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Sade the Best of Sade Mp3, Flac, Wma
Sade The Best Of Sade mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: The Best Of Sade Country: Europe Released: 2000 Style: Downtempo MP3 version RAR size: 1237 mb FLAC version RAR size: 1598 mb WMA version RAR size: 1994 mb Rating: 4.6 Votes: 279 Other Formats: TTA AHX FLAC VOC AIFF MP1 RA Tracklist Hide Credits 1 Your Love Is King 3:41 2 Hang On To Your Love 4:32 Smooth Operator 3 4:21 Songwriter [Song Writer] – St. John* 4 Jezebel 5:30 The Sweetest Taboo 5 4:38 Songwriter [Song Writer] – Ditcham* 6 Is It A Crime 6:23 Never As Good As The First Time 7 3:59 Producer – Rogan*, Pela*Vocals – Jake Jacas 8 Love Is Stronger Than Pride 4:20 Paradise 9 3:39 Guitar – Gordon Hunte 10 Nothing Can Come Between Us 3:56 11 No Ordinary Love 7:22 12 Like A Tattoo 3:41 Kiss Of Life 13 4:12 Arranged By [Strings] – Nick Ingman Please Send Me Someone To Love 14 Drums – Trevor MurrellGuitar – Gordon HuntePercussion – Karl Vanden Bossche*Producer, 3:43 Mixed By [Mixer] – Hein HovenSongwriter [Song Writer] – Percy Mayfield 15 Cherish The Day 6:19 Pearls 16 4:33 Arranged By [Strings] – Nick IngmanCello, Soloist – Tony Pleeth* Companies, etc. Phonographic Copyright (p) – Sony Music Entertainment (UK) Ltd. Copyright (c) – Sony Music Entertainment (UK) Ltd. Recorded At – Power Plant Studios Recorded At – Studio Miraval Recorded At – Compass Point Studios Recorded At – Studio Marcadet Recorded At – Condulmer Recording Studios Recorded At – Ridge Farm Studios Recorded At – The Hit Factory, London Recorded At – Conway Studios Recorded At – Ameraycan Studios Mastered At – Sterling Sound Published By – Angel Music Ltd. -
ANNUAL REPORT 2019/20 Fadi Kheir Fadi LETTERS from the LEADERSHIP
ANNUAL REPORT 2019/20 Fadi Kheir Fadi LETTERS FROM THE LEADERSHIP The New York Philharmonic’s 2019–20 season certainly saw it all. We recall the remarkable performances ranging from Berlioz to Beethoven, with special pride in the launch of Project 19 — the single largest commissioning program ever created for women composers — honoring the ratification of the 19th Amendment. Together with Lincoln Center we unveiled specific plans for the renovation and re-opening of David Geffen Hall, which will have both great acoustics and also public spaces that can welcome the community. In March came the shock of a worldwide pandemic hurtling down the tracks at us, and on the 10th we played what was to be our final concert of the season. Like all New Yorkers, we tried to come to grips with the life-changing ramifications The Philharmonic responded quickly and in one week created NY Phil Plays On, a portal to hundreds of hours of past performances, to offer joy, pleasure, solace, and comfort in the only way we could. In August we launched NY Phil Bandwagon, bringing live music back to New York. Bandwagon presented 81 concerts from Chris Lee midtown to the far reaches of every one of the five boroughs. In the wake of the Erin Baiano horrific deaths of Black men and women, and the realization that we must all participate to change society, we began the hard work of self-evaluation to create a Philharmonic that is truly equitable, diverse, and inclusive. The severe financial challenge caused by cancelling fully a third of our 2019–20 concerts resulting in the loss of $10 million is obvious. -
Cata2006.Pdf
