DOCSLIB.ORG

FILM SCREENINGS See Pages 9-10 JUNE 16-19 SATURDAY, JUNE 19 Neutral Ground Gallery – 1856 Scarth St

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
FILM SCREENINGS See Pages 9-10 JUNE 16-19 SATURDAY, JUNE 19 Neutral Ground Gallery – 1856 Scarth St AUDIBLY OUT! SOUND ART SERIES June 9-10 ALL PERFORMANCES AT NEUTRAL GROUND GALLERY – 1856 SCARTH ST. W/ SNACKS AND CASH BAR Unless otherwise noted, all PERFORMANCES are rated Restricted (R) (People under the age of 18 are not granted entrance to Restricted PERFORMANCES) WEDNESDAY, JUNE 9 see pages 6-7 7:30 PM CO-WO-MMAND – Your Other Lover 9:00 PM Pink Noises on the Dancefloor – Analog Tara POST PERFORMANCE RECEPTION THURSDAY, JUNE 10 XTREMENDOUS see pages 7-8 VISUAL ART 7:30 PM Titillations EXHIBITION – Carrie Gates 8:30 PM Doll Daze May 31 – June 10 – Nicky Click and Carrie Gates see page 5 POST PERFORMANCE RECEPTION TUESDAY, JUNE 8 SATURDAY, JUNE 12 5th Parallel Gallery see page 12 Riddell Centre, University of Regina Neutral Ground Gallery – 1856 Scarth St. 8:00 PM Morceaux Choisis – 2Fik 2:30 PM Round Table with artists and Reception for photo exhibit. curators from both Audibly Out! Complimentary refreshments and Performing Out series. and snacks. Artist in attendance. Neutral Ground Gallery – 1856 Scarth St. 2:30 PM Round Table with artists and XTREMENDOUS SCREENINGS curators from both Audibly Out! THURSDAY, JUNE 17 PERFORMING OUT and Performing Out series. see pages 16-17 – DIVERSITY IN QUEER 8:00 PM Semitic Score < O/2Fik #999 PERFORMANCE – 2Fik 7:00 PM XTREMENDOUS ONE 9:00 PM croque-monsieur 9:00 PM XTREMENDOUS TWO June 10-12 – Sarah Williams FRIDAY, JUNE 18 CLOSING NIGHT PARTY FOR PERFORMING Unless otherwise noted, all PERFORMANCES see pages 18-20 OUT AND AUDIBLY OUT! are rated Restricted (R) (People under the age of 18 are not granted entrance to 7:00 PM XTREMENDOUS THREE Restricted PERFORMANCES) 9:00 PM XTREMENDOUS FOUR 11:00 PM XTREMENDOUS FIVE THURSDAY, JUNE 10 FILM SCREENINGS see pages 9-10 JUNE 16-19 SATURDAY, JUNE 19 Neutral Ground Gallery – 1856 Scarth St. see pages 21-23 W/ SNACKS AND CASH BAR ALL SCREENINGS AT NEUTRAL GROUND 7:00 PM XTREMENDOUS SIX GALLERY – 1856 SCARTH ST. 9:45 PM Invocation of the Hidden Secret W/ SNACKS AND CASH BAR 9:00 PM XTREMENDOUS SEVEN – Turner Prize* Unless otherwise noted, all SCREENINGS CLOSING NIGHT PARTY FRIDAY, JUNE 11 are rated Restricted (R) (People under see pages 10-11 the age of 18 are not granted entrance to Restricted screenings) 5th Parallel Gallery TICKETS & PASSES Riddell Centre, University of Regina SPECIAL FREE SCREENINGS TICKETS & PASSES AVAILABLE AT THE DOOR 8:00 PM Brave Seduction WEDNESDAY, JUNE 16 – Adrian Stimson XTREMENDOUS see pages 14-16 9:15 PM Transmission FESTIVAL PASS $50.00 – Dominic Johnson 7:00 PM First Rainbow (Includes all nine performances – Queer Youth Screening POST PERFORMANCE RECEPTION and eight screenings) W/ COMPLIMENTARY REFRESHMENTS this program is rated 14A – the AND SNACKS films are suitable for viewing by AUDIBLY OUT! & $5.00 SINGLE people aged 14 or older PERFORMING OUT PERFORMANCE; SATURDAY, JUNE 12 9:00 PM Freedom Fighters SERIES TICKETS $8.00 DOUBLE BILL see pages 11-13 Regina Public Library Film Theatre FILM SCREENING $6.00 PER – 2311 12th Ave. TICKETS SCREENING; $10.00 DOUBLE BILL; 1:00 PM PerFilmance – film/video $12.00 TRIPLE BILL screening to accompany series WELCOME TO QUEER CITY CINEMA XTREMENDOUS What’s so Xtremendous? Well, there is a lot Speaking of fun…we are very excited Visiting artists from near and far abound this going on out there and as a result there is a to start the festival with a one-person year – another way to ramp things up – so lot going on in here. exhibition of photographic work, then it’s on please take the opportunity to greet and Queer City Cinema marks a new decade with to the inaugural Sound Art Series, Audibly meet and more with our special guests at a new name – The Queer Arts Festival of Out!, then the return of the