CHAPTER 3 Minoan Pottery from the Southern Area Jeremy B
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
ANCIENT TERRACOTTAS from SOUTH ITALY and SICILY in the J
ANCIENT TERRACOTTAS FROM SOUTH ITALY AND SICILY in the j. paul getty museum The free, online edition of this catalogue, available at http://www.getty.edu/publications/terracottas, includes zoomable high-resolution photography and a select number of 360° rotations; the ability to filter the catalogue by location, typology, and date; and an interactive map drawn from the Ancient World Mapping Center and linked to the Getty’s Thesaurus of Geographic Names and Pleiades. Also available are free PDF, EPUB, and MOBI downloads of the book; CSV and JSON downloads of the object data from the catalogue and the accompanying Guide to the Collection; and JPG and PPT downloads of the main catalogue images. © 2016 J. Paul Getty Trust This work is licensed under the Creative Commons Attribution 4.0 International License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042. First edition, 2016 Last updated, December 19, 2017 https://www.github.com/gettypubs/terracottas Published by the J. Paul Getty Museum, Los Angeles Getty Publications 1200 Getty Center Drive, Suite 500 Los Angeles, California 90049-1682 www.getty.edu/publications Ruth Evans Lane, Benedicte Gilman, and Marina Belozerskaya, Project Editors Robin H. Ray and Mary Christian, Copy Editors Antony Shugaar, Translator Elizabeth Chapin Kahn, Production Stephanie Grimes, Digital Researcher Eric Gardner, Designer & Developer Greg Albers, Project Manager Distributed in the United States and Canada by the University of Chicago Press Distributed outside the United States and Canada by Yale University Press, London Printed in the United States of America Library of Congress Cataloging-in-Publication Data Names: J. -
Attic Pottery of the Later Fifth Century from the Athenian Agora
ATTIC POTTERY OF THE LATER FIFTH CENTURY FROM THE ATHENIAN AGORA (PLATES 73-103) THE 1937 campaign of the American excavations in the Athenian Agora included work on the Kolonos Agoraios. One of the most interesting results was the discovery and clearing of a well 1 whose contents proved to be of considerable value for the study of Attic pottery. For this reason it has seemed desirable to present the material as a whole.2 The well is situated on the southern slopes of the Kolonos. The diameter of the shaft at the mouth is 1.14 metres; it was cleared to the bottom, 17.80 metres below the surface. The modern water-level is 11 metres down. I quote the description from the excavator's notebook: The well-shaft, unusually wide and rather well cut widens towards the bottom to a diameter of ca. 1.50 m. There were great quantities of pot- tery, mostly coarse; this pottery seems to be all of the same period . and joins In addition to the normal abbreviations for periodicals the following are used: A.B.C. A n tiquites du Bosphore Cimmerien. Anz. ArchaiologischerAnzeiger. Deubner Deubner, Attische Feste. FR. Furtwangler-Reichhold, Griechische Vasenmxlerei. Kekule Kekule, Die Reliefs an der Balustrade der Athena Nike. Kraiker Kraiker,Die rotfigurigenattischen Vasen (Collectionof the ArchaeologicalIn- stitute of Heidelberg). Langlotz Langlotz, Griechische Vasen in Wiirzburg. ML. Monumenti Antichi Pu'bblicatiper Cura della Reale Accadenia dei Lincei. Rendiconti Rendiconti della Reale Accademia dei Lincei. Richter and Hall Richter and Hall, Red-Figured Athenian Vases in the Metropolitan Museum of Art. -
Bareiss Collection Attic Black-Figured Amphorae, Neck-Amphorae, Kraters, Stamnos, Hydriai, and Fragments of Undetermined Closed Shapes
