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Unveiling Extreme Metal Festival Producers
UNVEILING EXTREME METAL FESTIVAL PRODUCERS: THE EMERGENCE OF NARRATIVE IDENTITIES _______________________________________ A Thesis presented to the Faculty of the Graduate School at the University of Missouri-Columbia _______________________________________________________ In Fulfillment Of the Requirements for the Degree Master of Science _____________________________________________________ by MARK KLOEPPEL Dr. Grace Yan, Thesis Supervisor MAY 2016 The undersigned, appointed by the dean of the Graduate School, have examined the thesis entitled: Unveiling Extreme Metal Festival Producers: The Emergence of Narrative Identities Presented by Mark Kloeppel, A candidate for the degree of Master of Science, and herby certify that, in their opinion, it is worthy of acceptance. Grace Yan, Department of Parks, Recreation, and Tourism (Chair) David Vaught, Department of Parks, Recreation, and Tourism Timothy Vos, School of Journalism ii Acknowledgements I would like to extend my gratitude and acknowledgement to Grace Yan and the University of Missouri-Columbia Parks, Recreation, and Tourism Department for their guidance in the facilitation of this research opportunity. iii Table of Contents ACKNOWLEDGEMENTS ............................................................................................... ii ABSTRACT ...................................................................................................................... iv INTRODUCTION ............................................................................................................ -
Razorcake Issue #09
PO Box 42129, Los Angeles, CA 90042 www.razorcake.com #9 know I’m supposed to be jaded. I’ve been hanging around girl found out that the show we’d booked in her town was in a punk rock for so long. I’ve seen so many shows. I’ve bar and she and her friends couldn’t get in, she set up a IIwatched so many bands and fads and zines and people second, all-ages show for us in her town. In fact, everywhere come and go. I’m now at that point in my life where a lot of I went, people were taking matters into their own hands. They kids at all-ages shows really are half my age. By all rights, were setting up independent bookstores and info shops and art it’s time for me to start acting like a grumpy old man, declare galleries and zine libraries and makeshift venues. Every town punk rock dead, and start whining about how bands today are I went to inspired me a little more. just second-rate knock-offs of the bands that I grew up loving. hen, I thought about all these books about punk rock Hell, I should be writing stories about “back in the day” for that have been coming out lately, and about all the jaded Spin by now. But, somehow, the requisite feelings of being TTold guys talking about how things were more vital back jaded are eluding me. In fact, I’m downright optimistic. in the day. But I remember a lot of those days and that “How can this be?” you ask. -
Anal Cunt • Deceased • Executioner Fistula • Panzerbastard • Psycho Rampant Decay/Kruds • Rawhide Revilers • Slimy Cunt & the Fistfucks Strong Intention
PRESENTS RELEASES FROM: ANAL CUNT • DECEASED • EXECUTIONER FISTULA • PANZERBASTARD • PSYCHO RAMPANT DECAY/KRUDS • RAWHIDE REVILERS • SLIMY CUNT & THE FISTFUCKS STRONG INTENTION Now Exclusively Distributed by ANAL CUNT Street Date: Fuckin’ A, CD AVAILABLE NOW! INFORMATION: Artist Hometown: Boston, MA Key Markets: Boston, New York, Los Angeles, Portland OR For Fans of: GG ALLIN, NAPALM DEATH, VENOM, AGORAPHOBIC NOSEBLEED Fans of strippers, hard drugs, punk rock production and cock rock douchebaggery, rejoice: The one and only ANAL CUNT have returned with a new album, and this time around, they’re shooting to thrill –instead of just horrifically maim. They’re here to f*** your girlfriend, steal your drugs, piss in your whiskey, and above all, ROCK! (The late) Seth Putnam channels Sunset Strip scumbags like MOTLEY ARTIST: ANAL CUNT CRUE and TWISTED SISTER to bring you a rock’n’roll nightmare fueled TITLE: Fuckin’ A by their preferred cocktail of sex, violence, and unbridled disgust. From LABEL: PATAC ripping off theCRUE’s cover art to the massive hard rock riffs of “Hot Girls CAT#: PATAC-011 on the Road,” “Crankin’ My Band’s Demo on a Box at the Beach,” and “F*** FORMAT: CD YEAH!” and tender ballad “I Wish My Dealer Was Open,” Fuckin’ A is an GENRE: Metal instant scuzz rock classic. BOX LOT: 30 SRLP: $10.98 UPC: 628586220218 EXPORT: NO SALES TO THE UK Marketing Points: • 1ST PRESS LIMITED TO 1000 COPIES. Currently on its third pressing! • Final album before the passing of ANAL CUNT frontman Seth Putnam Tracklist: • Print ads in Maximumrocknroll, Decibel, Short Fast & Loud and Chips & Beer 1. -
