DOCSLIB.ORG

Programmeexit2010[2].Pdf

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Programmeexit2010[2].Pdf ARTS NUMERIQUES 20 INSTALLATIONS PERFORMANCES PLATES-FORMES EDUCATIVES Traversés par l’explosion du numérique eT l’émergence des réseaux connecTés, les modes de créaTion s’inTensifienT eT parTicipenT d’un renouveau permanenT. en quelques décennies, la danse conTemporaire a enTrepris de mulTiples expérimenTaTions, eT ainsi refondé pour une parT le cadre des arTs vivanTs. l’exposiTion ‘‘DANCING MACHine’’ va inTerroger les mouvemenTs issus des dialogues Hommes macHines. ChorégrapHies Humanoïdes eT expérimenTaTions TecHnologiques du mouvemenT, inversion des rôles : du « specTaTeur cHorégrapHe » au danseur généraTeur de flux cybernéTiques, le dialogue esT fécond enTre le corps en mouvemenT, la musique eT l’image, eT cela, grâce aux plus récenTs disposiTifs TecHnologiques en œuvre dans la créaTion. 20 insTallaTions ou performances ludiques, œuvres plasTiques inTeracTives, proToTypes de la discoTHèque du fuTur, macHines à danser ou igloos musicaux invesTissenT le THéâTre pour 10 jours de fesTival. COM . o T o H p - ION T öller m dr CONCEP ias tth a m UNE PROGRAMMATION irage / m edial m o : T o Ph . CASINELLI ALVARO , EM T SYS ADAD HANNAH & NIKLAS ROY > International DANCE Party VISUAL 17, 17, ALEXIS O’HARA > SQUEEEEQUE - L’Igloo IMPRObAbLE LAAN T Alvaro Cassinelli > Score LIgHT FOR bLANCA LI > VEN A bAILAR CONMIgO GALLERY : ESY CHRISTODOULOS PANAYIOTOU gUYSgocrazY > Slow DANCE Marathon T COUR Daan bRINKMANN > Skininstrument 2 - ELLS W fESTIVAL NEMO @ EXIT > DANCINg MACHINE PO K > DIR gREgORY CHATONSKY DANCE wITH U.S (2008) DANCE wITH ME (2007) , KANTA HORIO > fROM POwER LINE, to MOLLER IAS > TH LAwRENCE MALSTAf NEMO Observatorium MA : NATACHA PAgANELLI > Kolo MIRAGE PETER wILLIAM HOLDEN > [SOLENOID b] > AutoGene > ArabESQUE MEDIA , PHILOMÈNE LONgPRé > Illusio LONGPRÉ Thierry DE MEY > REMANENCES ) © BAS THIERRY DE MEY & ANNE TERESA DE KEERSMAEKER > TOP SHOT EN T LANG AU H Visual SYSTEM > A DIgital EXPéRIENCE #4 / 48X48 OMAS DE T e & TH e VOLKER MORAwE > MOSHPIT T DROI à e PAGANELLI H a H GAUC AC T DE NA ( : OS o T T o o H H p p OUVERTURE (TEMPS SCOLAIRES - ETUDIANTS AVEC MEDIATION) visite guidéE en famille VE 19 / LU 22 / MA 23 / JE 25 / VE 26 MARS : 9HOO > 12HOO & 14HOO > 18H3o sur inscription* ME 24 MARS : 9HOO > 12HOO & 14HOO > 17H3o SA 20 / SA 27 MARS : 9HOO > 12H3o OUVERTURE (LES SOIRS DE REPRESENTATION) *SOUS RÉSERVE DE MODIFICATIONS JE 18 & 25 / VE 19 & 26 / LU 22 / MA 23 MARS : 18HOO > MINUIT SA 20 / SA 27 MARS : 14HOO > MINUIT TARIfS 3€* & 5€ DI 21 / DI 28 MARS : 14HOO > 19HOO *PARTENAIRES, JEUNES, CRISTOLIENS 04 MINIATURE#1 18 19 19H30 DR 19H30 : 20 o T o H p les 2 performeurs de ‘‘sonoleviTaTion’’ uTilisenT un disposiTif élecTro-acousTique desTiné à enclencHer un balleT de paillettes de feuilles d’or en suspension qui vonT léviTer eT s’agiTer à foison. leurs déplacementS provienNENT de l’inTeracTion enTre le mouvemenT créé par des vibraTions sonores eT le mouvemenT déjà créé. ceT effeT scinTillanT d’apesanTeur se répercuTe sur le son ambianT eT enclencHe des séquences de mouvemenTs à l’infini. MINIATURE#2 Performance singulière dans laquelle les comédiens sont