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Into the Mainstream Guide to the Moving Image Recordings from the Production of Into the Mainstream by Ned Lander, 1988
Descriptive Level Finding aid LANDER_N001 Collection title Into the Mainstream Guide to the moving image recordings from the production of Into the Mainstream by Ned Lander, 1988 Prepared 2015 by LW and IE, from audition sheets by JW Last updated November 19, 2015 ACCESS Availability of copies Digital viewing copies are available. Further information is available on the 'Ordering Collection Items' web page. Alternatively, contact the Access Unit by email to arrange an appointment to view the recordings or to order copies. Restrictions on viewing The collection is open for viewing on the AIATSIS premises. AIATSIS holds viewing copies and production materials. Contact AFI Distribution for copies and usage. Contact Ned Lander and Yothu Yindi for usage of production materials. Ned Lander has donated production materials from this film to AIATSIS as a Cultural Gift under the Taxation Incentives for the Arts Scheme. Restrictions on use The collection may only be copied or published with permission from AIATSIS. SCOPE AND CONTENT NOTE Date: 1988 Extent: 102 videocassettes (Betacam SP) (approximately 35 hrs.) : sd., col. (Moving Image 10 U-Matic tapes (Kodak EB950) (approximately 10 hrs.) : sd, col. components) 6 Betamax tapes (approximately 6 hrs.) : sd, col. 9 VHS tapes (approximately 9 hrs.) : sd, col. Production history Made as a one hour television documentary, 'Into the Mainstream' follows the Aboriginal band Yothu Yindi on its journey across America in 1988 with rock groups Midnight Oil and Graffiti Man (featuring John Trudell). Yothu Yindi is famed for drawing on the song-cycles of its Arnhem Land roots to create a mix of traditional Aboriginal music and rock and roll. -
Cultural Heritage Series
VOLUME 4 PART 1 MEMOIRS OF THE QUEENSLAND MUSEUM CULTURAL HERITAGE SERIES © Queensland Museum PO Box 3300, South Brisbane 4101, Australia Phone 06 7 3840 7555 Fax 06 7 3846 1226 Email [email protected] Website www.qmuseum.qld.gov.au National Library of Australia card number ISSN 1440-4788 NOTE Papers published in this volume and in all previous volumes of the Memoirs of the Queensland Museum may be reproduced for scientific research, individual study or other educational purposes. Properly acknowledged quotations may be made but queries regarding the republication of any papers should be addressed to the Director. Copies of the journal can be purchased from the Queensland Museum Shop. A Guide to Authors is displayed at the Queensland Museum web site www.qmuseum.qld.gov.au/resources/resourcewelcome.html A Queensland Government Project Typeset at the Queensland Museum DR ERIC MJÖBERG’S 1913 SCIENTIFIC EXPLORATION OF NORTH QUEENSLAND’S RAINFOREST REGION ÅSA FERRIER Ferrier, Å. 2006 11 01: Dr Eric Mjöberg’s 1913 scientific exploration of North Queensland’s rainforest region. Memoirs of the Queensland Museum, Cultural Heritage Series 4(1): 1-27. Brisbane. ISSN 1440-4788. This paper is an account of Dr Eric Mjöberg’s travels in the northeast Queensland rainforest region, where he went, what observations he made, and what types of Aboriginal material culture items he collected and returned with to Sweden in 1914. Mjöberg, a Swedish entomologist commissioned by the Swedish government to document rainforest fauna and flora, spent seven months in the tropical rainforest region of far north Queensland in 1913, mainly exploring areas around the Atherton Tablelands. -
Araneae, Archaeidae) of Tropical North-Eastern Queensland Zookeys, 2012; 218(218):1-55
PUBLISHED VERSION Michael G. Rix, and Mark S. Harvey Australian assassins, Part III: a review of the assassin spiders (Araneae, Archaeidae) of tropical north-eastern Queensland ZooKeys, 2012; 218(218):1-55 © Michael G. Rix, Mark S. Harvey. This is an open access article distributed under the terms of the Creative Commons Attribution License 3.0 (CC-BY), which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited. Originally published at: http://doi.org/10.3897/zookeys.218.3662 PERMISSIONS CC BY 3.0 http://creativecommons.org/licenses/by/3.0/ http://hdl.handle.net/2440/86518 A peer-reviewed open-access journal ZooKeys 218:Australian 1–55 (2012) Assassins, Part III: A review of the Assassin Spiders (Araneae, Archaeidae)... 