Supplementary Table 1: Rock Art Dataset
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La Question De La Visibilité De L'art Pariétal Paléolithique Européen
Année universitaire 2017.-2018. LA QUESTION DE LA VISIBILITÉ DE L’ART PARIÉTAL PALÉOLITHIQUE EUROPÉEN : APPORTS MÉTHODOLOGIQUES INTERDISCIPLINAIRES APPLIQUÉS AU REGISTRE ANIMALIER DU ROC-AUX- SORCIERS (ANGLES-SUR-L’ANGLIN, FRANCE) Présenté par Juliette Boudier--Blet Sous la direction de Camille Bourdier, Maîtresse de conférences en art préhistorique à l’Université Toulouse Jean Jaurès, TRACES, UMR5608 et Alexandra Severac-Cauquil, Maîtresse de conférences à l’Université Paul Sabatier, Centre de Recherche Cerveau et Cognition, UMR5549, CNRS Mémoire présenté le 22/06/2018. devant le jury du Master Mémoire de Master 2 mention Histoire, Arts et Archéologie Spécialité Arts et Cultures de la Préhistoire et de la Protohistoire : Europe, Afrique REMERCIEMENTS Je tiens tout d’abord à remercier mes deux directrices, Camille Bourdier pour son suivi durant les deux ans de ce Master, ses conseils, son implications sans faille ainsi que ses encouragements qui m’ont permis de réaliser mon rêve ; et Alexandra Severac-Cauquil, qui a accepté avec enthousiasme la curieuse demande d’une étudiante en archéologie préhistorique désireuse de croiser son champ d’étude avec les neurosciences. Merci à toutes les deux de votre temps, conseils et relectures avisées. Je remercie également Emmanuel Demoulin pour l’accès au Parc de la Préhistoire, ainsi que Jacques Azéma ; Olivier Huard pour les photographies de la grotte des Combarelles I, Camille Bourdier pour celles de Cap Blanc et Bertrand Defois, directeur du développement touristique et culturel du centre de préhistoire du Pech Merle, pour le prêt de la lampe à graisse expérimentale. J’ai une pensée pour Monique Veyret, guide de la grotte des Combarelles, qui m’a appris à lire les gravures et a contribué à me plonger dans cette passion dévorante qu’est l’art pariétal paléolithique. -
Durham Research Online
Durham Research Online Deposited in DRO: 04 August 2017 Version of attached le: Accepted Version Peer-review status of attached le: Peer-reviewed Citation for published item: Fazenda, Bruno and Scarre, Chris and Till, Rupert and Jim¡enezPasalodos, Raquel and Rojo Guerra, Manuel and Tejedor, Cristina and Onta£n¡onPeredo, Roberto and Watson, Aaron and Wyatt, Simon and Garc¡a Benito, Carlos and Drinkall, Helen and Foulds, Frederick (2017) 'Cave acoustics in prehistory : exploring the association of Palaeolithic visual motifs and acoustic response.', Journal of the Acoustical Society of America., 142 (3). pp. 1332-1349. Further information on publisher's website: https://doi.org/10.1121/1.4998721 Publisher's copyright statement: c 2017 Author(s). All article content, except where otherwise noted, is licensed under a Creative Commons Attribution (CC BY) license (http://creativecommons.org/licenses/by/4.0/). Additional information: Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in DRO • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full DRO policy for further details. Durham University Library, Stockton Road, Durham DH1 3LY, United Kingdom -
Bibliography
