DOCSLIB.ORG

The Spatial Politics of Belonging in Post-Apartheid Novels

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Doctoral Dissertations Graduate School 12-2017 South African Homes: The Spatial Politics of Belonging in Post- Apartheid Novels Heather Price Williams University of Tennessee, Knoxville, [email protected] Follow this and additional works at: https://trace.tennessee.edu/utk_graddiss Recommended Citation Williams, Heather Price, "South African Homes: The Spatial Politics of Belonging in Post-Apartheid Novels. " PhD diss., University of Tennessee, 2017. https://trace.tennessee.edu/utk_graddiss/4783 This Dissertation is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a dissertation written by Heather Price Williams entitled "South African Homes: The Spatial Politics of Belonging in Post-Apartheid Novels." I have examined the final electronic copy of this dissertation for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Doctor of Philosophy, with a major in English. Urmila S. Seshagiri, Major Professor We have read this dissertation and recommend its acceptance: Amy Elias, Gichingiri Ndigirigi, Catherine Higgs Accepted for the Council: Dixie L. Thompson Vice Provost and Dean of the Graduate School (Original signatures are on file with official studentecor r ds.) South African Homes: The Spatial Politics of Belonging in Post- Apartheid Novels A Dissertation Presented for the Doctor of Philosophy Degree The University of Tennessee, Knoxville Heather Price Williams December 2017 ACKNOWLEDGEMENTS My greatest gratitude goes to my dissertation director, Urmila Seshagiri. Her graduate seminars helped plant the first seeds of this project, and her unwavering patience and encouragement kept me writing, reading, and thinking. She has forever shaped the way I approach the discipline, and I will always be inspired by her challenging questions and lessons. I am also grateful to Amy Elias, Gῖchingiri Ndῖgῖrῖgῖ, and Catherine Higgs for serving on my committee. They encouraged me to confront and re-think my critical framework and the foundations for this project. I would also like to thank the English Department at the University of Tennessee-Knoxville, for cultivating my love of language, writing, and theory. This dissertation would not have been possible without the love and support of my family. They continually motivated and encouraged me at every step along the way. My parents unfailingly cheered me on when I was discouraged. They always believed in me and reminded me to keep my eye on the prize. My husband Jon was beside me every step of the way, and sacrificed so that I could achieve my goal and bring this project to fruition. He never questioned my ability, and was always my biggest fan. Finally, I would like to thank my son, Luke. He joined me at the beginning of this project, and helped motivate me with his smile and growing laugh. As I wrote about home, he became my home. I dedicate this dissertation to him. ii ABSTRACT In this dissertation, I interrogate the postcolonial condition in contemporary South Africa still controlled by the effects of unjust geographies. This project offers an examination of conceptualizations of home in contemporary South African novels in English; specifically, the focus reveals how these representations reflect the multifaceted politics of belonging and identity formation. Drawing on the frameworks of home, belonging, and space of Foucault, Soja, Bhabha and others, this dissertation contends that concepts of home provide fertile areas of exploration into past and continued dislocation, while challenging the binaries embedded in South African identity discourse haunted by colonialization and apartheid. The primary texts reflect various subgenres of the South African novel in English, and each chapter explores how a spatial reading expands the aesthetic texture of the novel. Rachel Zadok’s Gem Squash Tokoloshe (2005), Sindiwe Magona’s Mother to Mother (1998), and Matlwa’s Coconut (2007) interact and transform South African novel sub-genres born in traditions established through European colonialism and apartheid rule, and I explore the sites of dwelling as heterotopias. Next, I examine Andre Brink’s The Rights of Desire (2000) and Damon Galgut’s The Good Doctor (2004) and The Impostor (2009) alongside J. M. Coetzee’s Disgrace (1999) as crime novels revealing the unhomely condition of their white, middle-age protagonists. Finally, Zoë Wicomb’s October (2014), and Zukiswa Wanner’s London Cape Town Joburg (2014) reveal stories of those who left South Africa during apartheid and later returned. In this chapter, I utilize Bhabha and Soja’s dual vision of the thirdspace to reveal how Wicomb and Wanner explore the balance between the vacillating push and pull of home and the postmodern flux of cosmopolitan migration and rootlessness. iii TABLE OF CONTENTS Chapter I: Introduction to Space and the Post-Apartheid Novel ........................................ 