The BG News March 31, 2004
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An Examination of the Causes of Education Policy Outputs in Ontario, Saskatchewan, and Alberta
Why Do Parties Not Make a Difference? An Examination of the Causes of Education Policy Outputs in Ontario, Saskatchewan, and Alberta By Saman Chamanfar A thesis submitted in conformity with the requirements of the degree of Ph.D. Political Science University of Toronto © Copyright by Saman Chamanfar 2017 Why Do Parties Not Make a Difference? An Examination of the Causes of Education Policy Outputs in Ontario, Saskatchewan, and Alberta Saman Chamanfar Doctor of Philosophy Political Science University of Toronto 2017 Abstract This study seeks to explain why partisanship—contrary to what we might expect based on the findings of other studies concerning social policies—is generally not a useful explanatory variable when examining the primary and secondary education policies of three Canadian provinces (Ontario, Saskatchewan, and Alberta) during two periods (the 1970s and 1990- 2008). Four specific areas of the education sector of the provinces will be examined: objectives of curricula; spending; ministry relations with school boards; and government policies concerning private and charter schools. Utilizing a qualitative approach and building on the findings of other studies on provincial education systems, it will be argued that in order to understand why the three provinces generally adopted similar policies in both periods, regardless of the differences in the ideologies of governing parties, we need to consider the causal effect of key ideas in both periods. In addition, it will be shown that opposition parties in most instances did not present policies that differed from those of governing parties or criticize the policies of such parties. This will further illustrate the limited usefulness of adopting a partisanship lens when seeking to understand the policy positions of various parties in the provinces concerning the education sector. -
Intimidators 2014 Media Guide
Kannapolis Intimidators 2888 Moose Rd. Email: [email protected] Kannapolis, NC 28082 Website: www.IntimidatorsBaseball.com Team Offices: (704) 932-3267 Affiliation: White Sox (2001) Fax: (704) 938-7040 Press Box: (704) 933-7800 Front Office Staff Ownership Smith Family Baseball President Brad Smith General Manager Randy Long [email protected] Director of Media Relations/Broadcaster Josh Feldman [email protected] Director of Operations Darren Cozart [email protected] Director of Ticket Operations Brandon Wilson [email protected] Promotions Coordinator Amber Sersen [email protected] Head Groundskeeper Billy Ball [email protected] Assistant Grounds Keeper Mitchell Houton [email protected] Media Information Media Guidelines & Procedures CREDENTIALS- To obtain press credentials please call Media Relations Director Josh Feldman at (704) 932-3267 x107 or email [email protected]. Phone requests should be made at least one day before each game. All credentials can be picked up at the CMC-NorthEast Stadium Will Call Window at the F&M Bank Box Office. CLUBHOUSES- All visits to the clubhouse must be cleared by the Kannapolis Intimidators media relations staff. The clubhouse will typically be open to accredited media up to 45 minutes prior to game time. There will be no admittance during rain delays or between games of doubleheaders, unless designated beforehand. Please allow for a 10-minute “cooling off period” upon completion of game before entering the clubhouse unless other arrangements have been made. PRESS BOX- The press box is located directly behind home plate and is open to all working media. Press notes and statistics are provided to the media approximately two hours before each game. -
Lublin Studies in Modern Languages and Literature
