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Current History, the European War Volume I, by the New York Times Company
12/4/2020 The Project Gutenberg eBook of Current History, The European War Volume I, by The New York Times Company. The Project Gutenberg EBook of New York Times, Current History, Vol 1, Issue 1, by Various This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: New York Times, Current History, Vol 1, Issue 1 From the Beginning to March, 1915 With Index Author: Various Release Date: October 5, 2004 [EBook #13635] Language: English Character set encoding: ISO-8859-1 *** START OF THIS PROJECT GUTENBERG EBOOK NEW YORK TIMES, CURRENT *** Produced by Juliet Sutherland, Miranda van de Heijning and the PG Online Distributed Proofreading Team. CURRENT HISTORY A MONTHLY MAGAZINE THE EUROPEAN WAR VOLUME I. From the Beginning to March, 1915 With Index https://www.gutenberg.org/files/13635/13635-h/13635-h.htm 1/226 12/4/2020 The Project Gutenberg eBook of Current History, The European War Volume I, by The New York Times Company. NEW YORK THE NEW YORK TIMES COMPANY 1915 Copyright 1914, 1915, By The New York Times Company CONTENTS NUMBER I. WHAT MEN OF LETTERS SAY Page COMMON SENSE ABOUT THE WAR 11 By George Bernard Shaw SHAW'S NONSENSE ABOUT BELGIUM 60 By Arnold Bennett BENNETT STATES THE GERMAN CASE 63 By George Bernard Shaw FLAWS IN SHAW'S LOGIC 65 By Cunninghame Graham EDITORIAL COMMENT ON SHAW 66 SHAW EMPTY OF GOOD SENSE 68 By Christabel Pankhurst COMMENT BY READING OF SHAW 73 OPEN LETTER TO PRESIDENT WILSON 76 By George Bernard Shaw A GERMAN LETTER TO G. -
The Rhinehart Collection Rhinehart The
The The Rhinehart Collection Spine width: 0.297 inches Adjust as needed The Rhinehart Collection at appalachian state university at appalachian state university appalachian state at An Annotated Bibliography Volume II John higby Vol. II boone, north carolina John John h igby The Rhinehart Collection i Bill and Maureen Rhinehart in their library at home. ii The Rhinehart Collection at appalachian state university An Annotated Bibliography Volume II John Higby Carol Grotnes Belk Library Appalachian State University Boone, North Carolina 2011 iii International Standard Book Number: 0-000-00000-0 Library of Congress Catalog Number: 0-00000 Carol Grotnes Belk Library, Appalachian State University, Boone, North Carolina 28608 © 2011 by Appalachian State University. All rights reserved. First Edition published 2011 Designed and typeset by Ed Gaither, Office of Printing and Publications. The text face and ornaments are Adobe Caslon, a revival by designer Carol Twombly of typefaces created by English printer William Caslon in the 18th century. The decorative initials are Zallman Caps. The paper is Carnival Smooth from Smart Papers. It is of archival quality, acid-free and pH neutral. printed in the united states of america iv Foreword he books annotated in this catalogue might be regarded as forming an entity called Rhinehart II, a further gift of material embodying British T history, literature, and culture that the Rhineharts have chosen to add to the collection already sheltered in Belk Library. The books of present concern, diverse in their -
Arbeitende Bilder« Die Skulptur Im Deutschen Kaiserreich Zwischen Künstlerischer Aneignung Und Sozialer Wirklichkeit
Aus: Sarah Czirr »Arbeitende Bilder« Die Skulptur im Deutschen Kaiserreich zwischen künstlerischer Aneignung und sozialer Wirklichkeit November 2018, 488 S., kart., zahlr. Abb. 49,99 € (DE), 978-3-8376-4373-2 E-Book: PDF: 49,99 € (DE), ISBN 978-3-8394-4373-6 Skulpturen im Deutschen Kaiserreich waren meist kostenintensive Auftrags- bzw. kleinformatige Reproduktionskunst mit einem hohen Grad an Öffentlichkeit. Dies scheint mit dem gerade im 19. Jahrhundert vertretenen Diktum der autonomen Kunst im Widerspruch zu stehen. Zudem war der Kunstdiskurs bestimmt von einer Kontro- verse um die Ikonografie der Moderne. Sarah Czirr untersucht in diesem Kontext das sich eröffnende Spannungsfeld von künstlerischer Aneignung und sozialer Wirklich- keit, in dem Skulpturen in Zeiten der