emballéS sous vide entre deux immenses films de PVC… A couper le souffle ! après des éTudes de design eT de nombreuses scénograpHies, laWrence malsTaf 18 22H00 PISCINE s’engage dans un Travail plus personnel aux fronTières enTre arTs visuels eT I théâTraliTé. ces projeTs d’insTallaTions sensorielles eT inTeracTives sonT 21H15 17 élaborés sur des pHénomènes naTurels eT pHysiques mais égalemenT à parTir 19 des modes de vie indusTrialisés. il a reçu de nombreux prix inTernaTionaux FORLAAN noTammenT le prix arTs elecTronica en 2009, pour son insTallaTion nemo 21H15 ORMANCES 20 f observaTorium égalemenT présenTée dans le cadre du fesTival. GALLERY PER ESY T COUR ls - l e POw K ir 06 d 07 : o T o H p AMERICANA KAMIKAZE creation oct 09 inspirée des HisToires de fanTômes japonais, la pièce ‘‘americana KamiKaze’’ explore la fluidiTé des rapporTs du Temps eT de l’espace, les conTours Ténus enTre folie 18 22H30 eT raison eT la bascule irrémédiable de nos vies lorsqu’elles sonT Traversées par des acTes d’exTrême violence. les performeurs NEW-YORKAIS eT japonais se dé- 22H30 doublenT en image dans un thriller ‘‘asiaTICO-occidenTal’’ à mi-cHemin enTre réel 19 eT ficTion. dans cette producTion à nouveau, se révèle la signaTure arTisTique RADICALE de la 20 22H30 compagnie : un théâTre-vidéo dans lequel conTrainTe pHysique eT clausTropHobie sTrucTurenT le jeu eT les limiTes du plaTeau. ÉCRITURE eT MISE EN SCENE : Kenneth Collins • PROJECTION VIDEO : William Cusick • AVEC : Brian Greer, Yuki KAwahisa, Lorraine Mattox, Ryosuke Yamada • cosTumes : TaraFawN Marek • musiQUE & son : John Sully • CREATIONS grapHiQUES : Jon Weiss • assisTanT MISE EN SCENE : Jamie Poskin • casTing : Jennifer Ajemian • inTern : Andrew Scoville • inTern : Joe Cantalupo • COPRODUCTION : Maison des Arts de CRéteil (paris), LE ManègE (maubeuge), Performance Space 122 (neW yorK). SOUTENU PAR The Greenwall Foundation, The MacDOwell Colony, The Nancy Quinn Fund, UN PROJET A.R.T.-NEw York, AINSI QUE LE SOUTIEN DE généREUX DONATEURS PARTICULIERS. capTivanT Travail sur la mémoire, ‘‘Welcome To nowhere’’ combine ‘‘road movie’’ eT ‘‘love sTory’’. prisonniers d’une boîTe de plexiglas surplombée d’un écran pa- noramique, les comédiens monologuenT, susurrenT leurs passés, par bribes, ils 18 20H00 révèlenT leurs douTes, la parT Ténébreuse d’eux-mêmes. Hors de TouTe narraTion linéaire, en Temps réel, la juxTaposiTion enTre théâTre, 19H30 insTallaTion eT cinéma expérimenTal provoque la fragmenTaTion des souvenirs 19 où s’enTrecHoquenT ficTion eT réaliTé. une HypnoTique eT émouvanTe compila- Tion de Témoins à la mémoire fracTurée, qui n’esT pas sans rappeler la violence 20 19H30 qui noue Toujours l’inTrigue des ‘‘road movies’’ américains. PETITE SALLE I COLLINS ACEY une audacieuse performance sur la mémoire eT l’idenTiTé. la pièce capTure admirablemenT le Trouble psy- T s & cHique dominanT TouT le sens de la pièce - village voice EISS un théâTre inTime de noTre Temps dans le droiT-fil du cinéma de david lyncH - le monde W JON : OS ÉCRITURE eT MISE EN SCENE : Kenneth Collins • VIDEO : William Cusick • AVEC : Ben Beckley, Stacey Collins, Brian Greer, Lorraine Mattox, Jessica Grace • COSTUMES : T o TaraFawN Marek • MUSIQUE & SON : John Sully • CREATION