1 doi: 10.3897/zookeys.215.3662 MONOGRAPH www.zookeys.org Launched to accelerate biodiversity research Australian Assassins, Part III: A review of the Assassin Spiders (Araneae, Archaeidae) of tropical north-eastern Queensland Michael G. Rix1,†, Mark S. Harvey1,2,3,4,‡ 1 Department of Terrestrial Zoology, Western Australian Museum, Locked Bag 49, Welshpool DC, Perth, We- stern Australia 6986, Australia 2 Research Associate, Division of Invertebrate Zoology, American Museum of Natural History, New York, NY 10024, USA 3 Research Associate, California Academy of Sciences, 55 Music Concourse Drive, San Francisco, CA 94118, USA 4 Adjunct Professor, School of Animal Biology, University of Western Australia, 35 Stirling Highway, Crawley, Perth, Western Australia 6009, Australia † urn:lsid:zoobank.org:author:B7D4764D-B9C9-4496-A2DE-C4D16561C3B3 ‡ urn:lsid:zoobank.org:author:FF5EBAF3-86E8-4B99-BE2E-A61E44AAEC2C Corresponding author: Michael G. -
Teachers' Notes for Secondary Schools
artback nt: arts development and touring presents teachers’ notes for secondary schools teachers’ notes for secondary schools table of contents History - Djuki Mala [The Chooky Dancers] pg 3 Activity - Djuki Mala Zorba the Greek on YouTube pg 3 Activity - Online video - Elcho Island and The Chooky Dancers pg 3 Activity - Traditional dance comparison pg3 Home - Elcho Island pg 4 History pg 5 Activity - Macassar research pg 5 Activity - ‘Aboriginal’ vs ‘Indigenous’ pg 5 Activity - Gurrumul research pg 6 Activity - ‘My Island Home’ pg 6 Activity - Film: ‘Big Name No Blankets’ pg 6 Community pg 7 Activity - Elcho Island: Google Earth pg 7 Yolngu Culture pg 8 Activity - Film: ‘Yolgnu Boy’ + questions pg 8 Activity - Film: ‘Ten Canoes’ pg 9 Activity - Documentary: ‘Balanda and the Bark Canoes’ pg 9 Activity - Yolgnu culture clips online pg 9 Clans and Moieties pg 9 Activity - Clans and moieties online learning pg 9 Language pg 10 Activity - Yolngu greetings pg 10 Useful links and further resources pg 11 usage notes These notes are intended as a teaching guide only. They are suitable for high school students at different levels and teachers should choose from the given activities those that they consider most suitable for different year groups. The notes were developed by Mary Anne Butler for Artback NT: Arts Development and Touring. Thanks to Stuart Bramston, Shepherdson College, Jonathan Grassby, Linda Joy and Joshua Bond for their assistance. teachers’ notes page 2 of 11 History - Djuki Mala [T he Chooky Dancers] In 2007, on a basketball court in Ramingining, a group of Elcho Island dancers calling themselves the Chooky Dancers choreographed and performed a dance routine to the tune of Zorba the Greek. -
Recovery Plan for the Southern Cassowary Casuarius Casuarius Johnsonii Prepared by Peter Latch for the Cassowary Recovery Team
Recovery plan for the southern cassowary Casuarius casuarius johnsonii Prepared by Peter Latch for the Cassowary Recovery Team Title: Recovery plan for the southern cassowary Casuarius casuarius johnsonii Prepared by: Peter Latch for the Cassowary Recovery Team © The State of Queensland, Environmental Protection Agency, 2007 Copyright protects this publication. Except for purposes permitted by the Copyright Act, reproduction by whatever means is prohibited without the prior written knowledge of the Environmental Protection Agency. Inquiries should be addressed to PO Box 15155, CITY EAST, QLD 4002. Copies may be obtained from the: Executive Director Sustainable Communities Environmental Protection Agency PO Box 15155 CITY EAST QLD 4002 Disclaimer: The Australian Government, in partnership with the Environmental Protection Agency, facilitates the publication of recovery plans to detail the actions needed for the conservation of threatened native wildlife. This State approved recovery plan was prepared with financial support form the Australian Government and has been adopted as a National Recovery Plan under the provisions of the Commonwealth Environment Protection and Biodiversity Conservation Act 1999. The attainment of objectives and the provision of funds may be subject to budgetary and other constraints affecting the parties involved, and may also be constrained by the need to address other conservation priorities. Approved recovery actions may be subject to modification due to changes in knowledge and changes in conservation status. Publication reference: Latch, P. 2007. National recovery plan for the southern cassowary Casuarius casuarius johnsonii . Report to Department of the Environment, Water, Heritage and the Arts, Canberra. Environmental Protection Agency. 2 Contents Executive Summary................................................................................................................... 4 1. General information.............................................................................................................. -
