Lucretius on the Nature of Things
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INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. University M crct. rrs it'terrjt onai A Be" 4 Howe1 ir”?r'"a! Cor"ear-, J00 Norte CeeD Road App Artjor mi 4 6 ‘Og ' 346 USA 3 13 761-4’00 600 sC -0600 Order Number 9238197 Selected literary letters of Sophia Peabody Hawthorne, 1842-1853 Hurst, Nancy Luanne Jenkins, Ph.D. -
Living with Lucretius
chapter one Living with Lucretius JONATHAN KRAMNICK In 1682, Thomas Creech published the fi rst complete translation of Lucretius’s On the Nature of Things into English. Greeted with some fan- fare on its appearance, Creech’s edition stood at the crest of a Lucretius revival of several decades in the making, including complete or partial translations by Lucy Hutchinson, John Evelyn, and John Wilmot, the Earl of Rochester.1 One common explanation for this renewed interest in the poem has been that its cosmology was so amenable to the new cultures of science and observation. The universe is composed only of atoms and void; all forms of life rise from a swarming mass of particles in motion. So Lucretius argued and so the seventeenth century discovered, even as it resisted the lengths to which Lucretius was prepared to go in denying an immaterial soul and an afterlife of reward or punishment. My point in this essay is not to challenge this notion of the Lucretius revival so much as to focus on some questions of consciousness and agency that concern a world reducible to atoms. Accepting that the world is made only of matter, how can matter think? And, assuming that matter can think, what kind of agents and types of action can matter create? These questions turn out to be exceptionally hard to answer and touch on issues of real sensitivity around life, death, and human agency. According to Lucretius, atoms are indivisible and thus imper- ishable. They build various forms of life for as long as they remain in steady combinations and scatter to the void at the moment of death. -
No. 40. the System of Lunar Craters, Quadrant Ii Alice P
NO. 40. THE SYSTEM OF LUNAR CRATERS, QUADRANT II by D. W. G. ARTHUR, ALICE P. AGNIERAY, RUTH A. HORVATH ,tl l C.A. WOOD AND C. R. CHAPMAN \_9 (_ /_) March 14, 1964 ABSTRACT The designation, diameter, position, central-peak information, and state of completeness arc listed for each discernible crater in the second lunar quadrant with a diameter exceeding 3.5 km. The catalog contains more than 2,000 items and is illustrated by a map in 11 sections. his Communication is the second part of The However, since we also have suppressed many Greek System of Lunar Craters, which is a catalog in letters used by these authorities, there was need for four parts of all craters recognizable with reasonable some care in the incorporation of new letters to certainty on photographs and having diameters avoid confusion. Accordingly, the Greek letters greater than 3.5 kilometers. Thus it is a continua- added by us are always different from those that tion of Comm. LPL No. 30 of September 1963. The have been suppressed. Observers who wish may use format is the same except for some minor changes the omitted symbols of Blagg and Miiller without to improve clarity and legibility. The information in fear of ambiguity. the text of Comm. LPL No. 30 therefore applies to The photographic coverage of the second quad- this Communication also. rant is by no means uniform in quality, and certain Some of the minor changes mentioned above phases are not well represented. Thus for small cra- have been introduced because of the particular ters in certain longitudes there are no good determi- nature of the second lunar quadrant, most of which nations of the diameters, and our values are little is covered by the dark areas Mare Imbrium and better than rough estimates. -
Glossary Glossary
Glossary Glossary Albedo A measure of an object’s reflectivity. A pure white reflecting surface has an albedo of 1.0 (100%). A pitch-black, nonreflecting surface has an albedo of 0.0. The Moon is a fairly dark object with a combined albedo of 0.07 (reflecting 7% of the sunlight that falls upon it). The albedo range of the lunar maria is between 0.05 and 0.08. The brighter highlands have an albedo range from 0.09 to 0.15. Anorthosite Rocks rich in the mineral feldspar, making up much of the Moon’s bright highland regions. Aperture The diameter of a telescope’s objective lens or primary mirror. Apogee The point in the Moon’s orbit where it is furthest from the Earth. At apogee, the Moon can reach a maximum distance of 406,700 km from the Earth. Apollo The manned lunar program of the United States. Between July 1969 and December 1972, six Apollo missions landed on the Moon, allowing a total of 12 astronauts to explore its surface. Asteroid A minor planet. A large solid body of rock in orbit around the Sun. Banded crater A crater that displays dusky linear tracts on its inner walls and/or floor. 