Read Ebook {PDF EPUB} Black Teacher by Beryl Gilroy Black Teacher

Total Page:16

File Type:pdf, Size:1020Kb

Read Ebook {PDF EPUB} Black Teacher by Beryl Gilroy Black Teacher Read Ebook {PDF EPUB} Black Teacher by Beryl Gilroy Black Teacher. Beryl Gilroy, the pioneering writer, teacher and ethno-psychotherapist of the ‘Windrush generation’, was born in 1924 in British Guiana, where during her twenties she trained and worked as teacher, arriving in London in 1952. Initially, however, the prejudice and racism of her prospective employees prevented her from securing a teaching post. Today, Gilroy is well known as the first Black head teacher in London and for her contribution to multi-racial education. Before 1976, the year that Black Teacher was published, Gilroy wrote a series of children's readers largely due to her frustration with the racist teaching materials she found in her classroom cupboard. Arguably, Black Teacher was published for its contribution to 1970s debates on Britain's failure to provide relevant materials and methods for a culturally-fair education. Beryl Gilroy. Beryl Gilroy, who has died of a heart attack aged 76, was a novelist, writer, London's first black head teacher and one of Britain's most significant post-war Caribbean migrants. Born in Springlands, Berbice, Guyana (then British Guiana), she grew up in a family with a commitment to learning - rather than the current rigid system of schooling. The interplay between valuing curiosity and the thorough acquisition of skills helped foster a mind of great creativity. She was also growing up at a time when anti-colonial radicalism and pro-worker politics inspired hope. From 1943 to 1945, Beryl attended Georgetown's teachers' training college, leaving with a first-class diploma. After graduation, she taught and lectured for the Unicef's nutrition programme. She always maintained that her decision to go for further study in England, rather than the United States, was decided by exchange rates rather than visions of Britain. Arriving in 1951, after initially facing problems in finding employment as a teacher, she taught from 1953-56 in Inner London Education Authority schools. It was a period recounted in her autobiographical Black Teacher (1976). The publisher softened her book, fearing for its sales, but it was a harsher account of the conditions of her mainly white, working-class pupils, and of the obstacles facing black teachers, than that of ER Braithwaite's To Sir With Love (1959). Braithwaite was one of the first post-war West Indian writers resident in London whom Beryl got to know. She also retained a special affection for the writer and editor Andrew Salkey. For a key period in the 1950s, Salkey was the writer-in-residence and main presenter in the BBC World Service's Caribbean section, and he was generous in his support of young, especially women, writers. Taking women seriously as writers - unless they were dead - was unusual among that group. At a conference to honour Salkey, held a few years before his death in 1995, she forcibly stressed that point. Her own creative writing for adults would be delayed for decades. She continued to add to her academic qualifications - and found people who shared her radical politics. The broad progressive alliances that she knew from Guyana she met again in England. Most importantly, in a personal sense, she found her English husband Patrick. With their loving marriage to support her, from 1959 to 1968 - when she rejoined the ILEA - she devoted her energies to bringing up her family, but managed to fit in writing textbooks and books for children. As the parent of "mixed-race" children - a curious term seeming to question the humanity of one parent - she encountered as much nonsense from the supposedly better-educated as she had in her working-class schools. Her own good sense and Patrick's support helped her remain unscathed. In 1968, she became deputy head and then head of Beckford primary school. Some of her experiences are in Black Teacher, but a sequel never appeared. In 1982, she joined London University's Institute of Education and the Ilea's Centre for Multicultural Education. This ended her direct involvement in schools but opened a new phase in her career, in which she applied her psychological knowledge to her teaching experience. Later, she got a doctorate in counselling psychology. The death of her husband in 1975 affected her and her children deeply, but she learnt from it. All this contributed to her understanding of children, which she passed on to friends and teachers, both in Britain and the US. The hideous politics of Guyana stopped her doing that work there. She was also a founder member of Camden Black Sisters. The mid-1980s marked a return to her abiding interest of writing. She showed herself once more an innovator. Her first novel, Frangipani House (1986), set in Guyana, explored issues of ageing, hitherto