1 Colonial and Apartheid Spatial Legacy .......................................................................... 7 Space and Apartheid Writing ........................................................................................ 18 Spatial Concepts of Belonging...................................................................................... 28 Spatial Readings and the Post-Apartheid Novel in English ......................................... 34 Chapter II: Genre Transformation and Heterotopian Homes ........................................... 40 Plaasroman Heterotopia- Gem Squash Tokoloshe ........................................................ 45 Township Heterotopia, Protest Literature, and Mother to Mother ............................... 66 Gated Community Heterotopia and Coconut ................................................................ 85 Post-Apartheid Novels of Home as Heterotopias ....................................................... 112 Chapter III: Apartheid Transition and the Spatial Uncanny ........................................... 115 Disgrace- Unhomely Hospitality ................................................................................ 122 The Rights of Desire- Unhomely Ghosts .................................................................... 141 The Good Doctor and The Impostor- Unhomely Morality ......................................... 164 Chapter IV: The Thirdspace and The Writing of Home ................................................. 194 October ....................................................................................................................... 203 London, Cape Town, Joburg ....................................................................................... 215 Third Space Novels of Home and Spatial Justice ....................................................... 225 Works Cited .................................................................................................................... 242 Vita .................................................................................................................................. 266 iv CHAPTER I: INTRODUCTION TO SPACE AND THE POST- APARTHEID NOVEL Following the Native Resettlement Act, No 19 of 1954, the apartheid regime began an insidious campaign to destroy the individual spirit, family, history, and fundamental humanity of black and colored South Africans through the violent, destruction of home. Afforded little warning and no opportunity to fight or stop the apartheid machine, hundreds of thousands of non-white South Africans witnessed the demolition of their homes when bulldozers razed communities such as District Six in Cape Town and Johannesburg’s Sophiatown.1 The utter desolation of the human spirit, brought down by falling rubble, drives Don Mattera’s poem (1962) “The Day They came for Our House”: clumsy crushers crawled over the firm pillars into the rooms that held us and the roof that covered our heads We stood. Dust clouded our vision We held back tears It was over in minutes, Done. (15-26) 1 Between 1950 and 1982, over 3.5 million people were forcibly removed from their homes. For more information see, Isabella Kentridge’s (2013) “‘And so they moved one by one’: Forced Removals in a Free State Town (1956-1977) which examines rural forced removals exemplified by the Northern Free State town Kroonstad, the Western Cape Oral History Project’s (2001) Lost Communities, Living Memories: Remembering Forced Removals in Cape Town edited by Sean Field. 1 The horrors of apartheid culminate in the annihilation of physical dwellings in Sophiatown and the erasure of South African identity. The demolition of home—“the rooms that held us” and “the roof that covered / our heads”—echoes the erasure of personal and public histories of the non-white majority. Mattera concludes the poem with the dramatic image of bulldozers reducing the history of generations to dust: Bulldozers have power. They can take apart in a few minutes All that had been built up over the years And raised over generations And generations of children The power of destroying The pain of being destroyed, Dust. (27-34) Instead of homes raised over generations, Mattera presents rubble razed to the ground, as home
Recommended publications
  • South Africa – Cape Restaurants