CORPVS VASORVM ANTIQVORVM UNITED STATES OF AMERICA • FASCICULE 23 The J. Paul Getty Museum, Malibu, Fascicule 1 This page intentionally left blank UNION ACADÉMIQUE INTERNATIONALE CORPVS VASORVM ANTIQVORVM THE J. PAUL GETTY MUSEUM • MALIBU Molly and Walter Bareiss Collection Attic black-figured amphorae, neck-amphorae, kraters, stamnos, hydriai, and fragments of undetermined closed shapes ANDREW J. CLARK THE J. PAUL GETTY MUSEUM FASCICULE 1 • [U.S.A. FASCICULE 23] 1988 LIBRARY OF CONGRESS CATALOGING-IN-PUBLICATION DATA Corpus vasorum antiquorum. [United States of America.] The J. Paul Getty Museum, Malibu. (Corpus vasorum antiquorum. United States of America; fase. 23- ) Vol. i by Andrew J. Clark. At head of title : Union académique internationale. Includes index. Contents: v. i. Molly and Walter Bareiss Collection: Attic black-figured amphorae, neck-amphorae, kraters, stamnos, hydriai, and fragments of undetermined closed shapes. i. Vases, Greek—Catalogs. 2. Bareiss, Molly—Art collections—Catalogs. 3. Bareiss, Walter—Art collections—Catalogs. 4. Vases—Private collections— California—Malibu—Catalogs. 5. Vases—California— Malibu—Catalogs. 6. J. Paul Getty Museum—Catalogs. I. Clark, Andrew J., 1949- . II. J. Paul Getty Museum. III. Series: Corpus vasorum antiquorum. United States of America; fase. 23, etc. NK4640.C6.U5 fase. 23, etc. 73 8.3'82*0938074 s 88-12781 [NK4Ó24.B3 7] [73 8.3 '82J093 8074019493] ISBN 0-89236-134-4 © 1988 The J. Paul Getty Museum, Malibu, California All rights reserved Library of Congress Cataloging-in-Publication -
Ancient Greek Art Teacher Resource
Image Essay #2 Beak-Spouted Jug ca. 1425 B.C. Mycenaean Glazed ceramic Height: 10 1/4” WAM Accession Number: 48.2098 LOOKING AT THE OBJECT WITH STUDENTS This terracotta clay jug with a long beak-like spout is decorated in light-colored glaze with a series of nautilus- inspired shell patterns. The abstract design on the belly of the jug alludes to a sea creature’s tentacles spreading across the vase emphasizing the shape and volume of the vessel. A wavy leaf design on the vase’s shoulder fur- ther accentuates the marine-motif, with the curves of the leaves referring to the waves of the sea. Around the han- dle and spout are contour lines rendered in brown glaze. BACKGROUND INFORMATION Long before Classical Greece flourished in the 5th century B.C., two major civilizations dominated the Aegean in the 3rd and 2nd millennia B.C.: the Minoans on Crete and the Mycenaeans on the Greek mainland. The prosper- ous Minoans, named after the legendary King Minos, ruled over the sea and built rich palaces on Crete. Their art is characterized by lively scenes depicting fanciful plants and (sea) animals. By the middle of the 2nd millennium B.C., Mycenaean culture started to dominate the Aegean. It is known for its mighty citadels at Mycenae and else- where, its impressive stone tombs, and its extensive trading throughout the Mediterranean world. Beak-spouted jugs were popular in both the Minoan and Mycenaean cultures. They held wine or water, and were often placed in tombs as gifts to the deceased. -
The Minoans in the Central, Eastern and Northern Aegean – New Evidence
The Minoans in the central, eastern and northern Aegean – new evidence Acts of a Minoan Seminar 22-23 January 2005 in collaboration with the Danish Institute at Athens and the German Archaeological Institute at Athens Edited by Colin F. Macdonald, Erik Hallager & Wolf-Dietrich Niemeier Monographs of the Danish Institute at Athens, Volume 8 © Copyright The Danish Institute at Athens, Athens 2009 The Minoans in the central, eastern and northern Aegean – new evidence. Monographs of the Danish Institute at Athens Volume 8 General editor: Erik Hallager Graphic design: Erik Hallager Printed at Narayana Press Printed in Denmark on permanent paper conforming to ANSI Z 39.48-1992 The publication was undertaken with the assistance of the: Institute for Aegean Prehistory DAI and DIA ISBN: 978-87-7934-292-7 Distributed by: AARHUS UNIVERSITY PRESS Langelandsgade 177 DK-8200 Århus N www.unipress.dk Gazelle Book Services Ltd. White Cross Mills, Hightown Lancaster LA1 4XS, England www.gazellebooks.co The David Brown Book Company (DBBC) P.O. Box 511 Oakville, CT. 06779, USA www.davidbrownbookco.uk Cover illustration: Approaching Thera from Crete Photograph by E. Hallager Contents 7 Preface Erik Hallager 8 List of contributors 9 Opening address Yannis Sakellarakis 11 “Minoanisation” versus “Minoan thalassocrassy” – an introduction Wolf-Dietrich Niemeier 31 “Beware Cretans bearing gifts”. Tracing the origins of Minoan influence at Akrotiri, Thera Irene Nikolakopoulou 41 Middle Cycladic and early Late Cycladic cemeteries and their Minoan elements: the case of the cemetery at Skarkos on Ios Marisa Marthari 59 The Afiartis Project: excavations at the Minoan settlement of Fournoi, Karpathos (2001-2004) – a preliminary report Manolis Melas 73 Ialysos and its neighbouring areas in the MBA and LB I periods: a chance for peace Toula Marketou 97 Relations between the Urla peninsula and the Minoan world Hayat Erkanal & Levent Keskin 111 The Bronze Age settlement of Teichiussa Walter Voigtländer 121 Minoans at Iasos? Nicoletta Momigliano 141 Miletus introduction. -