Industrialisierung zu »arbeitenden Bildern«, zu produktiven Akteuren verschiedener Seiten werden, ohne dass die Gesetze der »Kunst- wirklichkeit« je außer Kraft treten. Sarah Czirr, geb. 1979, ist promovierte Kunsthistorikerin und wissenschaftliche Mit- arbeiterin des Instituts Moderne im Rheinland an der Heinrich-Heine-Universität Düs- seldorf. Von 2011 bis 2015 war sie wissenschaftliche Mitarbeiterin in der ZERO-Foun- dation Düsseldorf. Weiteren Informationen und Bestellung unter: www.transcript-verlag.de/978-3-8376-4373-2 © 2018 transcript Verlag, Bielefeld Inhalt 1 Vorwort | 7 2 Einleitung | 9 2.1 Fragestellung | 19 2.2 Methodischer Zugriff | 22 3 Systeme und Diskurse | 35 3.1 Sozialgeschichte | 35 3.1.1 Wirtschaft | 37 3.1.2 Gesellschaft | 39 3.1.3 Politik | 46 3.2 -
A Topic-Aligned Multilingual Corpus of Wikipedia Articles for Studying Information Asymmetry in Low Resource Languages
Proceedings of the 12th Conference on Language Resources and Evaluation (LREC 2020), pages 2373–2380 Marseille, 11–16 May 2020 c European Language Resources Association (ELRA), licensed under CC-BY-NC A Topic-Aligned Multilingual Corpus of Wikipedia Articles for Studying Information Asymmetry in Low Resource Languages Dwaipayan Roy, Sumit Bhatia, Prateek Jain GESIS - Cologne, IBM Research - Delhi, IIIT - Delhi [email protected], [email protected], [email protected] Abstract Wikipedia is the largest web-based open encyclopedia covering more than three hundred languages. However, different language editions of Wikipedia differ significantly in terms of their information coverage. We present a systematic comparison of information coverage in English Wikipedia (most exhaustive) and Wikipedias in eight other widely spoken languages (Arabic, German, Hindi, Korean, Portuguese, Russian, Spanish and Turkish). We analyze the content present in the respective Wikipedias in terms of the coverage of topics as well as the depth of coverage of topics included in these Wikipedias. Our analysis quantifies and provides useful insights about the information gap that exists between different language editions of Wikipedia and offers a roadmap for the Information Retrieval (IR) community to bridge this gap. Keywords: Wikipedia, Knowledge base, Information gap 1. Introduction other with respect to the coverage of topics as well as Wikipedia is the largest web-based encyclopedia covering the amount of information about overlapping topics. -
Modeling Popularity and Reliability of Sources in Multilingual Wikipedia
information Article Modeling Popularity and Reliability of Sources in Multilingual Wikipedia Włodzimierz Lewoniewski * , Krzysztof W˛ecel and Witold Abramowicz Department of Information Systems, Pozna´nUniversity of Economics and Business, 61-875 Pozna´n,Poland; [email protected] (K.W.); [email protected] (W.A.) * Correspondence: [email protected] Received: 31 March 2020; Accepted: 7 May 2020; Published: 13 May 2020 Abstract: One of the most important factors impacting quality of content in Wikipedia is presence of reliable sources. By following references, readers can verify facts or find more details about described topic. A Wikipedia article can be edited independently in any of over 300 languages, even by anonymous users, therefore information about the same topic may be inconsistent. This also applies to use of references in different language versions of a particular article, so the same statement can have different sources. In this paper we analyzed over 40 million articles from the 55 most developed language versions of Wikipedia to extract information about over 200 million references and find the most popular and reliable sources. We presented 10 models for the assessment of the popularity and reliability of the sources based on analysis of meta information about the references in Wikipedia articles, page views and authors of the articles. Using DBpedia and Wikidata we automatically identified the alignment of the sources to a specific domain. Additionally, we analyzed the changes of popularity and reliability in time and identified growth leaders in each of the considered months. The results can be used for quality improvements of the content in different languages versions of Wikipedia. -
