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February 2019 a Winter Wonderland That Warms Your Spirit
CHINAINSIGHT Fostering business and cultural harmony between China and the U.S. VOL. 18 NO. 2 February 2019 A winter wonderland that warms your spirit . News, p. 4 Business & Economy, p. 5 Language, p. 7 The 35th Harbin International Ice and Snow Festival, the largest in the world, is celebrated during Harbin’s Sister Cities Conference. See pages 8-9. Books, p. 11 Community Minneapolis artist Paul Kwok exhibits at Chung Chi College in Hong Kong By Greg Hugh More than 100 guests recently attended Kwok currently lives in Minneapolis an exhibit of landscape paintings titled “In with his partner Pat Hui where they also and Out of Tradition” by Paul Ka Yin Kwok share a studio at Traffic Zone Center for Arts & Culture, p. 14 held at Chung Chi College of The Chinese Visual Art. The studio was the site of the University of Hong Kong from which Kwok recent group discussion of “Crazy Rich graduated in 1967. Asians” held by the Chinese Heritage Foundation. ♦ In This Issue Arts & Culture 12-14 Right: Books 10-11 Pat Hui Business & Economy 5 and Kwok in front of Community 8-9 one of his Events 15-16 paintings Government & Politics 6 Language 7 Officiating at the ribbon cutting ceremony was News 3-4 (far left Professor Fong Wing Ping, head of Pronouncements 2 college; and artist Kwok (second from left). Recent CHF discussion at studio. PAGE 2 / February 2019 pronouncements www.chinainsight.info Publisher’s Pronouncements CHINAINSIGHT Greetings and Gung Hay Fat Choy (Happy New Year): As we went to press with this issue of We also are pleased to announce that a team player. -
A Comprehensive Exploration of the Genetic Legacy and Forensic Features of Afghanistan and Pakistan Mongolian-Descent Hazara
See discussions, stats, and author profiles for this publication at: https://www.researchgate.net/publication/333992859 A comprehensive exploration of the genetic legacy and forensic features of Afghanistan and Pakistan Mongolian-descent Hazara Article in Forensic Science International: Genetics · June 2019 DOI: 10.1016/j.fsigen.2019.06.018 CITATIONS READS 0 253 11 authors, including: Guanglin He Atif Adnan Sichuan University China Medical University (PRC) 73 PUBLICATIONS 210 CITATIONS 28 PUBLICATIONS 47 CITATIONS SEE PROFILE SEE PROFILE Allah Rakha Ivy Hui-Yuan Yeh University of Health Sciences Lahore Nanyang Technological University 42 PUBLICATIONS 161 CITATIONS 32 PUBLICATIONS 103 CITATIONS SEE PROFILE SEE PROFILE Some of the authors of this publication are also working on these related projects: Y-Chromosomal Investigation for Common Ancestral Components between Worldwide Jewish and Yousafzai Population from Pakistan View project RM Y-STRs pedigree study from Pakistan View project All content following this page was uploaded by Guanglin He on 25 June 2019. The user has requested enhancement of the downloaded file. Forensic Science International: Genetics xxx (xxxx) xxx-xxx Contents lists available at ScienceDirect Forensic Science International: Genetics journal homepage: www.elsevier.com Short communication A comprehensive exploration of the genetic legacy and forensic features of Afghanistan and Pakistan Mongolian-descent Hazara Guanglin He a , b , ⁎ ⁎⁎, 1 , Atif Adnan c , 1 , Allah Rakha d , Hui-Yuan Yeh e , Mengge Wang -
Quand Le Bambou Répond Au Phénix
UNIVERSITE PARIS – SORBONNE François PICARD Quand le bambou répond au phénix Observatoire Musical Français Documents de recherche Série Histoire, théorie, analyse n° 12 2007 Picard Quand le bambou répond au phénix 2 Quand le bambou répond au phénix Comme en écho à la trilogie « Musique, Mythe, Nature »1, une histoire chinoise raconte comment un ministre chargé de trouver la juste hauteur des notes coupa des bambous et comment à leur son répondit le phénix. Cette célèbre histoire met en scène les trois éléments, sous la forme d’un mythe qui lie musique et nature ; une étude critique des sources précédera un historique de leur transmission, puis nous examinerons les lectures à la lumière des autres données archéologiques ou ethnographiques avant d’arriver à une proposition de lecture et d’interprétation. Ce texte se veut bien évidemment hommage à François-Bernard Mâche, érudit, musicien, musicologue, parrain de l’archéologie musicale, penseur, qui reste pour moi un modèle et un maître, à qui je dois tant. Une histoire, plusieurs textes -236 Lü Buwei : le texte source 黃帝令伶倫作為律。