CV Wrik Mead 2000 to Present
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Queer Performance in the Post-Millennial Scramble
QUEER PERFORMANCE IN THE POST-MILLENNIAL SCRAMBLE MOYNAN KING A DISSERTATION SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY GRADUATE PROGRAM IN THEATRE AND PERFORMANCE STUDIES YORK UNIVERSITY TORONTO, ONTARIO November 2019 © Moynan King, 2019 ii Abstract The subject of this dissertation is contemporary queer feminist performance in Canada. My practice-informed research takes a unique approach to studying performance through what I call the “queer performance scramble”—a term that draws on the multiple meanings of “scramble” to understand the aesthetics of queer performance and its challenges to stable conceptions of both identity and temporality. I investigate works that are happening now and that scramble the sticky elements of their own cultural constructions and queer temporalities. The temporal turn in queer theory supports my engagement with the effects of temporality, performativity, and history on queer performance, and, conversely, the effects of queer performance on time. I am equally interested in the formal and material dimensions of the work I study. I look to the content, style, material conditions, and social scenes of queer feminist performance from the perspective of both an academic and an artist to make accessible work that is often marginalized within Canadian cultural production ecology. Chapter 1 investigates queer feminist hauntings with an analysis of Allyson Mitchell and Deirdre Logue’s Killjoy’s Kastle: A Lesbian Feminist Haunted House. Chapter 2 argues that cabaret is the primary site for queer feminist performance in Canada, and when framed as a methodological problem/solution matrix, both the celebratory and limiting potential of the form can be explored. -
Raven Sinclair and the Sixties Scoop
UNIVERSITY OF REGINA RESEARCH MAGAZINE SPRING / SUMMER 2018 Queering the Queen City | 06 Aging well on the Prairies | 17 Discourse Pinstripes on the Prairies | 24 Coming home: Raven Sinclair and the Sixties Scoop GLIMPSING THE PAST Glimpsing the past: Saskatchewan Indigenous photo repatriation is a project that aims to reconnect Indigenous peoples of Saskatchewan with photos taken in their communities between the 1870s and 1970. 1 2 3 4 Photos from the Provincial Archives of Saskatchewan with captions as they appear on the photos. Contributions from community members have expanded understandings of all of these photos. 1. RA 20376 Pointed Cap (108 years old) receiving treaty money. 1916. 2. RA-16 File Hills Indian Recruits Oct. 1915. 3. RA 14854 1916. File Hills. 4. RB 1783 Louis + Martha Tawiyaka in front of A. Rooke's house, "Crowsnest" near Fort Qu'Appelle; married 1898. To hear more about Glimpsing the past, join speakers from the First Nations University of Canada, the Provincial Archives of Saskatchewan and the Saskatchewan History and Folklore Society on May 30 at Congress 2018 at the University of Regina, May 26-June 1. SPRING / SUMMER 2018 | VOLUME 4 | NO. 1 Discourse Editor Krista Baliko Manager, Strategic Communications Inside Katherine Cormack DISCOURSE: THE RESEARCH MAGAZINE OF THE UNIVERSITY OF REGINA. Vice-President (Research) David Malloy Contributors Tanya Andrusieczko FEATURES PROFILES Michael Bell Everett Dorma Rae Graham Trevor Hopkin Dale Johnson Richard Kies Nickita Longman Costa Maragos Evie Ruddy Colette Schlamp All photos by The University of Regina 06 12 17 24 Photography Department unless Queering the Examining the Aging well on Pinstripes on otherwise noted. -
BIEFF 2016 Catalogue