absent in West Indian novels. She began to explore the history of the Caribbean and African diaspora in the period of slavery. Steadman And Joanna (1996) was the first of these; her most recent, the as-yet unpublished She Wore Silk, has as its central character a black woman involved in the Gordon Riots of 1780. Her qualities as a writer were more slowly appreciated by critics than readers. For her work in education and her writing, the Institute of Education made her a fellow, and the University of North London conferred an honorary doctorate. She is survived by her son Paul, her daughter Darla, and two grandchildren. Jessica and Eric Huntley write: Years after she left her birthplace of Springlands, on the banks of the Corantyne River, and sharing a border with Dutch-speaking Suriname, Beryl Gilroy transformed its oral history into prose and poetry. The young Beryl, at a time when most children were at school, spent time with her grandparents and many aunts, immersing herself in the folklore, sayings, knowledge of medicinal plants, and stories of the Ndjukas, across the river in Suriname. There was no learning by rote for her, and her fantastic memory stored those days to become the subject matter for her stories. In Georgetown, after graduation, the authorities provided early recognition that she was an especially gifted teacher. Unicef aside, she became head of the infant section of Broad Street government school - a premier institution in its day - teaching by activity, as her extended family had in Springlands. In a sense, that 1951 arrival in England meant that she had come home, for, like many of her generation, she was a colonial at heart, even if those early years in the "mother country" tested her resilience. But there were those other expats to relieve the gloom: people such as Andrew Salkey, George Lamming from Barbados (whose The Emigrants was published in 1954), and Samuel Selvon (The Lonely Londoners, 1956). We had the pleasure of working with Beryl on the Bogle-L'Ouverture reprint of Black Teacher (1994). She was the best publicist of her work, always full of confidence - even in the last few months when her work was obviously inhibited by illness, she was planning an American lecture tour. For the past 26 years, Beryl was a widow, much like those aunts of her childhood. "It is not easy being a widow, or a widower for that matter, although lonely widows always buzz around a man on his own," she wrote to us last December. She had written a story on the subject, based on a friend's experience of how he had made his choice between four women. "They all had to cook," she went on. "Three made elaborate meals and one gave him 'Welsh Rabbit', his favourite: he had cooked it for himself since his wife died and eating it was one way of being with her, in loving intimacy." ​ Beryl Gilroy, teacher and writer, born August 30 1924; died April 4 2001. Windrush Stories. Woman version: Beryl Gilroy's Black Teacher this is vos layout title --> Article written by: Sandra Courtman Theme: Authors, artists and activists Published: 4 Oct 2018. Beryl Gilroy, the pioneering writer, teacher and ethno-psychotherapist of the ‘ Windrush generation’, was born in 1924 in British Guiana, where during her twenties she trained and worked as teacher. Her gifts were acknowledged in Guiana and she expected to be valued and welcomed when she arrived in London in August 1952. Initially, however, the prejudice and racism of her prospective employees prevented her from securing a teaching post. Today, Gilroy is well known as the first black head teacher in London and for her contribution to multi-racial education. Yet her autobiography based on these experiences, Black Teacher (1976), is rarely read or considered as literature . [1] Black Teacher is an unconventional autobiography and is Gilroy’s experiment with an intermediary form – somewhere between fiction and autobiography, with a distinct non-linear structure. Autobiography more usually begins with childhood and progresses through the formative stages of the author's life. Black Teacher , however, begins in the present from the perspective of a conquering heroine. The narrator then shifts the time frame back to her expectations on leaving university and moves forward from 1953. It has 13 short chapters depicting spirited battles which see her finally get work as a teacher, followed by a promotion to headship. The text contains several episodes which depict Gilroy’s encounters with the British workforce and the low-paid jobs she was forced to take during the period that she was rejected for teaching appointments. When later discussing Black Teacher , Gilroy said that there was a need ‘… to set the record straight. There had been Ted Braithwaite’s To Sir with Love [1959] and Don Hinds’ Journey to an Illusion [1966] but the woman’s experiences had never been stated.’ [2] Photograph of Beryl Gilroy.