Performing Art Queer City Cinema Xtremendous. Regina – to reflect the fact that our interests Series, Performing Out, and of course, last Everything is covered in plastic. It is time lie beyond the cinematic and have slowly but not least, the Film and Video Screenings to break the surface. Get your thing on! over the years embraced performance, as the exclamation mark. Film and video Whatever it is, get it! You only have now! visual art and more as part of what the remains the centrepiece of QCC’s focus, with over 65 films and videos from 12 countries Xtremendous…Take it to the limit. Take it to festival offers its audiences and what the the limit. Take it to the limit. One more time… festival is all about. The umbrella name - to stimulate the eye, the ear and the ways in which we view the queer moving image. Queer City Cinema (hey, cant’ get rid of that) Gary Varro – will remain, as does the desire to seek out These four separate but related arenas are Artistic Director and present queer work that is expansive, ways in which to enjoy and immerse the Queer City Cinema ever redefining the notion of identity, and imagination and, in QCC fashion, disrupt May 2010 introduces and challenges new ideas found perception, challenge notions of identity and in art. Artists making queer noises, queer representation, and provide and suggest a images, and a queer presence is what its all new way of looking at and feeling about the about. world in which we all have to navigate. Consequently, Xtremendous is also a way A lot to take in, but, hey, it isn’t to signify the approach we are taking with called Queer City Cinema this year’s festival offerings…colorful, Xtremendous for demanding, playful, unforgettable, unsettling, nothing. thoughtful, whimsical, non-narrative, experimental, smart, unyielding, inventive, sweet, sorrowful, joyful, kind, rude, raw, dissonant, happy, sour, sassy, personal, tremendous, extreme and, of course, queer. These are the distinctive, noticeable and perhaps incongruous ingredients that make up things that will be seen, heard and, most importantly, felt during our and your time in June, 2010. Queer City Cinema has always made room and a space for representations abject, contradictory, instead of the expected, against the flow, and all the while with an informed sense of understanding, humour, humanity, and affection. Here in Regina? Yes, it has been the inspiration from the beginning in oh so many ways. And we have fun doing it. 2 FUNDERS COMMUNITY ACTIVITY DISTRIBUTION SPONSORS SPONSORS SPONSORS THEATRE DEPARTMENT VENUE SPONSOR MEDIA PRODUCTION AND STUDIES DEPARTMENT OF VISUAL ART CO-PRESENTER HOTEL SPONSOR holophon.ca PUBLICATION SPONSOR MEDIA SPONSOR FUNDERS AND SPONSORS FILM AND VIDEO FESTIVALS QUEER CITY CINEMA 8 STAFF Michele Stanley; Suzanne Plouffe – Canada Out On Screen – Vancouver Queer Film Gary Varro – Artistic Director Council For the Arts • Doug Townsend; Festival • Image + Nation – Montreal David Geiss – Festival Coordinator Noreen Neu – Saskatchewan Arts Board • International LGBT Film Festival • MIXNYC: Jeff Morton – Technical Director Rhonda Mailander; Barbara Zieger – City of The New York Queer Experimental Film Regina • Joel Frohman – Canadian Heritage Festival • TIFF – Toronto International Film QUEER CITY CINEMA • Brenda Cleniuk – Neutral Ground/Soil Festival BOARD OF DIRECTORS • Gordon Pepper; Tricia Martin; berny hi; Yvonne Abusow – Saskatchewan FilmPool DISTRIBUTION Sarah Abbott Cooperative • Dr. Christine Ramsay; Mark Bradley Wanda Vanderstoop; Erik Martinson Andrea Stachowich – Department of Randal Rogers – V-Tape • Larissa Fan – CFMDC • Liliana Media Production and Studies, University John Hampton Nunez; Anne Golden – Groupe Intervention of Regina • Joanne Shannon – Common Anna Hanson Video • Alex Muir – Video Out • Hope Weal Community Arts • Katherine Boyer; Peterson – Video Pool • Denis Vaillancourt Michelle Brownridge – Fifth Parallel Gallery QUEER CITY CINEMA – Vidéographe • Mary