Bibliography Many books were read and researched in the compilation of Binford, L. R, 1983, Working at Archaeology. Academic Press, The Encyclopedic Dictionary of Archaeology: New York. Binford, L. R, and Binford, S. R (eds.), 1968, New Perspectives in American Museum of Natural History, 1993, The First Humans. Archaeology. Aldine, Chicago. HarperSanFrancisco, San Francisco. Braidwood, R 1.,1960, Archaeologists and What They Do. Franklin American Museum of Natural History, 1993, People of the Stone Watts, New York. Age. HarperSanFrancisco, San Francisco. Branigan, Keith (ed.), 1982, The Atlas ofArchaeology. St. Martin's, American Museum of Natural History, 1994, New World and Pacific New York. Civilizations. HarperSanFrancisco, San Francisco. Bray, w., and Tump, D., 1972, Penguin Dictionary ofArchaeology. American Museum of Natural History, 1994, Old World Civiliza Penguin, New York. tions. HarperSanFrancisco, San Francisco. Brennan, L., 1973, Beginner's Guide to Archaeology. Stackpole Ashmore, w., and Sharer, R. J., 1988, Discovering Our Past: A Brief Books, Harrisburg, PA. Introduction to Archaeology. Mayfield, Mountain View, CA. Broderick, M., and Morton, A. A., 1924, A Concise Dictionary of Atkinson, R J. C., 1985, Field Archaeology, 2d ed. Hyperion, New Egyptian Archaeology. Ares Publishers, Chicago. York. Brothwell, D., 1963, Digging Up Bones: The Excavation, Treatment Bacon, E. (ed.), 1976, The Great Archaeologists. Bobbs-Merrill, and Study ofHuman Skeletal Remains. British Museum, London. New York. Brothwell, D., and Higgs, E. (eds.), 1969, Science in Archaeology, Bahn, P., 1993, Collins Dictionary of Archaeology. ABC-CLIO, 2d ed. Thames and Hudson, London. Santa Barbara, CA. Budge, E. A. Wallis, 1929, The Rosetta Stone. Dover, New York. Bahn, P. -
Pleistocene Palaeoart of Africa
Arts 2013, 2, 6-34; doi:10.3390/arts2010006 OPEN ACCESS arts ISSN 2076-0752 www.mdpi.com/journal/arts Review Pleistocene Palaeoart of Africa Robert G. Bednarik International Federation of Rock Art Organizations (IFRAO), P.O. Box 216, Caulfield South, VIC 3162, Australia; E-Mail: [email protected]; Tel.: +61-3-95230549; Fax: +61-3-95230549 Received: 22 December 2012; in revised form: 22 January 2013 / Accepted: 23 January 2013 / Published: 8 February 2013 Abstract: This comprehensive review of all currently known Pleistocene rock art of Africa shows that the majority of sites are located in the continent’s south, but that the petroglyphs at some of them are of exceptionally great antiquity. Much the same applies to portable palaeoart of Africa. The current record is clearly one of paucity of evidence, in contrast to some other continents. Nevertheless, an initial synthesis is attempted, and some preliminary comparisons with the other continents are attempted. Certain parallels with the existing record of southern Asia are defined. Keywords: rock art; portable palaeoart; Pleistocene; figurine; bead; engraving; Africa 1. Introduction Although palaeoart of the Pleistocene occurs in at least five continents (Bednarik 1992a, 2003a) [38,49], most people tend to think of Europe first when the topic is mentioned. This is rather odd, considering that this form of evidence is significantly more common elsewhere, and very probably even older there. For instance there are far less than 10,000 motifs in the much-studied corpus of European rock art of the Ice Age, which are outnumbered by the number of publications about them. -
Prehistoric Art As Prehistoric Culture Studies in Honour of Professor Rodrigo De Balbín-Behrmann
