Making Baltimore a More Vibrant & Creative City!

Total Page:16

File Type:pdf, Size:1020Kb

Making Baltimore a More Vibrant & Creative City! Making Baltimore a more vibrant & creative city! 3 Mission 23 Additional Cultural Programs 4 History 25 Baltimore Film Office 5 Events, Facilities, & Programs 26 Baltimore Screenwriters’ 6 Economic Impact Competition 8-9 Artscape 28 Bromo Seltzer Arts Tower 10 Janet & Walter Sondheim Prize 29 Top of the World Observation Level 11-12 Baltimore Book Festival 30 School 33 Art Center 13 Baltimore Farmers Market & Bazaar 31 The Cloisters Castle 14 Baltimore’s New Year’s Eve 33 Board of Directors Spectacular 34 Operating Budget 15 Baltimore’s Fourth of July 35 Financial Gifts & Program Celebration Partners 16 Dr. Martin Luther King, Jr. Parade 36 Contact 18 MECU Neighborhood Event Grants 19 Baltimore Mural Program 20 Free Fall Baltimore 21 Open Studio Tour 22 Lotta Art Producing high-quality special events, arts programs and festivals that stimulate communities economically, artistically and, culturally Inspiring and promoting literary, performing and visual arts, and artists Celebrating Baltimore’s rich, diverse heritage while enhancing the quality of life and sense of community for all residents Forging partnerships that make Baltimore a premiere visitor destination Managing cultural and historic attractions Generating positive local, national, and international publicity about Baltimore. 3 1974: Mayor’s Advisory Committee on Art & Culture (MACAC) 1977: Baltimore Office of Promotion & Tourism (BOPT) 1989: Baltimore Area Convention & Visitors Association (BACVA) 1989: Baltimore Office of Promotion (BOP) 2002: BOP and MACAC merge creating Baltimore Office of Promotion & The Arts (BOPA) 2004: BOPA incorporates as independent 501(c)3 non-profit organization serving Baltimore City as its Arts Council, Events Center, and Film Office. 2013: $5 million budget & 30 full-time employees 4 Dr. Martin Luther King, Jr. Parade Artist-in-Residence Program LOTTA ART Arts & Humanities Month Baltimore Farmers’ Market & Bazaar Baltimore City Arts & Entertainment Districts Baltimore’s Fourth of July Celebration Baltimore Cultural Resource Guide Artscape Baltimore Mural Program Baltimore Book Festival Bright StARTS Art Workshops Open Studio Tour MECU Neighborhood Event Grants Baltimore’s New Year’s Eve Spectacular Baltimore Film Office Annual Lighting of the Free Fall Baltimore Washington Monument Public Art/1% for Art School 33 Art Center The Cloisters Castle Cultural Town Meeting Top of the World Observation Janet & Walter Sondheim Prize Level Bus Shelter Advertising Program Bromo Seltzer Arts Tower Vertical Street Banner System 5 Nationally, the nonprofit arts and culture industry generates $135.2 billion in economic activity every year—$61.1 billion in spending by organizations and an additional $74.1 billion in event-related spending by their audiences Economic impact of the nonprofit arts and culture industry in 182 regions represents all 50 states and the District of Columbia The $135.2 billion in total economic activity has a significant national impact, generating the following: ◦ 4.13 million full-time equivalent jobs ◦ $86.68 billion in household income ◦ $6.07 billion in local government tax revenues ◦ $6.67 billion in state government tax revenues ◦ $9.59 billion in federal income tax revenues Source: Americans for the Arts www.americansforthearts.org/EconomicImpact 6 Artscape takes place during the third weekend of July each year. America’s largest free arts festival caters to more than 350,000 visitors, 260 exhibitors, and 300+ volunteers. The total economic impact of Artscape on the City of Baltimore is $28.5 million. Artscape’s top attractions include: music and outdoor concerts, visual art exhibitions, food and beverage vendors, and performing arts – dance, opera, theater, and film. www.artscape.org 8 The region’s premier celebration of the visual and performing arts featuring continuous musical performances by local, regional and national talent on three outdoor stages, indoor and outdoor visual arts exhibitions, film, theater, the