    South Africa – Cape Restaurants

    Recommended Restaurants – Johannesburg and Pretoria JOHANNESBURG AFRICAN CUISINE ITALIAN/MEDITERRANEAN Moyo - Melrose Arch 2 Medeo Restaurant at The Palazzo 13 Moyo - Zoo Lake 2 La Cucina Di Ciro 14 Pronto 14 ASIAN Café del Sol Botanico 15 Kong Roast 3 The Lotus Teppanyaki & Sushi Bar 3 STEAKHOUSE Wombles Steakhouse Restaurant 15 BISTRO Turn 'n' Tender Illovo 16 Eatery JHB 4 Coobs 4 CONTEMPORARY Cube Tasting Kitchen 5 PRETORIA Winehouse - Ten Bompas 5 CONTEMPORARY Level Four Restaurant 6 Blu Saffron 16 March Restaurant 6 De Kloof Restaurant 17 Roots at Forum Homini - Prosopa Waterkloof Muldersdrift 7 17 FINE DINING FINE DINING Luke Dale Roberts X (Saxon Hotel) 7 Kream 18 DW Eleven-13 8 Restaurant Mosaic at The Orient 18 Signature Restaurant 8 Pigalle - Michelangelo Towers 9 Pigalle - Melrose Arch 9 oneNINEone 10 AtholPlace Restaurant 10 The Residence 11 FRENCH Emoyeni 11 Le Souffle 12 INDIAN Ghazal 12 Vikrams 13 1 **To make early reservations, please contact your AAC consultant, the hotel concierge or the restaurant directly.** JOHANNESBURG AFRICAN CUISINE MOYO (Melrose Arch) Shop 5, The High St / Tel: +27 11 684 1477 http://www.moyo.co.za/moyo-melrose-arch/ From the food and décor to the music and live entertainment, moyo is strongly African in theme. The focus of the rich and varied menu is pan-African, incorporating tandoori cookery from northern Africa, Cape Malay influences and other dishes representing South Africa. In the heart of Johannesburg, the 350-seater, multi-level modern restaurant – clad in copper with pressed pebble walls - embodies Africa’s finest music and urban cuisine offerings.
  • Trekking Outward

    Trekking Outward

    TREKKING OUTWARD A CHRONOLOGY OF MEETINGS BETWEEN SOUTH AFRICANS AND THE ANC IN EXILE 1983–2000 Michael Savage University of Cape Town May 2014 PREFACE In the decade preceding the dramatic February 1990 unbanning of South Africa’s black liberatory movements, many hundreds of concerned South Africans undertook to make contact with exile leaders of these organisations, travelling long distances to hold meetings in Europe or in independent African countries. Some of these “treks”, as they came to be called, were secret while others were highly publicised. The great majority of treks brought together South Africans from within South Africa and exile leaders of the African National Congress, and its close ally the South African Communist Party. Other treks involved meetings with the Pan Africanist Congress, the black consciousness movement, and the remnants of the Non-European Unity Movement in exile. This account focuses solely on the meetings involving the ANC alliance, which after February 1990 played a central role in negotiating with the white government of F.W. de Klerk and his National Party regime to bring about a new democratic order. Without the foundation of understanding established by the treks and thousands of hours of discussion and debate that they entailed, it seems unlikely that South Africa’s transition to democracy could have been as successfully negotiated as it was between 1990 and the first democratic election of April 1994. The following chronology focuses only on the meetings of internally based South Africans with the African National Congress (ANC) when in exile over the period 1983–1990. Well over 1 200 diverse South Africans drawn from a wide range of different groups in the non- governmental sector and cross-cutting political parties, language, educational, religious and community groups went on an outward mission to enter dialogue with the ANC in exile in a search to overcome the escalating conflict inside South Africa.
  • NASCA Human and Social Sciences

    NASCA Human and Social Sciences

    HUMAN AND SOCIAL SCIENCES Department Higher Education and Training 123 Francis Baard Street Private Bag X174 Pretoria, 0001 South Africa Tel: +27 12 312 5911 103 Plein Street, ParliamentCape Town OfficeTowers Private Bag X9192 Cape Town, 8000 Tel: +27 021 469 5175 Fax: +27 021 461 4761 Website: www.dhet.gov.za Design and Layout by: Mzelers Media. www.mzelers.com ISBN: 978-1-77018-792-4 HUMAN AND SOCIAL SCIENCES CONTENTS PAGE Introduction 3 Exit-Level Outcomes 3 Approaches to Teaching and Learning 3 Assumptions About Prior Knowledge and Skills 3 Part 1 - Geography 4 What is Geography? 4 Assessment Objectives 4 Specific Aims of Geography 4 Weighting of Levels of Cognitive Demand 5 Content Outline 6 General Geographic Techniques 6 Theme 1 - Physical Geography 11 Theme 2 - Human Geography 15 Part 2 - History 19 What is History? 19 Assessment Objectives 19 Specific Aims of History 19 Weighting of Levels of Cognitive Demand 20 Scheme of Assessment 20 Content Outline 21 Theme 1 - Cold War 22 Theme 2 - Independent Africa 1960s-1970s 23 Theme 3 - Civil Resistance in South Africa 1970s-1980s 23 Theme 4 - Coming of Democracy to South Africa 24 Recommended Study Hours for Human and Social Sciences 25 Glossary of Terms Used in Human and Social Sciences 25 Bibliography 26 HUMAN AND SOCIAL SCIENCES Introduction Human and Social Sciences aims to introduce students to a world beyond their everyday realities. It includes programmes that provide for the study of people, places, environments, culture, time continuity, change, individual identity, individual groups and institutions, power, authority, governance and civic ideals and practices.
  • Apartheid, Liberalism and Romance a Critical Investigation of the Writing of Joy Packer