Recommended publications
  • Critiques of Humanism in the Works of Beryl Gilroy, Claudia Jones and Sylvia Wynter
    Caribbean Literary Interventions: Critiques of Humanism in the Works of Beryl Gilroy, Claudia Jones and Sylvia Wynter Inaugural-Dissertation zur Erlangung des Doktorgrades der Philosophie des Fachbereiches 05 – Sprache, Literatur, Kultur der Justus-Liebig-Universität Gießen vorgelegt von Lea Hülsen aus 30163 Hannover 2020 Dekan: Prof. Dr. Thomas Möbius 1. Berichterstatter: Dr. habil. Michael Basseler 2. Berichterstatter: Prof. Dr. Sabine Broeck Tag der Disputation: 02.07.2020 ii Acknowledgments I have to be completely honest. Writing a dissertation was not easy. Most of the time it was simply hard work. More than once I reached the limits of what I thought I could do or achieve. I had to realise that writing a dissertation not only means thinking about and developing an argument for years, but to acknowledge and accept the change it effects on a personal level. In the end I also learned that writing a dissertation was more than hard work — it was a process of getting closer to the person I would like to become. I want to thank Ansgar Nünning for founding the Graduate Centre for the Study of Culture (GCSC) as well as the International PhD Programme (IPP). I was welcomed warmly in Gießen in October 2015 and deeply appreciate the institutional, academic, financial and moral support both programmes gave me. I also want to particularly thank the support system the GCSC offers for young mothers. Combining family life and pursuing a PhD is difficult and the GCSC made it easier if not even possible. I wholeheartedly thank my first supervisor Michael Basseler. His input and feedback pushed this dissertation into the right direction and was always poignant and constructive.
    [Show full text]
  • Andrea-Levy-Special-Issue-FINAL.Pdf
    ENTERTEXT Special Issue on Andrea Levy Issue 9, 2012 Guest Editor: Wendy Knepper In memory of Cosmo (1993-2010) A cat who lived happily in Toronto, Berlin, and London ‘I’ve never seen him so upset. He really loves that cat. He’s going to miss her. He said he’d never have another one because you just get attached to them and they die. I think she’s dead, Ange–went somewhere to die. But I didn’t say that to yer dad. He’s too upset. He loves that cat. I hope he finds her.’ —Andrea Levy, Never Far from Nowhere Table of Contents Introduction: Andrea Levy’s Dislocating Narratives 1 Wendy Knepper The Familiar Made Strange: The Relationship between the Home and Identity in 14 Andrea Levy’s Fiction Jo Pready Crossing Over: Postmemory and the Postcolonial Imaginary in Andrea Levy’s 31 Small Island and Fruit of the Lemon Claudia Marquis “Telling Her a Story”: Remembering Trauma in Andrea Levy’s Writing 53 Ole Laursen Identity as Cultural Production in Andrea Levy’s Small Island 69 Alicia E. Ellis Women Writers and the Windrush Generation: A Contextual Reading of Beryl 84 Gilroy’s In Praise of Love and Children and Andrea Levy’s Small Island Sandra Courtman Representations of Ageing and Black British Identity in Andrea Levy’s Every Light 105 in the House Burnin’ and Joan Riley’s Waiting in the Twilight Charlotte Beyer Stranger in the Empire: Language and Identity in the ‘Mother Country’ 122 Ann Murphy A Written Song: Andrea Levy’s Neo-Slave Narrative 135 Maria Helena Lima Coloured 154 Mohanalakshmi Rajakumar Letter to Motherwell 162 Rhona Hammond Contributors 169 Andrea Levy’s Dislocating Narratives1 Wendy Knepper This special issue on Andrea Levy (1956- ), the first of its kind, considers the author’s contribution to contemporary literature by exploring how her narratives represent the politics of place2 as well as the dislocations associated with empire, migration, and social transformation.