Scherer – Video • Bradley Young – Prairie Dog • Elwood XTREMENDOUS TRAILER Data Bank • Ralph McKay; Michaela Grill Jimmy – Sakewewak • Dr. Sheila Petty – Sixpack Film Americas • Jeffrey Winter Jackie Dzuba and Kim Wall – Dean of Fine Arts, University of Regina – New American Vision • Aida LiPera; Ryan Carle Steel • Jamie Cooper • Dr. Christine Ramsay; Marie Dmytrow Kampe – Visit Films • Rose Chang – – Department of Theatre, University of Indiestory • Philippine Steininger – Epicentre CATERING SPONSORS Regina • Ranjan Thakre; Fabian Contreras Films • Oliver Ike; Shane Griffin – Seventh Art – SCN • Dr. Allison Hayford – Department La Bodega • Italian Star • A La Carte • Releasing • Angelika Ramlow – Arsenal of Visual Art, University of Regina • Fainting Goat • Copper Kettle • Andrew Markle; Belinda New – Regina Erin Laing Catering Public Library • Megan Slinn – SaskTel • holphon.ca Keith Colhoun – 91.3 FM CJTR Regina Erin Gee; Charlie Fox; Eric Powell QCC volunteers, supporters, fans, and Community Radio • Wayne Styles – Matrix queer performers and film and video Video Communications • V-Tape • CFMDC GUEST CURATORS AND makers everywhere. • Video Data Bank • Russell Portigal – Rio PARTICIPATING PERFORMERS Saxon Design • Tannis MacDonald – Hotel Saskatchewan Raddison Plaza Dr. Charity Marsh; Michael Toppings, Jeannie Straub; Beth Curry; Tara Rodgers; Carrie Gates; Nicky Click; John Hampton; Blair Fornwald; Jason Cawood; Adrian Stimson; Dominic Johnson; 2Fik; Sarah Williams VISUAL ART EXHIBITION – MAY 31 - JUNE 10 5th Parallel Gallery Morceaux Choisis (Chosen Pieces) TUESDAY As a French-Canadian, 2Fik is a Riddell Centre; multidisciplinary visual artist. His My work is about identity, integration and immigration. JUNE 8 University of Regina work deals with identity – it may What make us different? Can we have identity issues? If so, be sexual orientation, religious how can we get out of this situation? I try to answer those aspects or physical appearance. Queer City Cinema kicks off its Queer questions by creating a whole photo-soap-opera where He’s the director, photographer Arts Festival with a reception for the people from different cultures meet and evolve in Montreal. and model of his visual creations. photo exhibition by Montreal artist 2Fik. Being the only person playing all the characters, I also Artist in attendance.
Load more

Recommended publications
  • Accelerated Reader Book List
    Accelerated Reader Book List Picking a book to read? Check the Accelerated Reader quiz list below and choose a book that will count for credit in grade 7 or grade 8 at Quabbin Middle School. Please see your teacher if you have questions about any selection. The most recently added books/tests are denoted by the darkest blue background as shown here. Book Quiz No. Title Author Points Level 8451 EN 100 Questions and Answers About AIDS Ford, Michael Thomas 7.0 8.0 101453 EN 13 Little Blue Envelopes Johnson, Maureen 5.0 9.0 5976 EN 1984 Orwell, George 8.2 16.0 9201 EN 20,000 Leagues Under the Sea Clare, Andrea M. 4.3 2.0 523 EN 20,000 Leagues Under the Sea (Unabridged) Verne, Jules 10.0 28.0 6651 EN 24-Hour Genie, The McGinnis, Lila Sprague 4.1 2.0 593 EN 25 Cent Miracle, The Nelson, Theresa 7.1 8.0 59347 EN 5 Ways to Know About You Gravelle, Karen 8.3 5.0 8851 EN A.B.C. Murders, The Christie, Agatha 7.6 12.0 81642 EN Abduction! Kehret, Peg 4.7 6.0 6030 EN Abduction, The Newth, Mette 6.8 9.0 101 EN Abel's Island Steig, William 6.2 3.0 65575 EN Abhorsen Nix, Garth 6.6 16.0 11577 EN Absolutely Normal Chaos Creech, Sharon 4.7 7.0 5251 EN Acceptable Time, An L'Engle, Madeleine 7.5 15.0 5252 EN Ace Hits the Big Time Murphy, Barbara 5.1 6.0 5253 EN Acorn People, The Jones, Ron 7.0 2.0 8452 EN Across America on an Emigrant Train Murphy, Jim 7.5 4.0 102 EN Across Five Aprils Hunt, Irene 8.9 11.0 6901 EN Across the Grain Ferris, Jean 7.4 8.0 Across the Wide and Lonesome Prairie: The Oregon 17602 EN Gregory, Kristiana 5.5 4.0 Trail Diary..
