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Current History, the European War Volume I, by the New York Times Company
12/4/2020 The Project Gutenberg eBook of Current History, The European War Volume I, by The New York Times Company. The Project Gutenberg EBook of New York Times, Current History, Vol 1, Issue 1, by Various This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: New York Times, Current History, Vol 1, Issue 1 From the Beginning to March, 1915 With Index Author: Various Release Date: October 5, 2004 [EBook #13635] Language: English Character set encoding: ISO-8859-1 *** START OF THIS PROJECT GUTENBERG EBOOK NEW YORK TIMES, CURRENT *** Produced by Juliet Sutherland, Miranda van de Heijning and the PG Online Distributed Proofreading Team. CURRENT HISTORY A MONTHLY MAGAZINE THE EUROPEAN WAR VOLUME I. From the Beginning to March, 1915 With Index https://www.gutenberg.org/files/13635/13635-h/13635-h.htm 1/226 12/4/2020 The Project Gutenberg eBook of Current History, The European War Volume I, by The New York Times Company. NEW YORK THE NEW YORK TIMES COMPANY 1915 Copyright 1914, 1915, By The New York Times Company CONTENTS NUMBER I. WHAT MEN OF LETTERS SAY Page COMMON SENSE ABOUT THE WAR 11 By George Bernard Shaw SHAW'S NONSENSE ABOUT BELGIUM 60 By Arnold Bennett BENNETT STATES THE GERMAN CASE 63 By George Bernard Shaw FLAWS IN SHAW'S LOGIC 65 By Cunninghame Graham EDITORIAL COMMENT ON SHAW 66 SHAW EMPTY OF GOOD SENSE 68 By Christabel Pankhurst COMMENT BY READING OF SHAW 73 OPEN LETTER TO PRESIDENT WILSON 76 By George Bernard Shaw A GERMAN LETTER TO G. -
Arbeitende Bilder« Die Skulptur Im Deutschen Kaiserreich Zwischen Künstlerischer Aneignung Und Sozialer Wirklichkeit
Aus: Sarah Czirr »Arbeitende Bilder« Die Skulptur im Deutschen Kaiserreich zwischen künstlerischer Aneignung und sozialer Wirklichkeit November 2018, 488 S., kart., zahlr. Abb. 49,99 € (DE), 978-3-8376-4373-2 E-Book: PDF: 49,99 € (DE), ISBN 978-3-8394-4373-6 Skulpturen im Deutschen Kaiserreich waren meist kostenintensive Auftrags- bzw. kleinformatige Reproduktionskunst mit einem hohen Grad an Öffentlichkeit. Dies scheint mit dem gerade im 19. Jahrhundert vertretenen Diktum der autonomen Kunst im Widerspruch zu stehen. Zudem war der Kunstdiskurs bestimmt von einer Kontro- verse um die Ikonografie der Moderne. Sarah Czirr untersucht in diesem Kontext das sich eröffnende Spannungsfeld von künstlerischer Aneignung und sozialer Wirklich- keit, in dem Skulpturen in Zeiten der Industrialisierung zu »arbeitenden Bildern«, zu produktiven Akteuren verschiedener Seiten werden, ohne dass die Gesetze der »Kunst- wirklichkeit« je außer Kraft treten. Sarah Czirr, geb. 1979, ist promovierte Kunsthistorikerin und wissenschaftliche Mit- arbeiterin des Instituts Moderne im Rheinland an der Heinrich-Heine-Universität Düs- seldorf. Von 2011 bis 2015 war sie wissenschaftliche Mitarbeiterin in der ZERO-Foun- dation Düsseldorf. Weiteren Informationen und Bestellung unter: www.transcript-verlag.de/978-3-8376-4373-2 © 2018 transcript Verlag, Bielefeld Inhalt 1 Vorwort | 7 2 Einleitung | 9 2.1 Fragestellung | 19 2.2 Methodischer Zugriff | 22 3 Systeme und Diskurse | 35 3.1 Sozialgeschichte | 35 3.1.1 Wirtschaft | 37 3.1.2 Gesellschaft | 39 3.1.3 Politik | 46 3.2 -
Erich Mercker and “Technical Subjects”: Industrial Painting in the Eras of Weimar and Nazi Germany
H-Labor-Arts Erich Mercker and “Technical Subjects”: Industrial Painting in the Eras of Weimar and Nazi Germany Discussion published by Patrick Jung on Saturday, October 7, 2017 (Copyright 2008, Society of Industrial Archeology and reprinted with permission) From the author: This article was published earlier in Industrial Archaeology: The Journal of the Society for Industrial Archeology, vol. 34, nos. 1 & 2. It is reproduced here on H-Labor Arts to make it available to a wider audience. I wrote this article while I was in the midst of finishing a book-length manuscript on Erich Mercker, who was, undoubtedly, one of the top industrial artists in Germany from 1919 to 1945. He and his contemporaries (e.g., Fritz Gärtner, Franz Gerwin, Ria Picco-Rückert, Leonhard Sandrock, and Richard Gessner) constituted a school of artists who I have provisionally labeled the “Heroic School” of German industrial art from 1919 to 1945. The Grohmann Museum in Milwaukee, Wisconsin has paintings produced by virtually all of these artists. It also has more than 90 paintings by Erich Mercker, more than any other art museum in the world. Thus, it is fitting this article should appear on the H-Labor Arts site titled “From the Grohmann….” I also hope this essay will spur more research into Mercker and his “Heroic School” contemporaries, all of whom produced some of the most stunning examples of industrial art during the course of the early twentieth century. Those interested in reading the full-length biography on Erich Mercker (for which this article paved the way) should contact the Grohmann Museum at [email protected]. -