SOMMAIRE/CONTENTS S PARTENAIRES/PARTNERS & SPONSORS 005 ÉDITORIAUX/EDITORIALS 006 PRIX/PRIZES 030 JURYS/JURIES 033 jury de la compétition internationale/international competition jury 034 jury de la compétition française/french competition jury 040 jury son/soundtrack jury 046 jury GNCR, jury Marseille Espérance, jury des Médiathèques GNCR jury, Marseille Espérance jury and Public libraries jury 050 SÉLECTION OFFICIELLE/OFFICIAL SELECTION 051 éditorial/editorial 052 compétition internationale/international competition 057 film d’ouverture/opening film 058 compétition française/french competition 097 ÉCRANS PARALLÈLES/PARALLEL SCREENS 113 rétrospective harmut bitomsky / harmut bitomsky retrospective 115 rétrospective joaquin jordá / joaquin jordá retrospective 129 robert morin, fais-le toi-même ! / robert morin, do it yourself ! 141 be with me – la fiction avec le documentaire / be with me – fiction with documentary 157 toutes les nuits (en six jours) / all kinds of nights (in six days) 179 fenêtre allemande, tübingen / a glimpse of germany, tübingen 191 les sentiers / paths 195 SÉANCES SPÉCIALES/SPECIAL SCREENS 229 TABLES RONDES/ROUND TABLES 235 FIDMarseille AVEC/FIDMarseille WITH 237 VIDÉOTHÈQUE/VIDEO LIBRARY 245 ÉQUIPE ARTISTIQUE/ARTISTIC TEAM 261 REMERCIEMENTS/ACKNOWLEDGEMENTS 265 C.A. et ÉQUIPE FIDMarseille / FIDMarseille MANAGEMENT COMMITTEE and STAFF 266 INDEX/INDEX index des films / film index 267 index des réalisateurs / filmmaker index 269 index des producteurs / film producer index 270 004 PARTENAIRES/PARTNERS & SPONSORS Pa -
Juilliard Dance
Juilliard Dance Senior Graduation Concert 2019 Welcome to Juilliard Dance Senior Graduation Concert 2019 Tonight, you will experience the culmination of a transformative four-year journey for the senior class of Juilliard Dance. Through rigorous physical training and artistic and intellectual exploration, all of the fourth-year dancers have expanded the possibilities of their movement abilities, stretching beyond what they thought possible when entering the program as freshmen. They have accepted the challenge of what it means to be a generous citizen artist and hold that responsibility close to their hearts. Chosen by the dancers, the solos and duets presented tonight have been commissioned for this evening or acquired from existing repertory and staged for this singular occasion. The works represent the manifestation of an evolution of growth and the discovery of their powerfully unique artistic voices. I am immensely proud of each and every fourth-year artist; it has been a joy and an honor to get to know the senior class, a group of individuals who will inevitably change the landscape of the field of dance as it exists today. Please join me for a standing ovation, cheering on the members of the class of 2019 as they take the stage for the last time together in the Peter Jay Sharp Theater. Well done, dancers—we thank you for your beautiful contributions to our Juilliard community and to the world beyond our campus. Sincerely, Little mortal jump Alicia Graf Mack Director, Juilliard Dance Cover: Alejandro Cerrudo's This page: Collaboration -
By Stanislaw Mucha