    Apartheid, Liberalism and Romance a Critical Investigation of the Writing of Joy Packer

    UNIVERSITY OF UMEÅ DISSERTATION ISSN 0345-0155 ISBN 91-7191-140-5 From the Department of English, Faculty of Humanities, Umeå University, Sweden Apartheid, Liberalism and Romance A Critical Investigation of the Writing of Joy Packer AN ACADEMIC DISSERTATION which will, on the proper authority of the Chancellor’s Office of Umeå University for passing the doctoral examination, be publicly defended in hörsal F, Humanisthuset, on Friday, 23rd February 1996, at 3.15 p.m. John A Stotesbury Umeå University Umeå 1996 Abstract This is the first full-length study of the writing of the South African Joy Packer (1905-1977), whose 17 works of autobiography and romantic fiction were primarily popular. Packer’s writing, which appeared mainly between 1945 and 1977, blends popular narrative with contemporary social and political discourses. Her first main works, three volumes of memoirs published between 1945 and 1953, cover her experience of a wide area of the world before, during and after the Second World War: South Africa, Britain, the Mediterranean and the Balkans, and China. In the early 1950s she also toured extensive areas of colonial "Darkest Africa." When Packer retired to the Cape with her British husband, Admiral Sir Herbert Packer, after an absence of more than 25 years, she adopted fiction as an alternative literary mode. Her subsequent production, ten popular romantic novels and a further three volumes of memoirs, is notable for the density of its sociopolitical commentary on contemporary South Africa. This thesis takes as its starting-point the dilemma, formulated by the South African critic Dorothy Driver, of the white woman writing within a colonial environment which compels her to adopt contradictory, ambivalent and oblique discursive stances and strategies.
  • UNIVERSITY of CALIFORNIA Santa Barbara Egyptian

    UNIVERSITY of CALIFORNIA Santa Barbara Egyptian

    UNIVERSITY OF CALIFORNIA Santa Barbara Egyptian Urban Exigencies: Space, Governance and Structures of Meaning in a Globalising Cairo A Thesis submitted in partial satisfaction of the requirements for the degree Master of Arts in Global Studies by Roberta Duffield Committee in charge: Professor Paul Amar, Chair Professor Jan Nederveen Pieterse Assistant Professor Javiera Barandiarán Associate Professor Juan Campo June 2019 The thesis of Roberta Duffield is approved. ____________________________________________ Paul Amar, Committee Chair ____________________________________________ Jan Nederveen Pieterse ____________________________________________ Javiera Barandiarán ____________________________________________ Juan Campo June 2014 ACKNOWLEDGEMENTS I would like to thank my thesis committee at the University of California, Santa Barbara whose valuable direction, comments and advice informed this work: Professor Paul Amar, Professor Jan Nederveen Pieterse, Professor Javiera Barandiarán and Professor Juan Campo, alongside the rest of the faculty and staff of UCSB’s Global Studies Department. Without their tireless work to promote the field of Global Studies and committed support for their students I would not have been able to complete this degree. I am also eternally grateful for the intellectual camaraderie and unending solidarity of my UCSB colleagues who helped me navigate Californian graduate school and come out the other side: Brett Aho, Amy Fallas, Tina Guirguis, Taylor Horton, Miguel Fuentes Carreño, Lena Köpell, Ashkon Molaei, Asutay Ozmen, Jonas Richter, Eugene Riordan, Luka Šterić, Heather Snay and Leila Zonouzi. I would especially also like to thank my friends in Cairo whose infinite humour, loyalty and love created the best dysfunctional family away from home I could ever ask for and encouraged me to enroll in graduate studies and complete this thesis: Miriam Afifiy, Eman El-Sherbiny, Felix Fallon, Peter Holslin, Emily Hudson, Raïs Jamodien and Thomas Pinney.
  • Crime, Violence and Apartheid in Selected Works of Richard Wright and Athol

