Musicalischer Circul Austral Harmony on Historical Instruments
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14 January 2011 Page 1 of 9
Radio 3 Listings for 8 – 14 January 2011 Page 1 of 9 SATURDAY 08 JANUARY 2011 05:37AM virtuosity, but it's quite possible he wrote this concerto to play Mozart, Wolfgang Amadeus (1756-1791) himself. One early soloist commented that the middle SAT 01:00 Through the Night (b00wx4v1) Alma Dei creatoris (K.277) movement was 'too clever by half', but it's the finale that's The Genius of Mozart, presented by John Shea Ursula Reinhardt-Kiss (soprano); Annelies Burmeister (mezzo); catches most attention today, as it suddenly lurches into the Eberhard Büchner (tenor); Leipzig Radio Chorus & Symphony 'Turkish' (or more accurately Hungarian-inspired) style - and 01:01AM Orchestra), Herbert Kegel (conductor) the nickname has stuck. Mozart, Wolfgang Amadeus (1756-1791) Thamos, König in Ägypten (K.345) 05:43AM Conductor Garry Walker is no stranger to Mozart, last season Monteverdi Choir; English Baroque Soloists; cond. by John Mozart, Wolfgang Amadeus (1756-1791) he visited the St David's Festival in West Wales with the Eliot Gardiner 16 Minuets (K.176) (excerpts) Nos.1-4 orchestra, taking the 'Haffner' symphony. Today he conducts Slovak Sinfonietta, cond. Tara Krysa the players in Symphony No. 25, written when Mozart was a 01:50AM teenager. It's his first symphony in a minor key, and maybe the Mozart, Wolfgang Amadeus (1756-1791) 05:51AM passion and turbulence we hear in the outer movements a young Piano Sonata in C minor (K. 457) (1784) Mozart, Wolfgang Amadeus (1756-1791) man struggling out of his adolescence. Denis Burstein (piano) Quartet for strings in B flat major (K.458) "Hunt" Quatuor Mosaïques MOZART 02:15AM Violin Concerto No. -
Friday 8 May 2020
Koanga - New Zealand SO/John Hopkins Zealand National Youth Choir/Karen (EX Tartar TRL 020) Grylls (TRUST MMT 2016) 2:00 approx ELGAR: Nursery Suite - New Zealand JOPLIN: Maple Leaf Rag; Magnetic Rag (2) SO/James Judd (Naxos 8.557166) - Elizabeth Hayes (pno) (QUARTZ QTZ 2005) COPLAND: Down a Country Lane - Saint Friday 8 May 2020 BECK: Sinfonia in G minor Op 3/3 - Paul CO/Hugh Wolff (Teldec 77310) Toronto CO/Kevin Mallon (Naxos 5:00 approx 12:00 Music Through the Night 8.570799) BRAHMS: Violin Sonata No 2 in A Op 100 - RAMEAU: The Entrance of Polyhymnia, GAY: Virgins Are Like The Fair Flow'r, from Tasmin Little (vln), Piers Lane (pno) from Les Boréades - Ensemble The Beggar's Opera - Kiri Te Kanawa (sop), (Chandos CHAN 10977) Pygmalion/Raphaël Pichon (Harmonia National Phil/Richard Bonynge (Decca 475 VAUGHAN WILLIAMS: In the Fen Country - Mundi HMM902288) 459) London Festival Orch/Ross Pople (ASV CD DELIUS: Walk to the Paradise Garden - DETT: Eight Bible Vignettes - Denver DCA 779) Symphony Nova Scotia/Georg Tintner Oldham (piano) (New World NW 367) ANONYMOUS: Masque Dances - Alison (CBC Records SMCD 5134) HAN KUN SHA: Shepherd's Song - Melville (recorder), Margaret Gay (cello), CIMAROSA: Concerto in G for two flutes - Shanghai Quartet (Delos DE 3308) Peter Lehman (theorbo), Valerie Weeks Mathieu Dufour (fl), Alex Klein (ob), Czech 3:00 approx (hpschd) (EBS EBS 6016) National SO/Paul Freeman (Cedille CDR TELEMANN: Trumpet Concerto in D - DELIUS arr Fenby: Serenade, from Hassan 90000 080) Niklas Eklund (baroque tpt), - Julian Lloyd Webber -
Akademie Für Alte Musik Berlin