Artists' Market with crafts and works of art for sale, opera, dance, street theater and hands-on activities for children. The Audience 2012 attendees spent $8,798,250 with Artscape vendors 58.3% female, 41.7% male 67.5% - Caucasian / 19.7% - African-American / 7% - Asian / 5.3% - Hispanic 55.9% - single / 28.6% - married / 9.4% - partnered 39.8% - earned a four-year degree / 25.9% - earned a post- graduate degree 27.8% - household income is $80,000 and above 27.8% - age 18-24 / 31.3% - age 25-34 / 20.2% - age 35-49 / 17.6% - age 50-64 / 3.1% - age 65+ 9 The prize awards $25,000 annually to a visual artist working in the Baltimore region. The prize is held in conjunction with Artscape. Approximately four finalists are selected for the final review and their work is exhibited at The Baltimore Museum of Art (The Walters in 2013). The remaining finalists not selected for the fellowship each receive a $1,000 honorarium. Artist applicants who are selected as semi-finalists exhibit their work at the Decker and Meyerhoff Galleries in MICA during Artscape. 10 The Baltimore Book Festival takes place the fourth weekend in September each year. It has 45,000 visitors, 125 exhibitors, 225 author appearances, and more than 100 volunteers. The total economic impact of the festival on the City of Baltimore is $4.82 million. Top attractions at the festival include: browsing and shopping for books, author appearances and book signings, music, and food and beverage vendors. www.baltimorebookfestival.org 11 The mid-Atlantic’s premier celebration of the literary arts takes place in Mount Vernon Place with well-known authors, local bookstores, publishers, children’s writers, storytellers, author signings, crafts, refreshments, and entertainment. The Audience 2012 attendees spent $1.27 million with Baltimore Book Festival vendors 65.5% females, 34.% males 66.6% - Caucasian / 24% - African-American / 4.3% - Hispanic / 4.1% - Asian 42.4% - single / 30.8% - married / 9.8% - partnered 36% - earned a four-year degree / 33.3% earned a post-graduate degree 32.5% - household income is $80,000 and above 14% - age 18-24 / 28.3% - age 25-34 / 21.4% - age 35-49 / 27.3% - age 50-64 / 9.1% - age 65+ 12 The Baltimore Farmers’ Market and Bazaar takes place every Sunday from April through December. The market is held downtown near City Hall (located underneath the JFX at Holliday & Saratoga Streets) and is the largest producers-only market in the region. More than 80 vendors and concessionaires make up the market, offering produce, eggs, meat, breads, organic food, flowers, cheeses, fresh meals, crafts and much more. The market has been in continuous operation for over 35 years. Up to 9,000 visitors shop at the market each Sunday. 13 Ring in the New Year with a night of live music at the Inner Harbor Amphitheatre and then countdown to the new year with a spectacular fireworks show. Baltimore’s New Year’s Eve Spectacular attracts 100,000–150,000 attendees and 176,000 viewers of the live broadcast on WJZ-TV. 14 Baltimore’s Fourth of July Celebration features an array of entertainment throughout the day and culminates with a spectacular fireworks finale at the Inner Harbor. The event attracts 250,000 attendees and features Maryland’s most elaborate fireworks display. 15 This commemoration of the birth of Reverend Dr. Martin Luther King, Jr. features floats, marching bands, and church choirs; it’s produced in partnership with the Office of Civil Rights and Wage Enforcement. The parade boasts over 45,000 attendees. 16 This community grant program provides funding and education enabling citizens to conduct neighborhood-based events (festivals, fundraisers, street fairs, concerts, etc.). The MECU Neighborhood Grant Program empowers communities and nonprofit groups while strengthening city neighborhoods. Grants are awarded every May and a creativity workshop is offered to brainstorm ideas and provide resources for events. 