    Crime, Violence and Apartheid in Selected Works of Richard Wright and Athol

    CORE Metadata, citation and similar papers at core.ac.uk Provided by South East Academic Libraries System (SEALS) Crime, violence and apartheid in selected works of Richard Wright and Athol Fugard: a study. Name: RODWELL MAKOMBE A thesis submitted in fulfilment of the requirements of the degree of Doctor of Literature and Philosophy in the Department of English and Comparative Studies at the University of Fort Hare Student Number: 200904755 Name of Institution: UNIVERSITY OF FORT HARE Supervisor: DR. M. BLATCHFORD Year: 2011 Contents DECLARATION .............................................................................................................. iii DEDICATION ..................................................................................................................iv ACKNOWLEDGEMENTS ............................................................................................... v ABSTRACT .....................................................................................................................vi CHAPTER ONE .............................................................................................................. 1 Crime, violence and apartheid: the postcolonial/criminological approach .................... 1 Statement of the Problem ......................................................................................... 1 Background .............................................................................................................. 2 Aims of the research ................................................................................................
  • IDEOLOGY Second Mrican Writers' Conference Stockh01m1986

    IDEOLOGY Second Mrican Writers' Conference Stockh01m1986

    IDEOLOGY Second Mrican Writers' Conference Stockh01m1986 Edited by with an lin"Coductory essay by Kii-sten B-olst Peitersen Per W&stbei-g Seminar Proceedings No. 28 Scandinavian Institute of African Studjes Seminar Proceedings No. 20 CRITICISM AND IDEOLOGY Second African Writers9 Conference Stockholm 1986 Edited by Kirsten Holst Petersen with an introductory essay by Per Wastberg Scandinavian Institute of African Studies, Uppsala 1988 Cover: "Nairobi City Centre", painting by Ancent Soi, Kenya, reproduced with the permission of Gunter PCus. ISSN 0281 -00 18 ISBN 91-7106-276-9 @ Nordiska afrikainstitutet, 1988 Phototypesetting by Textgruppen i Uppsala AB Printed in Sweden by Bohuslaningens Boktryckeri AB, Uddevalla 1988 Foreword The first Stockholm conference for African writers was held in 1967, at Hasselby Castle outside Stockholm, to discuss the role of the writer in mo- dern African Society, especially the relationship of his or her individuality to a wider social commitment. It was arranged on the initiative of Per Wastberg, well-known for having introduced much of African literature to the Swedish public. On Per Wastberg's initiative the Second Stockholm Conference for Afri- can Writers was arranged almost twenty years later. This time the Scandi- navian Institute of African Studies was again privileged to arrange the con- ference in cooperation with the Swedish Institute. We extend our gratitude to the Swedish Institute, the Swedish Interna- tional Development Authority (SIDA), and the Ministry for Foreign Af- fairs for generous financial support. We wish to thank our former Danish researcher Kirsten Holst Petersen for her skilful work in arranging the con- ference and editing this book.
  • History Workshop