伶倫自大夏之西,乃之阮隃之陰,取竹於嶰 谿之谷,以生空竅厚鈞者,斷兩節間,其長三寸九分而吹之,以為黃 鐘之宮─吹曰舍少。次制十二筒。以之阮隃之下,聽鳳凰之鳴,以別 十二律。其雄鳴為六,雌鳴亦六。以比黃鐘之宮適合,黃鐘之宮,皆 可以生之。故曰,黃鐘之宮,律呂之本。黃帝又命伶倫與榮將,鑄十 二鐘,以和五音,以施《英》《韶》;以仲春之月,乙卯之日,日在 奎奏之,命之曰“咸池”。 呂不韋『呂氏春秋』。仲夏記.古樂 Huangdi ling Linglun zuowei lü. Linglun zi Daxia zhi xi, naizhi Ruan Yu zhi yin, qu zhu yu Xiexi zhi yu, yi sheng kong qiaodun junzhe, duan liang jie jian, qi zhang san cun jiu fen er chui zhi, yi wei huangzhong zhi gong — chui yue she shao. -
Ethnic Minority Development Plan
Public Disclosure Authorized World Bank Financed Guiyang Rural Road Project Public Disclosure Authorized Ethnic Minority Development Plan Public Disclosure Authorized World Bank Financed Guiyang Transport Project Management Office Public Disclosure Authorized August, 2013 1 Abbreviations DPs Displaced Persons EMDP Ethnic Minority Development Plan GNP Gross National Product IMO Independent Monitoring Organization OP Operational Policy PAD Project Appraisal Document PAPs Project Affected Persons PDI Project Design Institute PFSR Project Feasibility Study Report PMO Project Management Office PPAs Project Affected Areas PRO Project Resettlement Office PSA Project Social Assessment PSR Project Supervision Report RAP Resettlement Action Plan RO Resettlement Office RPF Resettlement Policy Framework SAT Social Assessment Team 2 Contents 1 Ethnic Minority Development Plan Preparation ........................................... 5 1-1 Major Findings of Social Assessment for the Project ............................................. 5 1-2 the Objectives of EMDP................................................................................................... 9 1-3 Method and Procedures for EMDP Preparation ......................................................... 9 2 Brief Description of Ethnic Minorities in PAAs ........................................ 11 2-1 Distribution of Ethnic Minorities in PAAS ................................................................ 11 2-2 Customs and Culture of Ethnic Minorities in PPAs ................................................ -
De La Música Tradicional De China. Selección
Discografía de la música tradicional de China. Selección Biblioteca Fundación Juan March Esta selección discográfica ha sido preparada con motivo de la exposición El principio Asia. China, Japón e India y el arte contemporáneo en España (1957-2017) y del ciclo de cinco conciertos Oriente y la música occidental. Durante la preparación de esta discografía no han sido incluidos numerosos registros publicados en China de muy difícil localización en Occidente. Tampoco se mencionan grabaciones sonoras anteriores al vinilo. Las músicas que aparecen en estos discos son un breve apunte de la riqueza musical tradicional que aún se practica en este país. Muchos de estos soportes sonoros han sido y son, además, fuente de estudio para compositores e intérpretes occidentales. La influencia de estas músicas sobre las técnicas compositivas, el timbre vocal e instrumental o sobre la concepción del tiempo musical es esencial para comprender una gran parte de la historia musical del siglo XX. Selección discográfica de José Luis Maire Biblioteca Fundación Juan March Abril de 2018 Música y canto budista La liturgia budista y taoísta en China tiene una historia de casi 2000 años y todavía se practica ampliamente en la actualidad. Desde su llegada a China hasta las llamadas tres dinastías del Norte y del Sur (420-589 d. C.), el budismo sufrió un proceso de consolidación hasta su profunda adaptación. Como numerosos documentos históricos demuestran (textos, pinturas y esculturas), el budismo introdujo en China nuevos géneros y prácticas rituales de una manera progresiva. Uno de los géneros más representativos y específicos de la liturgia vocal china es el denominado canto fanbei, caracterizado por la construcción de melodías melismáticas surgidas como consecuencia de un proceso de transculturación con las formas nativas de China. -