Lublin Studies in Modern Languages and Literature VOL. 43 No 2 (2019) ii e-ISSN: 2450-4580 Publisher: Maria Curie-Skłodowska University Lublin, Poland Maria Curie-Skłodowska University Press MCSU Library building, 3rd floor ul. Idziego Radziszewskiego 11, 20-031 Lublin, Poland phone: (081) 537 53 04 e-mail: [email protected] www.wydawnictwo.umcs.lublin.pl Editorial Board Editor-in-Chief Jolanta Knieja, Maria Curie-Skłodowska University, Lublin, Poland Deputy Editors-in-Chief Jarosław Krajka, Maria Curie-Skłodowska University, Lublin, Poland Anna Maziarczyk, Maria Curie-Skłodowska University, Lublin, Poland Statistical Editor Tomasz Krajka, Lublin University of Technology, Poland International Advisory Board Anikó Ádám, Pázmány Péter Catholic University, Hungary Monika Adamczyk-Garbowska, Maria Curie-Sklodowska University, Poland Ruba Fahmi Bataineh, Yarmouk University, Jordan Alejandro Curado, University of Extramadura, Spain Saadiyah Darus, National University of Malaysia, Malaysia Janusz Golec, Maria Curie-Sklodowska University, Poland Margot Heinemann, Leipzig University, Germany Christophe Ippolito, Georgia Institute of Technology, United States of America Vita Kalnberzina, University of Riga, Latvia Henryk Kardela, Maria Curie-Sklodowska University, Poland Ferit Kilickaya, Mehmet Akif Ersoy University, Turkey Laure Lévêque, University of Toulon, France Heinz-Helmut Lüger, University of Koblenz-Landau, Germany Peter Schnyder, University of Upper Alsace, France Alain Vuillemin, Artois University, France v Indexing Peer Review Process 1. Each article is reviewed by two independent reviewers not affiliated to the place of work of the author of the article or the publisher. 2. For publications in foreign languages, at least one reviewer’s affiliation should be in a different country than the country of the author of the article. -
Music 5364 Songs, 12.6 Days, 21.90 GB
Music 5364 songs, 12.6 days, 21.90 GB Name Album Artist Miseria Cantare- The Beginning Sing The Sorrow A.F.I. The Leaving Song Pt. 2 Sing The Sorrow A.F.I. Bleed Black Sing The Sorrow A.F.I. Silver and Cold Sing The Sorrow A.F.I. Dancing Through Sunday Sing The Sorrow A.F.I. Girl's Not Grey Sing The Sorrow A.F.I. Death of Seasons Sing The Sorrow A.F.I. The Great Disappointment Sing The Sorrow A.F.I. Paper Airplanes (Makeshift Wings) Sing The Sorrow A.F.I. This Celluloid Dream Sing The Sorrow A.F.I. The Leaving Song Sing The Sorrow A.F.I. But Home is Nowhere Sing The Sorrow A.F.I. Hurricane Of Pain Unknown A.L.F. The Weakness Of The Inn Unknown A.L.F. I In The Shadow Of A Thousa… Abigail Williams The World Beyond In The Shadow Of A Thousa… Abigail Williams Acolytes In The Shadow Of A Thousa… Abigail Williams A Thousand Suns In The Shadow Of A Thousa… Abigail Williams Into The Ashes In The Shadow Of A Thousa… Abigail Williams Smoke and Mirrors In The Shadow Of A Thousa… Abigail Williams A Semblance Of Life In The Shadow Of A Thousa… Abigail Williams Empyrean:Into The Cold Wastes In The Shadow Of A Thousa… Abigail Williams Floods In The Shadow Of A Thousa… Abigail Williams The Departure In The Shadow Of A Thousa… Abigail Williams From A Buried Heart Legend Abigail Williams Like Carrion Birds Legend Abigail Williams The Conqueror Wyrm Legend Abigail Williams Watchtower Legend Abigail Williams Procession Of The Aeons Legend Abigail Williams Evolution Of The Elohim Unknown Abigail Williams Forced Ingestion Of Binding Chemicals Unknown Abigail -
Crescent" Student Newspaper Archives and Museum
Digital Commons @ George Fox University "The Crescent" Student Newspaper Archives and Museum 11-2-2001 "The Crescent" Student Newspaper, November 2, 2001 George Fox University Archives Follow this and additional works at: https://digitalcommons.georgefox.edu/the_crescent Recommended Citation George Fox University Archives, ""The Crescent" Student Newspaper, November 2, 2001" (2001). "The Crescent" Student Newspaper. 