Corpus Vasorum Antiquorum Poland Fascicule 11 Cracow Fascicule 1
CORPUS VASORUM ANTIQUORUM POLAND FASCICULE 11 CRACOW FASCICULE 1 JAGIELLONIAN UNIVERSITY INSTITUTE OF ARCHAEOLOGY 1 JAGIELLONIAN UNIVERSITY MUSEUM UNION ACADÉMIQUE INTERNATIONALE CORPUS VASORUM ANTIQUORUM POLAND CRACOW FASCICULE 1 JAGIELLONIAN UNIVERSITY INSTITUTE OF ARCHAEOLOGY 1 JAGIELLONIAN UNIVERSITY MUSEUM Ewdoksia PaPUCi-wŁadYka PUBLISHED BY THE POLISH ACADEMY OF ARTS AND SCIENCES CRACOW 2012 POLAND, FASCICULE 11 CRACOW, FASCICULE 1 Editor of series: Ewdoksia Papuci-władyka Photographs: Paweł Gąsior, katarzyna Mirczak and Jakub Śliwa – institute of archaeology and Grzegorz Zygier JU Museum drawings and computer elaboration of photographs: Urszula socha Translation: agnieszka Fulińska Layout: Tomasz kulawik ISBN 978-83-7676-142-8 © Copyright: Polish academy of arts and sciences & Ewdoksia Papuci-władyka Printed in Poland Cracow 2012 To the Memory of Professor MARIA LUDWIKA BERNHARD PREFACE Corpus Vasorum Antiquorum has a long established tradition in Poland. The first three vol- umes were published before world war ii, in the years 1931-1936, and elaborated primarily by kazimierz Bulas and, to a lesser extent, by Edmund Bulanda, who took part in the project mostly in the capacity of the series editor. These volumes were published by the Polish acad- emy of arts and sciences (Polska akademia Umiejętności – PaU) in Cracow, under auspices of the Union académique internationale (Uai). They included not only the most prominent and most valuable collections, such as the famous Gołuchów collection of the Czartoryski family (volume 1), or the Cracow collection in the Princes Czartoryski Museum, but also smaller collections of the Jagiellonian University (JU) and the National Museum in Cracow (volume 2), and finally other small collections inw ilanów, Poznań, warsaw, Vilnius, Łańcut and many other places (volume 3). -
Reverse Engineering of Corinthian Pigment Processing and Firing Technologies on Archaic Polychrome Ceramics
Reverse Engineering of Corinthian Pigment Processing and Firing Technologies on Archaic Polychrome Ceramics Item Type text; Electronic Thesis Authors Klesner, Catherine Elizabeth Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 27/09/2021 23:32:12 Link to Item http://hdl.handle.net/10150/625903 REVERSE ENGINEERING OF CORINTHIAN PIGMENT PROCESSING AND FIRING TECHNOLOGIES ON ARCHAIC POLYCHROME CERAMICS by Catherine Elizabeth Klesner Copyright © Catherine Elizabeth Klesner 2017 A Thesis Submitted to the Faculty of the DEPARTMENT OF MATERIALS SCIENCE AND ENGINEERING In Partial Fulfillment of the Requirements For the Degree of MASTER OF SCIENCE In the Graduate College THE UNIVERSITY OF ARIZONA 2017 STATEMENT BY AUTHOR The thesis titled Reverse Engineering of Corinthian Pigment Processing and Firing Technologies on Archaic Polychrome Ceramics prepared by Catherine Elizabeth Klesner has been submitted in partial fulfillment of requirements for a master’s degree at the University of Arizona and is deposited in the University Library to be made available to borrowers under rules of the Library. Brief quotations from this thesis are allowable without special permission, provided that an accurate acknowledgement of the source is made. Requests for permission for extended quotation from or reproduction of this manuscript in whole or in part may be granted by the head of the major department or the Dean of the Graduate College when in his or her judgment the proposed use of the material is in the interests of scholarship. -
8 Bucchero Central Etruria 1