Hmong Music in Northern Vietnam: Identity, Tradition and Modernity Qualification: Phd
Access to Electronic Thesis Author: Lonán Ó Briain Thesis title: Hmong Music in Northern Vietnam: Identity, Tradition and Modernity Qualification: PhD This electronic thesis is protected by the Copyright, Designs and Patents Act 1988. No reproduction is permitted without consent of the author. It is also protected by the Creative Commons Licence allowing Attributions-Non-commercial-No derivatives. If this electronic thesis has been edited by the author it will be indicated as such on the title page and in the text. Hmong Music in Northern Vietnam: Identity, Tradition and Modernity Lonán Ó Briain May 2012 Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Music University of Sheffield © 2012 Lonán Ó Briain All Rights Reserved Abstract Hmong Music in Northern Vietnam: Identity, Tradition and Modernity Lonán Ó Briain While previous studies of Hmong music in Vietnam have focused solely on traditional music, this thesis aims to counteract those limited representations through an examination of multiple forms of music used by the Vietnamese-Hmong. My research shows that in contemporary Vietnam, the lives and musical activities of the Hmong are constantly changing, and their musical traditions are thoroughly integrated with and impacted by modernity. Presentational performances and high fidelity recordings are becoming more prominent in this cultural sphere, increasing numbers are turning to predominantly foreign- produced Hmong popular music, and elements of Hmong traditional music have been appropriated and reinvented as part of Vietnam’s national musical heritage and tourism industry. Depending on the context, these musics can be used to either support the political ideologies of the Party or enable individuals to resist them. -
Guiyang Integrated Water Resources Management Sector Project
Ethnic Minorities Development Plan Yudongxia Reservoir Urban Water Supply Subproject Ethnic Minorities Development Plan Document Stage: Draft Project Number: P38594 September 2006 PRC: Guiyang Integrated Water Resources Management Sector Project Prepared by Black & Veatch (Asia) Ltd., in conjunction with the Guiyang Municipal Government for the Asian Development Bank (ADB). The ethnic minorities development plan is a document of the borrower. The views expressed herein do not necessarily represent those of ADB’s Board of Directors, Management, or staff, and may be preliminary in nature. GUIYANG INTEGRATED WATER RESOURCES MANAGEMENT PROJECT IN THE PEOPLES REPUBLIC OF CHINA Ethnic Minorities Development Plan Yudongxia Reservoir Urban Water Supply Subproject September 5 , 2006 GUIYANG MUNICIPAL GOVERNMENT THIS REPORT WAS PREPARED BY THE BORROWER AND IS NOT AN ADB DOCUMENT ENDORSEMENT OF THE ETHNIC MINORITIES DEVELOPMENT PLAN The Guiyang Municipal Government has requested, via the Central Government of the Peoples Republic of China, a loan from the Asian Development Bank (ADB) to finance part of the Guiyang Integrated Water Resources Management Project. The Project will therefore be implemented in accordance with the social safeguards policies of the ADB. This Ethnic Minorities Development Plan represents a key requirement of the ADB. The EMDP presents the situation and actions to be taken to comply with social safeguards concerning ethnic minorities for the subproject. It includes procedures for implementation and monitoring to ensure that the EMDP prepared for this subproject of the sector loan will be effectively executed. The Guiyang Municipal Government hereby endorses the attached EMDP and guarantees that funds will be made available as stipulated in the budget. -
China As an Issue: Artistic and Intellectual Practices Since the Second Half of the 20Th Century, Volume 1 — Edited by Carol Yinghua Lu and Paolo Caffoni