    [Show full text]
  • Part III a Guide to Fiction by Caribbean Women Writers a to Z of Authors and Works by Country of Origin
    Part III A Guide to Fiction by Caribbean Women Writers A to Z of Authors and Works by Country of Origin Antigua Jamaica Kincaid Annie John (1983) At the Bottom of the River (stories) (1983) A Small Place (essay) (1988) Lucy (1990) The Autobiography of My Mother (1996) Barbados June Henfrey Coming home and other stories (1994) Paule Marshall Brown Girl, Brownstones (1959) The Chosen Place, The Timeless People (1968) Merle: a novella and other stories (1983) Praisesong for the Widow (1983) Daughters (1991) Hazelle Palmer Tales from the Gardens and Beyond (1995) Belize Zee Edgell Beka Lamb (1982) In Times Like These (1991) The Festival of San joaquin (1997) Carriacou Audre Lorde Zami: A New Spelling of My Name (1982) Cuba Cristina Garcia Dreaming in Cuban (1992) Dominica Phyllis Shand Allfrey The Orchid House (1953) 219 220 Caribbean Women Writers Jean Rhys The Left Bank and Other Stories (1927) Quartet (1928) (first published as Postures) After Leaving Mr Mackenzie (1930) Voyage in the Dark (1934) Good Morning, Midnight (1939) Wide Sargasso Sea (1966) Tigers Are Better-Looking (1968) Sleep It Off Lady (1976) Tales of the Wide Caribbean: a New Collection of Short Stories (1985) Grenada Jean Buffong Under the Silk Cotton Tree (1992) Snowflakes in the Sun (1996) Merle Collins Angel (1987) Rain Darling (stories) (1990) The Colour of Forgetting (1995) Nellie Payne and Jean Buffong Jump-Up-and-Kiss-Me: Two stories from Grenada (1990) Guyana Joan Cambridge Clarise Cumberbatch Want to Go Home (1987) Norma De Haarte Guyana Betrayal (1991) Beryl
    [Show full text]
  • Perhaps One of the Most Insightful Critiques Of
    Miller, Andrew Kei (2012) Jamaica to the world: a study of Jamaican (and West Indian) epistolary practices. PhD thesis http://theses.gla.ac.uk/3597/ Copyright and moral rights for this thesis are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Glasgow Theses Service http://theses.gla.ac.uk/ [email protected] Jamaica to the World: A Study of Jamaican (and West Indian) Epistolary Practices Andrew Kei Miller MA Submitted in fulfillment of the requirements for the degree of Doctor of Philosophy English Literature School of Critical Studies College of Arts University of Glasgow 1 ABSTRACT The Caribbean islands have been distinguished by mass migratory patterns and diasporic communities that have moved into and out of the region; as a consequence, the genre of the letter has been an important one to the culture and has provided a template for many creative works. This dissertation is the first major study on West Indian epistolary practices: personal letters, emails, verse epistles, epistolary novels, letters to editors, etc. It focuses on a contemporary period – from the 1930s to the present, and on examples that have come out of Jamaica.
    [Show full text]
  • A Current Listing of Contents Di
    a current listing of contents dI Volume 7 I Number 4 Winter 1988 Published by Susan Searing, Women's Studies Librarian University of Wisconsin System 112A Memorial Library 728 State Street Madison, Wisconsin 53706 (608) 263- 5754 a current listing of contents Volume 7, Number 4 Winter 1988 Periodical 1i terature is the cutting edge of women's scholarship, feminist theory, and much of women's culture. Feminist Periodicals: A Current Listing of Contents is published by the Office of the University of Wisconsin System Women's Studies Librarian on a quarterly basis with the intent of increasing public awareness of feminist periodicals. It is our hope that Feminist Periodicals wi 11 serve several purposes: to keep the reader abreast of current topics in feminist literature; to increase readers' famil iarity with a wide spectrum of feminist periodicals; and to provide the requisite bibliographic information should a reader wish to subscribe to a journal or to obtain a particular article at her library or through interlibrary loan. (Users will need to be aware of the limitations of the new copyright law with regard to photocopying of copyrighted materials.) Table of contents pages from current issues of major feminist journals are reproduced in each issue of Feminist Periodicals, preceded by a comprehensive annotated listing of all journals we have selected. As publication schedules vary enormously, not every periodical will have table of contents pages reproduced in each issue of FP. The annotated listing provides the following information on each journal : Year of first publication. Frequency of pub1 icati on. U.S.