Prehistoric Art as Prehistoric Culture Studies in Honour of Professor Rodrigo de Balbín-Behrmann edited by Primitiva Bueno-Ramírez and Paul G. Bahn Archaeopress Archaeology Archaeopress Publishing Ltd Gordon House 276 Banbury Road Oxford OX2 7ED www.archaeopress.com ISBN 978 1 78491 222 2 ISBN 978 1 78491 223 9 (e-Pdf) © Archaeopress and the individual authors 2015 Cover: “Galería de los Antropomorfos” Tito Bustillo cave, Asturias, Spain. Photos by Rodrigo de Balbín All rights reserved. No part of this book may be reproduced, stored in retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying or otherwise, without the prior written permission of the copyright owners. Printed in England by Oxuniprint, Oxford This book is available direct from Archaeopress or from our website www.archaeopress.com Contents List of Figures and Tables �������������������������������������������������������������������������������������������������������������������������������������iii List of contributors �����������������������������������������������������������������������������������������������������������������������������������������������v Prehistoric Art as Prehistoric Culture ������������������������������������������������������������������������������������������������������������������ vii Primitiva Bueno-Ramírez and Paul Bahn ‘Science’ versus Archaeology: Palaeolithic Rock Art at the beginning of the 21st century ��������������������������������������1 José-Javier Alcolea-González and César González-Sainz -
The Archaeological Record of Lapa Do Santo (East-Central Brazil) André Strauss1,2,3,4,∗, Rodrigo Elias Oliveira3,5, Ximena S
Early Holocene ritual complexity in South America: the archaeological record of Lapa do Santo (east-central Brazil) André Strauss1,2,3,4,∗, Rodrigo Elias Oliveira3,5, Ximena S. Villagran6, Danilo V. Bernardo7, Domingo C. Salazar-García1,8,9,10, Marcos César Bissaro Jr11, Francisco Pugliese6, Tiago Hermenegildo12, Rafael Santos13, Alberto Barioni3,14, Emiliano Castro de Oliveira3,15, João Carlos Moreno de Sousa16, Klervia Jaouen1, Max Ernani3, Mark Hubbe17,18, Mariana Inglez3,MarinaGratão3,H.Rockwell19, Márcia Machado20, Gustavo de Souza21, Farid Chemale22, Koji Kawashita23, Tamsin C. O’Connell12, Isabel Israde24, James Feathers25, Claudio Campi26, Michael Richards1, Joachim Wahl2,27, Renato Kipnis3, Astolfo Araujo6 & Walter Neves3 Early Archaic human skeletal remains found in a burial context in Lapa do Santo in east- central Brazil provide a rare glimpse into the lives of hunter-gatherer communities in South America, including their rituals for dealing with the dead. These included the reduction of the body by means of mutilation, defleshing, tooth removal, exposure to fire and possibly cannibalism, followed by the secondary burial of the remains according to strict rules. In a later period, pits were filled with disarticulated bones of a single individual without signs of body manipulation, demonstrating that the region was inhabited by dynamic groups in constant transformation over a period of centuries. Keywords: Brazil, Lagoa Santa, Lapa do Santo, early Archaic period, Palaeoindian, mortuary rituals © Antiquity Publications Ltd, 2016 antiquity 90 354 (2016): 1454–1473 doi:10.15184/aqy.2016.220 1454 Downloaded from http:/www.cambridge.org/core. University of Arkansas at Fayetteville, on 23 Nov 2016 at 16:47:12, subject to the Cambridge Core terms of use, available at http:/www.cambridge.org/core/terms. -
Northern Spain)