BY HOPE STANISLAW MUCHA HOPE SYNOPSIS HOPE BY STANISLAW MUCHA When a deeply moral and well-respected art historian steals an invaluable painting from a church, righteous and fanatic Francis records the crime on video to blackmail the perpetrator. Much to the thief’s bafflement, the young man is not interested in money but demands that the piece of art be returned to its original place. The borders between idealism and madness blur when it is revealed that Francis’ brother is in jail and his girlfriend has to tolerate Francis’ bizarre self-afflicted tests of courage … STANISLAW MUCHA DIRECTOR Born in 1970 in Nowy Targ, Poland, Stanislaw Mucha studied acting at the Federal Theater Academy “Ludwik Solski” in Krakow´ . After initial successes as an actor, Mucha left Poland to study directing at the The Film & Television Academy (HFF) “Konrad Wolf” in Potsdam-Babelsberg. He became well-known for his quirky documentary ABSOLUT WARHOLA (2001) tracing the origins of the US pop artist Andy Warhol to Poland, Slovakia and the Ukraine. HOPE is Mucha’s first feature film. DIRECTOR’S COMMENTS CAST DIRECTOR’S HOPE Franciszek/Francis HOPE is the story of extortion. An acclaimed art historian and moral authority steals a RAFAL FUDALEJ precious painting from a church… and is caught by a young fanatical do-gooder. Klara/Clare KAMILLA BAAR Hope. You know: “the mother of the stupid”, “hope springs eternal”, etc. I think that Benedykt/Benedict hope is an indispensable element of life. In every life; in my life too. While observing WOJCIECH PSZONIAK reality I feel as if there is no hope, as if it should be invented as fast as you can. -
Download the Blood on the Fields Playbill And
Thursday–Saturday Evening, February 21 –23, 2013, at 8:00 Wynton Marsalis, Managing & Artistic Director Greg Scholl, Executive Director Bloomberg is the Lead Corporate Sponsor of this performance. BLOOD ON THE FIELDS JAZZ AT LINCOLN CENTER ORCHESTRA WYNTON MARSALIS, Music Director, Trumpet RYAN KISOR, Trumpet KENNY RAMPTON, Trumpet MARCUS PRINTUP, Trumpet VINCENT GARDNER, Trombone, Tuba CHRIS CRENSHAW, Trombone ELLIOT MASON, Trombone SHERMAN IRBY, Alto & Soprano Saxophones TED NASH, Alto & Soprano Saxophones VICTOR GOINES, Tenor & Soprano Saxophones, Clarinet, Bass Clarinet WALTER BLANDING, Tenor & Soprano Saxophones CARL MARAGHI, Baritone Saxophone, Clarinet, Bass Clarinet ELI BISHOP, Guest Soloist, Violin ERIC REED, Piano CARLOS HENRIQUEZ, Bass ALI JACKSON, Drums Featuring GREGORY PORTER, Vocals KENNY WASHINGTON, Vocals PAULA WEST, Vocals There will be a 15-minute intermission for this performance. Please turn off your cell phones and other electronic devices. Jazz at Lincoln Center thanks its season sponsors: Bloomberg, Brooks Brothers, The Coca-Cola Company, Con Edison, Entergy, HSBC Bank, Qatar Airways, The Shops at Columbus Circle at Time Warner Center, and SiriusXM. MasterCard® is the Preferred Card of Jazz at Lincoln Center. Qatar Airways is a Premier Sponsor and Official Airline Partner of Jazz at Lincoln Center. This concert is made possible by the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature. ROSE THEATER JAZZ AT LINCOLN CENTER’S FREDERICK P. ROSE HALL jalc.org PROGRAM JAZZ AT LINCOLN CENTER 25TH ANNIVERSARY SEASON HONORS Since Jazz at Lincoln Center’s inception on August 3, 1987, when Lincoln Center for the Performing Arts initiated a three-performance summertime series called “Classical Jazz,” the organization has been steadfast in its commitment to broadening and deepening the public’s awareness of and participation in jazz. -
Nawang Khechog the Great Arya Tara Tibetan Meditation Music 5:11