Family Album
1 2 Cover Chris Pic Rigablood Below Fabio Bottelli Pic Rigablood WHAT’S HOT 6 Library 8 Rise Above Dead 10 Jeff Buckley X Every Time I Die 12 Don’t Sweat The Technique BACKSTAGE 14 The Freaks Come Out At Night Editor In Chief/Founder - Andrea Rigano Converge Art Director - Alexandra Romano, [email protected] 16 Managing Director - Luca Burato, [email protected] 22 Moz Executive Producer - Mat The Cat E Dio Inventò... Editing - Silvia Rapisarda 26 Photo Editor - Rigablood 30 Lemmy - Motorhead Translations - Alessandra Meneghello 32 Nine Pound Hammer Photographers - Luca Benedet, Mattia Cabani, Lance 404, Marco Marzocchi, 34 Saturno Buttò Alex Ruffini, Federico Vezzoli, Augusto Lucati, Mirko Bettini, Not A Wonder Miss Chain And The Broken Heels - Tour Report Boy, Lauren Martinez, 38 42 The Secret Illustrations - Marcello Crescenzi/Rise Above 45 Jacopo Toniolo Contributors - Milo Bandini, Maurice Bellotti/Poison For Souls, Marco Capelli, 50 Conkster Marco De Stefano, Paola Dal Bosco, Giangiacomo De Stefano, Flavio Ignelzi, Brixia Assault Fra, Martina Lavarda, Andrea Mazzoli, Eros Pasi, Alex ‘Wizo’, Marco ‘X-Man’ 58 Xodo, Gonz, Davide Penzo, Jordan Buckley, Alberto Zannier, Michele & Ross 62 Family Album ‘Banda Conkster’, Ozzy, Alessandro Doni, Giulio, Martino Cantele 66 Zucka Vs Tutti Stampa - Tipografia Nuova Jolly 68 Violator Vs Fueled By Fire viale Industria 28 Dear Landlord 35030 Rubano (PD) 72 76 Lagwagon Salad Days Magazine è una rivista registrata presso il Tribunale di Vicenza, Go Getters N. 1221 del 04/03/2010. 80 81 Summer Jamboree Get in touch - www.saladdaysmag.com Adidas X Revelation Records [email protected] 84 facebook.com/saladdaysmag 88 Highlights twitter.com/SaladDays_it 92 Saints And Sinners L’editore è a disposizione di tutti gli interessati nel collaborare 94 Stokin’ The Neighbourhood con testi immagini. -
Punk: Music, History, Sub/Culture Indicate If Seminar And/Or Writing II Course
MUSIC HISTORY 13 PAGE 1 of 14 MUSIC HISTORY 13 General Education Course Information Sheet Please submit this sheet for each proposed course Department & Course Number Music History 13 Course Title Punk: Music, History, Sub/Culture Indicate if Seminar and/or Writing II course 1 Check the recommended GE foundation area(s) and subgroups(s) for this course Foundations of the Arts and Humanities • Literary and Cultural Analysis • Philosophic and Linguistic Analysis • Visual and Performance Arts Analysis and Practice x Foundations of Society and Culture • Historical Analysis • Social Analysis x Foundations of Scientific Inquiry • Physical Science With Laboratory or Demonstration Component must be 5 units (or more) • Life Science With Laboratory or Demonstration Component must be 5 units (or more) 2. Briefly describe the rationale for assignment to foundation area(s) and subgroup(s) chosen. This course falls into social analysis and visual and performance arts analysis and practice because it shows how punk, as a subculture, has influenced alternative economic practices, led to political mobilization, and challenged social norms. This course situates the activity of listening to punk music in its broader cultural ideologies, such as the DIY (do-it-yourself) ideal, which includes nontraditional musical pedagogy and composition, cooperatively owned performance venues, and underground distribution and circulation practices. Students learn to analyze punk subculture as an alternative social formation and how punk productions confront and are times co-opted by capitalistic logic and normative economic, political and social arrangements. 3. "List faculty member(s) who will serve as instructor (give academic rank): Jessica Schwartz, Assistant Professor Do you intend to use graduate student instructors (TAs) in this course? Yes x No If yes, please indicate the number of TAs 2 4. -