Catalogue of Bucchero from Central Etruria 36 Footed Bowl (NMR831) Dimensions: H.: 13.9; D. Rim: 14.8, D. Base: 11.0. Condition: Numerous repaired breaks, surface cracks and part of surface flaked off the underside of the bowl. Clay and surface description: Surface colour very dark grey (2.5Y 3/1) core colour grey (2.5Y 5/1); fine, well levigated clay with 1% mica inclusions both on surface and core. Description: Footed bowl with wide straight lip on a conical bowl; tall trumpet foot with collar ring approximately two thirds up from base; interior bowl has straight sided lip sloping to central concave area; relief ridge runs horizontally halfway down outside of lip; slip; burnished horizontally to a high sheen both on exterior and interior surface, including inside foot; apparent bristle marks interior bowl. Publication: Reeve 1870, No. 831. Parallels: Orvieto, Necropoli Crocifisso del Tufo, tomb 53, similar shape but no carination on lip and foot 2cm shorter, 580 (Bizzari 1966, fig. 44: H & I; Inv. 1088 & 1089). Orvieto, Cannicella Necropolis, tomb 4; third quarter of the sixth century (Prayon et al. 1993, 86, fig. 111: 4 & 6, Inv. G4/19 & G4/ 23) Discussion: Tamburini carinated cup category XVII, Type 1c (first quarter of the sixth century) (Tamburini 2004, 208–9). This type produced at Orvieto and the interior bristle marks of the bowl are typical of production at Orvieto (Prayon et al, 1993, 80). Date: Ca. 600–575. 118 37 Footed bowl (NMR908) Dimensions: H.: 10; D. Rim: 14.8, D. Base: 10.1 Condition: Partially restored; foot reconstructed; three separate bowl pieces; bowl painted with black paint with brush marks evident on interior of bowl; soil accretions on interior of the foot. -
Minoan Barbotine Ware: Styles, Shapes, and a Characterization of the Clay Fabric
MINOAN BARBOTINE WARE: STYLES, SHAPES, AND A CHARACTERIZATION OF THE CLAY FABRIC A Thesis Submitted to the Temple University Graduate Board In Partial Fulfillment of the Requirements for the Degree MASTER OF ARTS by Amie S. Gluckman Diploma Date July 2015 Examining Committee Members: Philip Betancourt, Tyler: Art History Department Jane DeRose Evans, Tyler: Art History Department ii ABSTRACT This thesis examines the styles, shapes, and chemical composition, and ceramic fabric of Minoan Barbotine Ware. During the Middle Minoan period, Barbotine Ware exemplifies the creative ingenuity of the Minoan potter. The vessels’ elaborate decorative motifs play an integral part in the development of Minoan pottery. Barbotine Ware remains an ill-defined tradition. This paper will analyze the styles and shapes of Barbotine Ware vessels, as well as provide a chemical and petrographic study of Barbotine Ware from Kommos. The ultimate goal is to provide a thorough study of all aspects of the Ware in the hopes that future scholars may better understand its place within Minoan pottery and appreciate how it exemplifies the spirit of experimentation during the Middle Bronze Age on Crete. iii ACKNOWLEDGMENTS I wish to express my sincere gratitude to Dr. Philip Betancourt for his guidance and support throughout this project, and Temple University for providing me with the test sample, and the Temple University grants which enabled me to study the pottery in Crete. I would like to thank Thomas Brogan and the INSTAP Study Center of East Crete for study of the pottery in Crete and with the study of the material in the Archaeological Museum in Herakleion. -
HELLENISTIC POTTERY – BIBLIOGRAPHY 2012 and 2013 (Edited by Z
HELLENISTIC POTTERY – BIBLIOGRAPHY 2012 and 2013 (Edited by Z. Kotitsa) (Last Updated: January 2017) Contents General Bibliography 2 Central Asia (K. Junker – Chr. Römer-Strehl) 3 Croatia (I. Kamenjarin) 3 Cyprus (A. Laftsidis – K. Nocon) 4 Egypt (Chr. Römer-Strehl) 5 Greece Macedonia (Z. Kotitsa) 7 Thessaly (A. Laftsidis) 9 Western Greece (A. Laftsidis) 9 Euboea (A. Laftsidis) 9 Attika (G. Ackermann – A. Laftsidis) 9 Peloponnese (G. Shipley) 10 Aegean (A. Laftsidis) 10 Crete (A. Laftsidis) 11 Italy (coord. L. Ambrosini) General Bibliography 11 Northern Italy (P. Puppo) 12 Marche (P. Puppo) 14 Tuscany and northern Latium (L. Ambrosini) 15 Umbria (L. Cenciaioli) 18 Rome and Latium Vetus (H. Di Giuseppe) 19 Abruzzo (E. Cella) 21 Molise (E. Cella) 21 Campania (C. Rizzo) 22 Apulia, Basilicata and Calabria (C. De Mitri) 23 Sicily (A. Granata) 27 Sardinia (E. Piccardi) 29 Corsica (E. Piccardi) 30 Levant Israel (R. Rosenthal-Heginbottom) 30 Jordan (Chr. Römer-Strehl) 31 Lebanon (Z. Kotitsa) 