank You! – Our Stewards 47 Thank You! – Our Supporters 48 Who’s Who 50 The Playing Shakespeare with Deutsche Bank production of Twelfth Night. Photo: Cesare de Giglio The Little Matchgirl and Other Happier Tales. Photo: Steve Tanner WELCOME 2016 – a momentous year – in which the world celebrated the richness of Shakespeare’s legacy 400 years after his death. Shakespeare’s Globe is proud to have played a part in those celebrations in 197 countries and led the festivities in London, where Shakespeare wrote and worked. Our Globe to Globe Hamlet tour travelled 193,000 miles before coming home for a final emotional performance in the Globe to mark the end, not just of this phenomenal worldwide journey, but the artistic handover from Dominic Dromgoole to Emma Rice. A memorable season of late Shakespeare plays in the Sam Wanamaker Playhouse and two outstanding Globe transfers in the West End ran concurrently with the last leg of the Globe to Globe Hamlet tour. On Shakespeare’s birthday, 23 April, we welcomed President Obama to the Globe. Actors performed scenes from the late plays running in the Sam Wanamaker Playhouse at Southwark Cathedral, a service which was the only major civic event to mark the anniversary in London and was attended by our Patron, HRH the Duke of Edinburgh. -
Radio 4 Extra Listings for 19 – 25 August 2017 Page 1 of 8
Radio 4 Extra Listings for 19 – 25 August 2017 Page 1 of 8 SATURDAY 19 AUGUST 2017 Read by Robert Glenister monarchy and giving a glimpse into the essential ingredients of a Written by Sarah Dunant successful sovereign. SAT 00:00 Bruce Bedford - The Gibson (b007js93) Abridged by Eileen Horne In this programme, Will uses five objects to investigate a pivotal Episode 5Saul and Elise make a grim discovery in the nursing Produced by Clive Brill aspect of the art of monarchy - the projection of magnificence. An home. Time-hopping thriller with Robert Glenister and Freddie A Pacificus production for BBC Radio 4. idea as old as monarchy itself, magnificence is the expression of Jones. SAT 02:15 Me, My Selfie and I: Aimee Fuller©s Generation power through the display of wealth and status. Will©s first object SAT 00:30 Soul Music (b04nrw25) Game (b06172qq) unites our current Queen with George III; the Gold State Coach, Series 19, A Shropshire Lad"Into my heart an air that kills Episode 5In the final part of her exploration of the selfie which has been used for coronations since 1821. Built for George From yon far country blows: phenomenon, snowboarder Aimee Fuller describes how she will III in 1762, it reflects Britain©s new found glory in its richly gilded What are those blue remembered hills, be using social media as she sets out to compete for a place at the carvings and painted panels...but the glory was to be short lived. What spires, what farms are those? next Winter Olympics. -
The Nation's Matron: Hattie Jacques and British Post-War Popular Culture
The Nation’s Matron: Hattie Jacques and British post-war popular culture Estella Tincknell Abstract: Hattie Jacques was a key figure in British post-war popular cinema and culture, condensing a range of contradictions around power, desire, femininity and class through her performances as a comedienne, primarily in the Carry On series of films between 1958 and 1973. Her recurrent casting as ‘Matron’ in five of the hospital-set films in the series has fixed Jacques within the British popular imagination as an archetypal figure. The contested discourses around nursing and the centrality of the NHS to British post-war politics, culture and identity, are explored here in relation to Jacques’s complex star meanings as a ‘fat woman’, ‘spinster’ and authority figure within British popular comedy broadly and the Carry On films specifically. The article argues that Jacques’s star meanings have contributed to nostalgia for a supposedly more equitable society symbolised by socialised medicine and the feminine authority of the matron. Keywords: Hattie Jacques; Matron; Carry On films; ITMA; Hancock’s Half Hour; Sykes; star persona; post-war British cinema; British popular culture; transgression; carnivalesque; comedy; femininity; nursing; class; spinster. 1 Hattie Jacques (1922 – 1980) was a gifted comedienne and actor who is now largely remembered for her roles as an overweight, strict and often lovelorn ‘battle-axe’ in the British Carry On series of low- budget comedy films between 1958 and 1973. A key figure in British post-war popular cinema and culture, Hattie Jacques’s star meanings are condensed around the contradictions she articulated between power, desire, femininity and class. -
The Road to Bristol Old Vic
250 YEARS OLD Thank you for being part of one of the most significant anniversaries in the history of British theatre. We’ve done our best to curate a programme worthy of your efforts, inspired by the astonishing creativity of the thousands of artists – from Sarah Siddons to Sally Cookson – who have delighted and entertained you and your forebears over the last 250 years. But at heart, ours is a story of passion, survival and reinvention. All the other theatres producing plays in 1766 have fallen down or been demolished because, at some point in their history, their audiences abandoned them. This one has survived because each time it’s faced disaster, Bristolians from all over the world have given it new life. It happened in 1800, when popular demand led to the ceiling being tipped up and the new gallery being built, increasing the capacity to an eye-watering 1,600. It happened in 1933 when Blanche Rogers initiated the campaign that the old place should be saved and become ‘Bristol’s Old Vic’. It happened in 2007 when Dick Penny held the open meeting (which many of you attended), leading to the Arts Council continuing its vital support for the theatre. And it’s happening throughout this wonderful anniversary, as you carry us towards the final stage of the refurbishment that will set us securely on our adventures over the next 250 years. So as you read about the shows we’re staging and the projects we’re curating during our birthday year, don’t forget to give yourself a warm pat on the back for being the people who are, in the end, responsible for all of it. -
Hilary Mantel Papers
http://oac.cdlib.org/findaid/ark:/13030/c8gm8d1h No online items Hilary Mantel Papers Finding aid prepared by Natalie Russell, October 12, 2007 and Gayle Richardson, January 10, 2018. The Huntington Library, Art Collections, and Botanical Gardens Manuscripts Department 1151 Oxford Road San Marino, California 91108 Phone: (626) 405-2191 Email: [email protected] URL: http://www.huntington.org © October 2007 The Huntington Library. All rights reserved. Hilary Mantel Papers mssMN 1-3264 1 Overview of the Collection Title: Hilary Mantel Papers Dates (inclusive): 1980-2016 Collection Number: mssMN 1-3264 Creator: Mantel, Hilary, 1952-. Extent: 11,305 pieces; 132 boxes. Repository: The Huntington Library, Art Collections, and Botanical Gardens. Manuscripts Department 1151 Oxford Road San Marino, California 91108 Phone: (626) 405-2191 Email: [email protected] URL: http://www.huntington.org Abstract: The collection is comprised primarily of the manuscripts and correspondence of British novelist Hilary Mantel (1952-). Manuscripts include short stories, lectures, interviews, scripts, radio plays, articles and reviews, as well as various drafts and notes for Mantel's novels; also included: photographs, audio materials and ephemera. Language: English. Access Hilary Mantel’s diaries are sealed for her lifetime. The collection is open to qualified researchers by prior application through the Reader Services Department. For more information, contact Reader Services. Publication Rights The Huntington Library does not require that researchers request permission to quote from or publish images of this material, nor does it charge fees for such activities. The responsibility for identifying the copyright holder, if there is one, and obtaining necessary permissions rests with the researcher.