1 Picturing a Golden Age: September and Australian Rules Pauline Marsh, University of Tasmania It Is 1968, Rural Western Austra
1 Picturing a Golden Age: September and Australian Rules Pauline Marsh, University of Tasmania Abstract: In two Australian coming-of-age feature films, Australian Rules and September, the central young characters hold idyllic notions about friendship and equality that prove to be the keys to transformative on- screen behaviours. Intimate intersubjectivity, deployed in the close relationships between the indigenous and nonindigenous protagonists, generates multiple questions about the value of normalised adult interculturalism. I suggest that the most pointed significance of these films lies in the compromises that the young adults make. As they reach the inevitable moral crisis that awaits them on the cusp of adulthood, despite pressures to abandon their childhood friendships they instead sustain their utopian (golden) visions of the future. It is 1968, rural Western Australia. As we glide along an undulating bitumen road up ahead we see, from a low camera angle, a school bus moving smoothly along the same route. Periodically a smattering of roadside trees filters the sunlight, but for the most part open fields of wheat flank the roadsides and stretch out to the horizon, presenting a grand and golden vista. As we reach the bus, music that has hitherto been a quiet accompaniment swells and in the next moment we are inside the vehicle with a fair-haired teenager. The handsome lad, dressed in a yellow school uniform, is drawing a picture of a boxer in a sketchpad. Another cut takes us back outside again, to an equally magnificent view from the front of the bus. This mesmerising piece of cinema—the opening of September (Peter Carstairs, 2007)— affords a viewer an experience of tranquillity and promise, and is homage to the notion of a golden age of youth. -
What Killed Australian Cinema & Why Is the Bloody Corpse Still Moving?
What Killed Australian Cinema & Why is the Bloody Corpse Still Moving? A Thesis Submitted By Jacob Zvi for the Degree of Doctor of Philosophy at the Faculty of Health, Arts & Design, Swinburne University of Technology, Melbourne © Jacob Zvi 2019 Swinburne University of Technology All rights reserved. This thesis may not be reproduced in whole or in part, by photocopy or other means, without the permission of the author. II Abstract In 2004, annual Australian viewership of Australian cinema, regularly averaging below 5%, reached an all-time low of 1.3%. Considering Australia ranks among the top nations in both screens and cinema attendance per capita, and that Australians’ biggest cultural consumption is screen products and multi-media equipment, suggests that Australians love cinema, but refrain from watching their own. Why? During its golden period, 1970-1988, Australian cinema was operating under combined private and government investment, and responsible for critical and commercial successes. However, over the past thirty years, 1988-2018, due to the detrimental role of government film agencies played in binding Australian cinema to government funding, Australian films are perceived as under-developed, low budget, and depressing. Out of hundreds of films produced, and investment of billions of dollars, only a dozen managed to recoup their budget. The thesis demonstrates how ‘Australian national cinema’ discourse helped funding bodies consolidate their power. Australian filmmaking is defined by three ongoing and unresolved frictions: one external and two internal. Friction I debates Australian cinema vs. Australian audience, rejecting Australian cinema’s output, resulting in Frictions II and III, which respectively debate two industry questions: what content is produced? arthouse vs. -