GRAPHIQUE : Jon Weiss • ASSISTANT MISE EN SCENE : Christine Vartoughian • VIDEO : Jamie Poskin H p THEATRE / VIDEO 08 09 PRESENTe RANDE SALLE g I EVENEMENT 19 20H30 CREATION 20 20H30 on connaîT surTouT Philippe StarcK comme créaTeur, designer eT arcHiTecTe, per- sonnage insoliTe eT polymorpHe. au cours de cette expérience Hors-norme, avec la parTicipaTion du public, il va se dévoiler de manière inédiTe eT sincère. le collecTif neW-yorKais soundWalK propose des promenades sonores, à mi-cHemin enTre flânerie baudelairienne eT expérience cinémaTograpHique, qui permettenT une découverTe poéTique de la ville. Philippe StarcK eT soundWalK vous inviTenT à une grande avenTure collecTive à la recHercHe du son qui nous manque. esT-ce une voix, une noTe, un bruiT ? HT cette exploraTion sonore esT basée sur le dialogue ludique enTre Philippe StarcK, MAEG soundWalK eT le public. enTre alTéraTions de la réaliTé, manipulaTions audiTives, FLORENCE eT inTerpréTaTions musicales, ce specTacle va nous guider ensemble dans la dé- PAR K couverTe d’un son unique. le son du nous. UN spectacle conçU pour le festival Exit. ARC T s ILIPPE H p concepT eT performance : Philippe Starck • créaTion sonore eT direcTion musicale : Soundwalk : o T iniTiaTive, scénograpHie eT producTion : DALbin o H p www.lesondunous.com 10 11 SPECTACLE EN fARSI SURTITRé EN FrançAIS DE SALLE g PLATEAU I THEATRE THEATRE WHERE WERE YOU ON JANUARY 8TH? 8 janvier, minuiT, lavasan, banlieue de TéHéran. Il neige beaucoup ce qui rend TouT déplacemenT impossible. quaTre jeunes éTudianTes en théâTre à l’universiTé de TéHéran, répèTenT une 19H30 22 pièce dans l’apparTemenT de l’une d’enTre elles. ali, le fiancé de faTi les rejoinT. il effecTue son service miliTaire dans la police. en dépiT de la loi qui inTerdiT à TouT 23 19H30 officier de porTer son arme dans un lieu privé, il passe ouTre, avec la promesse de regagner son posTe avanT la fin de la nuiT. la neige l’en empêcHe. au peTiT maTin, il découvre que son arme a disparu. composée de plusieurs conversaTions TélépHoniques enTre les personnages, l’acTion se déroule au lendemain de cette nuiT. CRÉATION À au Travers des dialogues, la pièce évoque en filigrane la siTuaTion acTuelle en iran. TÉHÉRAN la maison des arTs poursuiT son compagnonnage débuTé avec “dance on glasses” (2004), “recenT experiences” (2006) puis “dry blood and fresH vegeTables” duranT DÉCEMbRE 2009 EXIT 2008 eT “quarTeT: a journey north” (2008). […] amir reza KooHesTani incarne une vériTable figure de passeur dans le milieu théâTral iranien, s’efforçanT sans relâcHe de mener sa compagnie d’un pôle à l’auTre. ainsi son écriTure navigue T-elle en- Tre symbolisme eT réalisme, passanT de la sobre descripTion de siTuaTions quoTidiennes à une dimension imaginaire d’une profonde ricHesse poéTique. […] il a aussi quelque cHose du passeur clandesTin, puisqu’il ne cesse d’écHapper aux limiTes qu’impose la censure, sans renoncer pour auTanT à Transmettre au pub- lic iranien, surTouT les jeunes, une percepTion criTique du monde qui l’enToure.comme si KooHesTani leur TendaiT un miroir de la sociéTé iranienne. resTe à Trouver commenT élucider son propre refleT. LILIANE ANJO in « L’iran, derrière le miroir », dossier coordonné par c.