THEME PROGRAMS 6 Concept 72 QUINZAINE DES RÉALISATEURS CANNES FILM FESTIVAL: PEACE TO US IN OUR DREAMS, BY SHARUNAS BARTAS 8 Festival Board 74 BERLINALE FORUM EXPANDED: Rebranding Humanity 10 Festival Team 80 ROTTERDAM FILM FESTIVAL: You Run Through My Veins 11 UNATC / UNARTE Presentation 86 CINEDANS AMSTERDAM: Of Love and Other Demons 12 Partner Festivals 92 OBERHAUSEN FILM FESTIVAL: 18 International Competition Jury Paradise in Ruins - Visual Art Activism 20 Opening Gala 98 GOLDEN SHORTS: Best Films in Major Festivals 22 Closing Gala 105 REBEL WITH A CAUSE: Theme Program for Teenagers 111 EXPERIMENTED IN ROMANIA INTERNATIONAL COMPETITION 24 TRANSGRESSIVE BODIES SIDE EVENTS International Competition I 119 NISI MASA Experimental Film Workshop 32 DIGITAL DYSTOPIAS International Competition II 120 BIEFF opens LIKE CNDB 2016 40 JOURNEYS INTO SUBCONSCIOUS 121 Panel: The Lifespan of Cinematic Experimentation - Festival International competition III Strategies and Beyond / BIEFF on MUBI 48 DANGER IS MY BUSINESS 122 Săptămâna sunetului / Sound Week International Competition IV 56 THE ARTIST IS PRESENT International Competition V 64 URBAN RITUALS International Competition VI Special Acknowledgments to all the directors, producers and distributors whose films are screened in BIEFF 2016 and to the following persons and institutions: Alessandro Raja - Festival Scope Giorgia Huelsse - Films Boutique Festival Alis Vasile - British Council Gilda Lazăr - JTI Mihai Orășanu - MDV Film Alina Cantacuzino - Cervantes Institute Hilke Doering - Oberhausen -
January 2014 20 1 8 15 22 29 7 14 21 28 6 13 27 2 9 16 23 30 3 10 17
JANUARY 2014 Major LGBT Global Events SUNDAY MONDAY TUESDAY WEDNESDAY THURSDAY FRIDAY SATURDAY New Year’s Day 1 2 3 4 San Diego, Calif., U.S.A. 5 6 7 8 9 10 Filmout LGBT Film Festival 11 Arosa, Switzerland Arosa, Switzerland Arosa, Switzerland Arosa, Switzerland Arosa, Switzerland Arosa, Switzerland Arosa, Switzerland Arosa Gay Ski Week Arosa Gay Ski Week Arosa Gay Ski Week Arosa Gay Ski Week Arosa Gay Ski Week Arosa Gay Ski Week Arosa Gay Ski Week Aspen, CO 12 Aspen, CO 13 Aspen, CO 14 Aspen, CO 15 Aspen, CO 16 Aspen, CO 17 Aspen, CO 18 Aspen Gay Ski Week Aspen Gay Ski Week Aspen Gay Ski Week Aspen Gay Ski Week Aspen Gay Ski Week Aspen Gay Ski Week Aspen Gay Ski Week Regina, Canada Regina, Canada Regina, Canada Queer City Cinema: Biennial Queer City Cinema: Biennial Queer City Cinema: Biennial International Queer Film & International Queer Film & International Queer Film & Video Festival Video Festival Video Festival Arosa, Switzerland Stowe,VT Stowe,VT Stowe,VT Stowe,VT Arosa Gay Ski Week Winter Rendezvous Winter Rendezvous Winter Rendezvous Winter Rendezvous Aspen, CO 19 20 21 22 Bloomington, Ind., U.S.A. 23 Bloomington, Ind., U.S.A. 24 Bloomington, Ind., U.S.A. 25 Aspen Gay Ski Week PRIDE: Bloomington’s PRIDE: Bloomington’s PRIDE: Bloomington’s LGBTQ Film Festival LGBTQ Film Festival LGBTQ Film Festival Phoenix, Ariz., U.S.A. Phoenix, Ariz., U.S.A. Desperado Gay and Lesbian Desperado Gay and Lesbian Film Festival Film Festival Stowe,VT Whistler, British Whistler, British Whistler, British Whistler, British Whistler, British Winter Rendezvous Columbia, Canada Columbia, Canada Columbia, Canada Columbia, Canada Columbia, Canada Winter Pride Winter Pride Winter Pride Winter Pride Winter Pride Whistler, British 26 27 28 29 30 31 Columbia, Canada Kingston, Canada Kingston, Canada Winter Pride Reelout Queer Film + Video Festival Reelout Queer Film + Video Festival Bloomington, Ind., U.S.A. -
Pride Festival Buenos Aires, Argentina Texas Freedom Parade TBD TBD July 14 TBD U.S.A
Major LGBT Global Events Updated December 1, 2013 Boston, Mass., U.S.A. Cleveland, Ohio, U.S.A. Fire Island, N.Y., U.S.A. Humboldt, Calif., U.S.A. AMERICAS Boston Youth Pride 2014 Cleveland Pride Ascension Fire Island Humboldt Pride Parade Albany, N.Y., U.S.A. TBD Jun 28 TBD and Festival Capital Pride 2014 May 28 – Jun 8 Boston, Mass., U.S.A. Colorado Springs, Colo., Flagstaff, Ariz., U.S.A. TBD Latino Pride 2014 U.S.A. Pride in the Pines Indianapolis, Ind., U.S.A. Albany, N.Y., U.S.A. TBD Colorado Springs TBD Indy Pride Say It Loud! Black and Pride 2014 TBD Latino Gay Pride Boston, Mass., U.S.A. TBD Florianopolis, Brazil TBD Boston Dyke March Florianopolis Pride Indianapolis, Ind., U.S.A. Jun 13 Columbia, S.C., U.S.A. Feb 28 - Mar 5 Indiana Black Gay Pride Albuquerque, N.M., U.S.A. South Carolina Pride TBD Albuquerque Pride Boulder, Colo., U.S.A. Festival Fort Collins, Colo., U.S.A. Jun 31 Boulder PrideFest TBD Fort Collins PrideFest 2014 Jackson, Miss., U.S.A. TBD TBD Jackson Black Pride Allentown, Pa., U.S.A. Columbus, Ohio, U.S.A. TBD Pride in the Park 2014 Butte, Mont., U.S.A. Columbus Gay Pride Fort Lauderdale, Fla., Long Island, NY, U.S.A. Moncton, Canada Oklahoma City, Okla., Provincetown, Mass., San Antonio, Texas, U.S.A. Spencer, Ind., U.S.A. Bucharest, Romania Helsinki, Finland Munich, Germany Siegen, Germany Mumbai, India TBD Montana Pride Jun 20 – 21 U.S.A. -