China as an Issue: Artistic and Intellectual Practices Since the Second Half of the 20th Century, Volume 1 — Edited by Carol Yinghua Lu and Paolo Caffoni 1 China as an Issue is an ongoing lecture series orga- nized by the Beijing Inside-Out Art Museum since 2018. Chinese scholars are invited to discuss topics related to China or the world, as well as foreign schol- ars to speak about China or international questions in- volving the subject of China. Through rigorous scruti- nization of a specific issue we try to avoid making generalizations as well as the parochial tendency to reject extraterritorial or foreign theories in the study of domestic issues. The attempt made here is not only to see the world from a local Chinese perspective, but also to observe China from a global perspective. By calling into question the underlying typology of the inside and the outside we consider China as an issue requiring discussion, rather than already having an es- tablished premise. By inviting fellow thinkers from a wide range of disciplines to discuss these topics we were able to negotiate and push the parameters of art and stimulate a discourse that intersects the arts with other discursive fields. The idea to publish the first volume of China as An Issue was initiated before the rampage of the coron- avirus pandemic. When the virus was prefixed with “China,” we also had doubts about such self-titling of ours. However, after some struggles and considera- tion, we have increasingly found the importance of 2 discussing specific viewpoints and of clarifying and discerning the specific historical, social, cultural and political situations the narrator is in and how this helps us avoid discussions that lack direction or substance. -
Appendix 1. a Brief Description of China's 56 Ethnic Groups
Appendix 1. A Brief Description of China’s 56 Ethnic Groups Throughout history, race, language and religion have divided China as much as physical terrain, political fiat and conquest.1 However, it is always a politically sensitive issue to identify those non-Han people as different ethnic groups. As a result, the total number of ethnic groups has never been fixed precisely in China. For example, in 1953, only 42 ethnic peoples were identified, while the number increased to 54 in 1964 and 56 in 1982. Of course, this does not include the unknown ethnic groups as well as foreigners with Chinese citizenship.2 Specifically, China’s current 56 ethnic groups are, in alphabetical order, Achang, Bai, Baonan, Blang, Buyi, Dai, Daur, Deang, Derung, Dong, Dongxiang, Ewenki, Gaoshan, Gelao, Han, Hani, Hezhe, Hui, Jing, Jingpo, Jino, Kazak, Kirgiz, Korean, Lahu, Lhoba, Li, Lisu, Manchu, 1 The text is prepared by Rongxing Guo based on the following sources: (i) The Ethnic Minorities in China (title in Chinese: “zhongguo shaoshu minzu”, edited by the State Ethnic Affairs Commission (SEAC) of the People’s Republic of China and published in 2010 by the Central Nationality University Press, Beijing) and (ii) the introductory text of China’s 56 ethnic groups (in Chinese, available at http://www.seac.gov.cn/col/col107/index.html, accessed on 2016–06–20). 2 As of 2010, when the Sixth National Population Census of the People’s Republic of China was conducted, the populations of the unknown ethnic groups and foreigners with Chinese citizenship were 640,101 and 1448, respectively. -
The World of Tan Dun: the Central Importance of Eight Memories in Watercolor, Op
