Fate, Chance, and Fortune in Ancient Thought
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Notes on Seneca's Trojan Women for Vce Students
NOTES ON SENECA’S TROJAN WOMEN FOR VCE STUDENTS Betty Gabriel-Jones Seneca’s Trojan Women, is, like most of his plays, modelled on a Greek original, Eurip- ides’ Women of Troy. However, he brings a distinctly Roman attitude to his plays, an attitude no doubt at least partly formed by a life led in and around the courts of the Julio-Claudian emperors. Seneca thrived under Tiberius, fell out of favour with Caligula, returned to Rome on Caligula’s death, was exiled by Claudius, then recalled, became influential at the court of Nero (indeed was probably the second most powerful man in Rome, after the emperor) and was eventually sentenced to death by Nero. This eventful and, one assumes, stressful life surely played a part in his somewhat pessimistic view of life. It is hard to see how this could not be the case. After all, his protégé, Nero, murdered his own stepbrother, his stepsister/wife and his mother Agrippina. His second wife, whom he supposedly loved, he kicked to death in a drunken rage. Witnessing such events, even if one were not involved, would not lead one to see life as a sunny, cheerful affair. And Seneca was not uninvolved. He was no innocent, and may even have condoned the killing of Agrippina; certainly he composed a speech for Nero in which he justified his action. In addition to all this, Seneca lived in a Rome where bloody and murderous games were the staple entertainment of the masses. By philosophy, Seneca was a stoic—that is to say, he advised a life designed around ra- tional behaviour, modesty, and discipline. -
The Darkness of Man: a Study of Light and Dark Imagery in Seneca's
The Darkness of Man: A Study of Light and Dark Imagery in Seneca’s Thyestes and Agamemnon A Senior Thesis in Classics The Colorado College In Partial Fulfillment of the Requirements for the Degree Bachelor of Arts By Emily Kohut May 2016 Kohut 1 Acknowledgments I would like to give my deepest and heartfelt thanks to Colorado College’s Classics department. Thank you Owen Cramer, Sanjaya Thakur, Marcia Dobson, and Richard Buxton for all of your help, edits, and advice throughout the course of my time here at CC and especially while working on this project. Thank you to my family and friends for supporting me through this whole process and to the many others who have been involved in my time here at CC. This has been an amazing experience and I could not have done it without all of you. Thank you very much. Kohut 2 The Darkness of Man: A Study of Light and Dark Imagery in Seneca’s Thyestes and Agamemnon Seneca’s Thyestes and Agamemnon are texts in which light rarely presents itself, instead it is dark that is present from start to finish. Throughout the course of these texts, I take note of the use and presence, or lack, of light. There appear to be two specific uses of light that serve specific purposes in Thyestes and Agamemnon: natural light (generally indicated with primarily die- or luc-1 based words), and artificial light (referenced by words related to/derived from flamma or ardeo2). Natural light is prominently used only when discussing its being consumed by darkness, while artificial light appears in passages saturated with destruction and chaos. -
AGAMEMNON PROLOGUE: Lines 1-39
AGAMEMNON PROLOGUE: Lines 1-39 GUARD: Watching from a WatchTower in Argos for the beacon of light announcing the fall of Troy! Laments of how long he has waited and watched with “elbow-bent, doglike,” without sleep. At prologues end, the beacon of light has brightened the sky. Guard has much joy, and hope that this will turn the house around. Imagery: Light/ Dark Lines 16-18: We know there is something amiss with how the house is being “administered.” The mix of anticipation and foreboding sets mood of the play. Something’s Coming. PARADOS: Prelude Lines 40- 103 What Character is the Chorus Playing? Lines 72-76 PRELUDE Continued WHAT’S GOING ON? - Trojan War has just ended after 10 years, but how did it began? MENELAUS- KING OF SPARTA AGAMEMNON- KING OF ARGOS/ BROTHER OF MENELAUS Vs. PARIS (ALEXANDER)- PRINCE OF TROY HELEN- Once Wife of Menelaus now Wife of Paris (Clytemnestra's Sister) “Promiscuous Girl, Stop Teasing Me” NESTRA: WAIT, SO MY HUSBAND LEFT TO FIGHT A WAR TO FORCE MY \ SISTER TO STAY MARRIED TO HIS BROTHER? CHORUS: YES, CLYTEMNESTRA. NESTRA: ALRIGHT, COOL. SO, I’M JUST GONNA TRY TO TAKE CARE OF THIS KINGDOM OF ARGOS THEN, I GUESS. CHORUS: BUT, WHY ARE YOU BURNING ALL THESE SACRIFICES FOR THE GODS AND ORDERING ALL THESE CELEBRATIONS? NESTRA: WELL… CHORUS: IMMA LET YOU FINISH BUT, I GOTTA TELL YOU ABOUT THIS OTHER MESS REAL QUICK.. PARADOS: Three-Part ODE Part One: STROPHE (East To West, or From Stage Right) ANTISTROPHE (West to East, or From Stage Left) EPODE (From Center, could be by one member of chorus or multiple) CALCHAS: I’m a Soothsayer and those two eagles eating that pregnant rabbit means VICTORY for the two brothers! ARTEMIS: Yes, but those eagles killed a pregnant rabbit. -