250 Basalt A dark, fine-grained volcanic rock, low in silicon, with a low viscosity. Basaltic material fills many of the Moon’s major basins, especially on the near side. Glossary Basin A very large circular impact structure (usually comprising multiple concentric rings) that usually displays some degree of flooding with lava. The largest and most conspicuous lava- flooded basins on the Moon are found on the near side, and most are filled to their outer edges with mare basalts. -
De Rerum Natura, Chant II
Neptune ¢ Musée de Sousse Fonds BARDON Neptune ¢ Musée de Sousse Fonds BARDON No 193-194 Anno MMXVI No 193-194 Anno MMXVI No 193-194 Anno MMXVI No 193-194 Anno MMXVI LUCRÈCE, De rerum natura, chant II BIBLIOGRAPHIE COMMENTÉE (par Sabine Luciani) Édition au programme : Lucrece, De la Nature, t. I, livres I-III, A. Ernout (éd.), Paris, Les Belles Lettres, « Collection des Universités de France », 1920 (nombreuses rééditions ¢ révision par C. Rambaux en 1990). Il existe néanmoins d’autres éditions et/ou traductions de grande qualité. 1. Le texte du De rerum natura 1.1. Éditions et traductions Lucrèce, La naissance des choses,B.Combeaud (éd.), édition critique, traduction et notes, Préface de Michel Onfray, Bordeaux, Mollat (diffusion Seuil), 2015. Titus Lucretius Carus, De rerum natura, E. Flores (éd.), edizione critica con introduzione e versione, 3 vol., Naples, Bibliopolis, 2002-2009. Titus Lucretius Carus, De rerum natura, W. H. D. Rouse &M. F. Smith (éd.), Cambridge (Mass.)/Londres, Harvard University Press, The Loeb Classical Library, 1992. 1.2. Éditions commentées Bailey C. 1947, Titi Lucreti Cari De rerum natura libri sex, edited with Prolegomena, Critical Apparatus, Translation and Commentary, 3 vol., Oxford, Clarendon Press. Ernout A. & Robin L. 1962, Lucrèce. De rerum natura. Commentaire exégétique et critique, 3 vol., Paris, Les Belles Lettres (1925-1928). Giancotti F. 1996, Lucrezio. La natura : introduzione, testo criticamente riveduto, traduzione et commento, Milan. Vita Latina 193-194 (2016) : 228-238. bibliographie commentée 229 Guissani C. 1980, Lucrezio. De rerum natura. Commento e note, Turin, (1896-1898), reprod. 2 vol. incluant les Studi Lucreziani, New York-Londres, Garlan. -
Counterculture Brian Rande Daykin University of Maine - Main
The University of Maine DigitalCommons@UMaine Electronic Theses and Dissertations Fogler Library 2001 Counterculture Brian Rande Daykin University of Maine - Main Follow this and additional works at: http://digitalcommons.library.umaine.edu/etd Part of the English Language and Literature Commons Recommended Citation Daykin, Brian Rande, "Counterculture" (2001). Electronic Theses and Dissertations. 46. http://digitalcommons.library.umaine.edu/etd/46 This Open-Access Thesis is brought to you for free and open access by DigitalCommons@UMaine. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of DigitalCommons@UMaine. COUNTERCULTURE BY Brian Rande Daykin B.A. University of Michigan, 1995 ATHESIS Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts (in English) The Graduate School The University of Maine May, 2001 Advisory Committee: Elaine Ford, Professor of English, Advisor Welch Everman, Professor of English Naomi Jacobs, Professor of English 0 2001 Rande Daykin All Rights Reserved COUNTERCULTURE By Rande Daykin Thesis Advisor: Elaine Ford An Abstract of the Thesis Presented in Partial Fulfillment of the Requirements for the Degree of Master of Arts (in English) May, 2001 Counterculture is a creative thesis written to earn the degree of Master of Arts at the University of Maine in spring of 2001. The short novel tells the story of Cannister Barnes, a young man who goes to England in the late summer for study and briefly catches a glimpse of a young woman while he’s lost in the winding streets and paths of Eton. His trip is also marred by a dreadful experience in the London Underground, in which he sees an indigent man in a wheelchair roll himself into the path of an oncoming train. -
The Female in Lucretius' De Rerum Natura