Erich Mercker and “Technical Subjects”: Industrial Painting in the Eras of Weimar and Nazi Germany
H-Labor-Arts Erich Mercker and “Technical Subjects”: Industrial Painting in the Eras of Weimar and Nazi Germany Discussion published by Patrick Jung on Saturday, October 7, 2017 (Copyright 2008, Society of Industrial Archeology and reprinted with permission) From the author: This article was published earlier in Industrial Archaeology: The Journal of the Society for Industrial Archeology, vol. 34, nos. 1 & 2. It is reproduced here on H-Labor Arts to make it available to a wider audience. I wrote this article while I was in the midst of finishing a book-length manuscript on Erich Mercker, who was, undoubtedly, one of the top industrial artists in Germany from 1919 to 1945. He and his contemporaries (e.g., Fritz Gärtner, Franz Gerwin, Ria Picco-Rückert, Leonhard Sandrock, and Richard Gessner) constituted a school of artists who I have provisionally labeled the “Heroic School” of German industrial art from 1919 to 1945. The Grohmann Museum in Milwaukee, Wisconsin has paintings produced by virtually all of these artists. It also has more than 90 paintings by Erich Mercker, more than any other art museum in the world. Thus, it is fitting this article should appear on the H-Labor Arts site titled “From the Grohmann….” I also hope this essay will spur more research into Mercker and his “Heroic School” contemporaries, all of whom produced some of the most stunning examples of industrial art during the course of the early twentieth century. Those interested in reading the full-length biography on Erich Mercker (for which this article paved the way) should contact the Grohmann Museum at [email protected]. -
Omnipedia: Bridging the Wikipedia Language
Omnipedia: Bridging the Wikipedia Language Gap Patti Bao*†, Brent Hecht†, Samuel Carton†, Mahmood Quaderi†, Michael Horn†§, Darren Gergle*† *Communication Studies, †Electrical Engineering & Computer Science, §Learning Sciences Northwestern University {patti,brent,sam.carton,quaderi}@u.northwestern.edu, {michael-horn,dgergle}@northwestern.edu ABSTRACT language edition contains its own cultural viewpoints on a We present Omnipedia, a system that allows Wikipedia large number of topics [7, 14, 15, 27]. On the other hand, readers to gain insight from up to 25 language editions of the language barrier serves to silo knowledge [2, 4, 33], Wikipedia simultaneously. Omnipedia highlights the slowing the transfer of less culturally imbued information similarities and differences that exist among Wikipedia between language editions and preventing Wikipedia’s 422 language editions, and makes salient information that is million monthly visitors [12] from accessing most of the unique to each language as well as that which is shared information on the site. more widely. We detail solutions to numerous front-end and algorithmic challenges inherent to providing users with In this paper, we present Omnipedia, a system that attempts a multilingual Wikipedia experience. These include to remedy this situation at a large scale. It reduces the silo visualizing content in a language-neutral way and aligning effect by providing users with structured access in their data in the face of diverse information organization native language to over 7.5 million concepts from up to 25 strategies. We present a study of Omnipedia that language editions of Wikipedia. At the same time, it characterizes how people interact with information using a highlights similarities and differences between each of the multilingual lens. -
Network Map of Knowledge And