CLAS 4000 Seminar in Classics on Seneca's Thyestes and LATN 4002 Roman Drama
CLAS 4000 Seminar in Classics on Seneca’s Thyestes and LATN 4002 Roman Drama http://myweb.ecu.edu/stevensj/CLAS4000/2016syllabus.pdf Prof. John A. Stevens Spring 2016 Office: Ragsdale 133 [email protected] Office Hours: TTh 11-1:30 and by appt. (252) 328-6056 Objectives. Upon completion of this course, you will be able to: • Situate Senecan tragedy in the contexts of Roman literature, history and political philosophy • Analyze the elements of Roman Stoicism present in Seneca’s Thyestes • Characterize contemporary literary approaches to the play • Evaluate the play’s literary and philosophical elements as an integral whole Writing Intensive (WI) CLAS 4000 is a writing intensive course in the Writing Across the Curriculum Program at East Carolina University. With committee approval, this course contributes to the twelve-hour WI requirement for students at ECU. Additional information is available at: http://www.ecu.edu/writing/wac/. WI Course goals: • Use writing to investigate complex, relevant topics and address significant questions through engagement with and effective use of credible sources; • Produce writing that reflects an awareness of context, purpose, and audience, particularly within the written genres (including genres that integrate writing with visuals, audio or other multi-modal components) of their major disciplines and/or career fields; • Understand that writing as a process made more effective through drafts and revision; • Produce writing that is proofread and edited to avoid grammatical and mechanical errors; • Ability to assess and explain the major choices made in the writing process. • Students are responsible for uploading the following to iWebfolio (via Courses/Student Portfolio in OneStop): 1) A final draft of a major writing project from the WI course, 2) A description of the assignment for which the project was written, and 3) A writing self-analysis document (a component of our QEP). -
Durham Research Online
Durham Research Online Deposited in DRO: 09 October 2017 Version of attached le: Accepted Version Peer-review status of attached le: Peer-reviewed Citation for published item: Bexley, E. M. (2011) 'Show or tell? Seneca's and Sarah Kane's Phaedra plays.', Trends in classics., 3 (2). pp. 365-393. Further information on publisher's website: https://doi.org/10.1515/tcs.2011.016 Publisher's copyright statement: The nal publication is available at www.degruyter.com Additional information: Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in DRO • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full DRO policy for further details. Durham University Library, Stockton Road, Durham DH1 3LY, United Kingdom Tel : +44 (0)191 334 3042 | Fax : +44 (0)191 334 2971 https://dro.dur.ac.uk 1 Show or Tell? Seneca’s and Sarah Kane’s Phaedra Plays Abstract: This article analyzes the Senecan background to Sarah Kane’s Phaedra’s Love by focusing upon both playwrights’ predilections for graphic violence and sexual content. Kane’s version of the Phaedra story presents sex, death and mutilation as acts that often defy meaning – these phenomena have such a strong experiential impact that they are slow to move into the referential realm of sign and symbol. -
Michel Fattal, Du Logos De Plotin Au Logos De Saint Jean
MICHEL FATTAL, DU LOGOS DE PLOTIN AU LOGOS DE SAINT JEAN. VERS LA SOLUTION D’un PROBLÈME MÉTAPHYSIQUE? PARIS, LES ÉDITIONS DU CERF, 2016, 150 PP., ISBN 9782204109673. Reviewed by Pedro Paulo A. Funari University of Campinas – Unicamp Michel Fattal is a well-known philosopher, a specialist on logos from the Pre-Socratics to the mediaeval period, passing through Plato, Aristotle, and the Stoics and beyond. He puts together classical philosophy and Christian epistemology in innovative ways, as is the case in his new volume on Logos in Plotinus and in Saint John. The book gathers a series of lectures, starting with a keynote speech, or lectio magistralis, at Rome in April 2011, followed by several others. Fattal lectured on a related topic in Brasília, 2016, at a Archai Unesco Chair meeting. Fattal started to explore Logos in ancient Greek taught as early as 1977 and continued doing so in his PhD dissertation (1980) and Pedro Paulo A. Funari Habilitation (2001), publishing overall 19 books and dozens of papers and chapters. This volume is the 17th in a series on the Logos, and it deals with the relational logos in both Plotinus and Saint John, particularly the relationship of the sensible and possible to understand, earth and heaven, humans and God. Logos as a philosophical concept implies putting together (function rassemblante et unifiante). Legein derives from the root *leg-, meaning putting together and choosing. Logos thus means relating, and so speaking, a discourse as composition (sunthesis). Parmenides considers the Logos as the critical reason, capable of splitting up being and non-being, what is true and what is false, krinai logo, to judge or split up by reason (Parmenides B7, 5D-K). -