18 The nationally recognized Baltimore Mural Program works with artists, neighborhood groups and associations, and funding sources to commission murals in neighborhoods across the city. The Baltimore Mural Program was established in 1975 and it has visually enhanced Baltimore City with more than 175 exterior murals created by professional artists, students, and residents. 19 Free Fall Baltimore is a city- wide celebration of the arts. This program champions the important role creativity plays in building a vibrant, exciting, and livable city. Cultural organizations offer free performances, exhibitions, workshops, and events throughout the month of October. Nearly 90 organizations offer more than 300 free arts and cultural events. www.freefallbaltimore.org 20 Open Studio Tour is an annual city-wide event that has been held in October for more than 20 years. It brings together professional artists and the general public, giving collectors and art lovers the opportunity to visit more than 100 participating studios of visual artists. The tour takes place over two days allowing visitors to meet the artists, see their work, and get a behind-the-scenes glimpse into their working processes. 21 Lotta Art takes place each year as School 33 Art Center’s annual fundraiser and exhibition. Lotta Art features juried art by more than 120 local artists who have generously donated their work to benefit School 33 Art Center. The exhibition takes place at Silo Point and each art ticket holder is guaranteed to take home a work of art in this lottery- style drawing. 22 1% for Art/Public Art Commission Art & Humanities Month Artists in Residence Bright StARTS Art Workshops Cultural Resource Guide Cultural Town Meeting 23 The Baltimore Film Office is a division of BOPA and offers a one-stop shop for logistics, permits, and production assistance. The Film Office markets Baltimore City to filmmakers, acts as the primary liaison between filmmakers and the city agencies, residents, and businesses. The film industry brought in an annual economic impact of $100 million to Baltimore in FY2012. Some films and television series made in Baltimore include: Game Change, VEEP, House of Cards, The Wire, Diner, and Hairspray.
Recommended publications
  • THE VILLAGE at FALLSWAY MULTIFAMILY DEVELOPMENT in an OPPORTUNITY ZONE BALTIMORE, MARYLAND the Village at Fallsway
    THE VILLAGE AT FALLSWAY MULTIFAMILY DEVELOPMENT IN AN OPPORTUNITY ZONE BALTIMORE, MARYLAND The Village at Fallsway THIS CONFIDENTIAL OFFERING MEMORANDUM (“Offering Memorandum”) is being furnished to the recipient (the “Recipient”) solely for the Recipient’s own limited use in considering whether to provide financing for The Village at Fallsway located at 300-320 North Front Street, 300-312 North High Street, and 300 Fallsway, Baltimore, MD (the “Property”), on behalf of Airo Capital Management (the “Sponsor”). This confidential information does not purport to be all-inclusive nor does it purport to contain all the information that a prospective investor may desire. Neither Avison Young, the Sponsor nor any of their respective partners, managers, officers, employees or agents makes any representation, guarantee or warranty, expressed or implied, as to the accuracy or completeness of this Offering Memorandum or any of its contents and no legal liability is assumed or shall be implied with respect thereto. The Recipient agrees that: (a) the Offering Memorandum and its contents are confidential information, except for such information contained in the Offering Memorandum that is a matter of public record; (b) the Recipient and the Recipient’s employees, agents, and consultants (collectively, the “need to know parties”) will hold and treat the Offering Memorandum in the strictest of confidence, and the Recipient and the need to know parties will not, directly or indirectly, disclose or permit anyone else to disclose its contents to any other person, firm, or entity without the prior written authorization of the Sponsor; and, (c) the Recipient and the need to know parties will not use, or permit to be used, this Offering Memorandum or its contents in any fashion or manner detrimental to the interest of the Sponsor or for any purpose other than use in considering whether to invest into the Property.