    History Workshop

    UNIVERSITY OF THE WITWATERSR AND, JOHANNESBURG HISTORY WORKSHOP STRUCTURE AND EXPERIENCE IN THE MAKING OF APARTHEID 6-10 February 1990 AUTHOR: Kelwyn Sole TITLE: "This Time Set Again" : the Temporal and Political Conceptions of Serote's To Every Birth Its Blood J til I US 'jO 10:1-4 LK i UPpL.fr '.HilPUi Fa- lid "This Time Set Again": the Temporal and Political Concept iona':.ipf{' .' Serote's To Every Birth Ita Blood .''!'.,,; Mongane Wally Serote is recognised primarily as a poet,and his six volumes of poetry to date have received acclaim both in South Africa and internationally. His single.novel,has,however.provoked a more equivocal response from critics. Some have praised the work. Doriane Barboure believe3 it 'the most powerful and penetrating exploration of the Power period' in South Africa (Barboure:17 2>i and Jane Glegg claims that Serote manages to write about a whole community involved in political struggle in a manner which shows up the failure of English working class novel- ists to do the same (Glegg; 3-1). Other critics have,however,been less convinced. Lewis Nkosi feels the work 'too chaotic,too; dispersed,to offer anything more solid •than mere moments' I .Nkosi :A 5 ).; Barbara Harlow states that the novel remains content with the portrayal of racial conflict in the coun- try,with little attempt to show internal contradictions within the black community itself IHarlow:,IO8); and Njabulo Ndebele remarks t hat ,r)p«r>i t»» thf siithfir's.nttM'ots to rl<»a 1. with the everydav con- cerns of people within a broader political canvas,in the end 'the spectacle takes over and the novel throws away the vitality of the tension generated by the dialectic between the personal and the public' (Ndebele:156).
  • French Institute of South Africa 10 November 2011 Speech by the Executive Mayor of the City of Johannesburg, Clr Mpho Parks Ta

    French Institute of South Africa 10 November 2011 Speech by the Executive Mayor of the City of Johannesburg, Clr Mpho Parks Ta

    French Institute of South Africa 10 November 2011 Speech by the Executive Mayor of the City of Johannesburg, Clr Mpho Parks Tau, on the occasion of the French Institute of South Africa offices in Braamfontein – Johannesburg Programme Director French Minister of Foreign and European Affairs: Mr Alain Juppé Members of the Mayoral Committee Representatives of the French Embassy Distinguished Guests The Media Ladies and Gentlemen PROGRAMME Director, we are delighted to be part of this occasion – the opening of offices in Braamfontein by the French Institute of South Africa. We especially appreciate the fact that the French Minister of Foreign and European Affairs, Mr Alain Juppé came personally to open these offices. On behalf of the City of Johannesburg Council, its residents and citizens, I would like to take this opportunity to thank the French Government, the Ministry of Foreign and European Affairs and the French Embassy in South Africa for preferring their offices to remain in the Inner City of Johannesburg – Braamfontein. This decision taken by the French government is clearly indicative of the strength of the relationship between South Africa and France which is also reflected in our growing trade and tourism numbers. It is important to state that anyone who is familiar with the complexities and challenges of urban renewal and regeneration will agree that we cannot under-estimate the strategic importance of the Inner City. The Inner City has not only just been the historical centre of Johannesburg; it has also been its symbolic, economic as well as its cultural centre. Last month – in October, Mr Minister, this City turned 125 years.
  • The Domestic Tourism Growth Strategy (DTGS) 2012 – 2020

    The Domestic Tourism Growth Strategy (DTGS) 2012 – 2020

    The Domestic Tourism Growth Strategy (DTGS) 2012 – 2020 Reasons for developing the Domestic Tourism Growth Strategy 2012 – 2020 Most South Africans did not yet have the opportunity or desire to travel in their own country. Research done in 2011 indicated the following reasons for this: Limited income and therefore cannot afford to travel, no reason to travel, time constraints, unemployment and disliking travelling. There is a lack of travel culture amongst South Africans, especially amongst the previously disadvantages communities, as a result of limited awareness of tourism. In certain areas in South Africa there is limited development of tourism products. Domestic tourism is also not contributing to the GDP at a desired level. Objectives of the DTGS 2012 -2020 This vision is described in the document as follows: “Growing domestic tourism for a sustainable tourism economy” In the document, the reasons for developing this strategy are explained as follows: “The strategy sets practical measures to generate value from travel and tourism in South Africa. It outlines practical mechanisms to address the lack of tourism culture amongst South Africans, particularly the previously disadvantaged communities.” The DTGS 2012-2020 has four strategic objectives: To increase domestic tourism revenue/income To increase domestic tourism volume To improve measures and efforts aimed at addressing seasonality and equitable/fair geographic spread To enhance the level of the culture of travel and tourism amongst South Africans Ways to meet objectives To raise the number of Domestic tourists, the Department of Tourism also wants to focus on the following: Maintain and make optimal use of current tourism facilities.
  • Austen Belano Burke Bussani Butler Marrone Orlando Pavolini