Load more

Recommended publications
  • Accelerated Reader Book List
    Accelerated Reader Book List Picking a book to read? Check the Accelerated Reader quiz list below and choose a book that will count for credit in grade 7 or grade 8 at Quabbin Middle School. Please see your teacher if you have questions about any selection. The most recently added books/tests are denoted by the darkest blue background as shown here. Book Quiz No. Title Author Points Level 8451 EN 100 Questions and Answers About AIDS Ford, Michael Thomas 7.0 8.0 101453 EN 13 Little Blue Envelopes Johnson, Maureen 5.0 9.0 5976 EN 1984 Orwell, George 8.2 16.0 9201 EN 20,000 Leagues Under the Sea Clare, Andrea M. 4.3 2.0 523 EN 20,000 Leagues Under the Sea (Unabridged) Verne, Jules 10.0 28.0 6651 EN 24-Hour Genie, The McGinnis, Lila Sprague 4.1 2.0 593 EN 25 Cent Miracle, The Nelson, Theresa 7.1 8.0 59347 EN 5 Ways to Know About You Gravelle, Karen 8.3 5.0 8851 EN A.B.C. Murders, The Christie, Agatha 7.6 12.0 81642 EN Abduction! Kehret, Peg 4.7 6.0 6030 EN Abduction, The Newth, Mette 6.8 9.0 101 EN Abel's Island Steig, William 6.2 3.0 65575 EN Abhorsen Nix, Garth 6.6 16.0 11577 EN Absolutely Normal Chaos Creech, Sharon 4.7 7.0 5251 EN Acceptable Time, An L'Engle, Madeleine 7.5 15.0 5252 EN Ace Hits the Big Time Murphy, Barbara 5.1 6.0 5253 EN Acorn People, The Jones, Ron 7.0 2.0 8452 EN Across America on an Emigrant Train Murphy, Jim 7.5 4.0 102 EN Across Five Aprils Hunt, Irene 8.9 11.0 6901 EN Across the Grain Ferris, Jean 7.4 8.0 Across the Wide and Lonesome Prairie: The Oregon 17602 EN Gregory, Kristiana 5.5 4.0 Trail Diary..
    [Show full text]
  • Rock 'N' Roll Camp for Girls and Feminist Quests for Equity, Community, and Cultural Production
    Georgia State University ScholarWorks @ Georgia State University Institute for Women's, Gender, and Sexuality Women's, Gender, and Sexuality Studies Theses Studies 7-31-2006 I'm Not Loud Enough to be Heard: Rock 'n' Roll Camp for Girls and Feminist Quests for Equity, Community, and Cultural Production Stacey Lynn Singer Follow this and additional works at: https://scholarworks.gsu.edu/wsi_theses Part of the Feminist, Gender, and Sexuality Studies Commons Recommended Citation Singer, Stacey Lynn, "I'm Not Loud Enough to be Heard: Rock 'n' Roll Camp for Girls and Feminist Quests for Equity, Community, and Cultural Production." Thesis, Georgia State University, 2006. https://scholarworks.gsu.edu/wsi_theses/2 This Thesis is brought to you for free and open access by the Institute for Women's, Gender, and Sexuality Studies at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Women's, Gender, and Sexuality Studies Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. I’M NOT LOUD ENOUGH TO BE HEARD: ROCK ‘N’ ROLL CAMP FOR GIRLS AND FEMINIST QUESTS FOR EQUITY, COMMUNITY, AND CULTURAL PRODUCTION By STACEY LYNN SINGER Under the Direction of Susan Talburt ABSTRACT Because of what I perceive to be important contributions to female youth empowerment and the construction of culture and community, I chose to conduct a qualitative case study that explores the methods utilized in the performance of Rock ‘n’ Roll Camp for Girls, as well as the experiences of camp administrators, participants, and volunteers, in order to identify feminist constructs, aims, and outcomes of Rock ‘n’ Roll Camp for Girls.