    [Show full text]
  • Rock 'N' Roll Camp for Girls and Feminist Quests for Equity, Community, and Cultural Production
    Georgia State University ScholarWorks @ Georgia State University Institute for Women's, Gender, and Sexuality Women's, Gender, and Sexuality Studies Theses Studies 7-31-2006 I'm Not Loud Enough to be Heard: Rock 'n' Roll Camp for Girls and Feminist Quests for Equity, Community, and Cultural Production Stacey Lynn Singer Follow this and additional works at: https://scholarworks.gsu.edu/wsi_theses Part of the Feminist, Gender, and Sexuality Studies Commons Recommended Citation Singer, Stacey Lynn, "I'm Not Loud Enough to be Heard: Rock 'n' Roll Camp for Girls and Feminist Quests for Equity, Community, and Cultural Production." Thesis, Georgia State University, 2006. https://scholarworks.gsu.edu/wsi_theses/2 This Thesis is brought to you for free and open access by the Institute for Women's, Gender, and Sexuality Studies at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Women's, Gender, and Sexuality Studies Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. I’M NOT LOUD ENOUGH TO BE HEARD: ROCK ‘N’ ROLL CAMP FOR GIRLS AND FEMINIST QUESTS FOR EQUITY, COMMUNITY, AND CULTURAL PRODUCTION By STACEY LYNN SINGER Under the Direction of Susan Talburt ABSTRACT Because of what I perceive to be important contributions to female youth empowerment and the construction of culture and community, I chose to conduct a qualitative case study that explores the methods utilized in the performance of Rock ‘n’ Roll Camp for Girls, as well as the experiences of camp administrators, participants, and volunteers, in order to identify feminist constructs, aims, and outcomes of Rock ‘n’ Roll Camp for Girls.
    [Show full text]
  • Queer Performance in the Post-Millennial Scramble
    QUEER PERFORMANCE IN THE POST-MILLENNIAL SCRAMBLE MOYNAN KING A DISSERTATION SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY GRADUATE PROGRAM IN THEATRE AND PERFORMANCE STUDIES YORK UNIVERSITY TORONTO, ONTARIO November 2019 © Moynan King, 2019 ii Abstract The subject of this dissertation is contemporary queer feminist performance in Canada. My practice-informed research takes a unique approach to studying performance through what I call the “queer performance scramble”—a term that draws on the multiple meanings of “scramble” to understand the aesthetics of queer performance and its challenges to stable conceptions of both identity and temporality. I investigate works that are happening now and that scramble the sticky elements of their own cultural constructions and queer temporalities. The temporal turn in queer theory supports my engagement with the effects of temporality, performativity, and history on queer performance, and, conversely, the effects of queer performance on time. I am equally interested in the formal and material dimensions of the work I study. I look to the content, style, material conditions, and social scenes of queer feminist performance from the perspective of both an academic and an artist to make accessible work that is often marginalized within Canadian cultural production ecology. Chapter 1 investigates queer feminist hauntings with an analysis of Allyson Mitchell and Deirdre Logue’s Killjoy’s Kastle: A Lesbian Feminist Haunted House. Chapter 2 argues that cabaret is the primary site for queer feminist performance in Canada, and when framed as a methodological problem/solution matrix, both the celebratory and limiting potential of the form can be explored.