31 Syria (Chr. Römer-Strehl) 31 Russia and Ukraine (T. Egorova – I. I. Škribljak) 32 Spain (A. Ribera) 34 GENERAL BIBLIOGRAPHY Monographs 2 C. ORTON – M. HUGHES, Pottery in Archaeology (Cambridge 2013). P. S. QUINN, Ceramic Petrography: The Interpretation of Archaeological Pottery & Related Artefacts in Thin Section (Oxford 2013). A. RIBERA (coord.), Manual de cerámica romana. Del mundo Helenístico al Imperio Romano, Curso de formación permanente para arqueólogos 3 (Madrid 2013). Congress Proceedings N. FENN – CHR. RÖMER-STREHL (eds.), Networks in the Hellenistic World: According to the pottery in the Eastern Mediterranean and beyond, BAR 2539 (Oxford 2013). G. R. TSETSKHLADZE et al. -
The Symposium in Context (Hesp.Suppl. 46): Sample
the symposium in context the symposium Kathleen Lynch is Associate Profes- This book presents the first well- sor in the Department of Classics at the preserved set of sympotic pottery recov- University of Cincinnati. She has worked “The major objectives of the study are excellent ered from a household near the Athenian on sites in Italy, Greece, Albania, and ones, and reflect the best current directions of Agora. The deposit contains utilitarian Turkey. pottery studies . [They] demonstrate deci- and fine-ware pottery, nearly all the -fig ured pieces of which are forms associated sively how much greater the whole is than the with communal drinking. The archaeo- sum of its parts.” logical context allows the iconography of the figured wares to be associated — Nicholas D. Cahill, Professor of Art History, with a specifically Athenian worldview, University of Wisconsin-Madison in contrast to Attic figured pottery made the symposium for export markets. Since it comes from in context a single house, the pottery reflects the purchasing patterns and thematic prefer- Pottery from a Late Archaic House ences of the homeowner. The multifac- near the Athenian Agora eted approach adopted here shows that meaning and use are inherently related, and that through archaeology we can restore a context of use for a class of objects frequently studied in isolation. “[This book] contributes valuable information about what an Athenian family was actually using, which helps us make inferences about their behavior. Readers will find it useful and interesting to examine a household assem- blage, especially to be able to study an Athenian house’s well-preserved assortment of pottery KATHLEEN M. -
RARELY EXHIBITED GREEK POTTERY Part I: Bronze Age-Orientalizing (2700–530 BCE)
RARELY EXHIBITED GREEK POTTERY Part I: Bronze Age-Orientalizing (2700–530 BCE) Text by: Benton Kidd, Curator of Ancient Art Stephen Czujko, Doctoral Student Department of Ancient Mediterranean Studies Minoan and Mycenaean Pottery Wheel-made pottery was long established by the Bronze Age (ca. 3000–1100 BCE), and utilitarian vessels, decorated or not, were essential to the cultures of the ancient Mediterranean. Like later Greek culture, Minoans and Mycenaeans were prolific potters. The earlier Minoan culture was centered on the island of Crete, while Mycenaean Greeks lived on the mainland. Minoans and Mycenaeans were two distinct cultures, with different languages, belief systems, and artistic tendencies. Minoan art, including pottery, has long been described as freeform and naturalistic, often depicting the natural world such as aquatic life. By contrast, Mycenaean art is often characterized as less naturalistic and more standardized in its decoration. Minoans of the Middle Bronze Age had a profound influence on the Mycenaeans of the Late Bronze Age. The consensus today seems to be that seafaring brought Minoans into contact with Mycenaeans around the fifteenth century BCE. We know this because elite Mycenaean tombs from that time suddenly contain Minoan and Minoan-influenced goods. Some suggest Mycenaean elite were collectors of Minoan “antiques.” Pyxis Gray Ware, Early Minoan II, 2700–2150 BCE From Lendas, Crete (Greece) Pottery Museum purchase (60.21) The pyxis is a round, lidded container, with numerous examples known down through the Hellenistic period (300–30 BCE). Pyxides may have been used to hold cosmetics or jewelry, and some could be suspended, though the reason for suspension is unclear.