UMS PRESENTS AKADEMIE FÜR ALTE MUSIK BERLIN Sunday Afternoon, April 13, 2014 at 4:00 Hill Auditorium • Ann Arbor 66th Performance of the 135th Annual Season 135th Annual Choral Union Series Photo: Akademie für Alte Musik Berlin; photographer: Kristof Fischer. 31 UMS PROGRAM Johann Sebastian Bach Orchestral Suite No. 1 in C Major, BWV 1066 Ouverture Courante Gavotte I, II Forlane Menuett I, II Bourrée I, II Passepied I, II Johann Christian Bach (previously attributed to Wilhelm Friedmann Bach) Concerto for Harpsichord, Strings, and Basso Continuo in f minor Allegro di molto Andante Prestissimo Raphael Alpermann, Harpsichord Carl Philipp Emanuel Bach WINTER 2014 Symphony No. 5 for Strings and Basso Continuo in b minor, Wq. 182, H. 661 Allegretto Larghetto Presto INTERMISSION AKADEMIE FÜR ALTE MUSIK BERLIN AKADEMIE FÜR ALTE 32 BE PRESENT C.P.E. Bach Concerto for Oboe, Strings, and Basso Continuo in E-flat Major, Wq. 165, H. 468 Allegro Adagio ma non troppo Allegro ma non troppo Xenia Löeffler,Oboe J.C. Bach Symphony in g minor for Strings, Two Oboes, Two Horns, and Basso Continuo, Op. 6, No. 6 Allegro Andante più tosto adagio Allegro molto WINTER 2014 Media partnership provided by WGTE 91.3 FM. Special thanks to Tom Thompson of Tom Thompson Flowers, Ann Arbor, for his generous contribution of floral art for this evening’s concert. Special thanks to Kipp Cortez for coordinating the pre-concert music on the Charles Baird Carillon. This tour is made possible by the generous support of the Goethe Institut and the Auswärtige Amt (Federal Foreign Office). -
Fellowship of Makers and Restorers of Historical Instruments Bulletin and Communications
FELLOWSHIP OF MAKERS AND RESTORERS OF HISTORICAL INSTRUMENTS BULLETIN AND COMMUNICATIONS. JULY 1977 CONTENTS Page Bulletin no. 8. 2 Report on FoMRHI Seminar no. 2. 11 FoMRHI Book News no. 2. 12 List of Members, as at 23rd June 1977 14 Communications 65 On the sizes of Renaissance and baroque viols and violins. E. Segerman 18 / 66 The range of pitch with gut strings of a given length. William B. Samson 19 7 Principal instruments of fourteenth-century Italy and their structural V features. Howard Mayer Brown 20 68 Comments on technical drawings and photographs of musical instruments. R.K.Lee 28 69 On the dangers of becoming an established scholar. Ephraim Segerman 35 3^70 Profile turning of reamer blanks for use in woodwind*. Rod Cameron 38 71 Humidity cycling for stabilization of gut ?nd wood. Djilda Abbott, Ephraim Segerman and David Rolfe 45 72 Review of: The Manufacture of Musical Instruments, translated by Helen Tullberg. Jeremy Montagu 47 73 Review of: The Diagram Group, Musical Instruments of the World, an Illustrated Encyclopedia. Jeremy Montagu £TI 10a Comment on Com. 10 Attitudes to musical instrument conservation and restoration by G. Grant O'Brien. John Barnes 64 39b Comments on comments (Jan '77) on Com. 39. E.S. and D.A. 65 44c Detailed comments on "The World of Medieval and Renaissance Musical Instruments" by Jeremy Montagu, Part I. E.S. 67 58a On Prematurity of Communication. E.S. and D.A. 71 74 Medieval carvings of musical instruments in St. Mary's Church, Shrewsbury. Lawrence Wright 73 Book News. -
2016 Antitrust Year in Review
2016 ANTITRUST YEAR IN REVIEW AUSTIN BEIJING BOSTON BRUSSELS HONG KONG LOS ANGELES NEW YORK PALO ALTO SAN DIEGO SAN FRANCISCO SEATTLE SHANGHAI WASHINGTON, DC WILMINGTON, DE WSGR 2016 Antitrust Year in Review Table of Contents Introduction ......................................................................................................................................... 1 Mergers ............................................................................................................................................... 2 U.S. Trends ................................................................................................................................... 2 Hart-Scott-Rodino (HSR) Act Compliance ............................................................................... 2 Lessons from the Merger Year in Review ................................................................................. 3 Merger Enforcement Under the Trump Administration .............................................................. 4 International Insights ..................................................................................................................... 5 European Union (EU) ............................................................................................................... 5 China....................................................................................................................................... 7 Agency Investigations ......................................................................................................................... -