    [Show full text]
  • SG the Fitzgerald Brochure New.Indd
    FOR LEASE Maryland DC • Virginia Online 605 South Eden Street, Ste 200 1600 Wilson Boulevard, Ste 930 www.segallgroup.com Baltimore, MD 21231 Arlington, VA 22209 Member of 410.753.3000 202.833.3830 Where the Midtown neighborhoods of Mt Vernon, Station North and Bolton The Opportunity Hill meet, you will fi nd The Fitzgerald. Inspired by F. Scott Fitzgerald and Approximately 19,000 square feet of prime space is available on the energy of his era, this Baltimore development offers more than just two levels – 14,359 on the ground fl oor and 5,069 square feet on a somewhere to hang your hat. The developer, Bozzuto Group, blended Mezzanine level open to the fl oor below. These two areas are currently connected by elevator and escalator and, due to Oliver Street’s rising stunning features with fantastic amenities in a culturally rich environment. slope, both at street grade. Entertainment, grocery or fi tness uses are Sandwiched between the Maryland Institute College of Art (MICA) and the sought for the larger portion or the entirety, while the smaller area can University of Baltimore, The Fitzgerald is a mixed use project consisting of be demised for a café that caters to this culturally rich party of the City. almost 25,000 square feet of dynamic urban retail space, 275 residential units and a 1,250 space parking garage that serves University of Baltimore Quick Facts students as well as area visitors. The project’s retail component is ideal for LLocationocation Retail space in Luxury Apartment Building entertainment, service, retail and restaurant uses to serve students and faculty, 19,428 square feet SSizeize neighborhood residents, out of town visitors, local offi ce workers and patrons (14,359 lower level and 5,069 Mezzanine) of the great local entertainment and cultural venues including the Lyric Opera DDeliveryelivery Immediate House & Theater, The Meyerhoff Symphony Hall, and the Parkway, Centre and RRentalental RRateate Negotiable Charles Theatres in the nearby “Station North” Arts District.
    [Show full text]
  • The Wire: a Comprehensive List of Resources
    The Wire: A comprehensive list of resources Contents Introduction ............................................................................................................................ 2 W: Academic Work on The Wire........................................................................................... 3 G: General Academic Work ................................................................................................... 9 I: Wire Related Internet Sources .......................................................................................... 11 1 Introduction William Julius Wilson has argued that: "The Wire’s exploration of sociological themes is truly exceptional. Indeed I do not hesitate to say that it has done more to enhance our understandings of the challenges of urban life and urban inequality than any other media event or scholarly publication, including studies by social scientists…The Wire develops morally complex characters on each side of the law, and with its scrupulous exploration of the inner workings of various institutions, including drug-dealing gangs, the police, politicians, unions, public schools, and the print media, viewers become aware that individuals’ decisions and behaviour are often shaped by - and indeed limited by - social, political, and economic forces beyond their control". Professor William Julius Wilson, Harvard University Seminar about The Wire, 4th April 2008. We have been running courses which examine this claim by comparing and contrasting this fictional representation of urban America
    [Show full text]
  • The Gallery / Harborplace 200 E