Scientific Annals, School of Geology Special volume 98 163-172 Thessaloniki, 2006 Aristotle University of Thessaloniki (AUTH) TITO BUSTILLO, A NEW URSUS SPELAEUS ROSENMÜLLER, 1794 CAVE ASSEMBLAGE IN ASTURIAS (NORTHERN SPAIN) Ana C. Pinto Llona1, Aurora Grandal D’Anglade2 & Sara Robinson-ROXBURGH3 Abstract: The cave named Tito Bustillo (Ribadesella, Asturias, Spain) has been known for decades because of its Magdalenian rock-art. It is a large karstic system by the Atlantic shore of northern Spain; the entrance is almost at sea level and its lower levels are submitted to tidal action. Currently a show cave, an assemblage of bear Ursus spelaeus bones was discovered when improving on the walkways in the 80’s, and subsequently excavations were carried out. This is the only cave bear site documented so far in the Asturias region of northern Spain. Here we describe the site and the bear population excavated, and briefly compare it with other cave bear sites in the neighbouring regions. Key words: Ursus spelaeus, U. s. parvilatipedis, Cantabrian mountains, Late Pleistocene. INTRODUCTION The cave itself is renowned by its outstanding Mag- dalenian rock and mobile art (Moure Romanillo, Cave bears were probably present throughout the Atlan- 1992; Balbín et al., 2003) and can be visited as a show tic regions of northern Spain. Several cave bear sites have cave. The cave bear assemblage is in the central area of been excavated and published, most of these either in the the cave, quite separated from the archaeological site. It eastern range of the area, at the Basque Country region seems that the cave bear occupation of Tito Bustillo is (eg. -
© in This Web Service Cambridge University
Cambridge University Press 978-1-107-01829-7 - Human Adaptation in the Asian Palaeolithic: Hominin Dispersal and Behaviour during the Late Quaternary Ryan J. Rabett Index More information Index Abdur, 88 Arborophilia sp., 219 Abri Pataud, 76 Arctictis binturong, 218, 229, 230, 231, 263 Accipiter trivirgatus,cf.,219 Arctogalidia trivirgata, 229 Acclimatization, 2, 7, 268, 271 Arctonyx collaris, 241 Acculturation, 70, 279, 288 Arcy-sur-Cure, 75 Acheulean, 26, 27, 28, 29, 45, 47, 48, 51, 52, 58, 88 Arius sp., 219 Acheulo-Yabrudian, 48 Asian leaf turtle. See Cyclemys dentata Adaptation Asian soft-shell turtle. See Amyda cartilaginea high frequency processes, 286 Asian wild dog. See Cuon alipinus hominin adaptive trajectories, 7, 267, 268 Assamese macaque. See Macaca assamensis low frequency processes, 286–287 Athapaskan, 278 tropical foragers (Southeast Asia), 283 Atlantic thermohaline circulation (THC), 23–24 Variability selection hypothesis, 285–286 Attirampakkam, 106 Additive strategies Aurignacian, 69, 71, 72, 73, 76, 78, 102, 103, 268, 272 economic, 274, 280. See Strategy-switching Developed-, 280 (economic) Proto-, 70, 78 technological, 165, 206, 283, 289 Australo-Melanesian population, 109, 116 Agassi, Lake, 285 Australopithecines (robust), 286 Ahmarian, 80 Azilian, 74 Ailuropoda melanoleuca fovealis, 35 Airstrip Mound site, 136 Bacsonian, 188, 192, 194 Altai Mountains, 50, 51, 94, 103 Balobok rock-shelter, 159 Altamira, 73 Ban Don Mun, 54 Amyda cartilaginea, 218, 230 Ban Lum Khao, 164, 165 Amyda sp., 37 Ban Mae Tha, 54 Anderson, D.D., 111, 201 Ban Rai, 203 Anorrhinus galeritus, 219 Banteng. See Bos cf. javanicus Anthracoceros coronatus, 219 Banyan Valley Cave, 201 Anthracoceros malayanus, 219 Barranco Leon,´ 29 Anthropocene, 8, 9, 274, 286, 289 BAT 1, 173, 174 Aq Kupruk, 104, 105 BAT 2, 173 Arboreal-adapted taxa, 96, 110, 111, 113, 122, 151, 152, Bat hawk. -
Ancient DNA Dataset 2.07.72