    Austen Belano Burke Bussani Butler Marrone Orlando Pavolini

    Novembre 2010 Anno XXVJI-N. 11 Austen Belano Marrone Burke Orlando Bussani Pavolini Butler Roché Starnone Dumas Tatafiore Tellkamp Van Niekerk LIBRO DEL MESE: quel rissoso, trasversale, onnivoro OdB INTELLIGENCE: chi racconta e chi manipola, di FABIO MINI Quando la LINGUA ferisce e discrimina Come un REGIME blandisce gli INTELLETTUALI www. Un di ceonì ine. co m MENSILE D'INFORMAZIONE - POSTE ITALIANE s.p.a SPED. N ABB POST. DI. 353/2003 (conv in L 27/02/2004 n" 46] art. I, comma ì, DCB Torino ISSN'0393-3903 Editoria Come nasce un caso letterario A partire da questo di ottobre (cfr. "L'Indice" numero dell'"Indice" il di- 2010, n. 10, p. I), scriveva di Gian Carlo Ferretti segno di Franco Matticchio (tra tante possibili e amene qui a fianco segnalerà le attività...) "preferisco con- n best seller, un "caso" e, ricerca recente già nel suo titolo: recensioni o gli articoli che frontare la mia intelligenza Uin generale, un successo li- Non è un caso che sia successo. potranno essere commenta- - se ne ho - con quella di brario o letterario, sono sempre Storie editoriali di best seller ti sul sito. Non è una novità qualcuno che ha dato segni difficili da spiegare. Si incontra- (pp. 144, € 8, Educatt, Milano assoluta, perché in realtà di averla". Questa semplice no e scontrano in proposito in- 2010). Titolo brillante, giocato molti lettori già scrivevano affermazione sintetizza l'in- terpretazioni diverse e opposte. sulla implicita possibilità-neces- ai recensori attraverso la tento di questa operazione, Anche questo primo articolo (al sità di non considerare il succes- mail pubblicata in calce ai ma a ben vedere incarna so (e il caso) come indecifrabile loro testi, ma si è trattato di anche il senso profondo di quale ne seguirà un altro nel questo giornale da sempre.
  • Chinese Identity in Johannesburg

    Chinese Identity in Johannesburg

    BURCH FELLOW 2014 CHINESE IDENTITY IN JOHANNESBURG Johannesburg has a reputation sky like a tie-dye thumb. for violent crime. Arriving there, that The concept of Chinese in Africa idea badgered me again and again. surprised me at first, but after seeing I am alone, and Johannesburg has Johannusburg’s color and diversity, a reputation for violent crime. For the idea of two distinct Chinatowns the first part of my trip, ideas of what in the city hardly seemed far- PAUL ASHTON could happen to me if I ventured fetched. I visited the two within my Class of 2015 out, ignorant and alone, paralyzed first week and found them radically Durham, NC me. I spent most of my time different. First Chinatown sits in locked in my one-room apartment downtown Johannesburg, while defied stereotyping. I met a bilingual y Burch on Witwatersrand University’s New Chinatown is located in the preschool teacher and a Jehovah’s project campus, waiting out Human Ethics Cyrildene suburb. On an average witness; a woman whose “Made in challenged M Board approval to start contacting day, First Chinatown is windswept China” tattoo started her career as me to my interviewees. Most nights, I bided and deserted, while New Chinatown a filmmaker; a historian who quit core. It was a success, her job to write a book that took PAUL ASHTONPAUL my time translating local Chinese feels like a bustling street in Beijing. but most of the time, it newspapers with the square head Cantonese versus Mandarin, cultural nine years instead of two; a man didn’t feel that way.