Affective Economies of Queer & Feminist Film
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by YorkSpace NETWORKS OF FEELING: AFFECTIVE ECONOMIES OF QUEER & FEMINIST FILM FESTIVALS ON THE CANADIAN PRAIRIES JONATHAN PETRYCHYN A DISSERTATION SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY GRADUATE PROGRAM IN COMMUNICATION & CULTURE YORK UNIVERSITY TORONTO, ONTARIO August 2019 Ó Jonathan Petrychyn, 2019 ii ABSTRACT Film festivaLs are fulL of feeLing. As complex institutions, affective labour underpins the work of prograMMers and festivaL staff. As public events, fiLMs screened at festivaLs can be weLL- received pictures, poorly-reviewed flops, or events met with protest, controversy, and outbursts of public eMotion. The reLationship between these different types of eMotion, affect, and feeLing is a complex yet an often-overlooked aspect of fiLM festivaLs. This dissertation deveLops a theory of affect through the history of the queer and feMinist fiLM festivaLs on the Canadian Prairies from 1985 to 2005. Drawing on the vast colLection of public and private archives avaiLable on these festivaLs, as weLL as interviews and ethnography, I attend to the ways the region’s network of fiLM festivaLs have produced and have been produced by affect and how affects of dis/interest, disgust, shaMe, and happiness circulate within fiLM festivaL networks. The circulation and production of different affects at various points in these festivaL histories have had profound effects on how these festivaLs organize—from how organizers reLate to each other and to their publics, to the kinds of funding they accept and the politics of their prograMMing. -
Queering New Cinema History: Affective Methodologies for Comparative Histories
Jonathan Petrychyn Queering New Cinema History: Affective Methodologies for Comparative Histories Abstract New Cinema History has tended to focus on developing microhistories of the exhibition, distribution, and reception of theatrical Hollywood and other mainstream cinemas. While such scholarship has been essential for understanding how cinema operates as a sociocultural institution, its focus on the highly public forms of cinemagoing that often followed Hollywood film has left untouched the sometimes furtive and deliberately hidden cinemagoing practices and microhistories of queer audiences, curators, and exhibitors throughout the mid-to-late 20th century. This paper intervenes in this state of affairs and queers New Cinema History. I situate film festival studies and New Cinema History within the same methodological and theoretical terrain and argue that the exclusion of queer film festivals from New Cinema History is a result of both the field’s methodological preference for big data, as well as a structural heteronormativity underlying its methodologies. I further argue that by following affect, ephemera, and anecdotes, New Cinema History can better account for queer and other marginalised cinema practices. Keywords queer film festivals; affect; archive; sexuality; anecdotal theory This paper is an intervention. New Cinema History, as this special issue notes, has tended to focus on micro-histories of cinema exhibition, reception, and distribution, and often with a focus on theatrical Hollywood and other mainstream and national cinemas. -
Post-Yugoslav Negotiations of Queer