Colby Quarterly Volume 30 Issue 3 September Article 5 September 1994 Mater Matters: The Female in Lucretius' De Rerum Natura S. Georgia Nugent Follow this and additional works at: https://digitalcommons.colby.edu/cq Recommended Citation Colby Quarterly, Volume 30, no.3, September 1994, p.179-205 This Article is brought to you for free and open access by Digital Commons @ Colby. It has been accepted for inclusion in Colby Quarterly by an authorized editor of Digital Commons @ Colby. Nugent: Mater Matters: The Female in Lucretius' De Rerum Natura Mater Matters: The Female in Lucretius' De Rerum Natura by S. GEORGIA NUGENT PIC POETRY CELEBRATES the creation of a certain kind of self. l That creation E will often-but not always-be directed toward, tested through, and dam aged ordestroyed by war. AI ways, it will be male. This is not to say that females do not appear on the epic stage; they may even appear in the guise of heroic warrior-there is Camilla, there is Atalanta.2 But each such figure is anomalous; the "real" subject of epic is how to be a man and, beyond that, how to be a community of men-an army, a polis, a republic, an empire. Typically, such epics will address questions ofautonomy and social comrade ship, appetite and sublimation, intellection and action. Whether via the portrayal of Achilles sulking in his tent, Aeneas setting sail from Carthage and Dido, Tydeus single-handedly slaughtering an ambush party of fifty men, or even Epicurus laying bare the secrets of nature, epic provides narrative models for male life in the world. -
A Stylistic Approach to the God of Small Things Written by Arundhati Roy
Lingnan University Digital Commons @ Lingnan University Theses & Dissertations Department of English 2007 A stylistic approach to the God of Small Things written by Arundhati Roy Wing Yi, Monica CHAN Follow this and additional works at: https://commons.ln.edu.hk/eng_etd Part of the English Language and Literature Commons Recommended Citation Chan, W. Y. M. (2007). A stylistic approach to the God of Small Things written by Arundhati Roy (Master's thesis, Lingnan University, Hong Kong). Retrieved from http://dx.doi.org/10.14793/eng_etd.2 This Thesis is brought to you for free and open access by the Department of English at Digital Commons @ Lingnan University. It has been accepted for inclusion in Theses & Dissertations by an authorized administrator of Digital Commons @ Lingnan University. Terms of Use The copyright of this thesis is owned by its author. Any reproduction, adaptation, distribution or dissemination of this thesis without express authorization is strictly prohibited. All rights reserved. A STYLISTIC APPROACH TO THE GOD OF SMALL THINGS WRITTEN BY ARUNDHATI ROY CHAN WING YI MONICA MPHIL LINGNAN UNIVERSITY 2007 A STYLISTIC APPROACH TO THE GOD OF SMALL THINGS WRITTEN BY ARUNDHATI ROY by CHAN Wing Yi Monica A thesis submitted in partial fulfillment of the requirements for the Degree of Master of Philosophy in English Lingnan University 2007 ABSTRACT A Stylistic Approach to The God of Small Things written by Arundhati Roy by CHAN Wing Yi Monica Master of Philosophy This thesis presents a creative-analytical hybrid production in relation to the stylistic distinctiveness in The God of Small Things, the debut novel of Arundhati Roy. -
Volume 24, Number 04 (April 1906) Winton J
Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 4-1-1906 Volume 24, Number 04 (April 1906) Winton J. Baltzell Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Baltzell, Winton J.. "Volume 24, Number 04 (April 1906)." , (1906). https://digitalcommons.gardner-webb.edu/etude/513 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. APRIL, 1906 ISO PER YEAR ‘TF'TnTT^ PRICE 15 CENTS 180.5 THE ETUDE 209 MODERN SIX-HAND^ LU1T 1 I1 3 Instruction Books PIANO MUSIC “THE ETUDE” - April, 1906 Some Recent Publications Musical Life in New Orleans.. .Alice Graham 217 FOR. THE PIANOFORTE OF «OHE following ensemb Humor in Music. F.S.Law 218 IT styles, and are usi caching purposes t The American Composer. C. von Sternberg 219 CLAYTON F. SUMMY CO. _la- 1 „ net rtf th ’ standard foreign co Experiences of a Music Student in Germany in The following works for beginners at the piano are id some of the lat 1905...... Clarence V. Rawson 220 220 Wabash Avenue, Chicago. -
Descendants of Thomas Hodgkin