Senecan Tragedy and Virgil's Aeneid: Repetition and Reversal
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 10-2014 Senecan Tragedy and Virgil's Aeneid: Repetition and Reversal Timothy Hanford Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/427 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] SENECAN TRAGEDY AND VIRGIL’S AENEID: REPETITION AND REVERSAL by TIMOTHY HANFORD A dissertation submitted to the Graduate Faculty in Classics in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2014 ©2014 TIMOTHY HANFORD All Rights Reserved ii This dissertation has been read and accepted by the Graduate Faculty in Classics in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. Ronnie Ancona ________________ _______________________________ Date Chair of Examining Committee Dee L. Clayman ________________ _______________________________ Date Executive Officer James Ker Joel Lidov Craig Williams Supervisory Committee THE CITY UNIVERSITY OF NEW YORK iii Abstract SENECAN TRAGEDY AND VIRGIL’S AENEID: REPETITION AND REVERSAL by Timothy Hanford Advisor: Professor Ronnie Ancona This dissertation explores the relationship between Senecan tragedy and Virgil’s Aeneid, both on close linguistic as well as larger thematic levels. Senecan tragic characters and choruses often echo the language of Virgil’s epic in provocative ways; these constitute a contrastive reworking of the original Virgilian contents and context, one that has not to date been fully considered by scholars. -
Teknophagy and Tragicomedy: the Mythic Burlesques of Tereus and Thyestes
This is a repository copy of Teknophagy and Tragicomedy: The Mythic Burlesques of Tereus and Thyestes. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/126374/ Version: Accepted Version Article: Haley, M orcid.org/0000-0002-7697-3568 (2018) Teknophagy and Tragicomedy: The Mythic Burlesques of Tereus and Thyestes. Ramus, 47 (2). pp. 152-173. ISSN 0048-671X https://doi.org/10.1017/rmu.2018.12 © Ramus 2019. This article has been published in a revised form in Ramus: https://doi.org/10.1017/rmu.2018.12. This version is free to view and download for private research and study only. Not for re-distribution, re-sale or use in derivative works. Reuse Items deposited in White Rose Research Online are protected by copyright, with all rights reserved unless indicated otherwise. They may be downloaded and/or printed for private study, or other acts as permitted by national copyright laws. The publisher or other rights holders may allow further reproduction and re-use of the full text version. This is indicated by the licence information on the White Rose Research Online record for the item. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ Ramus Submission 2017 Teknophagy and Tragicomedy: The Mythic Burlesques of Tereus and Thyestes Teknophagy (τεκνοφαγία), or child-eating, is an apt subject for tragedy. -
La Théologie D'al-Farabi Et Son Effet Sur Sa Vision Politique: Suivant Sa
la théologie d’al-farabi et son effet sur sa vision politique : suivant sa tentative de conciliation entre platon et aristote Assia Ouail To cite this version: Assia Ouail. la théologie d’al-farabi et son effet sur sa vision politique : suivant sa tentative de conciliation entre platon et aristote. Philosophie. Université Paul Valéry - Montpellier III, 2019. Français. NNT : 2019MON30098. tel-03006633v2 HAL Id: tel-03006633 https://tel.archives-ouvertes.fr/tel-03006633v2 Submitted on 16 Nov 2020 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Délivré par UNIVERSITE PAUL VALERY 3 Préparée au sein de l’école doctorale E 58 Et de l’unité de recherche CRISES (E.A 4424) Spécialité : PHILOSOPHIE Présentée par OUAIL ASSIA LA THEOLOGIE D’AL -FÂRÂBÎ ET SON EFFET SUR SA VISION POLITIQUE Suivant sa Tentative de conciliation entre Platon et Aristote Soutenue le 1er Février 2019 devant le jury composé de M. Jean-Luc PÉRILLIÉ, MCF HDR, Université Paul Valéry Directeur de recherche M. Philippe VALLAT, Professeur, Université de Vienne Rapporteur M. Abbas MAKRAM, Professeur, ENS de Lyon Rapporteur M. Alonso TORDESILLAS, Professeur, Université d’Aix Marseille Membre du jury M. -
PDF Download Phaedra