1241. https://digitalcommons.georgefox.edu/the_crescent/1241 This Book is brought to you for free and open access by the Archives and Museum at Digital Commons @ George Fox University. It has been accepted for inclusion in "The Crescent" Student Newspaper by an authorized administrator of Digital Commons @ George Fox University. For more information, please contact [email protected]. NO, NOT MEL GIB C R O S S C O U N T R Y URBAN SERVICES SON, BUT CLOSE - COMES TO A Food and companion Theatre veteran Mel C L O S E - T h e B r u i n ship offered to the Schroder shares his pas i, V : ^ I men and women fin homelessby selfless sion for drama — V ish strong — students — A&E, page 8 Sports, page 10 News, page 2 Crescent George Fox University, Newberg, Oregon Friday, November 2, 2001 Issue 5, Vol. CXVIII Hatfield Health fair: stop the spread of sickness LISA DELZER chicken soup to cure the flu she expense - especially on a campus spiritual health, to nutritional presents like ours, where sickness spreads advice from the family and con Staff Writer already knows is coming, join the George Fox community at the rapidly. sumer sciences, it promises to be view on h e a l t h f a i r i n t h e E H S a t r i u m Many departments will be a great way to learn how to stay "Hi, Mom. -
College Voice Vol. 31 No. 18
Connecticut College Digital Commons @ Connecticut College 2006-2007 Student Newspapers 4-6-2007 College Voice Vol. 31 No. 18 Connecticut College Follow this and additional works at: https://digitalcommons.conncoll.edu/ccnews_2006_2007 Recommended Citation Connecticut College, "College Voice Vol. 31 No. 18" (2007). 2006-2007. 20. https://digitalcommons.conncoll.edu/ccnews_2006_2007/20 This Newspaper is brought to you for free and open access by the Student Newspapers at Digital Commons @ Connecticut College. It has been accepted for inclusion in 2006-2007 by an authorized administrator of Digital Commons @ Connecticut College. For more information, please contact [email protected]. The views expressed in this paper are solely those of the author. First Class • U.S. Postage PAID Permit #35 <- o e e oice New London, CT:' PUBUSflED WEEKLY BY THE STUDENTS OF CONNECTICUT COLLEGE VOLUME XXXI· NUMBER 18 FRIDAY, APRIL 6, 2007 CONNECTICUT COLLEGE, NEW LONDON, CT SAC Unveils Floralia Lineup __ OK Go, Girl Talk To Perform BY PAUL DRYDEN ances with the band's signature "geek rock outfits," a&e associate editor The campus is also eagerly anticipating Girl Talk, the stage SAC announced this spring's nanne for Gregg Gillis, who first Floralia lineup during a presentation reached the eyes and ears of Cannels at dinner in Harris this past Sunday with bis electrifying performance on night. Corning more than a month the docks in downtown New London before the actual Floralia date, as part of I Am Festival last Saturday, May 5, the lineup's head- September. Ever since then, Girl liners are some of the most notewor- Talk has been exploding across cann- thy in recent memory. -
This Day in Hornets History
THIS DAY IN HORNETS HISTORY January 1, 2005 – Emeka Okafor records his 19th straight double-double, the longest double-double streak by a rookie since 12-time NBA All-Star Elvin Hayes registered 60 straight during the 1968-69 season. January 2, 1998 – Glen Rice scores 42 points, including a franchise-record-tying 28 in the second half, in a 99-88 overtime win over Miami. January 3, 1992 – Larry Johnson becomes the first Hornets player to be named NBA Rookie of the Month, winning the award for the month of December. January 3, 2002 – Baron Davis records his third career triple-double in a 114-102 win over Golden State. January 3, 2005 – For the second time in as many months, Emeka Okafor earns the Eastern Conference Rookie of the Month award for the month of December 2004. January 6, 1997 – After being named NBA Player of the Week earlier in the day, Glen Rice scores 39 points to lead the Hornets to a 109-101 win at Golden State. January 7, 1995 – Alonzo Mourning tallies 33 points and 13 rebounds to lead the Hornets to the 200th win in franchise history, a 106-98 triumph over the Boston Celtics at the Hive. January 7, 1998 – David Wesley steals the ball and hits a jumper with 2.2 seconds left to lift the Hornets to a 91-89 win over Portland. January 7, 2002 – P.J. Brown grabs a career-high 22 rebounds in a 94-80 win over Denver. January 8, 1994 – The Hornets beat the Knicks for the second time in six days, erasing a 20-2 first quarter deficit en route to a 102-99 win. -
British Film and TV Since 1960 COM FT 316 (Core Course)