Playlists by David Ruekberg Dance to Awaken the Heart, Rochester, NY #27: January 28, 2017 Artist Song Title Album Length Nawang Khechog The Great Arya Tara Tibetan Meditation Music 5:11 Maneesh de Moor Morning Praise Om Deeksha 8:54 Ernst Reijseger Homo Spiritualis Cave Of Forgotten Dreams (Original Motion Picture Soundtrack) 2:21 Hukwe Zawose Nhongolo The Essential Guide To Africa 8:54 Dead Can Dance Nierika Memento 5:46 Deva Premal Guru Rinpoche Mantra Deva Lounge 7:23 Balligomingo Purify Absolute More Relaxed [Disc 2] 4:13 Manu Dibango Bessoka (Version Courte) The Essential Guide To Africa 3:28 Miriam Makeba Pata Pata 2000 Homeland 3:49 Thievery Corporation The Lagos Communique African Groove 3:55 Christina Aguilera featuring Steve Winwood Makes Me Wanna Pray Back To Basics 4:11 The Beatles Tomorrow Never Knows (Remastered) Revolver (Remastered) 2:59 Brian Eno & Rick Holland Glitch Drums Between The Bells 2:58 Sean Dinsmore Mangalam (Chillums at Dawn Remix) Dakini Lounge: Prem Joshua Remixed 6:00 India.Arie Slow Down Voyage To India 3:53 Jai Uttal Guru Bramha Shiva Station (Bonus Edition) 4:24 Bon Iver Lisbon, OH Bon Iver 1:34 Ulrich Schnauss Amaris Passage 5:20 David Ruekberg Silence_5s.mp3 Silence 0:05 Itzhak Perlman Bach: Violin Partita #2 In D Minor, BWV 1004 - 3. Sarabanda Bach: Sonatas & Partitas For Solo Violin [Disc 2] 3:52 Anoushka Shankar Ancient Love Rise 11:08 Ray Lynch Her Knees Deep In Your Mind Conversations With God 6:19 Soloists of the Ensemble Nipponia [Shakuhachi, Shamisen, Biwa, EsashiKoto] Oiwake ("Esashi Pack-horseman's -
Haitian Historical and Cultural Legacy
Haitian Historical and Cultural Legacy A Journey Through Time A Resource Guide for Teachers HABETAC The Haitian Bilingual/ESL Technical Assistance Center HABETAC The Haitian Bilingual/ESL Technical Assistance Center @ Brooklyn College 2900 Bedford Avenue James Hall, Room 3103J Brooklyn, NY 11210 Copyright © 2005 Teachers and educators, please feel free to make copies as needed to use with your students in class. Please contact HABETAC at 718-951-4668 to obtain copies of this publication. Funded by the New York State Education Department Acknowledgments Haitian Historical and Cultural Legacy: A Journey Through Time is for teachers of grades K through 12. The idea of this book was initiated by the Haitian Bilingual/ESL Technical Assistance Center (HABETAC) at City College under the direction of Myriam C. Augustin, the former director of HABETAC. This is the realization of the following team of committed, knowledgeable, and creative writers, researchers, activity developers, artists, and editors: Marie José Bernard, Resource Specialist, HABETAC at City College, New York, NY Menes Dejoie, School Psychologist, CSD 17, Brooklyn, NY Yves Raymond, Bilingual Coordinator, Erasmus Hall High School for Science and Math, Brooklyn, NY Marie Lily Cerat, Writing Specialist, P.S. 181, CSD 17, Brooklyn, NY Christine Etienne, Bilingual Staff Developer, CSD 17, Brooklyn, NY Amidor Almonord, Bilingual Teacher, P.S. 189, CSD 17, Brooklyn, NY Peter Kondrat, Educational Consultant and Freelance Writer, Brooklyn, NY Alix Ambroise, Jr., Social Studies Teacher, P.S. 138, CSD 17, Brooklyn, NY Professor Jean Y. Plaisir, Assistant Professor, Department of Childhood Education, City College of New York, New York, NY Claudette Laurent, Administrative Assistant, HABETAC at City College, New York, NY Christian Lemoine, Graphic Artist, HLH Panoramic, New York, NY. -
Oregon Humanities Center | Spring 2005 Calendar : Page C1