    [Show full text]
  • 714.01 [Cover] Mothernew3
    CMJ NewMusic® CMJ STELLASTARR* 25 REVIEWED: SOUTH, THURSDAY, Report TO MY SURPRISE, SAVES THE DAY, CCMJCMJIssue No.M 832 • SeptemberJ 22, 2003 • www.cmj.com SPOTLIGHT MATCHBOOK ROMANCE + MORE! LOUD ROCK AS HOPE DIES DEAD CRPMMJ VAN DYK GETS REFLECTIVE CMJ RETAIL RAND FINALE! TRUSTTRUST NEVERNEVER SLEEPSSLEEPS Leona Naess Is Bringin’ On The HEARTBREAK RADIO 200: WEEN SPENDS SECOND WEEK AT NO. 1• SPIRITUALIZED HOOKS MOST ADDED NewMusic ® CMJ CMJCMJ Report 25 9/22/2003 Vice President & General Manager Issue No. 832 • Vol. 77 • No. 5 Mike Boyle CEDITORIALMJ COVER STORY Editor-In-Chief 6 A Question Of Trust Kevin Boyce Becoming a hermit in unfamiliar L.A., tossing her computers and letting the guitars bleed in the Associate Editors vocal mics, Leona Naess puts her trust in herself and finally lends her perfect pipes to a record Doug Levy she adores. Now if she could just make journalists come clean and get over her fear of poisoned CBradM MaybeJ Halloween candy… Louis Miller Loud Rock Editor DEPARTMENTS Amy Sciarretto Jazz Editor 4 Essential/Reviews by Dimmu Borgir, Morbid Angel and Dope get Tad Hendrickson Reviews of South, Stellastarr*, Thursday, To My reviewed; Darkest Hour and Atreyu get punked RPM Editor Surprise, Saves The Day, Matchbox Romance on the road; tidbits regarding Slayer, Opeth, and Lost In Translation. Plus, KMFDM’s Angst Exodus, Theatre Of Tragedy, As Hope Dies, Justin Kleinfeld receives CMJ’s “Silver Salute.” Black Dahlia Murder, Stigma, Stampin’ Retail Editor Ground and Josh Homme’s Desert Sessions Gerry Hart 8 Radio 200 series; and Misery Index’s Sparky submits to Associate Ed./Managing Retail Ed.
    [Show full text]
  • Al Gore 15 Ways to Avert a Climate
    URL Speaker Name Short Summary Event Duration Publish date http://www.ted.com/talks/view/id/1 Al Gore 15 ways to avert a climate crisis With the same humor and humanity he exuded in An Inconvenient Truth, Al Gore spells out 15 ways that individuals can address climate change immediately, from buying a hybrid to inventing a new, hotter TED2006"brand name" for global warming. 0:16:17 6/27/2006 http://www.ted.com/talks/view/id/92 Hans Rosling Debunking third-world myths with the best stats you've ever seen You've never seen data presented like this. With the drama and urgency of a sportscaster, statistics guru Hans Rosling debunks myths about the so-called "developing world." TED2006 0:19:50 6/27/2006 http://www.ted.com/talks/view/id/66 Sir Ken Robinson Do schools kill creativity? Sir Ken Robinson makes an entertaining and profoundly moving case for creating an education system that nurtures (rather than undermines) creativity. TED2006 0:19:24 6/27/2006 http://www.ted.com/talks/view/id/53 Majora Carter Greening the ghetto In an emotionally charged talk, MacArthur-winning activist Majora Carter details her fight for environmental justice in the South Bronx -- and shows how minority neighborhood suffer most from flawed urban TED2006policy. 0:00:00 6/27/2006 http://www.ted.com/talks/view/id/7 David Pogue When it comes to tech, simplicity sells New York Times columnist David Pogue takes aim at technology's worst interface-design offenders, and provides encouraging examples of products that get it right.
    [Show full text]
  • River Festival. Medoc 1855
    Merci et bravo juin 2005 Nous voilà à la fin d'une saison culturelle, du moins à Bordeaux. Une année que nous avons passée ensemble, au fait de l'actualité artistique et de la création en Gironde. Il nous reste bien des choses à découvrir. Spirit grâce à votre accueil et votre soutien est désormais un titre qui ne relève plus du pari mais du projet pérenne. Un grand merci à vous tous, lecteurs et annonceurs. Un grand merci aussi à tous les acteurs de la scène culturelle, sans qui nous n'aurions pas la matière même de notre échange. Keep going. Vous nous retrouverez donc dans un mois pour un numéro spécial été, couvrant l'actualité artistique et touristique girondine des mois de juillet, août et septembre. Et retour du rythme mensuel avec le numéro d'octobre. Date à laquelle vous devriez enfin bénéficier d'un www.spiritonline.fr digne de ce nom. D'ici là, n'hésitez pas à nous formuler vos recommandations et attentes ([email protected]). Notamment en termes de distribution. Dites-nous vos éventuelles difficultés à nous trouver, et où vous souhaiteriez voir de nouveau point de dépôt. En attendant vous découvrirez en notre sein un petit frère d'Outre Manche. Celui-ci, réalisé avec notre appui, a sa propre rédaction et aura sa vie autonome, au gré de sa pertinence et de ses possibilités. Vinexpo et le début de la saison touristique étaient une bonne occasion pour ce first shot. See you [email protected] Dites-moi : Martine Faure & Hervé Bordier 4 Quand on parle de l’un ou de l’autre, c’est bon signe.