Humboldt and the Modern German University
5 Tradition under debate During the final years of the 1950s, the period of actual reconstruction came to an end. Material standards had risen considerably, and the sombre, anxious atmosphere that was typical of the first half of the decade had given way to confidence in a brighter future. An artistic avant-garde broke with prevalent aesthetic principles; a public reckoning with Nazism gradually got under way; and a younger generation began to make itself heard in social debate. Many said farewell to the Adenauer era even before the ageing Federal Chancellor left his post in 1963. These years, c. 1957–1965, stand out as a comparatively distinct phase in West German post-war history, a phase that can be separated from the preceding and ensuing ones. ‘Dynamic times’ is a label given by historians to this period of just under ten years.1 In spite of the growth and spread of prosperity, there was a simmering discontent in many circles. One underlying cause was the incomplete democratisation. True, the parliamentary system had taken hold and been consolidated; but West German society was not seen as entirely democratic. More and more people made more and more insistent demands for reform – a keyword for the 1960s. Especially the younger generation did not feel at home in an order where older men held all the important positions of power. As an 1 Dynamische Zeiten: Die 60er Jahre in den beiden deutschen Gesellschaften, ed. by Axel Schildt, Detlef Siegfried & Karl Christian Lammers (Hamburg, 2000); Schildt & Siegfried, Deutsche Kulturgeschichte, pp. 179–244. Other important interpreters of the history of the Federal Republic use a similar vocabulary: In Die geglückte Demokratie: Geschichte der Bundesrepublik Deutschland von ihren Anfängen bis zur Gegenwart (Stuttgart, 2006), Edgar Wolfrum speaks of the 1960s in terms of ‘dynamism and liberalisation’ while ‘transformation’ and ‘the euphoria of modernity’ are keywords in Ulrich Herbert, Geschichte Deutschlands im 20. -
The German Influence on the Life and Thought of W.E.B. Dubois. Michaela C
University of Massachusetts Amherst ScholarWorks@UMass Amherst Masters Theses 1911 - February 2014 2001 The German influence on the life and thought of W.E.B. DuBois. Michaela C. Orizu University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/theses Orizu, Michaela C., "The German influence on the life and thought of W.E.B. DuBois." (2001). Masters Theses 1911 - February 2014. 2566. Retrieved from https://scholarworks.umass.edu/theses/2566 This thesis is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Masters Theses 1911 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. THE GERMAN INFLUENCE ON THE LIFE AND THOUGHT OF W. E. B. DU BOIS A Thesis Presented by MICHAELA C. ORIZU Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of MASTER OF ARTS February 2001 Political Science THE GERMAN INFLUENCE ON THE LIE AND THOUGHT OF W. E. B. DU BOIS A Master’s Thesis Presented by MICHAELA C. ORIZU Approved as to style and content by; Dean Robinson, Chair t William Strickland, Member / Jerome Mileur, Member ad. Department of Political Science ACKNOWLEDGEMENTS I like would to thank my advisors William Strickland and Dean Robinson for their guidance, insight and patient support during this project as well as for the inspiring classes they offered. Many thanks also to Prof. Jerome Mileur for taking interest in my work and joining my thesis committee at such short notice. -
Texts from De.Wikipedia.Org, De.Wikisource.Org