8/27/2021 Ancient DNA Dataset 2.07.72 https://haplogroup.info/ Object‐ID Colloquial‐Skeletal LatitudLongit Sex mtDNA‐comtFARmtDNA‐haplogroup mtDNA‐Haplotree mt‐FT mtree mt‐YFFTDNA‐mt‐Haplotree mt‐Simmt‐S HVS‐I HVS‐II HVS‐NO mt‐SNPs Responsible‐ Y‐DNA Y‐New SNP‐positive SNP‐negative SNP‐dubious NRY Y‐FARY‐Simple YTree Y‐Haplotree‐VY‐Haplotree‐PY‐FTD YFull Y‐YFu ISOGG2019 FTDNA‐Y‐Haplotree Y‐SymY‐Symbol2Responsible‐SNPSNPs AutosomaDamage‐RAssessmenKinship‐Notes Source Method‐Date Date Mean CalBC_top CalBC_bot Age Simplified_Culture Culture_Grouping Label Location SiteID Country Denisova4 FR695060.1 51.4 84.7 M DN1a1 DN1a1 https:/ROOT>HD>DN1>D1a>D1a1 DN L A11914G • C1YFull TMRCA ca. 708,133.1 (549,422.5‐930,979.7) A0000 A0000 A0000 A0000 A0 A0000 PetrbioRxiv2020 84.1–55.2 ka [Douka ‐67700 ‐82150 ‐53250 Adult ma Denisovan Middle Palaeolithic Denisova Cave Russia Denisova8 KT780370.1 51.4 84.7 M DN2 DN2 https:/ROOT>HD>DN2 DN L A11914G • C1YFull TMRCA ca. 706,874.9 (607,187.2‐833,211.4) A0000 A0000‐T A0000‐T A0000‐T A0 A0000 PetrbioRxiv2020 136.4–105.6 ka ‐119050 ‐134450 ‐103650 Adult ma Denisovan Middle Palaeolithic Denisova Cave Russia Spy_final Spy 94a 50.5 4.67 .. ND1b1a1b2* ND1b1a1b2* https:/ROOT>NM>ND>ND1>ND1b>ND1b1>ND1b1a>ND1b1a1>ND1b1a1b>ND1b1a1b2 ND L C6563T * A11YFull TMRCA ca. 369,637.7 (326,137.1‐419,311.0) A000 A000a A000a A000‐T>A000>A000a A0 A000 PetrbioRxiv2020 553719 0.66381 .. PASS (literan/a HajdinjakNature2018 from MeyDirect: 95.4%; IntCal20, OxC39431‐38495 calBCE ‐38972 ‐39431 ‐38495 Neanderthal Late Middle Palaeolithic Spy_Neanderthal.SG Grotte de Spy, Jemeppe‐sur‐Sambre, Namur Belgium El Sidron 1253 FM865409.1 43.4 ‐5.33 ND1b1a* ND1b1a* https:/ROOT>NM>ND>ND1>ND1b>ND1b1>ND1b1a ND L YFull TMRCA ca. -
Sacred Smoking
FLORIDA’SBANNER INDIAN BANNER HERITAGE BANNER TRAIL •• BANNERPALEO-INDIAN BANNER ROCK BANNER ART? • • THE BANNER IMPORTANCE BANNER OF SALT american archaeologySUMMER 2014 a quarterly publication of The Archaeological Conservancy Vol. 18 No. 2 SACRED SMOKING $3.95 $3.95 SUMMER 2014 americana quarterly publication of The Archaeological archaeology Conservancy Vol. 18 No. 2 COVER FEATURE 12 HOLY SMOKE ON BY DAVID MALAKOFF M A H Archaeologists are examining the pivitol role tobacco has played in Native American culture. HLEE AS 19 THE SIGNIFICANCE OF SALT BY TAMARA STEWART , PHOTO BY BY , PHOTO M By considering ethnographic evidence, researchers EU S have arrived at a new interpretation of archaeological data from the Verde Salt Mine, which speaks of the importance of salt to Native Americans. 25 ON THE TRAIL OF FLORIDA’S INDIAN HERITAGE TION, SOUTH FLORIDA MU TION, SOUTH FLORIDA C BY SUSAN LADIKA A trip through the Tampa Bay area reveals some of Florida’s rich history. ALLANT COLLE ALLANT T 25 33 ROCK ART REVELATIONS? BY ALEXANDRA WITZE Can rock art tell us as much about the first Americans as stone tools? 38 THE HERO TWINS IN THE MIMBRES REGION BY MARC THOMPSON, PATRICIA A. GILMAN, AND KRISTINA C. WYCKOFF Researchers believe the Mimbres people of the Southwest painted images from a Mesoamerican creation story on their pottery. 44 new acquisition A PRESERVATION COLLABORATION The Conservancy joins forces with several other preservation groups to save an ancient earthwork complex. 46 new acquisition SAVING UTAH’S PAST The Conservancy obtains two preserves in southern Utah. 48 point acquisition A TIME OF CONFLICT The Parkin phase of the Mississippian period was marked by warfare. -
Desert and the Nile. Prehistory of the Nile Basin and the Sahara (Studies