NEWSLETTER of the American Handel Society
NEWSLETTER of The American Handel Society Volume XXI, Number 3 Winter 2006 AMERICAN HANDEL SOCIETY- PRELIMINARY SCHEDULE (Paper titles and other details of program to be announced) Thursday, April 19, 2006 Check-in at Nassau Inn, Ten Palmer Square, Princeton, NJ (Check in time 3:00 PM) 6:00 PM Welcome Dinner Reception, Woolworth Center for Musical Studies Covent Garden before 1808, watercolor by Thomas Hosmer Shepherd. 8:00 PM Concert: “Rule Britannia”: Richardson Auditorium in Alexander Hall SOME OVERLOOKED REFERENCES TO HANDEL Friday, April 20, 2006 In his book North Country Life in the Eighteenth Morning: Century: The North-East 1700-1750 (London: Oxford University Press, 1952), the historian Edward Hughes 8:45-9:15 AM: Breakfast, Lobby, Taplin Auditorium, quoted from the correspondence of the Ellison family of Hebburn Hall and the Cotesworth family of Gateshead Fine Hall Park1. These two families were based in Newcastle and related through the marriage of Henry Ellison (1699-1775) 9:15-12:00 AM:Paper Session 1, Taplin Auditorium, to Hannah Cotesworth in 1729. The Ellisons were also Fine Hall related to the Liddell family of Ravenscroft Castle near Durham through the marriage of Henry’s father Robert 12:00-1:30 AM: Lunch Break (restaurant list will be Ellison (1665-1726) to Elizabeth Liddell (d. 1750). Music provided) played an important role in all of these families, and since a number of the sons were trained at the Middle Temple and 12:15-1:15: Board Meeting, American Handel Society, other members of the families – including Elizabeth Liddell Prospect House Ellison in her widowhood – lived in London for various lengths of time, there are occasional references to musical Afternoon and Evening: activities in the capital. -
Elizabeth Wallfisch, Violin; Paul Goodwin, Oboe; Lisa Beznosiuk, Flute; Rachel Beckett, Recorder; Richard Tunnicliffe, Cello; Paul Nicholson, Harpsichord
A2 HANDEL Twenty Sonatas, “Opus 1“. • Elizabeth Wallfisch, violin; Paul Goodwin, oboe; Lisa Beznosiuk, flute; Rachel Beckett, recorder; Richard Tunnicliffe, cello; Paul Nicholson, harpsichord. • HYPERION CDA66921/3 [DDD]; three discs: 54:40, 58:09, 58:45. Produced by Martin Compton. (Distributed by Harmonia Mundi USA.) Sonatas: in D, HWV371 (“No. 13“); in B Minor, HWV376 (“Halle Sonata No. 3“); in G Minor, HWV360 (“op. 1, no. 2“); in B♭, HWV357; in F, HWV369 (“op. 1, no. 11“); in E Minor, HWV375 (“Halle Sonata No. 2“); in D Minor, HWV359a (“op. 1, no. 1“); in A Minor, H 374 (“Halle Sonata No. 3“); in D Minor, HWV367a (“op. 1, no. 9a“); in G, HWV358; in E Minor, HWV 379 (“op. 1, no. 1a“); in A Minor, HWV 362 (“op. 1, no. 4“); in C Minor (“op. 1, no. fl“); in B♭, HWV377; in G, HWV363b (“op. 1, no. 5“); in A, HWV361 (“op. 1, no. 3“); in E Minor, HWV359b (“op. 1, no. 1b“); in C, HWV365 (“op. 1, no. 7“); in G Minor, HWV364a (“op. 1, no. 6“); in B Minor, HWV367b (“op. 1, no. 9“). HANDEL The Complete Sonatas for Recorder. • Marion Verbruggen, recorder, flute; Ton Koopman, harpsichord, chest organ; Jaap ter Linden, cello. • HARMONIA MUNDI FRANCE HMU 907151 [DDD]; 57:37. Produced by Tini Mathot. (Distributed by Harmonia Mundi USA.) Sonatas: in F, HWV 369; in A Minor, HWV 362; in G Minor, HWV 360; in C, HWV 365; in D Minor, HWV 367b; in Bb, HWV 377. Oh dear. What a tangled web is woven by Handel's so-called opus 1. -
Allmusic Review by James Leonard