    THE GALLERY / HARBORPLACE 200 E. Pratt Street / 111 S. Calvert Street Baltimore, Maryland AREA AMENITIES FLEXIBLE OFFICE SPACE PROPERTY HIGHLIGHTS Outstanding views overlooking Baltimore’s THE GALLERY / famed Inner Harbor Parking garage (1,190 cars) with 24/7 access HARBORPLACE New fitness center FREE to all tenants 200 E. Pratt Street 600-room Renaissance Harborplace Hotel interconnected 111 S. Calvert Street Lobby guard on duty and fully automated New 30,000 square foot high-end “Spaces” co-working facility Baltimore, Maryland Retail amenities including new full-service restaurant COMING SOON! -- Dunkin'® HARBOR VIEW MATTHEW SEWARD BRONWYN LEGETTE Senior Director Director +1 410 347 7549 +1 410 347 7565 [email protected] [email protected] One East Pratt Street, Suite 700 | Baltimore, MD 21202 Main +1 410 752 4285 | Fax +1 576 9031 cushmanwakefield.com ©2019 Cushman & Wakefield. All rights reserved. The information contained in this communication is strictly confidential. This information has been obtained from sources believed to be reliable but has not been verified. No warranty or representation, express or implied, is made as to the condition of the property (or properties) referenced herein or as to the accuracy or completeness of the information contained herein, and same is submitted subject to errors, omissions, change of price, rental or other conditions, withdraw- al without notice, and to any special listing conditions imposed by the property owner(s). Any projections, opinions or estimates are subject
    [Show full text]
  • Poe's Baltimore
    http://knowingpoe.thinkport.org/ Poe’s Baltimore Content Overview This is an outline of the information found on each location on the interactive map. As students explore the map online, you will note the following color coding system: ü Modern Sites are yellow ü Sites Then and Now are green ü Poe-era sites are red In addition, all locations include images. Modern Sites Modern Inner Harbor (Harborplace) NOW: Harborplace is a fairly recent addition to Baltimore’s landscape. Completed in 1980, Harborplace and its close relatives, the Maryland Science Center and the National Aquarium at Baltimore, have attracted millions of visitors to the city each year. If you were wondering why Harborplace appears to be out in the harbor on the 1838 map…it’s because it was! As late as 1950, the Inner Harbor was just that – the innermost dock in Baltimore Harbor for passenger, freight, and government ships. But the docks were old and rotting, so around 1970 the city tore them down. The plans for developing the shopping pavilions at Harborplace called for more space. The city did just that—using concrete and pylons to add almost 100 feet of shoreline where the rotting docks had been. The result was the Inner Harbor area – complete with shops and large pathways – that you can walk around today. THEN: In Poe’s day, the Inner Harbor area was a thriving seaport. Ships were being built in nearby Fells Point. A new, lively form of transportation— called a “steamer” (a steam-powered boat)—was becoming a more and more common sight.
    [Show full text]
  • KIMBERLY WILSON Supervising Sound Editor
    KIMBERLY WILSON Supervising Sound Editor SUPERVISING SOUND EDITOR | SELECT TELEVISION CREDITS ALL RISE Mike Robin WBTV ELEMENTARY Carl Beverly CBS Television Studios DAVID MAKES MAN Tarell Alvin McCraney Warner Horizon Television LOVE IS Salim Akil OWN DIALOGUE EDITOR | SELECT TELEVISION CREDITS & AWARDS ELEMENTARY Carl Beverly CBS Television Studios BALLERS Stephen Levinson HBO Jon Amiel Lifetime Television DELIVERANCE CREEK (2015) SHAMELESS John Wells Showtime Networks WITCHES OF EAST END Maggie Friedman Fox 21 THE WIRE David Simon HBO AMERICANA Phillip Noyce ABC Studios DIALOGUE EDITOR | SELECT FEATURE CREDITS SONG TO SONG Terrence Malick FilmNation Entertainment Sony Pictures SPARKLE Salim Akil Entertainment HONEY 2 Billy Woodruff Universal Pictures THE LAST SONG Julie Ann Robinson Touchstone Pictures BEVERLY HILLS CHIHUAHUA Raja Gosnell Walt Disney Pictures COLLEGE ROAD TRIP Roger Kumble Walt Disney Pictures BLACK SNAKE MOAN Craig Brewer Paramount Classics INVINCIBLE Ericson Core Walt Disney Pictures YOU, ME AND DUPREE Anthony Russo/Joe Russo Universal Pictures THE LAKE HOUSE Alejandro Agresti Warner Bros. THE HILLS HAVE EYES Alexandre Aja Fox Searchlight Pictures GUESS WHO Kevin Rodney Sullivan Columbia Pictures WHITE CHICKS Keenan Ivory Wayans Columbia Pictures Warner Bros. Post Production Creative Services | 4000 Warner Blvd. | Burbank, CA 91522 | 818.954.5305 Award Key: W for Win | N for Nominated OSCAR | BAFTA | EMMY | MPSE | CAS GANGS OF NEW YORK Martin Scorsese Miramax SOLARIS Steven Soderbergh Twentieth Century Fox FRIDA Julie Taymor Miramax SIDEWALKS OF NEW YORK Edward Burns Paramount Classics BAMBOOZLED Spike Lee New Line Cinema CHINESE COFFEE Al Pachino Fox Searchlight Pictures SUMMER OF SAM Spike Lee Touchstone Pictures Warner Bros. Post Production Creative Services | 4000 Warner Blvd.