Desert and the Nile. Prehistory of the Nile Basin and the Sahara. Papers in honour of Fred Wendorf Studies in African Archaeology 15 Poznań Archaeological Museum 2018 Miroslav Bárta The Birth of Supernatural. On the Genesis of Some Later Ancient Egyptian Concepts The following text represents a new way to understand rock-art preserved in the caves of Wadi Sura I and Wadi Sura II in Gilf Kebir, located on the southwest border of modern Egypt1. The sites are dated to the late seventh and the sixth millennia BC. The principal aim of this paper is to show that there are several elements featuring in their decoration which indicate that creators of this art formulated some very ba- sic ideas which were later on elaborated in the Nile valley and that we traditionally connect with the specific character of Ancient Egyptian civilization. These include the following motifs: running chieftain (renewing his magical powers and physi- cal forces), chieftain smiting his enemies, the ethiological myth of Earth and Sky, swimmers as the souls of the deceased individuals, creatures protecting the Neth- erworld and eventually what seems to be the earliest depiction of the hereditary principle. Surprising as it may be, the suggested link between the Gilf Kebir local populations of hunter-gatherers and cattle keepers, or the Western Desert popula- 1 The publication was compiled within the framework of the Charles University Progress project Q11 – Complexity and resilience. Ancient Egyptian civilisation in multidisci- plinary and multicultural perspective. 670 Miroslav Bárta tions in general, and the much later populations inhabiting the Nile valley finds additional support in the recent discoveries at Gebel Ramlah cemeteries located in between Gilf Kebir and Aswan and slightly later in time (Kobusiewicz et al. -
Full Article
INTERNATIONAL JOURNAL OF CONSERVATION SCIENCE ISSN: 2067-533X Volume 7, Special Issue 2, 2016: 913-934 www.ijcs.uaic.ro PRESERVATION AND RESTORATION OF THE WADI SURA CAVES IN THE FRAMEWORK OF THE “GILF KEBIR NATIONAL PARK”, EGYPT Maria Cristina TOMASSETTI1*, Giulio LUCARINI2, 6, Mohamed A. HAMDAN3, Andrea MACCHIA4, Giuseppina MUTRI2, 6, Barbara E. BARICH5, 6 1 Freelance restorer, via Flavia 16, 00062 Bracciano (Rome), Italy 2 McDonald Institute for Archaeological Research, University of Cambridge, Downing street, CB2 3ER, Cambridge, UK 3 Geology Department, Cairo University, Giza, Cairo 4 YOCOCU - YOuth in COnservation of CUltural Heritage, Rome, Italy 5 Sapienza University of Rome, P.le Aldo Moro 5, 00185, Rome, Italy 6 ISMEO, Palazzo Baleani, Corso Vittorio Emanuele II 244, 00186, Rome, Italy Abstract In 2010 the Italian-Egyptian Environmental Cooperation launched a safeguarding project for the preservation of the caves with prehistoric rock art located in the Gilf Kebir plateau in southwestern Egypt. The project was part of the cooperation program developed to establish the Egyptian Gilf Kebir National Park (GKNP) protected area. Given their bad state of preservation, the Italian conservation project focused on the Caves of Swimmers and Archers, located along the Wadi Sura. Although only very few studies of this kind have been carried out in the Saharan region, our work in the Gilf Kebir can be considered a pilot study, the results of which should be evaluated in the long term. Results obtained to date and reported in this paper provide analytical petrographic studies of the bedrock, a complete photographic and geodetic survey of the two sites, data from climate monitoring, along with a preliminary consolidation of some of the most at-risk areas of the two caves.