    [Show full text]
  • Raven Sinclair and the Sixties Scoop
    UNIVERSITY OF REGINA RESEARCH MAGAZINE SPRING / SUMMER 2018 Queering the Queen City | 06 Aging well on the Prairies | 17 Discourse Pinstripes on the Prairies | 24 Coming home: Raven Sinclair and the Sixties Scoop GLIMPSING THE PAST Glimpsing the past: Saskatchewan Indigenous photo repatriation is a project that aims to reconnect Indigenous peoples of Saskatchewan with photos taken in their communities between the 1870s and 1970. 1 2 3 4 Photos from the Provincial Archives of Saskatchewan with captions as they appear on the photos. Contributions from community members have expanded understandings of all of these photos. 1. RA 20376 Pointed Cap (108 years old) receiving treaty money. 1916. 2. RA-16 File Hills Indian Recruits Oct. 1915. 3. RA 14854 1916. File Hills. 4. RB 1783 Louis + Martha Tawiyaka in front of A. Rooke's house, "Crowsnest" near Fort Qu'Appelle; married 1898. To hear more about Glimpsing the past, join speakers from the First Nations University of Canada, the Provincial Archives of Saskatchewan and the Saskatchewan History and Folklore Society on May 30 at Congress 2018 at the University of Regina, May 26-June 1. SPRING / SUMMER 2018 | VOLUME 4 | NO. 1 Discourse Editor Krista Baliko Manager, Strategic Communications Inside Katherine Cormack DISCOURSE: THE RESEARCH MAGAZINE OF THE UNIVERSITY OF REGINA. Vice-President (Research) David Malloy Contributors Tanya Andrusieczko FEATURES PROFILES Michael Bell Everett Dorma Rae Graham Trevor Hopkin Dale Johnson Richard Kies Nickita Longman Costa Maragos Evie Ruddy Colette Schlamp All photos by The University of Regina 06 12 17 24 Photography Department unless Queering the Examining the Aging well on Pinstripes on otherwise noted.
    [Show full text]
  • BIEFF 2016 Catalogue
    THEME PROGRAMS 6 Concept 72 QUINZAINE DES RÉALISATEURS CANNES FILM FESTIVAL: PEACE TO US IN OUR DREAMS, BY SHARUNAS BARTAS 8 Festival Board 74 BERLINALE FORUM EXPANDED: Rebranding Humanity 10 Festival Team 80 ROTTERDAM FILM FESTIVAL: You Run Through My Veins 11 UNATC / UNARTE Presentation 86 CINEDANS AMSTERDAM: Of Love and Other Demons 12 Partner Festivals 92 OBERHAUSEN FILM FESTIVAL: 18 International Competition Jury Paradise in Ruins - Visual Art Activism 20 Opening Gala 98 GOLDEN SHORTS: Best Films in Major Festivals 22 Closing Gala 105 REBEL WITH A CAUSE: Theme Program for Teenagers 111 EXPERIMENTED IN ROMANIA INTERNATIONAL COMPETITION 24 TRANSGRESSIVE BODIES SIDE EVENTS International Competition I 119 NISI MASA Experimental Film Workshop 32 DIGITAL DYSTOPIAS International Competition II 120 BIEFF opens LIKE CNDB 2016 40 JOURNEYS INTO SUBCONSCIOUS 121 Panel: The Lifespan of Cinematic Experimentation - Festival International competition III Strategies and Beyond / BIEFF on MUBI 48 DANGER IS MY BUSINESS 122 Săptămâna sunetului / Sound Week International Competition IV 56 THE ARTIST IS PRESENT International Competition V 64 URBAN RITUALS International Competition VI Special Acknowledgments to all the directors, producers and distributors whose films are screened in BIEFF 2016 and to the following persons and institutions: Alessandro Raja - Festival Scope Giorgia Huelsse - Films Boutique Festival Alis Vasile - British Council Gilda Lazăr - JTI Mihai Orășanu - MDV Film Alina Cantacuzino - Cervantes Institute Hilke Doering - Oberhausen
    [Show full text]
  • January 2014 20 1 8 15 22 29 7 14 21 28 6 13 27 2 9 16 23 30 3 10 17