British Film and TV Since 1960 COM FT 316 (Core Course) Instructor Information Names Ms Kate Domaille; Dr Christine Fanthome Course Day and Meeting Time [Weekdays], [time] Course Location [Name] Room, 43 Harrington Gardens, SW7 4JU BU Telephone 020 7244 6255 Email Addresses [email protected]; [email protected] Office Hours By appointment Course Description In this course you will learn how British film and television has evolved from the 1960s to the present day You will undertake a series of case studies of British film and television genres and examine how the aesthetics, audience expectations and production conventions have changed over time You will develop a deep set of analytic skills for appreciating the evolution of British film and television The course provides opportunities to appreciate the specific evolution of film and television in the British context from the 1960s to the present day through the study of production conventions, representation and audiences. A close focus is placed on the development of film and television through an examination of industry movement and changing audience expectations over time. The course offers opportunities to analyse and evaluate social change through the medium of film and television. Subjects covered in individual sessions include comedy, crime, fantasy, art film and TV, youth culture, heritage drama, the ethics and logistics of filming in public spaces, documentary and social realism, and new documentary which will encompass reality TV and citizen journalism. Course Objectives On completion of the course, the successful student will show evidence of being able to: interpret film or television texts in terms of their understanding of the cultural contexts in which those works were created. -
Papers of John L. (Jack) Sweeney and Máire Macneill Sweeney LA52
Papers of John L. (Jack) Sweeney and Máire MacNeill Sweeney LA52 Descriptive Catalogue UCD Archives School of History and Archives archives @ucd.ie www.ucd.ie/archives T + 353 1 716 7555 F + 353 1 716 1146 © 2007 University College Dublin. All rights reserved ii CONTENTS CONTEXT Biographical history iv Archival history v CONTENT AND STRUCTURE Scope and content v System of arrangement vi CONDITIONS OF ACCESS AND USE Access xiv Language xiv Finding-aid xiv DESCRIPTION CONTROL Archivist’s note xiv ALLIED MATERIALS Allied Collections in UCD Archives xiv Related collections elsewhere xiv iii Biographical History John Lincoln ‘Jack’ Sweeney was a scholar, critic, art collector, and poet. Born in Brooklyn, New York, he attended university at Georgetown and Cambridge, where he studied with I.A. Richards, and Columbia, where he studied law. In 1942 he was appointed curator of Harvard Library’s Poetry Room (established in 1931 and specialising in twentieth century poetry in English); curator of the Farnsworth Room in 1945; and Subject Specialist in English Literature in 1947. Stratis Haviaras writes in The Harvard Librarian that ‘Though five other curators preceded him, Jack Sweeney is considered the Father of the Poetry Room …’. 1 He oversaw the Poetry Room’s move to the Lamont Library, ‘establishing its philosophy and its role within the library system and the University; and he endowed it with an international reputation’.2 He also lectured in General Education and English at Harvard. He was the brother of art critic and museum director, James Johnson Sweeney (Museum of Modern Art, New York; Solomon R. -
The Hilltop 3-30-2001