Dyk Ned I Sludge-Riget Med Mægtige Eyehategod
2019-06-05 10:00 CEST Dyk ned i sludge-riget med mægtige Eyehategod VEGA præsenterer Dyk ned i sludge-riget med mægtige Eyehategod Den 6. oktober kan du opleve legenderne fra New Orleans, når de skruer helt op for deres unikke mix af punk og metal i VEGA. Eyehategod startede tilbage i 1988 deres tunge eksperimenter med bluesede og distortede guitarer. Siden har det genredefinerende band fået spillesteder verden over til at ryste med deres dystre mix af punk og metal, som deres karismatiske frontmand kalder heavy blues. Fra 2000 og 2014 var bandet hårdt ramt af orkanødelæggelser, afhængighed, depressioner og til slut trommeslager Joey LaCazes tidlige død i 2013. Men året efter rejste bandet sig med et potent selvbetitlet album, der høstede store roser hos anmeldere verden over. Trommeslageren fra Mountain of Wizard og Missing Monuments, Aaron Hill, overtog efter LaCaze, og han har på fornemmeste vis løftet arven videre med indlevende, energisk trommespil, der indkapsler bandets karakteristiske lyd. Med skarpskårede guitarriffs fra Jimmy Bower og Brian Patton, tordnende trommer og Mike Williams dæmoniske vokal skaber bandet et kakofonisk lydunivers. Det er Black Sabbath mikset med Black Flag og en portion old school blues oveni hatten. Da bandet sidste år fyrede godt og grundigt op under Pumpehuset, skrev anmelderen fra Devilution begejstret om legendernes energiske optræden: ”Eyehategod leverede en af den type koncerter, hvor man som publikum ikke i ét splitsekund tænker, at man har med en rutinepræget præstation at gøre. Det gør man ikke, fordi det er leveret med indlevelse, og fordi de med Mike IX Williams snart 30 år inde i karrieren – og med sin anden lever! – stadig er et i den grad dopesick individ fyldt med mismod, afsky og muligvis nu også en snert af taknemmelighed.” Fakta om koncerten: Eyehategod (US) Søndag d. -
Angerburning-Issue02
EDITORIAL Well, this is the second issue of 'Anger Burning'! When I set out to create the fanzine earlier in the year, I simply wanted to do what had been done many, many times before but to give my own spin on the format. I have been overwhelmed by the positive responses from people - both fans and bands alike - who loved the zine. The format could do with a little tweaking and this issue shows some of those modifications now. However, I feel that the overall result is pretty much there or thereabouts. It will evolve, I'm sure. In particular, the bands whom I requested an interview of are more than willing to spend their precious time answering my obvious and not-so- obvious questions. I'm no 'Parkinson', but I do like my questions to not be too assuming. That is, to not be afraid to go over old ground where it was needed, as I'm sure that the audience to which AB is aimed at might not necessarily know everything about every band featured. Kudos to anyone who does! The website - which will improve with time I am sure - will be the place for the 'here and now' type of content. I'm thinking album reviews and perhaps personal views of gigs. With that said, I offer an open invitation for all of you to become part of the Anger Burning collective. If you attend a gig or indeed download/buy and album or whatever and feel strongly enough to lay down a few words and rate your experience, do contact the zine on Facebook and send in your words. -
“Punk Rock Is My Religion”