SUBVERSIVE VISUALITY BETWEEN ART AND ACTIVISM: POST-YUGOSLAV NEGOTIATIONS OF QUEER ART By Sanja Kajinić Submitted to Central European University Department of Gender Studies In partial fulfillment of the requirements for the degree of PhD in Comparative Gender Studies Supervisor: Professor Erzsebet Barat Budapest, Hungary CEU eTD Collection 2013 DECLARATION I hereby declare that no parts of this thesis have been submitted towards a degree at any other institution apart from the CEU nor, to my knowledge, does the thesis contain unreferenced material or ideas from other authors. All pictures displayed in this thesis are used strictly for academic, non-commercial purposes, and I do not claim any authorship of them. Sanja Kajinić CEU eTD Collection i COPYRIGHT NOTICE Copyright in the text of this dissertation rests with the author. Copies by any process, either full or in part, may be made only in accordance with the instructions given by the author and lodged in the Library of the Central European University. Details may be obtained from the librarian. This page must form a part of any such copies made. Further copies made in accordance with such instructions may not be made without the permission of the author. Sanja Kajinić CEU eTD Collection ii ABSTRACT In this project, I study the processes of negotiation of meanings of queerness in art works, visuality and space of post-Yugoslav queer festivals. The thesis researches how LGBT/queer art festivals (and in particular the Queer Zagreb Festival in Croatia) used queer visuality in the post-Yugoslav region from 2003 till 2012. This research engages with discussions in the fields of feminist visual studies, cultural studies, queer theory, festival studies, and (queer) anthropology to ask about the influence of visual representation on social changes. -
Queer Film Culture: Performative Aspects of LGBT/Q Film Festivals
Queer Film Culture: Performative Aspects of LGBT/Q Film Festivals Dissertation zur Erlangung des Grades der Doktorin der Philosophie bei der Fakultät für Geisteswissenschaften an der Universität Hamburg vorgelegt von Skadi Loist aus Schwerin Hamburg, Dezember 2014 Mündliche Prüfung (Disputation): 10. März 2015 Gutachter_innen: Prof. Dr. Joan Kristin Bleicher Prof. Dr. Malte Hagener Prof. Dr. Martin Jörg Schäfer To my patient grandmother, Charlotte Loist (*23.10.1924) Table of Contents Table of Figures ............................................................................................................... 7 Acknowledgements .......................................................................................................... 8 Introduction Performing Queer Film Culture .................................................................................. 12 1. Objective and Research Question ........................................................................... 14 2. Academic and Social Relevance ............................................................................. 22 3. Chapter Layout ....................................................................................................... 26 Chapter One: The Performative Nature of Film Festivals: Theories and Methods . 26 Chapter Two: Historical Development of the Festival Circuit ................................ 27 Chapter Three: Performing Festival Culture: Selection, Exhibition and Reception 28 Chapter One The Performative Nature of Film Festivals: Theories and Methods -
Kent Monkman
Kent Monkman Pierre-Francois Ouellette, Montreal, Quebec, Canada Peters Projects, Santa Fe, New Mexico, United States Trepanier Baer Gallery, Calgary, Alberta, Canada EDUCATION 1989 Sheridan College of Applied Arts Brampton, Ontario Illustration SOLO EXHIBITIONS 2019 Université du Québec à Montréal Montreal, Quebec Shame & Prejudice: A Story of Resilience 2018 Art Gallery of Nova Scotia Halifax, NS Shame & Prejudice: A Story of Resilience The Confederation Centre Art Gallery Charlottetown, PEI Shame & Prejudice: A Story of Resilience Agnes Etherington Art Centre Kingston, Ontario Shame & Prejudice: A Story of Resilience 2017 The Glenbow Museum Calgary, Alberta Shame & Prejudice: A Story of Resilience Peters Projects Santa Fe, New Mexico The Rendezvous Art Museum, University of Toronto Toronto, Ontario Shame & Prejudice: A Story