Descendants of Thomas Hodgkin Charles E. G. Pease Pennyghael Isle of Mull Descendants of Thomas Hodgkin 1-Thomas Hodgkin died on 29 Jul 1709. Thomas married Ann Alcock on 21 May 1665. Ann died on 24 Apr 1689. They had three children: Thomas, John, and Elizabeth. Noted events in their marriage were: • They had a residence in Shutford, Banbury, Oxfordshire. 2-Thomas Hodgkin was born on 29 Mar 1666 in Shutford, Banbury, Oxfordshire and died in 1740 at age 74. Thomas married Elizabeth. They had seven children: Ann, Thomas, John, Mary, Elizabeth, Hannah, and Richard. 3-Ann Hodgkin was born on 24 Dec 1696. Ann married _____ Hall. 3-Thomas Hodgkin was born on 7 Aug 1699 and died on 6 Feb 1752 in Penn's Neck, New Jersey. USA at age 52. General Notes: Emigrated to Pennsylvania. 3-John Hodgkin was born on 31 Oct 1701 in Shipston on Stour, Warwickshire and died on 9 Oct 1786 at age 84. Noted events in his life were: • Miscellaneous: Until 1931, Shipston on Stour was part of Worcestershire. John married Susanna Hitchman. They had three children: John, Susanna, and Thomas. 4-John Hodgkin1 was born on 25 May 1741, died on 31 May 1815 in Shipston on Stour, Warwickshire at age 74, and was buried on 4 Jun 1815. Noted events in his life were: • He worked as a Woolstapler in Shipston on Stour, Warwickshire. John married Elizabeth Gibbs1 on 28 Feb 1765. Elizabeth died on 29 Apr 1805. They had five children: John, Susanna, Mary, Elizabeth, and Anna. 5-John Hodgkin1,2,3 was born on 11 Feb 1766 in Shipston on Stour, Warwickshire and died on 29 Sep 1845 in Tottenham, London at age 79. -
Meet the Philosophers of Ancient Greece
Meet the Philosophers of Ancient Greece Everything You Always Wanted to Know About Ancient Greek Philosophy but didn’t Know Who to Ask Edited by Patricia F. O’Grady MEET THE PHILOSOPHERS OF ANCIENT GREECE Dedicated to the memory of Panagiotis, a humble man, who found pleasure when reading about the philosophers of Ancient Greece Meet the Philosophers of Ancient Greece Everything you always wanted to know about Ancient Greek philosophy but didn’t know who to ask Edited by PATRICIA F. O’GRADY Flinders University of South Australia © Patricia F. O’Grady 2005 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise without the prior permission of the publisher. Patricia F. O’Grady has asserted her right under the Copyright, Designs and Patents Act, 1988, to be identi.ed as the editor of this work. Published by Ashgate Publishing Limited Ashgate Publishing Company Wey Court East Suite 420 Union Road 101 Cherry Street Farnham Burlington Surrey, GU9 7PT VT 05401-4405 England USA Ashgate website: http://www.ashgate.com British Library Cataloguing in Publication Data Meet the philosophers of ancient Greece: everything you always wanted to know about ancient Greek philosophy but didn’t know who to ask 1. Philosophy, Ancient 2. Philosophers – Greece 3. Greece – Intellectual life – To 146 B.C. I. O’Grady, Patricia F. 180 Library of Congress Cataloging-in-Publication Data Meet the philosophers of ancient Greece: everything you always wanted to know about ancient Greek philosophy but didn’t know who to ask / Patricia F. -
Naming Effects in Lucretius' De Rerum Natura
Antonomasia, Anonymity, and Atoms: Naming Effects in Lucretius’ DRN Princeton/Stanford Working Papers in Classics Antonomasia, Anonymity, and Atoms: Naming Effects in Lucretius’ De rerum natura Version 1.0 September 2009 Wilson H. Shearin Stanford University Abstract: This essay argues that selected proper names within Lucretius’ De rerum natura, rather than pointing deictically or referring with clear historical specificity, instead render Lucretius’ poem vaguer and more anonymous. To make this case, the essay first briefly surveys Roman naming practices, ultimately focusing upon a specific kind of naming, deictic naming. Deictic naming points (or attempts to point) to a given entity and often conjures up a sense of the reality of that entity. The essay then studies the role of deictic naming within Epicureanism and the relationship of such naming to instances of naming within De rerum natura. Through analysis of the nominal disappearance of Memmius, the near nominal absence of Epicurus, and the deployment of Venus (and other names) within the conclusion to Lucretius’ fourth book, the essay demonstrates how selected personal names in De rerum natura, in contrast to the ideal of deictic naming, become more general, more anonymous, whether by the substitution of other terms (Memmius, Epicurus), by referential wandering (Venus), or by still other means. The conclusion briefly studies the political significance of this phenomenon, suggesting that there is a certain popular quality to the tendency towards nominal indefiniteness traced in the essay. © Wilson H. Shearin. [email protected] 1 Antonomasia, Anonymity, and Atoms: Naming Effects in Lucretius’ DRN Antonomasia, Anonymity, and Atoms: Naming Effects in Lucretius’ De rerum natura Poet, patting more nonsense foamed From the sea, conceive for the courts Of these academies, the diviner health Disclosed in common forms.