    [Show full text]
  • Madame Mediator: Women Writers of 17Th Century Atlanticism
    MADAME MEDIATOR: WOMEN WRITERS TH OF 17 CENTURY ATLANTICISM A Doctoral Dissertation Submitted by Andrea L. Humphrey In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in English TUFTS UNIVERSITY May 2011 Adviser: Carol Houlihan Flynn Tufts Faculty Readers: Modhumita Roy Kevin Dunn Outside Faculty Reader: Elizabeth Kowaleski-Wallace (Professor of English, Boston College) Humphrey ii ABSTRACT Beginning with Madam Mediator, Margaret Cavendish's liminal character in her closet drama The Convent of Pleasure, this study examines the mediation between complicity and subversion required of women writers seeking access to publication and circulation in the late seventeenth century. Contemporaries Aphra Behn and Maria Sibylla Merian emerge as skilled mediators navigating not only complicity and subversion, but also the Atlantic itself during missions to European colonies in Surinam where few men with far more resources dared venture. After profound cross-cultural encounters, they produced writing that conformed sufficiently to gain wide audiences, but that also archived subversive responses to imperial racism and sexism for subsequent women writers to recover. One such writer, Beryl Gilroy, born in Guyana the 1920's, recovers mediated subversions like those in Behn's and Merian's works as what Raymond Williams calls "structures of feeling" awaiting incorporation into hegemonic culture. Using her Atlanticist position to difuse her subaltern status, Gilroy transforms archived structures of feeling in the works of 17th
    [Show full text]
  • ENGL 360 Office Hours : TR 12:00-1:00 and MTRF 2:30-3:20PM
    ENGL 360 Office Hours: TR 12:00-1:00 and MTRF 2:30-3:20PM by appointment: 5242 or 654-5178 Newton 212 [email protected] Welles 225A Post-Colonial Literature: Black British Literature Fall 2014 Maria Helena Lima Course Description: "The imperial English may have carried British passports--as did the Scots, Welsh, and some of the Irish--but they really didn't need to think too hard about whether being 'English' was the same as being 'British': the terms were virtually interchangeable" (Jeremy Paxman, The English: A Portrait of A People, vii). Due to successive waves of immigration by commonwealth peoples, only 80% of the population of England and Wales have called themselves “White: British” on the last census (2011). But Black presence in Britain dates to as far back as the invading Roman army. Steve Martin, the historian who runs the “London Black Heritage Walking Tours,” claims that “you can throw a dart at any area of London and find a black contribution to its history.” We will only have time to explore Black British literature and culture from 1948 to the present however. While Black in the US refers mostly to peoples of African descent—whatever their countries of origin—in Britain it is a political category grounded on shared ex-colonial origins and/or social marginalization. Unlike writers of the first wave of post-colonial migrants to Britain, such as Sam Selvon, who have lived the contradictions of being Black and British, a younger generation finds itself less conflicted as it attempts to (re)create identities within more global paradigms.