Texts from http://www.gutenberg.org/files/13635/13635-h/13635-h.htm, de.wikipedia.org, de.wikisource.org BRITISH AND GERMAN AUTHORS AND Contents: INTELLECTUALS CONFRONT EACH OTHER IN 1914 1. British authors defend England’s war (17 September) The material here collected consists of altercations between British and German men of letters and professors in the first 2. Appeal of the 93 German professors “to the world of months of the First World War. Remarkably they present culture” (4 October 1914) themselves as collective bodies and as an authoritative voice on — 2a. German version behalf of their nation. — 2b. English version The English-language materials given here were published in, 3. Declaration of the German university professors (16 and have been quoted from, The New York Times Current October 1914) History: A Monthly Magazine ("The European War", vol. 1: — 3a. German version "From the beginning to March 1915"; New York: The New — 3b. English version York Times Company 1915), online on Project Gutenberg (www.gutenberg.org). That same source also contains many 4. Reply to the German professors, by British scholars interventions written à titre personnel by individuals, including (21 October 1914) G.B. Shaw, H.G. Wells, Arnold Bennett, John Galsworthy, Jerome K. Jerome, Rudyard Kipling, G.K. Chesterton, H. Rider Haggard, Robert Bridges, Arthur Conan Doyle, Maurice Maeterlinck, Henri Bergson, Romain Rolland, Gerhart Hauptmann and Adolf von Harnack (whose open letter "to Americans in Germany" provoked a response signed by 11 British theologians). The German texts given here here can be found, with backgrounds, further references and more precise datings, in the German wikipedia article "Manifest der 93" and the German wikisource article “Erklärung der Hochschullehrer des Deutschen Reiches” (in a version dated 23 October 1914, with French parallel translation, along with the names of all 3000 signatories). -
Miller on Harrod, 'Bruno Paul: the Life and Work of a Pragmatic Modernist'
H-German Miller on Harrod, 'Bruno Paul: The Life and Work of a Pragmatic Modernist' Review published on Sunday, July 1, 2007 William Owen Harrod. Bruno Paul: The Life and Work of a Pragmatic Modernist. Stuttgart: Edition Axel Menges, 2005. 128 pp. $69.00 (cloth), ISBN 978-3-932565-47-2. Reviewed by Wallis Miller (School of Architecture, University of Kentucky) Published on H-German (July, 2007) Forgotten Modernist In a beautifully produced book, typical of this publisher's productions, William Owen Harrod introduces an English-speaking audience to the German designer Bruno Paul (1874-1968). One might call Paul a polymath because his oeuvre included illustrations and caricatures as well as furniture, interior, and architectural designs. Indeed, Harrod's monograph chronicles Paul's career in terms of a Gesamtkunstwerk (from illustrations for the periodicals Jugend and Simplicissimus to standardized furniture, ship interiors, and villas for a range of clients) subject to Paul's evolving stylistic approaches. But Harrod is also able to insist on a certain degree of consistency in Paul's work by identifying several principles that underpinned all of his efforts: a regard for a non-professional audience, especially a middle-class one; an eagerness to define and refine modern form without a fear of history; an attention to craft; and the belief that the integration of art in all aspects of daily life would produce a harmonious culture. Bruno Paul was, above all else, a practitioner and not a theoretician. He seldom wrote about design. Aside from posing a problem for discussing content, this fact points to the issue of evidence for such a discussion in the first place. -
Healthy Nutrition in Germany: a Survey Analysis of Social Causes, Obesity and Socioeconomic Status
Public Health Nutrition: 23(12), 2109–2123 doi:10.1017/S1368980019004877 Healthy nutrition in Germany: a survey analysis of social causes, obesity and socioeconomic status Sebastian Mader1,* , Malte Rubach2, Wolfram Schaecke2, Christine Röger3, Ina Feldhoffer3 and Eva-Magdalena Thalmeier3 1Institute of Sociology, University of Bern, 3012 Bern, Switzerland: 2Bavarian State Ministry for Nutrition, Agriculture, and Forestry, 80539 Munich, Germany: 3Competence Centre of Nutrition (KErn) at the Bavarian State Research Center for Agriculture, 85354 Freising, Germany Submitted 22 January 2019: Final revision received 15 October 2019: Accepted 21 November 2019: First published online 27 April 2020 Abstract Objective: The obesity pandemic is an