    [Show full text]
  • Get Charmed in Charm City - Baltimore! "…The Coolest City on the East Coast"* Post‐Convention July 14‐17, 2018
    CACI’s annual Convention July 8‐14, 2018 Get Charmed in Charm City - Baltimore! "…the Coolest City on the East Coast"* Post‐Convention July 14‐17, 2018 *As published by Travel+Leisure, www.travelandleisure.com, July 26, 2017. Panorama of the Baltimore Harbor Baltimore has 66 National Register Historic Districts and 33 local historic districts. Over 65,000 properties in Baltimore are designated historic buildings in the National Register of Historic Places, more than any other U.S. city. Baltimore - first Catholic Diocese (1789) and Archdiocese (1808) in the United States, with the first Bishop (and Archbishop) John Carroll; the first seminary (1791 – St Mary’s Seminary) and Cathedral (begun in 1806, and now known as the Basilica of the National Shrine of the Assumption of the Blessed Virgin Mary - a National Historic Landmark). O! Say can you see… Home of Fort McHenry and the Star Spangled Banner A monumental city - more public statues and monuments per capita than any other city in the country Harborplace – Crabs - National Aquarium – Maryland Science Center – Theater, Arts, Museums Birthplace of Edgar Allan Poe, Babe Ruth – Orioles baseball Our hotel is the Hyatt Regency Baltimore Inner Harbor For exploring Charm City, you couldn’t find a better location than the Hyatt Regency Baltimore Inner Harbor. A stone’s throw from the water, it gets high points for its proximity to the sights, a rooftop pool and spacious rooms. The 14- story glass façade is one of the most eye-catching in the area. The breathtaking lobby has a tilted wall of windows letting in the sunlight.
    [Show full text]
  • Representations of Education in HBO's the Wire, Season 4
    Teacher EducationJames Quarterly, Trier Spring 2010 Representations of Education in HBO’s The Wire, Season 4 By James Trier The Wire is a crime drama that aired for five seasons on the Home Box Of- fice (HBO) cable channel from 2002-2008. The entire series is set in Baltimore, Maryland, and as Kinder (2008) points out, “Each season The Wire shifts focus to a different segment of society: the drug wars, the docks, city politics, education, and the media” (p. 52). The series explores, in Lanahan’s (2008) words, an increasingly brutal and coarse society through the prism of Baltimore, whose postindustrial capitalism has decimated the working-class wage and sharply divided the haves and have-nots. The city’s bloated bureaucracies sustain the inequality. The absence of a decent public-school education or meaningful political reform leaves an unskilled underclass trapped between a rampant illegal drug economy and a vicious “war on drugs.” (p. 24) My main purpose in this article is to introduce season four of The Wire—the “education” season—to readers who have either never seen any of the series, or who have seen some of it but James Trier is an not season four. Specifically, I will attempt to show associate professor in the that season four holds great pedagogical potential for School of Education at academics in education.1 First, though, I will present the University of North examples of the critical acclaim that The Wire received Carolina at Chapel throughout its run, and I will introduce the backgrounds Hill, Chapel Hill, North of the creators and main writers of the series, David Carolina.