    [Show full text]
  • ANNAHUFF CV FEB 2015.Pdf
    ANNA HUFF www.cloudeyecontrol.com [email protected] www.annajordanhuff.com 323-896-6822 " "EDUCATION 2007 MFA California Institute of the Arts/Integrated Media "1999 BA The Evergreen State College "TEACHING/ LECTURE/PROFESSIONAL EXPERIENCE 2014 Calstate Long Beach, Visiting Faculty: Performance Strategies Workshop, School of Theater 2012 California Institute of the Arts, Visiting Faculty, School of Theater and Integrated Media 2012 Duke University Theater Department- Visiting Artist Teaching Residency w/ Cloud Eye Control 2011 California Institute of the Arts, Integrated Media and Performance Faculty 2010 UCSB Visiting Artist and Lecturer, Performance and Media 2009 California Institute of the Arts, Integrated Media and Performance Faculty 2008 UCLA, Lecture and Presentation w/Cloud Eye Control 2008 Pitzer College, Lecture and Presentation w/Cloud Eye Control 2008 Colorado State University, First Person Cinema Series/Guest Lecture and Presentation 2007 University of Regina, SK, Social Practice Conference/ Guest Artist and Participant 2007 Gothenburg, Sweden at (Design Museum)/ Guest Lecture and presentation 2006 Armory Center for the Arts Teaching Fellow/Faculty 2006 Cal State Fullerton “Let’s Interactive” Lecture/presentation "2005 Director and Founder of Loop Girls; electronic music and video workshop for girls "AWARDS AND GRANTS 2014 Under The Radar Pitch Sessions Presentation with Cloud Eye Control 2013 New England Foundation for the Arts (NEFA) National Theater Project Grant with CEC 2013 MAPFUND recipient with Cloud Eye Control
    [Show full text]
  • CPJ Are You Registered to Vote, and Why Do You Vote? &Max Bauval
    ...................................................................•.........•••..•••...•••.•.•......••...•.•....•.....•........•..•••...••..STUDENT NEWSPAPER OF THE EVERGREEN STATE COI,I.EGE ELECTIONS ARE COMING YOU'LL NEVER WRONG WHAT MAKES OLYMPIA OPINIONATED? Read about why your fellow INTO THE WRONG COOL Join the club~ PAGE 16 greeners vote ~ PAGE 2 BATHROOM AGAIN Look at the brilliant There isn't a real club, Read more about the new musical talent that oozes though~·-- Find out where to register to gender-neutral bath­ out of Olympia ~ PAGES " ~Archives vote~ PAGE4 rooms ~ PAGE 4 14-15 The Evergreen State Colleg Olympia, Wsshington 9850 ··~················································,··································································································································· CU:\TRJIH.'Tb TO TIll: COOPER J\)1.'\'T.)OURN!\L. C.\LL :H)(l B67-t):Z l:l, EMAIL CI~J(a!.F.VERGREEXEDU OR STOP BY CAB :HG • lSS!lE l, VOUJME 36. SJ::J'TEl\:fBER 14. ~!)07 ['\SIDE TI-llS ISStJE Get to know Evergreen's student groups Peruse a compendium of Ever­ green's student groups, a disori­ enting list of precisely named and organized clubs that exist for your personal edification and entertain­ ment You can play video games. You can participate in student government. You can learn more about yourself and your fellow col­ Jege-goers. You can throw down on a djembe, contribute to publications, and appreciate giant robots. And if you can't find a group you fancy, you can found your own. STUDENT GROUPS, page 6 Campus guide Don't get lost in the woods or the library. Don't get lost in the hustle of seminar p r or u r­ age drinking. Ac; onentat10n week commences, you may find yourself wondering how seniOr Greeners perceive this wondrously beautiful campus and its activities.