Humphry Davy George Grosz Patrick Galvin August Wilhelm von Hofmann Mervyn Gotsman Peter Blake Willa Cather Norman Vincent Peale Hans Holbein the Elder David Bomberg Hans Lewy Mark Ryden Juan Gris Ian Stevenson Charles Coleman (English painter) Mauritz de Haas David Drake Donald E. Westlake John Morton Blum Yehuda Amichai Stephen Smale Bernd and Hilla Becher Vitsentzos Kornaros Maxfield Parrish L. Sprague de Camp Derek Jarman Baron Carl von Rokitansky John LaFarge Richard Francis Burton Jamie Hewlett George Sterling Sergei Winogradsky Federico Halbherr Jean-Léon Gérôme William M. Bass Roy Lichtenstein Jacob Isaakszoon van Ruisdael Tony Cliff Julia Margaret Cameron Arnold Sommerfeld Adrian Willaert Olga Arsenievna Oleinik LeMoine Fitzgerald Christian Krohg Wilfred Thesiger Jean-Joseph Benjamin-Constant Eva Hesse `Abd Allah ibn `Abbas Him Mark Lai Clark Ashton Smith Clint Eastwood Therkel Mathiassen Bettie Page Frank DuMond Peter Whittle Salvador Espriu Gaetano Fichera William Cubley Jean Tinguely Amado Nervo Sarat Chandra Chattopadhyay Ferdinand Hodler Françoise Sagan Dave Meltzer Anton Julius Carlson Bela Cikoš Sesija John Cleese Kan Nyunt Charlotte Lamb Benjamin Silliman Howard Hendricks Jim Russell (cartoonist) Kate Chopin Gary Becker Harvey Kurtzman Michel Tapié John C. Maxwell Stan Pitt Henry Lawson Gustave Boulanger Wayne Shorter Irshad Kamil Joseph Greenberg Dungeons & Dragons Serbian epic poetry Adrian Ludwig Richter Eliseu Visconti Albert Maignan Syed Nazeer Husain Hakushu Kitahara Lim Cheng Hoe David Brin Bernard Ogilvie Dodge Star Wars Karel Capek Hudson River School Alfred Hitchcock Vladimir Colin Robert Kroetsch Shah Abdul Latif Bhittai Stephen Sondheim Robert Ludlum Frank Frazetta Walter Tevis Sax Rohmer Rafael Sabatini Ralph Nader Manon Gropius Aristide Maillol Ed Roth Jonathan Dordick Abdur Razzaq (Professor) John W. -
A Computational Translation of the Phaistos Disk Peter Revesz University of Nebraska-Lincoln, [email protected]
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln CSE Conference and Workshop Papers Computer Science and Engineering, Department of 10-1-2015 A Computational Translation of the Phaistos Disk Peter Revesz University of Nebraska-Lincoln, [email protected] Follow this and additional works at: http://digitalcommons.unl.edu/cseconfwork Part of the Comparative and Historical Linguistics Commons, Computational Linguistics Commons, Computer Engineering Commons, Electrical and Computer Engineering Commons, Language Interpretation and Translation Commons, and the Other Computer Sciences Commons Revesz, Peter, "A Computational Translation of the Phaistos Disk" (2015). CSE Conference and Workshop Papers. 312. http://digitalcommons.unl.edu/cseconfwork/312 This Article is brought to you for free and open access by the Computer Science and Engineering, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in CSE Conference and Workshop Papers by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Mathematical Models and Computational Methods A Computational Translation of the Phaistos Disk Peter Z. Revesz several problems. First, a symbol may be interpreted as Abstract— For over a century the text of the Phaistos Disk denoting many different objects. Second, the depicted object remained an enigma without a convincing translation. This paper could have many synonyms in the native language. Third, presents a novel semi-automatic translation method -
Humboldt and the Modern German University
5 Tradition under debate During the final years of the 1950s, the period of actual reconstruction came to an end. Material standards had risen considerably, and the sombre, anxious atmosphere that was typical of the first half of the decade had given way to confidence in a brighter future. An artistic avant-garde broke with prevalent aesthetic principles; a public reckoning with Nazism gradually got under way; and a younger generation began to make itself heard in social debate. Many said farewell to the Adenauer era even before the ageing Federal Chancellor left his post in 1963. These years, c. 1957–1965, stand out as a comparatively distinct phase in West German post-war history, a phase that can be separated from the preceding and ensuing ones. ‘Dynamic times’ is a label given by historians to this period of just under ten years.1 In spite of the growth and spread of prosperity, there was a simmering discontent in many circles. One underlying cause was the incomplete