PHAEDRA PDF, EPUB, EBOOK Jean Racine,Julie Rose | 128 pages | 01 Dec 2001 | NICK HERN BOOKS | 9781854590947 | English | London, United Kingdom Phaedra PDF Book During his life, Seneca 4—5 B. Technical Specs. One can dream, but it's impossible to tell. The Chorus Artemis later told Theseus the truth. According to Bravo , Parks met Nida in because he flagged down her car on a highway in Atlanta, Georgia. Language: English. Seneca is a cool rationalist, and he views his passionate characters from a distance, while loading them with lengthy speeches and eloquent soliloquies. According to Essence , Nida was sentenced to five years in prison in because he was convicted of conspiracy to commit mail, wire, and bank fraud charges. The nurse pleads to Phaedra to control her passion and check her emotions, but it is no use. Retrieved November 9, Share this Rating Title: Phaedra 4. External Sites. The story of the Hippolytus—Phaedra relationship is derived from one of several ancient Greek myths revolving around archetypal Athenian hero, Theseus. Theseus asks to know what that sin is. Senecan Drama and Stoic Cosmology. Yet, she is undeniably presented as an empathetic character, more I believe they did. From Wikipedia, the free encyclopedia. She points to the sword Hippolytus left behind. San Francisco: Backbeat Books. A Messenger arrives to inform Theseus that Hippolytus is dead. Retrieved 6 November Keep track of everything you watch; tell your friends. Retrieved 24 August Phaedra's aged nurse interjects that Phaedra should control the passions she feels, for love can be terribly destructive. Concerned about the health of her mistress and in an attempt to help her, the nurse revealed her love to Hippolytus — but only after having him swear to tell nobody about it. -
Power Struggles in Aeschylus' Oresteia
ILCEA Revue de l’Institut des langues et cultures d'Europe, Amérique, Afrique, Asie et Australie 40 | 2020 English for Specific Purposes (ESP) and the Underlying Dynamics of Power, Empowerment and Disempowerment Power Struggles in Aeschylus’ Oresteia: ESP, Law and Literature and Greek Tragedy Luttes de pouvoir dans l’Orestie d’Eschyle : anglais de spécialité, droit et littérature et tragédie grecque Malcolm Harvey Electronic version URL: http://journals.openedition.org/ilcea/10741 DOI: 10.4000/ilcea.10741 ISSN: 2101-0609 Publisher UGA Éditions/Université Grenoble Alpes Printed version ISBN: 978-2-37747-204-8 ISSN: 1639-6073 Electronic reference Malcolm Harvey, « Power Struggles in Aeschylus’ Oresteia: ESP, Law and Literature and Greek Tragedy », ILCEA [Online], 40 | 2020, Online since 04 June 2020, connection on 06 September 2020. URL : http://journals.openedition.org/ilcea/10741 ; DOI : https://doi.org/10.4000/ilcea.10741 This text was automatically generated on 6 September 2020. © ILCEA Power Struggles in Aeschylus’ Oresteia: ESP, Law and Literature and Greek Tra... 1 Power Struggles in Aeschylus’ Oresteia: ESP, Law and Literature and Greek Tragedy Luttes de pouvoir dans l’Orestie d’Eschyle : anglais de spécialité, droit et littérature et tragédie grecque Malcolm Harvey Introduction 1 In a departure from mainstream ELP1 studies and their primary focus on the language of the law, this paper is situated in the broader perspective of French ESP studies, which reflects the dominantly academic background of ESP in France and other Continental European countries. While the use of contemporary specialised popular fiction (novels, films, TV series, video games, etc.) in LSP2 has attracted considerable research interest in France and elsewhere since the identification and codification of a relatively new genre known as fiction à substrat professionnel (FASP),3 this paper seeks to go a step further, exploring possible convergences between ESP and the Law and Literature (L&L) movement. -
Magis Rythmus Quam Metron: the Structure of Seneca's Anapaests
Magis rythmus quam metron: the structure of Seneca’s anapaests, and the oral/aural nature of Latin poetry Lieven Danckaert To cite this version: Lieven Danckaert. Magis rythmus quam metron: the structure of Seneca’s anapaests, and the oral/aural nature of Latin poetry. Symbolae Osloenses, Taylor & Francis (Routledge): SSH Titles, 2013, 87 (1), pp.148-217. 10.1080/00397679.2013.842310. halshs-01527668 HAL Id: halshs-01527668 https://halshs.archives-ouvertes.fr/halshs-01527668 Submitted on 24 May 2017 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Magis rythmus quam metron : the structure of Seneca's anapaests, and the oral/aural nature of Latin poetry 1 Lieven Danckaert, Ghent University Abstract The aim of this contribution is twofold. The empirical focus is the metrical structure of Seneca's anapaestic odes. On the basis of a detailed formal analysis, in which special attention is paid to the delimitation and internal structure of metrical periods, I argue against the dimeter colometry traditionally assumed. This conclusion in turn is based on a second, more methodological claim, namely that in establishing the colometry of an ancient piece of poetry, the modern metrician is only allowed to set apart a given string of metrical elements as a separate metron, colon or period, if this postulated metrical entity could 'aurally' be distinguished as such by the hearer.