increasing burden for society. Information on key drivers of the nutrition cycle of (a) social causation, (b) biological causation and (c) health selection is vital for effective policies targeted at the reduction of obesity prevalence. However, empirical causal knowledge on (a) the social predictors of diet quality, (b) its impact on corpulence and (c) the socioeconomic consequences of obesity is sparse. We overcome the limitations of previous research and acquire comprehensive causal insight into this cycle. Design: Therefore, we analyse two German socio-epidemiological panel surveys exploiting their longitudinal panel structure utilising hybrid panel regression models. Setting: General population of Germany. Participants: German Health Interview and Examination Survey for Children and Adolescents (KiGGS, n 17 640; age 0–24 years) and the German National Nutrition Monitoring (NEMONIT, n 2610; age 15–82 years). Results: The results indicate that (a) interestingly only sex, education and age explain healthy diets; (b) increases in a newly developed Optimised Healthy Eating Index (O-HEI-NVSII) and in nuts intake reduce BMI, while growing overall energy intake, lemonade, beer and meat (products) intake drive corpulence; (c) in turn, developing obesity decreases socioeconomic status. -
The Early History of American Nutrition Research from Quality to Quantity
Chapter One The Early History of American Nutrition Research From Quality to Quantity On May 15, 1862, President Abraham Lincoln approved a bill to establish the United States Department of Agriculture. The USDA was born with $60,000 in six rooms in the basement of the Patent Offi ce building.1 Draw- ing from the European import of a scientifi c approach to agriculture, which relied largely on the nascent fi eld of chemistry, the USDA’s directive was to advance scientifi c research. The department was “laying the foundation for becoming a great science-producing agency of government” (Cochrane, 1993, p. 96). It was the expressed goal of the newfound department to: “Test by experiment the use of agricultural implements and the value of seeds, soils, manures, and animals; undertake the chemical investigation of soils, grains, fruits, vegetables, and manures, publishing the results.”2 From cotton to cattle to cucumbers, the USDA had an array of directions in which to take their scientifi c research. In the years after the approval of this bill, federally funded scientists, in USDA-sanctioned labs, set to unearthing the chemical components of food, and the physiological processes of digestion. Chemists used the pro- cess of calorimetry to break food down into calories, fats, proteins, and carbohydrates. Techniques of dehydration, precipitation, and combustion reduced foods to their constituent molecular parts. These experiments, as well as experiments using the calorimeter to quantify human action, ren- dered the relationship between food and eater measurable. The emerging 21 © 2009 State University of New York Press, Albany 22 Measured Meals science of nutrition introduced the notion of the balanced human-food equation based on the zero-waste model of the combustion engine. -
Der Schriftsteller Herbert Eulenberg (1876-1949) Ein "Ehrenbürger Der Welt'' Aus Kaiserswerth Am Rhein Von Joseph A
Porträt Der Schriftsteller Herbert Eulenberg (1876-1949) Ein "Ehrenbürger der Welt'' aus Kaiserswerth am Rhein Von Joseph A. Kruse, Düsseldorf 1. Zu seinem Lobe ist vieles gesagt und geschrieben worden, doch war auch ein relativierender Tadel stets schnell bei der Hand. Der Berliner Theaterrezensent Alfred Kerr sparte während der Hochblüte des Naturalismus, dem Herber! Eulenberg seine neuromantisehe Dramatik entgegen setzte, zu Ende des ersten Jahrzehnts des 20. Jahrhunderts nicht an deutlich vernichtender Kritik, wobei er sich damals freilich von der Begabung des Beurteilten durchaus noch etwas Größeres erhoffte. Über den "Ritter Blaubart", ein Märchenstück von 1906, heißt es, Eulenberg sei "bald der kleine Herber! mit den Kinderaugen", "bald Privatdozent an der Universität". Der Dichter wird zuerst positiv charakterisiert, gleich darauf aber mit einer eindringlichen Mahnung ver sehen: "Ein blühender Rheinländer sind Sie, mit liebenswerten Eigenschaften". Das entziehe ihn nicht der Verpflichtung, "einmal etwas Starkes zu geben." In Klammern fügt Kerr erläuternd hinzu: "Statt vielerlei zu geben, was vielfältig ist ohne stark zu sein." Im anschließenden Hinweis nimmt er, dessen Treffsicherheit berüchtigt war, noch weniger ein Blatt vor den Mund: "Ihr Weg ist falsch, ändern Sie ihn. Wer seinen Mannessamen täglich opfert, zeugt vetwässerte Kinder." Und über das bürgerliche Lustspiel "Der natürliche Vater" von 1909 schreibt der bedeutende Kritiker, nunmehr ungeduldig und eher nichts Gutes mehr ahnend: "Immer zwecklos redend; immer völlig -
