Pomerania in the Medieval and Renaissance Cartography… STUDIA MARITIMA, vol. XXXIII (2020) | ISSN 0137-3587 | DOI: 10.18276/sm.2020.33-04 Adam Krawiec Faculty of Historical Studies Adam Mickiewicz University, Poznań
[email protected] ORCID: 0000-0002-3936-5037 Pomerania in the Medieval and Renaissance Cartography – from the Cottoniana to Eilhard Lubinus Keywords: Pomerania, Duchy of Pomerania, medieval cartography, early modern cartography, maritime cartography The following paper deals with the question of the cartographical image of Pomer- ania. What I mean here are maps in the modern sense of the word, i.e. Graphic rep- resentations that facilitate a spatial understanding of things, concepts, conditions, processes, or events in the human world1. It is an important reservation because the line between graphic and non-graphic representations of the Earth’s surface in the Middle Ages was sometimes blurred, therefore the term mappamundi could mean either a cartographic image or a textual geographical description, and in some cases it functioned as an equivalent of the modern term “Geography”2. Consequently, there’s a tendency in the modern historiography to analyze both forms of the geographical descriptions together. However, the late medieval and early modern developments in the perception and re-constructing of the space led to distinguishing cartography as an autonomous, full-fledged discipline of knowledge, and to the general acceptance of the map in the modern sense as a basic form of presentation of the world’s surface. Most maps which will be examined in the paper were produced in this later period, so it seems justified to analyze only the “real” maps, although in a broader context of the geographical imaginations.