    JANUARY 2014 Major LGBT Global Events SUNDAY MONDAY TUESDAY WEDNESDAY THURSDAY FRIDAY SATURDAY New Year’s Day 1 2 3 4 San Diego, Calif., U.S.A. 5 6 7 8 9 10 Filmout LGBT Film Festival 11 Arosa, Switzerland Arosa, Switzerland Arosa, Switzerland Arosa, Switzerland Arosa, Switzerland Arosa, Switzerland Arosa, Switzerland Arosa Gay Ski Week Arosa Gay Ski Week Arosa Gay Ski Week Arosa Gay Ski Week Arosa Gay Ski Week Arosa Gay Ski Week Arosa Gay Ski Week Aspen, CO 12 Aspen, CO 13 Aspen, CO 14 Aspen, CO 15 Aspen, CO 16 Aspen, CO 17 Aspen, CO 18 Aspen Gay Ski Week Aspen Gay Ski Week Aspen Gay Ski Week Aspen Gay Ski Week Aspen Gay Ski Week Aspen Gay Ski Week Aspen Gay Ski Week Regina, Canada Regina, Canada Regina, Canada Queer City Cinema: Biennial Queer City Cinema: Biennial Queer City Cinema: Biennial International Queer Film & International Queer Film & International Queer Film & Video Festival Video Festival Video Festival Arosa, Switzerland Stowe,VT Stowe,VT Stowe,VT Stowe,VT Arosa Gay Ski Week Winter Rendezvous Winter Rendezvous Winter Rendezvous Winter Rendezvous Aspen, CO 19 20 21 22 Bloomington, Ind., U.S.A. 23 Bloomington, Ind., U.S.A. 24 Bloomington, Ind., U.S.A. 25 Aspen Gay Ski Week PRIDE: Bloomington’s PRIDE: Bloomington’s PRIDE: Bloomington’s LGBTQ Film Festival LGBTQ Film Festival LGBTQ Film Festival Phoenix, Ariz., U.S.A. Phoenix, Ariz., U.S.A. Desperado Gay and Lesbian Desperado Gay and Lesbian Film Festival Film Festival Stowe,VT Whistler, British Whistler, British Whistler, British Whistler, British Whistler, British Winter Rendezvous Columbia, Canada Columbia, Canada Columbia, Canada Columbia, Canada Columbia, Canada Winter Pride Winter Pride Winter Pride Winter Pride Winter Pride Whistler, British 26 27 28 29 30 31 Columbia, Canada Kingston, Canada Kingston, Canada Winter Pride Reelout Queer Film + Video Festival Reelout Queer Film + Video Festival Bloomington, Ind., U.S.A.
    [Show full text]
  • Pride Festival Buenos Aires, Argentina Texas Freedom Parade TBD TBD July 14 TBD U.S.A
    Major LGBT Global Events Updated December 1, 2013 Boston, Mass., U.S.A. Cleveland, Ohio, U.S.A. Fire Island, N.Y., U.S.A. Humboldt, Calif., U.S.A. AMERICAS Boston Youth Pride 2014 Cleveland Pride Ascension Fire Island Humboldt Pride Parade Albany, N.Y., U.S.A. TBD Jun 28 TBD and Festival Capital Pride 2014 May 28 – Jun 8 Boston, Mass., U.S.A. Colorado Springs, Colo., Flagstaff, Ariz., U.S.A. TBD Latino Pride 2014 U.S.A. Pride in the Pines Indianapolis, Ind., U.S.A. Albany, N.Y., U.S.A. TBD Colorado Springs TBD Indy Pride Say It Loud! Black and Pride 2014 TBD Latino Gay Pride Boston, Mass., U.S.A. TBD Florianopolis, Brazil TBD Boston Dyke March Florianopolis Pride Indianapolis, Ind., U.S.A. Jun 13 Columbia, S.C., U.S.A. Feb 28 - Mar 5 Indiana Black Gay Pride Albuquerque, N.M., U.S.A. South Carolina Pride TBD Albuquerque Pride Boulder, Colo., U.S.A. Festival Fort Collins, Colo., U.S.A. Jun 31 Boulder PrideFest TBD Fort Collins PrideFest 2014 Jackson, Miss., U.S.A. TBD TBD Jackson Black Pride Allentown, Pa., U.S.A. Columbus, Ohio, U.S.A. TBD Pride in the Park 2014 Butte, Mont., U.S.A. Columbus Gay Pride Fort Lauderdale, Fla., Long Island, NY, U.S.A. Moncton, Canada Oklahoma City, Okla., Provincetown, Mass., San Antonio, Texas, U.S.A. Spencer, Ind., U.S.A. Bucharest, Romania Helsinki, Finland Munich, Germany Siegen, Germany Mumbai, India TBD Montana Pride Jun 20 – 21 U.S.A.