Humboldt and the Modern German University Tensions
3 The discovery of Humboldt There were nineteen universities in the German Empire when it was proclaimed in 1871. During the almost fifty years that followed, up until the outbreak of the First World War, the number of students quadrupled. During the same period several institutes of technol- ogy and schools of economics were founded, but only three new universities: Strasbourg in 1872, Münster in 1902, and Frankfurt am Main in 1914. Higher education was, strictly speaking, a matter for the individual constituent states; but the university as an institution was seen as a national undertaking and was the subject of a vivid debate in the pan-German public sphere. Within the borders of the Empire the academic norms were similar, and both students and professors moved easily between universities. All this contributed to a sense of the university as a coherent national system.1 Prussia, which held half of the students and eleven universities, dominated the united Germany. An exceptionally important figure in this context was Friedrich Althoff. Originally a lawyer, he served between 1882 and 1907 with great power and determination in the Prussian Ministry of Education. During this quarter of a century, the system that would later come to be known as ‘System Althoff’ prevailed. With forceful, unorthodox methods, Althoff intervened in 1 Konrad H. Jarausch, ‘Universität und Hochschule’, in Handbuch der deutschen Bildungsgeschichte: 1870–1918: Von der Reichsgründung bis zum Ende des Ersten Weltkriegs, ed. by Christa Berg (Munich, 1991); Anderson, ‘European Universities’. As is often the case when university history is investigated more closely, the establishment of a university is a complicated matter; thus the university in Strasbourg had already been founded in 1631, but after the Franco–Prussian War it was re-established in 1872 as ‘Reichs-Universität Straßburg’, and five years later it became one of the universities named ‘Kaiser- Wilhelms-Universität’. -
Inhaltsverzeichnis
Inhaltsverzeichnis i Frank Wedekind Bödslins «Helvetia» . 7 Arno Holz Die Kunst. Ihr Wesen und ihre Gesetze 10 Franz Mehring Der Kapitalismus und die Kunst 18 Richard Dehmel An Hans Thoma ... 23 Richard Dehmel An Detlev von Lilien- cron 24 Franz Bley Aubrey Beardsley ; 27 Heinrich Mann Das Stelldichein . 30 Carl Hauptmann An Otto Modersohn . 34 II Hugo von Hofmannsthal Die Farben . 39 Rainer Maria Rilke Worpswede .... 43 Frank Wedekind Münchens Niedergang als Kunststadt 63 Hans Mackowsky Hans Baluschek ... 66 Hermann Bahr Impressionismus . .••. 73 Julius Meier-Graefe Courbet., 82 Franz Mehring Zum Tode Menzels ... 89 Otto Julius Bierbaum Fritz von Uhde . 94 Franz Mehring Rembrandt 96 Rainer Maria Rilke An Clara Rilke ... 98 Rainer Maria Rilke An Clara Rilke . • . 102 http://d-nb.info/204814979 Inhaltsverzeichnis Karl Scheffler Die Impressionisten . 105 Oskar Bie Leistikow 110 Oskar Bie Cezanne 113 Julius Meier-Graefe Paul Cezanne ... 116 Julius Meier-Graefe Vincent van Gogh . 120 Georg Heym An John Wolf söhn in Berlin 123 Philipp Franck Corinth und Golgatha . 124 Maximilian Harden Lenbach 127 III Oskar Bie Max Liebermann 133 Julius Meier-Graefe Auguste Renoir . .136 Alfred Döblin Die Bilder der Futuristen . 140 Julius Meier-Graefe Edouard Manet - Die «Olympia» 144 Herbert Eulenberg Eine deutsche Male- rin - Paula Modersohn-Becker 154 Max Dauthendey - Munch in Berlin . 163 Annette Kolb Torschlußtypen 166 Wieland Herzfelde John Heartfield ... 170 Else Lasker-Schüler Oskar Kokoschka . 172 Max Brod Über die Schönheit häßlicher Bilder 174 Karl Scheffler Die neue Generation ... 177 Hans Hildebrandt Die Frühbilder Picassos 184 Ludwig Rubiner Maler bauen Barrikaden . 189 Hermann Bahr Expressionismus .... 203 Rosa Luxemburg Brief an Marta Rosen- baum 209 Adolf Behne August Macke 210 Theodor Däubler Paul Gauguin .