of Resilience 2016 University of Michigan Institute for the Humanities Ann Arbour, MI Scent of a Beaver Kitchener Waterloo Art Gallery Kitchener, Ontario The Four Continents Peters Projects Santa Fe, NM Failure of Modernity 2015 Pierre-Francois Ouellette Art Contemporain Toronto, Ontario Kent Monkman: Expelling the Vices Gardiner Museum Toronto, Ontario The Rise and Fall of Civilization Robert Langen Art Gallery 1 Kent Monkman Pierre-Francois Ouellette, Montreal, Quebec, Canada Peters Projects, Santa Fe, New Mexico, United States Trepanier Baer Gallery, Calgary, Alberta, Canada Waterloo, Ontario Urban Res Studies BMO Project Room Toronto, Ontario Casualties of Modernity 2014 Pierre-Francois Ouellette Art Contemporain -
Proquest Dissertations
"Who Designed These Boxes Anyway?" Queer Film Festivals in Canada: The Economics and Politics of Queer Space by Janelle MacDonald Bachelor of Arts in Film Studies, Carleton University, 2006 A thesis submitted to the Faculty of Graduate Studies and Research in partial fulfillment of the requirements for the degree of Master of Arts In Film Studies Carleton University Ottawa, Ontario ©2010, Janelle MacDonald Library and Archives Bibliothèque et 1*1 Canada Archives Canada Published Heritage Direction du Branch Patrimoine de l'édition 395 Wellington Street 395, rue Wellington Ottawa ON K1A 0N4 OttawaONK1A0N4 Canada Canada Your file Votre référence ISBN: 978-0-494-71686-1 Our file Notre référence ISBN: 978-0-494-71686-1 NOTICE: AVIS: The author has granted a non- L'auteur a accordé une licence non exclusive exclusive license allowing Library and permettant à la Bibliothèque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par télécommunication ou par l'Internet, prêter, telecommunication or on the Internet, distribuer et vendre des thèses partout dans le loan, distribute and sell theses monde, à des fins commerciales ou autres, sur worldwide, for commercial or non- support microforme, papier, électronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriété du droit d'auteur ownership and moral rights in this et des droits moraux qui protège cette thèse. Ni thesis. Neither the thesis nor la thèse ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent être imprimés ou autrement printed or otherwise reproduced reproduits sans son autorisation. -
Annual Report 2018-19
SASKA TCHEW AN AR TS BOARD 2018-2019 ANNUAL REPOR T Building Integrity TABLE OF CONTENTS 2 Letter of Transmittal 3 Message from the Chair 4 Message from the Chief Executive Officer 5 Board & Staff 6 Stories 36 Permanent Collection: New Acquisitions 38 Permanent Collection: Works on Loan 40 In Memory 41 Strategic Plan 42 Grants & Funding 49 Jurors & Assessors 51 Management Responsibility for Financial Information 52 Auditor's Report 54 Financial Statements 57 Notes to the Financial Statements MISSION: To provide funding and support to the arts for the benefit of all people in Saskatchewan. VISION: Saskatchewan arts thrive for the benefit of everyone at home and around the world. VALUES: Achievement: We recognize exceptional achievement in the arts while allowing communities to define what excellence means in their own contexts. Leadership: We lead through consultation, collaboration, responsiveness and advocacy. Accountability: Our policies and practices are transparent and ref lect a commitment to effective stewardship of the public trust we hold. Inclusivity: We engage actively with Saskatchewan Indigenous communities and support artists and arts activities that are reflective of the full diversity of the province. Adaptability: Our programs and services reflect the needs of artists and arts organizations as they pursue new and innovative practices. Accessibility: We provide services that are accessible and user-friendly. The Saskatchewan Arts Board acknowledges that the land currently known as the Province of Saskatchewan is comprised of portions of lands from Treaties 2, 4, 5, 6, 8 and 10, the territories of the Nêhiyawak, Anihšinapek, Dene, Dakota, Lakota, and Nakota nations and the homeland of the Métis.