Howard University Digital Howard @ Howard University The iH lltop: 2000 - 2010 The iH lltop Digital Archive 3-30-2001 The iH lltop 3-30-2001 Hilltop Staff Follow this and additional works at: https://dh.howard.edu/hilltop_0010 Recommended Citation Staff, Hilltop, "The iH lltop 3-30-2001" (2001). The Hilltop: 2000 - 2010. 26. https://dh.howard.edu/hilltop_0010/26 This Book is brought to you for free and open access by the The iH lltop Digital Archive at Digital Howard @ Howard University. It has been accepted for inclusion in The iH lltop: 2000 - 2010 by an authorized administrator of Digital Howard @ Howard University. For more information, please contact [email protected]. ILLTOP The Student Voice of Howard University VOLUME 84, NO. 30 FRIDAY, MARCH 30, 2001 http://hilltop.howard.edu Caldwell-Colbert Named New University Provost By JOI C. llmLF.Y and I am delighted to have the opponunity to compared 10 that of a chancellor at another can Education and American Women, and she Hilltop Staff Writer serve as its new Provost and to become a pan university. Under President Swygen, she is is also a member of Phi Delta Kappa. of the Howard experience. The opponunity next in command,'' said Lacy. A selection comminee appointed by Pres A. Toy Caldwell-Colber1, Ph.Q, was to serve at such a prestigious institution in this University Provost Designate Caldwell ident Swygen recommended Caldwell-Cole tapped to serve as the University's second capacity is humbling," CaldweU-Colben said Colben, a board certified clinical psycholo man. Swygen sent the task force on a mission Provost and chiefacademic officer March 14. -
2002 Men's NCAA Basketball Records Book
Sta_MBB01_sp 10/10/01 11:19 AM Page 175 Statistical Leaders 2001 Division I Individual Leaders .. .1 7 6 2001 Division I Game Highs.. .1 7 8 2001 Division I Team Leaders .. .1 8 0 2002 Division I Top Returne e s. .1 8 2 2001 Division II Individual Leaders .. .1 8 4 2001 Division II Game Highs.. .1 8 6 2001 Division II Team Leaders .. .1 8 8 2001 Division III Individual Leaders .. .1 8 9 2001 Division III Game Highs .. .1 9 2 2001 Division III Team Leaders .. .1 9 3 Stat_MBKB01 10/9/01 1:53 PM Page 176 17 6 2001 DIVISION I INDIVIDUAL LEADERS 2001 Division I Individual Leaders Sc o r i n g Cl . Ht . G TF G FG A Pc t . 3F G FG A Pc t . FT FT A Pc t . Re b . Av g . Pt s . Av g . 1. Ronnie McCollum, Centenary (La.) ...........Sr. 6-4 27 244 592 41.2 85 252 33.7 214 236 90.7 101 3.7 787 29.1 2. Kyle Hill, Eastern Ill. ...............................Sr. 6-2 31 250 529 47.3 86 199 43.2 151 180 83.9 151 4.9 737 23.8 3. Dewayne Jefferson, Miss. Val. .................Sr. 6-3 27 216 500 43.2 107 285 37.5 98 121 81.0 173 6.4 637 23.6 4. Tarise Bryson, Illinois St. .........................Sr. 6-1 30 208 447 46.5 62 174 35.6 207 252 82.1 118 3.9 685 22.8 5. Henry Domercant, Eastern Ill. -
Labor Relations, 16Mm Film and Euston Films
Scope: An Online Journal of Film and Television Studies Issue 26 February 2014 Labor Relations, 16mm Film and Euston Films Max Sexton, Birkbeck College, University of London Film as a technology has been used, adapted and implemented in particular ways within television. This article provides examples of this process along with its complexities and demonstrates how a system of regulated labor on British television during the 1970s shaped the aesthetic form that 16mm film was used to develop. The questions of how far the production process was guided by institutionalized conventions, however, is one that the article seeks to answer in its analysis of the function and form of the filmed television series produced by Euston Films, a subsidiary of Thames Television. Charles Barr (1996) has discussed the legacy of live television that seeks to develop analyses of the developing formal systems of early television. For example, the telerecordings of most of the Quatermass serials were only “television films” because they were recorded on film, but were not constructed or edited as film, although they may have used some film inserts. According to Barr, television drama may have been shot on film, but it was different from film. It was only later in the 1960s and 1970s that shooting on film meant that the studio drama was replaced by shooting on location on 16mm. Barr notes that in Britain, unlike in the US, if a growing proportion of drama was shot on film, dramas were still referred to as “plays.” Consequently, the TV plays-on-film were distinct from “films.” However, as this article demonstrates, the development of the 16mm film from the 1970s complicates some of the notions that television drama was either live or continued to be planned, shot and edited as a live play.