    [Show full text]
  • Pink Mountaintops P.L 1 1015 Band Or Musician Profiles (M)AD MAN Tommy February6 P.L2 475 Music Resource Profiles Jason Bennet Farewell, Mlkidy P
    il DiSCORDER, JUJLY'U* WiAccmet$LM \ ^ ISSUE 253/ • JULY 2004 1 THAT "SHORTER WITH MORE ADS" MAGAZINE FROM CiTR 101.5 FM Pllf^?iW Local fens, promoters, jffKafrv and musicians have listed: EDITRIX FEATURES 5175 Shows (4O0')> upcoming at any given time) KatSiddle . The Pink Mountaintops p.l 1 1015 Band or Musician profiles (M)AD MAN Tommy February6 p.l2 475 Music resource profiles Jason Bennet Farewell, MlKidy p. 13 PRODUCTION MAN(AGER) Suicide Gtrl^^^»'\|^L , Graeme Worthy Mutek P-t4-J|t OBgittslHna ART ERECTOR Ridley Bent p.U Dale Davies A Free Monster Database of the Music Scene Log on, or phone 604-871-0477 for info EDITORIAL ASSISTANT) SusyW^bb/;' REGULARS Pr°n^^1 ^ilisJ^*** P*^ T(&)A EDITOR Fucking Bul^rap^p^i Vampyra Draculea Thursday July 8 Panarticort^^^ RLA EDITOR Strut, Fret ^PSliirap' Richard's on .R§':|f|p;9ffi Richards LAYOUT & DESIGN |^}udry; ^^HrlSl'^8 with The R.A.D.I.O. '<^'^<^0^S^hfkJ^ Real Live Aj^^^ffirJ^p Bakelite Jason Bennet •p^^^Joy^lfi^'' DJ My! Gay! Husband! j^fp&jsrjljelly Day Under Rev^^p^O Tix @ Zulu, Scratch, Red Cat. xp' Vanapy^wsirciculea - -IfeWwown Pleasures Susy ^^{kirida} Charts pJK Datebook*^^^^^ } PRODUCT|Q^I| Graeme tfotihf'iHjf Gravy Fi'te^»^®^]^^^SrtS^ 1 Dale Davies On The Dt<B22 j|£ ^2S^V/ebb $ggp§$iddle • i Kimberly Day §.w!^|ifnpyrci Draculea FRONT COVER jljS^lsDlJennet Niall McClelland drew this month's totally dreamy and masturbation-worthy cover. In his own words: "I'm a freelance ON THE DIAL illustrator, my bike wheel was stolen from Bryce Dunn outside my studio yesterday, 1 have to walk everywhere now and it sucks.
    [Show full text]
  • FILM SCREENINGS See Pages 9-10 JUNE 16-19 SATURDAY, JUNE 19 Neutral Ground Gallery – 1856 Scarth St
    AUDIBLY OUT! SOUND ART SERIES June 9-10 ALL PERFORMANCES AT NEUTRAL GROUND GALLERY – 1856 SCARTH ST. W/ SNACKS AND CASH BAR Unless otherwise noted, all PERFORMANCES are rated Restricted (R) (People under the age of 18 are not granted entrance to Restricted PERFORMANCES) WEDNESDAY, JUNE 9 see pages 6-7 7:30 PM CO-WO-MMAND – Your Other Lover 9:00 PM Pink Noises on the Dancefloor – Analog Tara POST PERFORMANCE RECEPTION THURSDAY, JUNE 10 XTREMENDOUS see pages 7-8 VISUAL ART 7:30 PM Titillations EXHIBITION – Carrie Gates 8:30 PM Doll Daze May 31 – June 10 – Nicky Click and Carrie Gates see page 5 POST PERFORMANCE RECEPTION TUESDAY, JUNE 8 SATURDAY, JUNE 12 5th Parallel Gallery see page 12 Riddell Centre, University of Regina Neutral Ground Gallery – 1856 Scarth St. 8:00 PM Morceaux Choisis – 2Fik 2:30 PM Round Table with artists and Reception for photo exhibit. curators from both Audibly Out! Complimentary refreshments and Performing Out series. and snacks. Artist in attendance. Neutral Ground Gallery – 1856 Scarth St. 2:30 PM Round Table with artists and XTREMENDOUS SCREENINGS curators from both Audibly Out! THURSDAY, JUNE 17 PERFORMING OUT and Performing Out series. see pages 16-17 – DIVERSITY IN QUEER 8:00 PM Semitic Score < O/2Fik #999 PERFORMANCE – 2Fik 7:00 PM XTREMENDOUS ONE 9:00 PM croque-monsieur 9:00 PM XTREMENDOUS TWO June 10-12 – Sarah Williams FRIDAY, JUNE 18 CLOSING NIGHT PARTY FOR PERFORMING Unless otherwise noted, all PERFORMANCES see pages 18-20 OUT AND AUDIBLY OUT! are rated Restricted (R) (People under the age of 18 are not granted entrance to 7:00 PM XTREMENDOUS THREE Restricted PERFORMANCES) 9:00 PM XTREMENDOUS FOUR 11:00 PM XTREMENDOUS FIVE THURSDAY, JUNE 10 FILM SCREENINGS see pages 9-10 JUNE 16-19 SATURDAY, JUNE 19 Neutral Ground Gallery – 1856 Scarth St.