    [Show full text]
  • BOA-11MAY-2Spaltig
    Postcolonial Translocations of their own which engage with the imposition of Westfälische Wilhelms-Universität language and foreign control. Münster Focussing on Caribbean poets and writers, Olive 21 - 24 May 2009 Senior and Shani Mootoo, this paper will examine different representations of gardens as liminal spaces, ABSTRACTS where (de)colonising influences are negotiated. Eric A. Anchimbe (U Bayreuth) Nazneen Ahmed (Wadham College, U Oxford) Discursive construction of the other online Bangladeshi migrant narratives and the development The virtual world has continued to gain prominence of translocal nationalist communities in the last several years. It is now a platform for Postcolonial studies has often focused upon the constructing identities, building communities, and re- experiences of the migrant within the state of arrival, uniting displaced societies, which all involve constructing whilst the homeland has often receded into the an in-group and pitting it against (an)other group(s). background. However, an examination of Bangladeshi Postcolonial identities in Cameroon have now also moved migrant narratives demonstrates that migrants negotiate into virtual spaces where Anglophones and Francophones between spaces, often utilising resources in the state of either clash or construe each other in different ways. arrival when the homeland is threatened or troubled, and Cameroon is an odd case in the postcolonial notion of influencing and being influenced by events 'back home.' states. It does not place itself generally on the common As my paper will demonstrate, in their active contributions binary of indigenous vs. ex-colonial heritages but rather to the resistance movement and Bengali literary on two ex-colonial heritages: French (Francophones) and production, migrant East Bengalis influenced the English (Anglophones).
    [Show full text]
  • At Home in the Diaspora: Domesticity and Nationalism in Postwar and Contemporary Caribbean-British Fiction
    University of Rhode Island DigitalCommons@URI Open Access Dissertations 2015 AT HOME IN THE DIASPORA: DOMESTICITY AND NATIONALISM IN POSTWAR AND CONTEMPORARY CARIBBEAN-BRITISH FICTION Kim Caroline Evelyn University of Rhode Island, [email protected] Follow this and additional works at: https://digitalcommons.uri.edu/oa_diss Recommended Citation Evelyn, Kim Caroline, "AT HOME IN THE DIASPORA: DOMESTICITY AND NATIONALISM IN POSTWAR AND CONTEMPORARY CARIBBEAN-BRITISH FICTION" (2015). Open Access Dissertations. Paper 301. https://digitalcommons.uri.edu/oa_diss/301 This Dissertation is brought to you for free and open access by DigitalCommons@URI. It has been accepted for inclusion in Open Access Dissertations by an authorized administrator of DigitalCommons@URI. For more information, please contact [email protected]. AT HOME IN THE DIASPORA: DOMESTICITY AND NATIONALISM IN POSTWAR AND CONTEMPORARY CARIBBEAN-BRITISH FICTION BY KIM CAROLINE EVELYN A DISSERTATION SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN ENGLISH UNIVERSITY OF RHODE ISLAND 2015 DOCTOR OF PHILOSOPHY DISSERTATION OF KIM CAROLINE EVELYN APPROVED: Dissertation Committee Ryan Trimm Naomi Mandel Rae Ferguson Nasser H. Zawia DEAN OF THE GRADUATE SCHOOL UNIVERSITY OF RHODE ISLAND 2015 ABSTRACT This project investigates the ways in which home is conceptualized and represented in sixty years of the literature of the Caribbean diaspora in Britain by balancing texts from the post-World War II period with contemporary texts and considering how the diaspora has been imagined and reimagined. Making a home of a diaspora—typically considered as a collection of scattered and ostracized migrants— requires a conceptual leap, act of agency, and, sometimes, a flight of imagination.
    [Show full text]
  • Caribbean Literature: Looking Backward and Forward 1
    Published in: Vetas Digital 5.78-79 (January 2007). Accessible online at: http://vetasdigital.blogspot.com/2007/01/caribbean-literature-looking-backward.html Caribbean Literature: Looking Backward and Forward 1 Bénédicte Ledent Université de Liège (Belgium) "From extension of other voices. We became voices of our own". Linton Kwesi Johnson 2 I do not know if you are familiar with Caribbean culture. You probably know about rhum, reggae and beaches. But, as we shall see, there is much more to Caribbean culture than these things. Literature, for example, is one of the area's major sources of richness. My intention at the start was to cover in this talk the whole field of Caribbean literature, but I have had to narrow down, for obvious reasons. My lecture today will focus on the fiction of the generation of Anglo-Caribbean novelists who came of age in England in the 80s. I will attempt to give you an overview of this transitional generation of writers, most of whom were born in the Caribbean but were brought up or educated in Britain. I will try to give you an idea of how their writing tries to cope with this cultural tension, the sense that they have of belonging and yet simultaneously not belonging to Britain. After an introduction in which I will contextualize the writers under study here, my talk will be divided into three sections. First of all, I will try to circumscribe my subject; then, I will focus briefly on poetry; finally, I will discuss a (subjective) selection of novels which seem to me representative of the generation of writers in question.