Patterns of Persistence of the Northern Quoll Dasyurus Hallucatus in Queensland
Surviving the toads: patterns of persistence of the northern quoll Dasyurus hallucatus in Queensland. Report to The Australian Government’s Natural Heritage Trust March 2008 Surviving the toads: patterns of persistence of the northern quoll Dasyurus hallucatus in Queensland. Report submitted to the Natural Heritage Trust Strategic Reserve Program, as a component of project 2005/162: Monitoring & Management of Cane Toad Impact in the Northern Territory. J.C.Z. Woinarski1, M. Oakwood2, J. Winter3, S. Burnett4, D. Milne1, P. Foster5, H. Myles3, and B. Holmes6. 1. Department of Natural Resources Environment and The Arts, PO Box 496, Palmerston, NT, 0831. 2. Envirotek, PO Box 180, Coramba NSW 2450 3. PO Box 151, Ravenshoe Qld 4888; and School of Marine and Tropical Biology, James Cook University, Townsville. 4. PO Box 1219, Maleny 4552; [email protected] Box 1219, Maleny, 4552 5. “Bliss" Environment Centre, 1023D Coramba Rd, Karangi NSW 2450 6. 74 Scott Rd, Herston 4006; [email protected] Photos: front cover – Northern quoll at Cape Upstart. Photo: M. Oakwood & P. Foster CONTENTS Summary 2 Introduction 4 relevant ecology 7 Methods 8 northern quoll Queensland distributional database 8 field survey 8 Analysis 10 change in historical distribution 10 field survey 11 Results 12 change in historical distribution 12 field survey 14 Discussion 15 Acknowledgements 19 References 20 List of Tables 1. Locations of study sites sampled in 2006-07. 25 2. Environmental and other attributes recorded at field survey transects. 27 3. Frequency distribution of quoll records across different time periods. 30 4. Comparison of quoll and non-quoll records for environmental variables. -
NYUNTU NGALI (You We Two) by Scott Rankin
Education Resources Pre‐Production STC Ed presents a Windmill and Big hART production NYUNTU NGALI (You We Two) by Scott Rankin PRE‐PRODUCTION RESOURCES About Sydney Theatre Company 2 About STCEd 2 Creative Team and Cast 2 About Windmill 3 About Big hART 3 Synopsis 4 Themes 4 Historical and social background of the play 5 Interview with the playwright 6 – 7 PRE‐PRODUCTION EXERCISES Storytelling 8 – 9 We are going 10 Photo: Tony Lewis Pijantjatjara 11 – 12 Education Resource compiled by Education manager Naomi Edwards, Education Coordinator Toni Murphy, Editor Lucy Goleby, Contributors Georgia Close, Kerreen Ely Harper and DiAnne McDonald KEY AIM of exercise or section + Extension Exercises Download and watch Drama Exercises English Exercises Play online NYUNTU NGALI Sydney Theatre Company Education Resources 2010 © Copyright protects this Education Resource. Except for purposes permitted by the Copyright Act, reproduction by whatever means is prohibited. However, limited photocopying for classroom use only is permitted by educational institutions. PRE‐PRODUCTION RESOURCES ABOUT SYDNEY THEATRE COMPANY www.sydneytheatre.com.au/about “PETROL: You can’t live without him. ABOUT STCED EVA: Can’t live without him. www.sydneytheatre.com.au/stced/about ROAM: We don’t care if you kill us, do we little one. Nyuntu Ngali Scene Five – Who are you? ” CREATIVE TEAM Writer and Director – Scott Rankin Musical Director and Community Producer – Beth Sometimes Lighting Designer – Nigel Levings Choreographer – Gina Rings Objects Designer – Elliat Rich AV -
I. KUNST UND KULTUR DER ABORIGINES Art+
FILME I. KUNST UND KULTUR DER ABORIGINES Art+Soul. A Personal Journey into the World of Aboriginal Art, DVD, Arthouse Films, Richmond, 2010 (mit Episoden zu Warlimpirrnga Tjapaltjarri, Yukultji Napangati und Doreen Reid Nakamarra) – ARTKELCH TIPP Art from the Heart, DVD, Ronin Films, Canberra, Australien, 1999 Battle of the Bands Live in Irrunytju, DVD, Ngaanyatjarra Media, Alice Springs, Australien, 2009 Benny and the Dreamers, DVD, National Film and Sound Archive, Acton, Australien, 2007 Bobtales, DVD, Film Australia, Lindfield, Australien, 1997 – ARTKELCH TIPP FÜR KINDER Colin Jones: A History of the Australian Aboriginal, Aboriginal Art… A Written Language, DVD, Harborne, Erskineville, Australien, 2005 Crocodile Dreaming, DVD, Ronin Films, Canberra, Australien, 2006 Culture Warriors, DVD, National Gallery of Australia (mit Episode über Maringka Baker) Darby. Stories and