    [Show full text]
  • Television Academy Awards
    2019 Primetime Emmy® Awards Ballot Outstanding Comedy Series A.P. Bio Abby's After Life American Housewife American Vandal Arrested Development Atypical Ballers Barry Better Things The Big Bang Theory The Bisexual Black Monday black-ish Bless This Mess Boomerang Broad City Brockmire Brooklyn Nine-Nine Camping Casual Catastrophe Champaign ILL Cobra Kai The Conners The Cool Kids Corporate Crashing Crazy Ex-Girlfriend Dead To Me Detroiters Easy Fam Fleabag Forever Fresh Off The Boat Friends From College Future Man Get Shorty GLOW The Goldbergs The Good Place Grace And Frankie grown-ish The Guest Book Happy! High Maintenance Huge In France I’m Sorry Insatiable Insecure It's Always Sunny in Philadelphia Jane The Virgin Kidding The Kids Are Alright The Kominsky Method Last Man Standing The Last O.G. Life In Pieces Loudermilk Lunatics Man With A Plan The Marvelous Mrs. Maisel Modern Family Mom Mr Inbetween Murphy Brown The Neighborhood No Activity Now Apocalypse On My Block One Day At A Time The Other Two PEN15 Queen America Ramy The Ranch Rel Russian Doll Sally4Ever Santa Clarita Diet Schitt's Creek Schooled Shameless She's Gotta Have It Shrill Sideswiped Single Parents SMILF Speechless Splitting Up Together Stan Against Evil Superstore Tacoma FD The Tick Trial & Error Turn Up Charlie Unbreakable Kimmy Schmidt Veep Vida Wayne Weird City What We Do in the Shadows Will & Grace You Me Her You're the Worst Young Sheldon Younger End of Category Outstanding Drama Series The Affair All American American Gods American Horror Story: Apocalypse American Soul Arrow Berlin Station Better Call Saul Billions Black Lightning Black Summer The Blacklist Blindspot Blue Bloods Bodyguard The Bold Type Bosch Bull Chambers Charmed The Chi Chicago Fire Chicago Med Chicago P.D.
    [Show full text]
  • Reco Changes
    Reco Changes Bruce Baller July 14, 2015 Outline } ClusterFinder/LineCluster_module - update } RecoAlg/ClusterCrawlerAlg - update } TrackFinder/CCTrackMaker_module – major update } RecoAlg/TrackTrajectoryAlg - update } RecoAlg/VertexFitAlg – new } Much of this information is for reference and will not be described in detail } Highlights for this meeting in red 2 LineCluster_module } Calls ClusterCrawlerAlg } Produces ß “New” ß “New” } Interface is unchanged 3 ClusterCrawlerAlg Updates } Vertex finding & fitting } Hammer clusters new } ChkSignal revision } MergeOverlap new – merges overlapping clusters 4 ClusterCrawlerAlg - 2D Vertex Finding } Algorithm (old) } Double loop over cluster pairs that have no Vtx assignment } Calculate (vwire, vtick) of the intersection point } Ensure that there is hit charge on all wires between (vwire, vtick) and the Begin/End (wire, tick) of both clusters (using ChkSignal) } Compare (vwire, vtick) with set of existing vertices and merge them if δWire < 4 and δTick < 25 } Problem } Poor cluster reconstruction near the vertex can result in nearby vertices that fail the cuts particularly for large angle clusters } Solution } Modify FitVtx routine to save the vertex position error } Replace the hard-coded δWire and δTick cuts with chisq cuts } Side note: recob::Vertex has no error on the (x,y,z) position 5 2 GeV CC neutrino interaction w 6 protons 6 Vertex position (small open circle) after making these 6 clusters changes 7 clusters 6 clusters 7 Hammer clusters No circle displayed à no vertex found Zoom in on next slide 8 2 clusters Similar signature to ArgoNeuT back-to- back proton tracks 2 clusters Short clusters not reconstructed 1 cluster 9 ClusterCrawlerAlg New routine - FindHammerClusters } In each plane, look for: } One long (>20 hits) cluster whose End is near a short (< 20 hits) cluster } An (vwire, vtick) intersection point on the short cluster where vwire < End wire of the long cluster } Calculate the X position of the intersection point } Store in a temporary struct } Match in 3D } Create an “incomplete” 3D vertex (i.e.