“Punk Rock Is My Religion” An Exploration of Straight Edge punk as a Surrogate of Religion. Francis Elizabeth Stewart 1622049 Submitted in fulfilment of the doctoral dissertation requirements of the School of Language, Culture and Religion at the University of Stirling. 2011 Supervisors: Dr Andrew Hass Dr Alison Jasper 1 Acknowledgements A debt of acknowledgement is owned to a number of individuals and companies within both of the two fields of study – academia and the hardcore punk and Straight Edge scenes. Supervisory acknowledgement: Dr Andrew Hass, Dr Alison Jasper. In addition staff and others who read chapters, pieces of work and papers, and commented, discussed or made suggestions: Dr Timothy Fitzgerald, Dr Michael Marten, Dr Ward Blanton and Dr Janet Wordley. Financial acknowledgement: Dr William Marshall and the SLCR, The Panacea Society, AHRC, BSA and SOCREL. J & C Wordley, I & K Stewart, J & E Stewart. Research acknowledgement: Emily Buningham @ ‘England’s Dreaming’ archive, Liverpool John Moore University. Philip Leach @ Media archive for central England. AHRC funded ‘Using Moving Archives in Academic Research’ course 2008 – 2009. The 924 Gilman Street Project in Berkeley CA. Interview acknowledgement: Lauren Stewart, Chloe Erdmann, Nathan Cohen, Shane Becker, Philip Johnston, Alan Stewart, N8xxx, and xEricx for all your help in finding willing participants and arranging interviews. A huge acknowledgement of gratitude to all who took part in interviews, giving of their time, ideas and self so willingly, it will not be forgotten. Acknowledgement and thanks are also given to Judy and Loanne for their welcome in a new country, providing me with a home and showing me around the Bay Area. -
Metaldata: Heavy Metal Scholarship in the Music Department and The
Dr. Sonia Archer-Capuzzo Dr. Guy Capuzzo . Growing respect in scholarly and music communities . Interdisciplinary . Music theory . Sociology . Music History . Ethnomusicology . Cultural studies . Religious studies . Psychology . “A term used since the early 1970s to designate a subgenre of hard rock music…. During the 1960s, British hard rock bands and the American guitarist Jimi Hendrix developed a more distorted guitar sound and heavier drums and bass that led to a separation of heavy metal from other blues-based rock. Albums by Led Zeppelin, Black Sabbath and Deep Purple in 1970 codified the new genre, which was marked by distorted guitar ‘power chords’, heavy riffs, wailing vocals and virtuosic solos by guitarists and drummers. During the 1970s performers such as AC/DC, Judas Priest, Kiss and Alice Cooper toured incessantly with elaborate stage shows, building a fan base for an internationally-successful style.” (Grove Music Online, “Heavy metal”) . “Heavy metal fans became known as ‘headbangers’ on account of the vigorous nodding motions that sometimes mark their appreciation of the music.” (Grove Music Online, “Heavy metal”) . Multiple sub-genres . What’s the difference between speed metal and death metal, and does anyone really care? (The answer is YES!) . Collection development . Are there standard things every library should have?? . Cataloging . The standard difficulties with cataloging popular music . Reference . Do people even know you have this stuff? . And what did this person just ask me? . Library of Congress added first heavy metal recording for preservation March 2016: Master of Puppets . Library of Congress: search for “heavy metal music” April 2017 . 176 print resources - 25 published 1980s, 25 published 1990s, 125+ published 2000s . -
From Crass to Thrash, to Squeakers: the Suspicious Turn to Metal in UK Punk and Hardcore Post ‘85
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by De Montfort University Open Research Archive From Crass to Thrash, to Squeakers: The Suspicious Turn to Metal in UK Punk and Hardcore Post ‘85. Otto Sompank I always loved the simplicity and visceral feel of all forms of punk. From the Pistols take on the New York Dolls rock, or the UK Subs aggressive punk take on rhythm and blues. The stark reality Crass and the anarchist-punk scene was informed with aspects of obscure seventies rock too, for example Pete Wright’s prog bass lines in places. Granted. Perhaps the most famous and intense link to rock and punk was Motorhead. While their early output and LP’s definitely had a clear nod to punk (Lemmy playing for the Damned), they appealed to most punks back then with their sheer aggression and intensity. It’s clear Motorhead and Black Sabbath influenced a lot of street-punk and the ferocious tones of Discharge and their Scandinavian counterparts such as Riistetyt, Kaaos and Anti Cimex. The early links were there but the influence of late 1970s early 80s NWOBM (New Wave of British Heavy Metal) and street punk, Discharge etc. in turn influenced Metallica, Anthrax and Exodus in the early eighties. Most of them can occasionally be seen sporting Discharge, Broken Bones and GBH shirts on their early record-sleeve pictures. Not only that, Newcastle band Venom were equally influential in the mix of new genre forms germinating in the early 1980s. One of the early examples of the incorporation of rock and metal into the UK punk scene came from Discharge. -