Oregon Humanities Center | spring 2005 Calendar : page C1 Spring 2005 Calendar /OHC (co-sponsored by the Oregon Humanities Center) Ongoing Events The Jordan Schnitzer Museum of Art: MusEvenings! Wednesday evenings from 5 to 8 p.m. Donations accepted. For more infor- mation, call 346-3027. The Jordan Schnitzer Museum of Art presents free admission to everyone the first Friday of each month. March 3 Judaic Studies presents the Singer Family Lecture with Jonathan Sarna, Joseph H. and Belle R. Braun 29 Art History presents Art History 206 Film Series: Professor of American Jewish History, Brandeis The Thomas Crown Affair (1999) at 7:30 p.m. in 177 University, and author of American Judaism, speak- Lawrence Hall. For information, call 346-3675. ing on “350 Years of American Jewish History” at 7:30 29 The School of Music presents a Guest Artist p.m. in 182 Lillis Hall. Sponsored by the Georgianne Recital with Park Stickney, jazz harp, and Rüdiger and Dr. Kenneth Singer and Ms. Roberta Singer Oppermann, jazz harp, playing music by Miles Family Fund in Judaic Studies with the support of Davis, Duke Ellington, Sting, Stickney & Oppermann the Department of History. Free. For information, call at 8 p.m. in Beall Hall. $9, $5. For information, call 346-5288. /OHC 346-5678. 5 The Residential Academy presents a Community 30 The School of Music presents a master class with Conversations panel on “Abortion” at 7:30 p.m. in Matthias Ziegler, flute, at 7 p.m. in Beall Hall. $5. For the Ramey Room, Carson Hall. Airs on Channel 23 information, call 346-5678. -
German Films Quarterly 2 · 2004
German Films Quarterly 2 · 2004 AT CANNES In Competition DIE FETTEN JAHRE SIND VORBEI by Hans Weingartner FULFILLING EXPECTATIONS Interview with new FFA CEO Peter Dinges GERMAN FILM AWARD … and the nominees are … SPECIAL REPORT 50 Years Export-Union of German Cinema German Films and IN THE OFFICIAL PROGRAM OF THE In Competition In Competition (shorts) In Competition Out of Competition Die Fetten Der Tropical Salvador Jahre sind Schwimmer Malady Allende vorbei The Swimmer by Apichatpong by Patricio Guzman by Klaus Huettmann Weerasethakul The Edukators German co-producer: by Hans Weingartner Producer: German co-producer: CV Films/Berlin B & T Film/Berlin Thoke + Moebius Film/Berlin German producer: World Sales: y3/Berlin Celluloid Dreams/Paris World Sales: Celluloid Dreams/Paris Credits not contractual Co-Productions Cannes Film Festival Un Certain Regard Un Certain Regard Un Certain Regard Directors’ Fortnight Marseille Hotel Whisky Charlotte by Angela Schanelec by Jessica Hausner by Juan Pablo Rebella by Ulrike von Ribbeck & Pablo Stoll Producer: German co-producer: Producer: Schramm Film/Berlin Essential Film/Berlin German co-producer: Deutsche Film- & Fernseh- World Sales: Pandora Film/Cologne akademie (dffb)/Berlin The Coproduction Office/Paris World Sales: Bavaria Film International/ Geiselgasteig german films quarterly 2/2004 6 focus on 50 YEARS EXPORT-UNION OF GERMAN CINEMA 22 interview with Peter Dinges FULFILLING EXPECTATIONS directors’ portraits 24 THE VISIONARY A portrait of Achim von Borries 25 RISKING GREAT EMOTIONS A portrait of Vanessa Jopp 28 producers’ portrait FILMMAKING SHOULD BE FUN A portrait of Avista Film 30 actor’s portrait BORN TO ACT A portrait of Moritz Bleibtreu 32 news in production 38 BERGKRISTALL ROCK CRYSTAL Joseph Vilsmaier 38 DAS BLUT DER TEMPLER THE BLOOD OF THE TEMPLARS Florian Baxmeyer 39 BRUDERMORD FRATRICIDE Yilmaz Arslan 40 DIE DALTONS VS. -
NEA Chronology Final