    [Show full text]
  • Artists Are a Tool for Gentrification’: Maintaining Artists and Creative Production in Arts Districts
    International Journal of Cultural Policy ISSN: 1028-6632 (Print) 1477-2833 (Online) Journal homepage: http://www.tandfonline.com/loi/gcul20 ‘Artists are a tool for gentrification’: maintaining artists and creative production in arts districts Meghan Ashlin Rich To cite this article: Meghan Ashlin Rich (2017): ‘Artists are a tool for gentrification’: maintaining artists and creative production in arts districts, International Journal of Cultural Policy, DOI: 10.1080/10286632.2017.1372754 To link to this article: https://doi.org/10.1080/10286632.2017.1372754 Published online: 06 Sep 2017. Submit your article to this journal Article views: 263 View related articles View Crossmark data Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=gcul20 INTERNATIONAL JOURNAL OF CULTURAL POLICY, 2017 https://doi.org/10.1080/10286632.2017.1372754 ‘Artists are a tool for gentrification’: maintaining artists and creative production in arts districts Meghan Ashlin Rich Department of Sociology/Criminal Justice, University of Scranton, Scranton, PA, USA ABSTRACT ARTICLE HISTORY This study investigates the relationship between arts-themed development Received 7 June 2017 and the strategies used by neighborhood stakeholders, including artists Accepted 16 August 2017 and other marginalized populations, to maintain their place in gentrifying KEYWORDS arts and cultural districts. Using a case study of a state-sanctioned Arts & Artist communities; creative Entertainment District in Baltimore, MD (U.S.A.), I find that the organizations placemaking; gentrification; that are ‘thoughtful’ in their development actively seek to maintain the urban planning and policy production of arts and the residency of artists in the neighborhood into perpetuity.
    [Show full text]
  • VEEP Episode #410 “Election Night” Teleplay By
    VEEP Episode #410 “Election Night” Teleplay by: Simon Blackwell & Tony Roche Story by: Armando Iannucci, Simon Blackwell & Tony Roche AS BROADCAST SCRIPT May 26, 2015 VEEP As Broadcast Script Episode #410 01:00:17 [HBO ENTERTAINMENT OPENING LOGO] INT. HOTEL SUITE BEDROOM – NIGHT. President Meyer is sitting on the edge of the bed staring out the window. Kent knocks as he enters. KENT East coast polls are closing, ma’am. Tom knocks as he enters. TOM Ma’am? History’s calling, and it won’t go to voicemail. Gary knocks as he enters. GARY Hey. You okay, ma’am? PRESIDENT MEYER Oh, I’d love one, Gary. Thank you. GARY Okay, I’ll get, I’ll get you one. PRESIDENT MEYER Well, I’ve asked America if she wants me to be her president. Now she’s gonna give us her answer. (clears throat) GARY America doesn’t just love you, ma’am, she is in love with you. (chuckles) PRESIDENT MEYER (chuckles) Daily Transcription 1 5/26/2015 VEEP EPISODE #410 MIKE (OS) We’ve lost Kentucky! 01:00:53 [MUSIC IN] [OPENING SEQUENCE] EXT. TV STUDIO – NIGHT. Establishing shot. Election Night 7:15 pm DAN (VO) I assume you reached out to... INT. TV STUDIO HAIR AND MAKE-UP ROOM – NIGHT. Dan and Amy are seated at dressing mirrors. DAN ...the O’Brien camp. You taking a meeting with Charlotte or with Kim? AMY No, I, I haven’t contacted the O’Brien team. DAN Amy, if he wins, our lobbying stock is gonna droop like a chimp’s tits.
    [Show full text]