    [Show full text]
  • University High School Summer Reading 2020
    University High School Summer Reading 2020 This Book Belongs to: __________________________ Dear University Community, Regardless of where we are in our lives, 2020 will inevitably be an inflection point in our journey. From the quarantine this spring to the protests over racial injustice in the summer to the ongoing coronavirus pandemic, the events we have lived through in the last few months have and will continue to impact each of us in lasting ways. The idea behind Summer Reading at University High School is to give all of us a common place from which to start the new school year. I believe there is no better place for us to start 2020-21 than leaning into where we are and what has shaped us in recent -- and sometimes over much too long -- times. In order for all of us to learn and grow through the current uncertainty, the school has assembled this list of articles to serve as our Summer Reading for 2020-21. These articles represent a wide variety of media, but they share a common publication time frame; all articles were published between April and mid-June 2020. This is not meant to be an exhaustive list – and certainly more good writing has come out since we’ve finalized our selections – but in here, you’ll find a range of perspectives on what living in our world has been like these past few months. I hope you find opportunities to think, to reflect, and to find joy in these pages. I look forward to talking with you about your reactions in the fall.
    [Show full text]
  • Miwa Matreyek What Is a Window on the Work — and Why Have One? Well, Like Windows in General, It Provides a Look in (Or Out!) at Something
    McCallum Theatre Institute’s Aesthetic Education Program Myth and 2016 | 2017 Infrastructure & This World Made Itself Performed by Miwa Matreyek What is a Window on the Work — and why have one? Well, like windows in general, it provides a look in (or out!) at something. That something, in this case, is a work of art. The work of art in question will be studied in the classroom and then viewed — live. Classroom teachers, students, and teaching artists will be engaged, together, in determining what that study will ultimately look like. A document like the Window on the Work you hold in your hand at this moment will help you play your part in that process. It gives you not just one view but many views into the work of art. It supplies you with answers to the questions you raise. It inspires new questions, suggests new avenues of inquiry. It rounds out the picture. It sparks new ideas. See if the ideas below make sense to you. In the planning phase, Windows on the Work can help establish the most effective line of inquiry and richest unit of study - answer questions about the work of art as they come up - help you approach the work of art from various vantage points W - spark curricular connections During the unit of study, Windows on the Work can - help you expand the study in particular contextual areas O - become a reference for student use After the unit of study, Windows on the Work can - help keep the work of art alive in the classroom - suggest pathways for further study W - help tie together strands of learning later in the year Myth
    [Show full text]
  • Short Biography Education Teaching
    MELANIE VALERA T (503) 875 7347 [email protected] www.tenderforever.com SHORT BIOGRAPHY Melanie Valera is an autodidact performing artist and a pop music maker residing in Portland, OR – USA. She was born in 1977 in South West France where she spent her formative years. In 2005, she left her native ground for an incredible transatlantic adventure from where she will never return. A laptop, a long mic cord and almost too much enthusiasm was all it took. 3 successful opuses (K RECORDS) and 800 international shows later, she has worked on multimedia projects, including collaborations with film maker Ted Passon, Multimedia artist Nick Lally and producer Christopher Doulgeris. She has shared the stage with Cocorosie, Kimya Dawson, Men, Deerhoof, The Blow, Calvin Johnson, Mirah, Electrelane and much more. Most recently, she performed at the TBA FESTIVAL 2010 in Portland-OR with Ted Passon and Nick Lally (which work was later qualified of “genius” and “best performance at the Works”, the Whitney Museum in New York City, el Museo Reina Sofia in Madrid, el Museu d'Art Contemporani in Barcelona (MACBA), Centre George Pompidou and La Cité Internationale in Paris. She has composed scores for shorts, video games and advertisements. Melanie Valeraʼs multimedia pop projects explore and challenge spaces, overlap realities, tell you stories, span nationalities and leaps forward towards a world where we can close the gaps between countries, ideologies and ultimately hearts. She is currently recording a 4th opus and has just received the RAAC Grant to complete a promising collaborative multimedia project called “MAZED” with Peter Burr.
    [Show full text]