Songs, DVD, ABC Books, Sydney, Australien, 2006 Desert Country, DVD, Art Gallery of South Australia, Adelaide, Australien, 2011 Desert Heart, DVD, Rebel Films, Melbourne, Australien, 2007 (Film über die Kunstbewegung in Bidyadanga) Dreamings. The Art of Aboriginal Australia, DVD, Film Australia, Lindfield, Australien, 1988 First Australians, DVD, The Sydney Morning Herald, Sydney, Australien, 2008 Going Bush, DVD, Force Entertainment, Melbourne, Australien, 2005 Jack Dale Mengenen, DVD, 2010 Jedda, DVD, ScreenSound Australia, Sydney, Australien, 2004 Jila. Painted Waters of The Great Sandy Desert, DVD, Rebel Films, Melbourne, Australien, 2000 (Film über die Künstler in Fitzroy Crossing) – ARTKELCH TIPP Kanyini, DVD, Sand Hill Road Pictures, Melbourne, Australien, 2006 – ARTKELCH TIPP Kungkarangkalpa: Seven Sisters Songline, DVD, National Museum of Australia, Australien, 2013 Kunst und Mythos, DVD, Arte, Frankreich, 2011 (Film über die Künstlerin Ningura Napurulla in dt. Sprache) – ARTKELCH TIPP Lantana, DVD; Palace Films, Sydney, Australien, 2001 Luurnpa Dreaming. -
M.Ge^..B5^ UNIVERSITY of QUEENSLAND
THE UNIVERSITY OF QUEENSLAND Accepted for the award of on.lk.i;5g;^M.ge^..B5^ UNIVERSITY OF QUEENSLAND DEPARTMENT '^STOf^v ENVIRONMENTAL FACTORS AFFECTING TEACHING AND LEARNING IN NORTH QUEENSLAND 1875 -1905 A THESIS submitted in fiilfilment of the requirements for the degree of Doctor of Philosophy to the Department of History, University of Queensland MARY de JABRUN BA DipEd BEd(St) MEdSt(Qld) 1999 I hereby declare that the work presented in this thesis is, to the best of my knowledge and belief, original, except as acknowledged in the text, and the material has not been submitted, either in whole or in part, for a degree at this or any other university. Maiy de JaJoim (J ABSTRACT This thesis is about primary schooling in tiie region of north Queensland between 1875 and 1905. Specifically, it examines teaching and learning as an intCTactive process between the participants in the educational enterprise and tiieir particular environments. Guiding the study are ethnogr^hic and narrative ^^proaches which take account of human agency, especially tiie capacity of the northem communities, including teachers, pupils and officials, to interconnect the diversity of their social and economic landscapes with the formal requirements of secular schooling. In the period from 1875 to 1905, primary schooling expanded in numerical terms but was provided unevenly across the colony at both the system and community levels. Disruption was part of the estabUshing process, but the location was as much with families, communities and teachers as with the newly-formed Department of Pubhc Instruction. Where schooling took place was important. -
Yolngu Boy Tail Credits
Directed by Stephen Johnson Producers Patricia Edgar Gordon Glenn Writer Chris Anastassiades Executive Producers Patricia Edgar Stephen Johnson Associate Producers Galarrwuy Yunupingu Mandawuy Yunupingu Director of Photography Brad Shield Editor Ken Sallows Original Music By Mark Ovenden Production Designer Sarah Stollman Casting Director Maggie Miles Line Producer Elisa Argenzio Lorrpu John Sebastian (Sebbie) Pilakui Botj Sean Mununggurr Milika Nathan Daniels Yuwan Lirrina Mununggurr Matjala Makuma Yunupingu Dawu Nungki Yunupingu Maralitja Man Mangatjay Yunupingu Policeman Gurkula Lunginy Gerard Buyan Garrawurra Botj (9 years) Garritjpi Garawirrtja Lorrpu (9 years) Buywarri Mununggurr Milika (9 years) Buwata Mununggurr Ruwu (I Wanna Kick!) Yithangarra Wunungmurra Lorrpu's Father Lalambarri Yunupingu Milika's Father Balupalau Yunupingu Botj's Dad Malati Yunupingu Botj's Mother Merriki Ganambarr Umpire Garry Dhurrkay Football Coach Vernon Kenneth Lesley Patullo Dhunthun Andrew Galitju Burarrwanga Crying Woman Allyson Mills Ngarli Woman at Hospital Mary Yunupingu Djarrak Player Grant Gambley Crowd #1 Gurumin Marika Policeman at Wharf Joe Clements 1st Assistant Director John Martin Script Editors Gordon Glenn Stephen Johnson Sound Recordist Andrew Belletty Continuity Chrissie O'Connell Costume Designer Jill Johanson Make Up and Hair Designer Trish Glover Dramaturg Nico Lathouris Location Manager Peter Muston Production Accountant Janine Martorejo Moneypenny Services Post Production Supervisor Elisa Argenzio Focus Puller Brett Matthews Clapper