democratisation. True, the parliamentary system had taken hold and been consolidated; but West German society was not seen as entirely democratic. More and more people made more and more insistent demands for reform – a keyword for the 1960s. Especially the younger generation did not feel at home in an order where older men held all the important positions of power. As an 1 Dynamische Zeiten: Die 60er Jahre in den beiden deutschen Gesellschaften, ed. by Axel Schildt, Detlef Siegfried & Karl Christian Lammers (Hamburg, 2000); Schildt & Siegfried, Deutsche Kulturgeschichte, pp. 179–244. Other important interpreters of the history of the Federal Republic use a similar vocabulary: In Die geglückte Demokratie: Geschichte der Bundesrepublik Deutschland von ihren Anfängen bis zur Gegenwart (Stuttgart, 2006), Edgar Wolfrum speaks of the 1960s in terms of ‘dynamism and liberalisation’ while ‘transformation’ and ‘the euphoria of modernity’ are keywords in Ulrich Herbert, Geschichte Deutschlands im 20. -
The German Influence on the Life and Thought of W.E.B. Dubois. Michaela C
University of Massachusetts Amherst ScholarWorks@UMass Amherst Masters Theses 1911 - February 2014 2001 The German influence on the life and thought of W.E.B. DuBois. Michaela C. Orizu University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/theses Orizu, Michaela C., "The German influence on the life and thought of W.E.B. DuBois." (2001). Masters Theses 1911 - February 2014. 2566. Retrieved from https://scholarworks.umass.edu/theses/2566 This thesis is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Masters Theses 1911 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. THE GERMAN INFLUENCE ON THE LIFE AND THOUGHT OF W. E. B. DU BOIS A Thesis Presented by MICHAELA C. ORIZU Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of MASTER OF ARTS February 2001 Political Science THE GERMAN INFLUENCE ON THE LIE AND THOUGHT OF W. E. B. DU BOIS A Master’s Thesis Presented by MICHAELA C. ORIZU Approved as to style and content by; Dean Robinson, Chair t William Strickland, Member / Jerome Mileur, Member ad. Department of Political Science ACKNOWLEDGEMENTS I like would to thank my advisors William Strickland and Dean Robinson for their guidance, insight and patient support during this project as well as for the inspiring classes they offered. Many thanks also to Prof. Jerome Mileur for taking interest in my work and joining my thesis committee at such short notice. -
A Diet for a Sensitive Soul: Vegetarianism in Eighteenth-Century Britain
A Diet for a Sensitive Soul: Vegetarianism in Eighteenth-Century Britain Anita Guerrini While vegetarianism has a long history in Western culture, it reemerged forcefully in late seventeenth- and eighteenth-century Britain. Three main motivations for vegetarianism converged in this period: religious, medical, and moral. In addition, a vegetarian diet entered mainstream medical and popular thought in the works of the physician George Cheyne. By the time of Joseph Ritson's Essay on Abstinence from Animal Food in 1802, however, vegetarianism was about to rejoin the irrational fringe, exemplified in the nineteenth century by Sylvester Graham and his followers. 1 In this essay, I shall focus on three vegetarians of the period: the radical hatter Thomas Tryon (1634-1703), George Cheyne (1671-1743), and the man of letters Joseph Ritson (1752-1803). Cheyne's work, especially his Essay of Health and Long Life (1724) and The English Malady (1733), defined the nascent concept of the sensitive character and explicitly connected it to diet and lifestyle. To Cheyne, a vegetarian diet was preeminently a diet for the sensitive soul. Over the century, the sensitive soul negotiated a path from the overtly religious Tryon to the covertly religious Cheyne to the professedly antireligious Ritson. To each, in addition, vegetarianism was part of a wider critique of contemporary society. Tryon was one of a number of religiously motivated vegetarians in the period following the English Civil War. 2 The context of his ideas can be delineated by examining an earlier