Weirdo Canyon Dispatch 2015
Review: Roadburn Friday 10th April 2015 By Alex Mysteerie I woke up with a big grin on my face at the thought of Friday’s schedule: the bands on offer for the Houses Of The Holistic, curated by Ivar Bjørnson of Enslaved and Einer “Kvitrafn” Selvik of Wardruna, were fantastic! It’s always a great feeling when one of your favourite bands kicks off the day. Virus’ Roadburn return saw them unfolding their weird magic on the Main Hard not to anticipate Der Weg Einer Stage, with legend Czral in a jolly mood Freiheit’s performance at Het Patronaat, and the band, as a more direct three- my favourite Roadburn venue. The piece, as gratifying as ever. They church has been a theatre of memorable generously offered up a couple of new gigs in the past, such as Terra songs from the forthcoming album, Tenebrosa, Oranssi Pazuzu and The which were extremely and fast paced. Ruins Of Beverast, to name but a few. I expected the Germans – whose new Over to the packed Green Room, I album, Stellar, is one of 2015’s best – to braved a quick but hellish sauna to blow me away, and so they did. With an witness the Icelandic scourge extensive European tour in the bag I Svartidauði deliver their appealing brand expected them to be on fire, but nothing of black metal, while Sólstafir set out to could have prepared me for the intensity mesmerize the Main Stage once again. of their live sound: breathtaking, Stunning images of ice and white wolves devastating and unforgettable! added a little extra to a top class show: these rockers are simply one of the best Then it was back to the 013 with a sense bands around. -
Doom • Appalachian Terror Unit Warcollapse • Imperial
DOOM • APPALACHIAN TERROR UNIT WARCOLLAPSE • IMPERIAL LEATHER SHADES OF GREY • MASSMORD • resistant culture RESIST •AGRIMONIA • POLICE BASTARD • WAR/PLAGUE AGAINST EMPIRE • OI POLLOI • DRESDEN IN DEFENCE • OILTANKER • NO TOMORROW DEVIATED INSTINCT Now Exclusively Distributed by DOOM Street Date: POLICE BASTARD, 7˝ AVAILABLE NOW! INFORMATION: Artist Hometown: Birmingham, England Key Markets: USA/EUROPE For Fans of: DOOM, DISCHARGE, DEVIATED INSTINCT This is a crust classic back in print. Five songs recorded in 1989, during the same session in which DOOM recorded their brilliant split LP with NO SECURITY. Considered by many to be their best early material. This classic EP contains the songs “Means to an End,” “Relief, Pt. 2,” and of course, “Police Bastard.” This was the second release ever by Profane Existence Records and is considered by many to be a ARTIST: DOOM masterpiece. There are at least five different versions of the cover, but TITLE: POLICE BASTARD all of the records were made using plates from the original masters. LABEL: PROFANE EXISTENCE CAT#: EXIST 001.5 FORMAT: 7˝ Marketing Points: GENRE: CRUST PUNK / D-BEAT * Classic Crust Punk Record by a Legendary Crust Punk Band / METAL * Consistent Seller Over The Years BOX LOT: - SRLP: $4.98 UPC: 661799085205 EXPORT: NO RESTRICTIONS OTHER TITLES DISTRIBUTED BY ILD: Tracklist: POLICE BASTARD / WAR//PLAGUE Split LP 1. Relief Pt. 2 EXIST 117 2. Police Bastard 661799085267 3. Diseased 4. Circles 5. Means To An End Exclusively Distributed by Contact your sales rep: Mike Beer - [email protected] phone 414-672-9948 fax 414-672-9936 www.ildistro.com APPALACHIAN TERROR UNIT Street Date: ARMAGEDDON WON’T BE BROUGHT BY GODS..., 7˝ AVAILABLE NOW! INFORMATION: Artist Hometown: Huntington, West Virginia Key Markets: USA/EUROPE For Fans of: NAUSEA, WOLFBRIGADE, ANTISCHISM Every once in a great while, a new band comes along with such intense fury that they captivate all who hear and see them — APPALACHIAN TERROR UNIT is one such band.