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2014 The orW ld of Tan Dun: The eC ntral Importance of Eight Memories in Watercolor, Op. 1 Lin Tian Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Music Commons Recommended Citation Tian, Lin, "The orldW of Tan Dun: The eC ntral Importance of Eight Memories in Watercolor, Op. 1" (2014). LSU Doctoral Dissertations. 1819. https://digitalcommons.lsu.edu/gradschool_dissertations/1819 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. THE WORLD OF TAN DUN: THE CENTRAL IMPORTANCE OF EIGHT MEMORIES IN WATERCOLOR, OP. 1 A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in The School of Music By Lin Tian B.M., Shandong University, 2009 M.M., University of Tennessee at Knoxville, 2011 July, 2014 ACKNOWLEDGEMENTS I would like to thank my major professor Mr. Gregory Sioles for everything he has done for me throughout my doctorate study at LSU. Thank you for teaching me not only to be a better musician, but also a better person. Thank you for all the effects you have put into guiding me through the process of writing this dissertation. -
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Advances in Social Science, Education and Humanities Research, volume 341 5th International Conference on Arts, Design and Contemporary Education (ICADCE 2019) Living Inheritance of Ancient Miao Songs in Southern Sichuan* Jia Yu Southwest Minzu University Chengdu, China Abstract—Ancient Miao songs in southern Sichuan are a literature. In the earliest collection of poems in China, "The living expression of Miao people's ideology and a vivid Book of Songs", there are verses such as "blowing reed-pipe reflection of their unique culture and religious beliefs. It is the wind instrument and playing reed, blowing reed-pipe wind special performance and inheritance environment of the ancient Miao songs in southern Sichuan that makes the ancient instrument and reed-pipe wind instrument, playing reed" songs form the "text" style of the combination of vocal music, and so on. In "The Book of Songs·Xiaoya", there are also instrumental music and even dance rhythm. Only in its folk six lost poems, namely, "Nangai", "Baihua", "Huashu", environment can it really survive. "Yougeng", "Chongqiu" and "Yuyi". "The annals of Xuyong Yongning County" contains: "Miao people data on Keywords—the Miao nationality in southern Sichuan; the high mountains in early January, date Gaofu, and dance ancient songs; living inheritance with each other." For the people of marriage, men blow reed-pipe wind instrument; women play mouth harps; and I. INTRODUCTION they will sing to each other. When Yang Sheng'an saw the Ancient Miao songs are collective creation epics written Miao people's grand mountain-stepping party, he wrote orally by the ancient Miao people. They are rich in content poems and praised it: "men and women dance with the and complete in categories. -
Population Genetics, Diversity and Forensic Characteristics of Tai–Kadai‑Speaking Bouyei Revealed by Insertion/Deletions Markers
Molecular Genetics and Genomics (2019) 294:1343–1357 https://doi.org/10.1007/s00438-019-01584-6 ORIGINAL ARTICLE Population genetics, diversity and forensic characteristics of Tai–Kadai‑speaking Bouyei revealed by insertion/deletions markers Guanglin He1,2 · Zheng Ren3 · Jianxin Guo2 · Fan Zhang3 · Xing Zou1 · Hongling Zhang3 · Qiyan Wang3 · Jingyan Ji3 · Meiqing Yang3 · Ziqian Zhang2 · Jing Zhang2 · Yilizhati Nabijiang2 · Jiang Huang3 · Chuan‑Chao Wang2 Received: 25 December 2018 / Accepted: 30 May 2019 / Published online: 13 June 2019 © Springer-Verlag GmbH Germany, part of Springer Nature 2019 Abstract China, inhabited by over 1.3 billion people and known for its genetic, cultural and linguistic diversity, is considered to be indispensable for understanding the association between language families and genetic diversity. In order to get a better understanding of the genetic diversity and forensic characteristics of Tai–Kadai-speaking populations in Southwest China, we genotyped 30 insertion/deletion (InDel) markers and amelogenin in 205 individuals from Tai–Kadai-speaking Bouyei people using the Qiagen Investigator DIPplex amplifcation kit. We carried out a comprehensive population genetic relation- ship investigation among 14,303 individuals from 84 worldwide populations based on allele frequency correlation and 4907 genotypes of 30 InDels from 36 populations distributed in all continental or major subregions and seven linguistic phyla in China. Forensic parameters observed show highly polymorphic and informative features for Asians,