A1 AllMusic Review by James Leonard [-] 4+/5 RATING! Although best known for his operas and oratorios along with a couple of occasional orchestral works called Water Music and Fireworks Music, Handel did from time to time turn his compositional attention to the chamber music forms of the late Baroque. This six-disc set on Brilliant released in 2006 collects all Handel's works in the genre in a single, inexpensive package featuring superb performances in 1991 by the English period instrument group L'Ecole d'Orphée. In the flute sonatas, soloist Stephen Preston plays with the kind of warm tone and lyrical phrasing that make Handel's music sound fresh and alive. In the recorder sonatas, Philip Pickett plays with the kind of deep feeling and honest sensitivity that make Handel's music sound even better than it is. And in the violin sonatas and trio sonatas, John Holloway plays with the kind of irresistible energy and unabashed virtuosity that make Handel's music seem fully the equal of their best contemporary competition. With the elegant Micaela Comberti on second violin, the dulcet David Reichenberg on oboe, and the subtle Susan Sheppard on cello as well as either the equally talented John Toll, Robert Woolley, or Lucy Carolan on harpsichord, L'Ecole d'Orphée makes the case for the excellence of Handel's chamber music -- a case only the hard-hearted or hard-headed could dispute. Brilliant's un-remastered digital sound is crisp and clean, but a tad too distant. This extensive survey of Handelʼs chamber music by the ensemble LʼEcole dʼOrphée features leading musicians of the British ‘Early Musicʼ movement. -
Concertos for Oboe and Oboe D'amore
J.S. Bach Concertos for Oboe and Oboe d’amore Gonzalo X. Ruiz Portland Baroque Orchestra Monica Huggett J.S. Bach (1685-1750) Concertos for Oboe and Oboe d’amore Gonzalo X. Ruiz, baroque oboes Portland Baroque Orchestra Concerto for oboe in G minor, BWV 1056R Concerto for oboe d’amore in A major, BWV 1055R Reconstruction of BWV 1056, Concerto in F minor for Harpsichord Reconstruction of BWV 1055, Concerto in A major for Harpsichord 1 I. [Moderato] 3:10 10 I. [Allegro] 3:56 2 II. Largo 2:25 11 II. Larghetto 4:39 3 III. Presto 3:13 12 III. Allegro ma non tanto 4:08 Concerto for oboe in F major, BWV 1053R Concerto for violin and oboe in C minor, BWV 1060R Reconstruction of BWV 1053, Concerto in E major for Harpsichord Reconstruction of BWV 1060, Concerto in C minor for Two Harpsichords 4 I. [Allegro] 7:05 Monica Huggett, violin soloist 5 II. Siciliano 4:56 13 I. Allegro 4:30 6 III. Allegro 5:46 14 II. Adagio 4:30 15 III. Allegro 3:27 Concerto for oboe in D minor, BWV 1059R Reconstruction based on a concerto fragment and Cantatas 35 and 156 16 Aria from Cantata 51: “Höchster, mache deine Güte” 4:56 7 I. Allegro 5:12 Transcribed by Gonzalo X. Ruiz 8 II. Adagio 2:26 9 III. Presto 3:02 Total Time 67:21 Performed on Period Instruments 2 Gonzalo X. Ruiz, baroque oboes Born in La Plata, Argentina, Gonzalo X. Ruiz is one of the world’s most critically acclaimed baroque oboists. -
MOONWINDS & CORS Madrigal I LIEDER Càmera
fonament, a manera de xacona. Música sensible prOpers CONCERTS a L’AUDitOri COMeNTARI i expressiva, no exempta de recursos propers al virtuosisme barroc italià, tot i que amb un TEMPORADA 2012-2013 JOsep Maria Guix caire melangiós molt septentrional, que palesa Circuit: Nacions / tecla / retrats d’artista / segles Circuit: tecla / antiga la procedència estoniana de l’autor. XX i XXI / en Família CHRISTOpHe rOUSSET Colpit per les religions orientals i afí als principis L’OBC aMB aLEXANDRE tHARAUD XXXV Festival de Música antiga de Barcelona El rerefons religiós –o si es vol, espiritual– de l’Església ortodoxa, John Tavener s’inscriu maig 2013 maig 2013 MOONWINDS vertebra el programa del concert d’avui, que en la llarga tradició anglesa que sorgeix amb la Dv 3 → 21h / Ds 4 → 19h / Dg 5 → 11h Dt 7 → 20.30h arrenca amb una peça cabdal, La Creació de polifonia isabelina i arriba, sense sotracs, fins a # Sala 1 Pau Casals # Sala 3 Tete