    [Show full text]
  • (Re)I-Magining Identity: Plural Subjectivities in Beryl Gilroy's Frangrpani House and Michelle Cwsno Telephone to Hemen
    (Re)i-magining Identity: Plural Subjectivities in Beryl Gilroy's Frangrpani House and Michelle CWsNo Telephone to Hemen A thesis submitted to the Department of English and Program in Women's Studies Lakehead University, Thunder Bay, Ontario in partiai fiililment of the requirements for the degree of Master of Arts in English with Speciaiization in Women's Studies by Taina Chahal May 2001 National Library Bibliothèque nationale l*l ,,-da du Canada Acquisitions and Acquisitions et Bibliographie SeNices services bibliographiques 395 Wellington Street 395, rue Wellington Ottawa ON K1A ON4 OtiawaON KlAûN4 Canada Canada The author has granted a non- L'auteur a accordé une licence non exclusive licence allowing the exclusive permettant à la National Lïbrary of Canada to Bibliothèque nationale du Canada de reproduce, loan, distribute or seli reproduire, prêter, distribuer ou copies of this thesis in microform, vendre des copies de cette thèse sous paper or electronic formats. la forme de microfiche/film, de reproduction sur papier ou sur format électronique. The author retains ownership of the L'auteur conserve la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette thése. thesis nor substantial extracts fiom it Ni la thèse ni des extraits substantiels may be printed or otherwise de celle-ci ne doivent être imprimés reproduced without the author's ou autrement reproduits sans son permission. autorisation. this thesis is dedicated ta my rnother, Ritva Maki and the memory of my father, Kalevi Maki Acknowledgements As a mother and a de1 am indebted to my children, Tammem, Jameel and Yasmin, and to my husband, Walid, for their unfailing patience and support, and for their willingness to forgo my Company (and my labour) during the untold hours and months that 1 spent with my books, my research and my writing.
    [Show full text]
  • Utstanding Issertations MARTA FRĄTCZAK
    OWAD 6 OWAD utstanding issertations The monograph series Outstanding WA Dissertations FRĄTCZAK MARTA (OWAD) presents a selection of the most remarkable doctoral 6 theses defended in the Faculty of English, AMU. It covers linguistic, literary and cultural studies. The goal of the series is to promote the work of young scholars and to support original research which makes a significant contribution to scholarship and deserves to be disseminated. (R)evolution in the perception perception the in (R)evolution MARTA FRĄTCZAK (R)evolution in the perception Wydział Anglistyki of history, national identity and nature in the contemporary ISBN 978-83-232-3006-9 ISSN 2450-9817 Anglo-Guyanese novel WYDAWNICTWO NAUKOWE UAM (R)evolution in the perception of history, national identity and nature in the contemporary Anglo-Guyanese novel FACULTY OF ENGLISH ADAM MICKIEWICZ UNIVERSITY IN POZNAŃ Outstanding WA Dissertations OWAD 6 Marta Frątczak (R)evolution in the perception of history, national identity and nature in the contemporary Anglo-Guyanese novel Poznań 2016 ABSTRACT. Frątczak Marta. (R)evolution in the perception of history, national identity and nature in the contemporary Anglo-Guyanese novel. Adam Mickiewicz University Press. Poznań 2016. Pp. 282. OWAD 6. ISBN 978-83-232-3006-9. ISSN 2450-9817. Text in English with summary in Polish. The book presents an analysis of selected Anglo-Guyanese novels with a view to drawing a map of the Anglo-Guyanese fiction. The main aim of the monograph is to show the Anglo-Guyanese fiction as an intriguing literary discourse that deserves a separate place within the so called Caribbean literary canon.
    [Show full text]