    [Show full text]
  • CV Wrik Mead 2000 to Present
    Wrik Mead Email: [email protected] Site: www.wrikmead.com Education 2004-2005 MA Fine Art, Goldsmiths, University of London, UK 1984-1988 Honours A.O.C.A., The Ontario College of Art, Canada Distribution CFMDC, 401 Richmond St. W., Suite 245, Richmond Street West, Toronto, ON M5V 3A8 email: [email protected] web: www.cfmdc.org Light Cone,12, rue des Vignoles, 75020, Paris, France. email: [email protected] web: www.lightcone.org Gallery Exhibitions 2020 MATERIAL SYNTHESIS, DiffractiveMedia.Space, White Page Gallery, Albert University, New York, U.S.A. 2019 La Collezione Queer, Ospizio Giovani Artisti, Rome, Italy 2018 Aggregate Animated Shorts, Oakland, California, U.S.A. 2018 Futile, Aggregate Space Gallery, Oakland, California, U.S.A. 2016 in/future, Art Spin, Ontario Place, Canada 2015 Le Silo, Galerie Colbert à L’Inha, Paris, France 2015 Filmideo, Index Arts Center, New Jersey, U.S.A. 2015 K-Town, Ryerson Art Space, Canada 2015 No Tears for the Creatures of the Night, The Center for Sex and Culture, San Francisco, U.S.A. 2014 A Bright & Guilty Place Part II, PayneShurvell Gallery at the Hosptial WMCV2 Club, London, UK 2014 Draw the Line, PayneShurvell Gallery, London, UK, (Solo Exhibition) 2013 Fly by Night, Nuit Blanche, Gladstone Hotel, Toronto, Canada 2013 K-Town, Museum of Contemporary Canadian Art, Toronto, Canada 2012 Art Spin Exhibition, Metropolis Factory Warehouse, Toronto, Canada 2012 K-Town, Galerie Trois Points, Montréal and Nuit Blanche, Toronto, Canada 2012 Rebels Rule, Art Gallery of York University, Toronto,
    [Show full text]
  • 714.01 [Cover] Mothernew3
    CMJ NewMusic® CMJ STELLASTARR* 25 REVIEWED: SOUTH, THURSDAY, Report TO MY SURPRISE, SAVES THE DAY, CCMJCMJIssue No.M 832 • SeptemberJ 22, 2003 • www.cmj.com SPOTLIGHT MATCHBOOK ROMANCE + MORE! LOUD ROCK AS HOPE DIES DEAD CRPMMJ VAN DYK GETS REFLECTIVE CMJ RETAIL RAND FINALE! TRUSTTRUST NEVERNEVER SLEEPSSLEEPS Leona Naess Is Bringin’ On The HEARTBREAK RADIO 200: WEEN SPENDS SECOND WEEK AT NO. 1• SPIRITUALIZED HOOKS MOST ADDED NewMusic ® CMJ CMJCMJ Report 25 9/22/2003 Vice President & General Manager Issue No. 832 • Vol. 77 • No. 5 Mike Boyle CEDITORIALMJ COVER STORY Editor-In-Chief 6 A Question Of Trust Kevin Boyce Becoming a hermit in unfamiliar L.A., tossing her computers and letting the guitars bleed in the Associate Editors vocal mics, Leona Naess puts her trust in herself and finally lends her perfect pipes to a record Doug Levy she adores. Now if she could just make journalists come clean and get over her fear of poisoned CBradM MaybeJ Halloween candy… Louis Miller Loud Rock Editor DEPARTMENTS Amy Sciarretto Jazz Editor 4 Essential/Reviews by Dimmu Borgir, Morbid Angel and Dope get Tad Hendrickson Reviews of South, Stellastarr*, Thursday, To My reviewed; Darkest Hour and Atreyu get punked RPM Editor Surprise, Saves The Day, Matchbox Romance on the road; tidbits regarding Slayer, Opeth, and Lost In Translation. Plus, KMFDM’s Angst Exodus, Theatre Of Tragedy, As Hope Dies, Justin Kleinfeld receives CMJ’s “Silver Salute.” Black Dahlia Murder, Stigma, Stampin’ Retail Editor Ground and Josh Homme’s Desert Sessions Gerry Hart 8 Radio 200 series; and Misery Index’s Sparky submits to Associate Ed./Managing Retail Ed.