THE NATIONAL ENDOWMENT FOR THE ARTS 1965 2000 A BRIEF CHRONOLOGY OF FEDERAL SUPPORT FOR THE ARTS President Johnson signs the National Foundation on the Arts and the Humanities Act, establishing the National Endowment for the Arts and the National Endowment for the Humanities, on September 29, 1965. Foreword he National Foundation on the Arts and the Humanities Act The thirty-five year public investment in the arts has paid tremen Twas passed by Congress and signed into law by President dous dividends. Since 1965, the Endowment has awarded more Johnson in 1965. It states, “While no government can call a great than 111,000 grants to arts organizations and artists in all 50 states artist or scholar into existence, it is necessary and appropriate for and the six U.S. jurisdictions. The number of state and jurisdic the Federal Government to help create and sustain not only a tional arts agencies has grown from 5 to 56. Local arts agencies climate encouraging freedom of thought, imagination, and now number over 4,000 – up from 400. Nonprofit theaters have inquiry, but also the material conditions facilitating the release of grown from 56 to 340, symphony orchestras have nearly doubled this creative talent.” On September 29 of that year, the National in number from 980 to 1,800, opera companies have multiplied Endowment for the Arts – a new public agency dedicated to from 27 to 113, and now there are 18 times as many dance com strengthening the artistic life of this country – was created. panies as there were in 1965. -
Framedokumentárny Film
2/2007 kritický obcasníkˇ študentov filmovej vedy frame FTF VŠMU Dokumentárny film Obsah DOKUMENTÁRNY FILM Katarína Martincová: 100 % pure reality 219 Robert Horňanský: Leni Riefenstahl: z norimbergských tribún do podmorského sveta 221 Tomáš Hudák: Rané dokumenty Michelangela Antonioniho 224 Peter Závadský: Z UFA do ruín Pompejí 226 Ivana Šlosárová: Do Medzilaboriec je cesta dlhá, alebo Borod – Miková – Medzilaborce 230 Žofia Bosáková: Obrazové inosvety 232 Michala Burcáková: Stalo sa to v Rakúsku 234 Matej Lauko: Jeden pohľad na Stoku 235 Nina Nováková: Sedem hriechov sedem dní 237 Pavel Smejkal: Konvencie sú ako prášky na spanie 240 11. čeSkoSlovenSká filmologická konferencia našimi očami Roman Jurčák: krpáčovo 242 Dokumentárny film Eva Perďochová: na aljašku! 244 Juraj Hoppan, Robert Horňanský, Katarína Martincová, Peter Závadský: Spoločná reportáž 246 keď dvaJa robia to iSté, nie Je to to iSté... Eva Perďochová: fantóm vo fialových šatách 249 Roman Jurčák: Morgiana 250 Katarína Martincová: Juraj Herz: morgiana. vizuálna lahôdka alebo psychoanalytický podvod? 252 218 frame 2/2007 100 % pure reality Katarína Martincová Nevšedný dokument Miroslava Janeka blbosť a odmietnutý hneď v prvých minútach, Portréty neznámych detí – Chačipe sleduje alebo dôjde k strate koncentrácie divákov očami detí z detských domovov ich súkrom- niekde v polovici filmu. opäť chybná hypo né radosti i traumy. Je smutno-smiešnym téza! téma filmu tak zarezonovala, že napriek pohľadom na ich osud a na svet okolo nich. mojej výzve, aby dej komentovali, urobili tak Vnútorný svet detí, citové strádanie aj len dvaja chlapci. Prvý tým našiel spôsob ako veľký emocionálny potenciál odkrýva film sa odosobniť od námetu filmu a nenechať prostredníctvom rozhovorov, švankmaje- sa vtiahnuť do hry so svojím súkromným rovských animácií, inscenovaných scénok prežívaním; v prípade druhého chlapca jeho o alkoholizme, bezdomovectve a veciach, poznámky súviseli s reálne nižším iQ (dieťa ktoré tieto deti vnímajú odlišne ako deti alkoholikov, narodené rodičom vyššieho vyrastajúce v rodine.