montoliu Joseph Haydn, en l’adaptació duta a terme pel les obres de Holst, Britten o Harvey. En la seva Manuel Hernández silva director Christophe rousset clavicèmbal seu col·lega coetani Georg Druschetzky. música, veu i instruments es fusionen en un tot alexandre tharaud piano Esperonat pel gran èxit dels oratoris handeli- que, com una sofisticada lletania, insisteix a Obres de: De Chambonnières, & CORS Obres de: J. s. Bach, revueltas, M Froberger, Couperin i D’anglebert ans que va escoltar durant les seves estades cercar un temps congelat capaç d’abocar-nos Villa-Lobos i Ginastera londinenques, el vell mestre austríac va endins- Preu: 28€ a un oceà de misticisme. -
Program Notes
GENEVA CONCERTS presents HesperusHesperus "The Buxtehude Project" Friday, March 30, 2007 ● 8:15 p.m. Smith Opera House 1 GENEVA CONCERTS, INC. 2006-2007 SEASON Friday, 29 September 2006, 8:15 p.m. State Street Ballet of Santa Barbara Carmen A passionate story of lust, treachery and fate, based on the fabled temptress of Seville, told in ballet and set to the music of Georges Bizet. Thursday, 2 November 2006, 8:15 p.m. Syracuse Symphony Orchestra Daniel Hege, conductor “Shakespeare in Music” Walton, Mendelssohn, Sibelius, Strauss Saturday, 20 January 2007, 8:15 p.m. Cantus One of America’s finest professional male vocal ensembles, Cantus’ repertoire spans many periods and genres including Gregorian chant, Renaissance motets, contemporary works, art songs, folk music, spirituals, and pop. Friday, 9 March 2007, 8:15 p.m. Rochester Philharmonic Orchestra Pinchas Zukerman, conductor and violin Ariana Ghez, oboe Bach, Stravinsky, Elgar Friday, 30 March 2007, 8:15 p.m. Hesperus “The Buxtehude Project” Saturday, 21 April 2007, 8:15 p.m. Syracuse Symphony Orchestra Ron Spigelman, conductor Allen Vizzutti, trumpet De Falla, Vizzutti, Bernstein, Copland Performed at the Smith Opera House, 82 Seneca Street, Geneva, NY These concerts are made possible, in part, with public funds from the New York State Council on the Arts, a state agency, and by a continuing subscription from Hobart and William Smith Colleges. 2 GENEVA CONCERTS, INC. Friday, March 30, 2007 • 8:15 p.m. HesperusHesperus “The Buxtehude Project” Jubilate Domino: Celebrating Dietrich Buxtehude -
The 2018 Guide Festivals
April 2018 The 2018 Guide Festivals FEATURE ARTICLE 10 Questions, Two (Very Different) Festivals Editor’s Note Our fifth annual Guide to Summer Festivals is our biggest yet, with some 85 annotated entries, plus our usual free access to the 1400 listings in the Musical America database. The details for the 85—dates, locations, artistic directors, programming, guest artists, etc.—have been provided by the festivals themselves, in response to a questionnaire sent to our list of Editor’s Picks. Those are determined by a number of factors: it’s hardly a surprise to see the big-budget events, such as Salzburg, Tanglewood, and Aspen, included. But budget is by no means the sole criterion. The 2018 Guide Programming, performers, range and type of events offered—all of these factor into the equation. For our feature article, we chose two highly regarded events and asked them one set of questions, just for the purposes of compare and contrast. Since George Loomis traveled to Ravenna last summer and knows Ojai well, we decided he was the perfect candidate to get the answers. Our hunch that the two couldn’t be more different turned out to be quite accurate: one takes place over a weekend, the over a two-month period; one is in the U.S., the other in Europe; one is rural, the other urban; one’s in a valley, the other by the sea; one focuses on contemporary fare, the other on traditional; one houses its artists in homes, the other in hotels; one is overseen by a man, the other by Festivals a woman; Ojai’s venues are primarily outdoor and strictly 20th century, Ravenna’s are mostly indoor and date as far back as the sixth century.