    [Show full text]
  • Affective Economies of Queer & Feminist Film
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by YorkSpace NETWORKS OF FEELING: AFFECTIVE ECONOMIES OF QUEER & FEMINIST FILM FESTIVALS ON THE CANADIAN PRAIRIES JONATHAN PETRYCHYN A DISSERTATION SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY GRADUATE PROGRAM IN COMMUNICATION & CULTURE YORK UNIVERSITY TORONTO, ONTARIO August 2019 Ó Jonathan Petrychyn, 2019 ii ABSTRACT Film festivaLs are fulL of feeLing. As complex institutions, affective labour underpins the work of prograMMers and festivaL staff. As public events, fiLMs screened at festivaLs can be weLL- received pictures, poorly-reviewed flops, or events met with protest, controversy, and outbursts of public eMotion. The reLationship between these different types of eMotion, affect, and feeLing is a complex yet an often-overlooked aspect of fiLM festivaLs. This dissertation deveLops a theory of affect through the history of the queer and feMinist fiLM festivaLs on the Canadian Prairies from 1985 to 2005. Drawing on the vast colLection of public and private archives avaiLable on these festivaLs, as weLL as interviews and ethnography, I attend to the ways the region’s network of fiLM festivaLs have produced and have been produced by affect and how affects of dis/interest, disgust, shaMe, and happiness circulate within fiLM festivaL networks. The circulation and production of different affects at various points in these festivaL histories have had profound effects on how these festivaLs organize—from how organizers reLate to each other and to their publics, to the kinds of funding they accept and the politics of their prograMMing.
    [Show full text]
  • Queering New Cinema History: Affective Methodologies for Comparative Histories
    Jonathan Petrychyn Queering New Cinema History: Affective Methodologies for Comparative Histories Abstract New Cinema History has tended to focus on developing microhistories of the exhibition, distribution, and reception of theatrical Hollywood and other mainstream cinemas. While such scholarship has been essential for understanding how cinema operates as a sociocultural institution, its focus on the highly public forms of cinemagoing that often followed Hollywood film has left untouched the sometimes furtive and deliberately hidden cinemagoing practices and microhistories of queer audiences, curators, and exhibitors throughout the mid-to-late 20th century. This paper intervenes in this state of affairs and queers New Cinema History. I situate film festival studies and New Cinema History within the same methodological and theoretical terrain and argue that the exclusion of queer film festivals from New Cinema History is a result of both the field’s methodological preference for big data, as well as a structural heteronormativity underlying its methodologies. I further argue that by following affect, ephemera, and anecdotes, New Cinema History can better account for queer and other marginalised cinema practices. Keywords queer film festivals; affect; archive; sexuality; anecdotal theory This paper is an intervention. New Cinema History, as this special issue notes, has tended to focus on micro-histories of cinema exhibition, reception, and distribution, and often with a focus on theatrical Hollywood and other mainstream and national cinemas.
    [Show full text]
  • Post-Yugoslav Negotiations of Queer
    SUBVERSIVE VISUALITY BETWEEN ART AND ACTIVISM: POST-YUGOSLAV NEGOTIATIONS OF QUEER ART By Sanja Kajinić Submitted to Central European University Department of Gender Studies In partial fulfillment of the requirements for the degree of PhD in Comparative Gender Studies Supervisor: Professor Erzsebet Barat Budapest, Hungary CEU eTD Collection 2013 DECLARATION I hereby declare that no parts of this thesis have been submitted towards a degree at any other institution apart from the CEU nor, to my knowledge, does the thesis contain unreferenced material or ideas from other authors. All pictures displayed in this thesis are used strictly for academic, non-commercial purposes, and I do not claim any authorship of them. Sanja Kajinić CEU eTD Collection i COPYRIGHT NOTICE Copyright in the text of this dissertation rests with the author. Copies by any process, either full or in part, may be made only in accordance with the instructions given by the author and lodged in the Library of the Central European University. Details may be obtained from the librarian. This page must form a part of any such copies made. Further copies made in accordance with such instructions may not be made without the permission of the author. Sanja Kajinić CEU eTD Collection ii ABSTRACT In this project, I study the processes of negotiation of meanings of queerness in art works, visuality and space of post-Yugoslav queer festivals. The thesis researches how LGBT/queer art festivals (and in particular the Queer Zagreb Festival in Croatia) used queer visuality in the post-Yugoslav region from 2003 till 2012. This research engages with discussions in the fields of feminist visual studies, cultural studies, queer theory, festival studies, and (queer) anthropology to ask about the influence of visual representation on social changes.
    [Show full text]