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The Big Bopper Died for Your Sins
Concordia Seminary - Saint Louis Scholarly Resources from Concordia Seminary Master of Divinity Thesis Concordia Seminary Scholarship 3-1-1970 The iB g Bopper Died For Your Sins: A Study of the Function of Rock as a Form of Religious Expression inn the World of Youth John Metzig Concordia Seminary, St. Louis, [email protected] Follow this and additional works at: https://scholar.csl.edu/mdiv Part of the Practical Theology Commons Recommended Citation Metzig, John, "The iB g Bopper Died For Your Sins: A Study of the Function of Rock as a Form of Religious Expression inn the World of Youth" (1970). Master of Divinity Thesis. 101. https://scholar.csl.edu/mdiv/101 This Thesis is brought to you for free and open access by the Concordia Seminary Scholarship at Scholarly Resources from Concordia Seminary. It has been accepted for inclusion in Master of Divinity Thesis by an authorized administrator of Scholarly Resources from Concordia Seminary. For more information, please contact [email protected]. TABLE OF CONTENTS Content Page I. THE• INTRODUCTION 1 II. THE PAPER . 3 III. THE FOOTNOTES BIBLIOGRAPHY 34 INTRODUCTION I'm not trying to cause a big sensation I'm just ttitkirtg 'bout my generation. -Peter Townshend (for The Who) 1 The problem with trying to write a paper on the subject of rock is that the field is so diverse and varied that it is all but impossible to describe everything in complete detail. Furthermore, the entire subject of the effects of rock on a listening audience varies considerably from listener to listener. The teen-ager just likes, the sound of the music and the feelings that the music brings out in him, while the adult still thinks of rock as a lot of noise no matter how many magazine articles they read or TV programs they see. -
White Rabbit (1967) Jefferson Airplane
MUSC-21600: The Art of Rock Music Prof. Freeze White Rabbit (1967) Jefferson Airplane LISTEN FOR • Surrealistic lyrics • Spanish inflections • Musical ambition contained in pop AABA form • Overarching dramatic arc (cf. Ravel’s Bolero?) CREATION Songwriters Grace Slick Album Surrealistic Pillow Label RCA Victor 47-9248 (single); LSP-3766 (stereo album) Musicians Electric guitars, bass, drums, vocals Producer Rick Jarrard Recording November 1966; stereo Charts Pop 8; Album 3 MUSIC Genre Psychedelic rock Form AABA Key F-sharp Phrygian mode Meter 4/4 LISTENING GUIDE Time Form Lyric Cue Listen For 0:00 Intro (12) • Bass guitar and snare drum suggest the Spanish bolero rhythm. • Phrygian mode common in flamenco music. • Winding guitar lines evoke Spanish music. • Heavy reverb in all instruments save drums. MUSC-21600 Listening Guide Freeze “White Rabbit” (Jefferson Airplane, 1967) Time Form Lyric Cue Listen For 0.28 A (12) “One pill makes you” • Vocals enter quietly and with echo, with only bass, guitar, and snare drum accompaniment. 0:55 A (12) “And if you go” • Just a little louder and more forceful. 1:23 B (12) “When men on” • Music gains intensity: louder dynamic, second guitar, drums with more traditional rock beat. 1:42 A (21) “Go ask Alice” • Vocal now much more forceful. • Accompaniment more insistent, especially rhythm guitar. • Drives to climax at end. LYRICS One pill makes you larger When the men on the chessboard And one pill makes you small Get up and tell you where to go And the ones that mother gives you And you’ve just had some -
Addio a Paul Kantner, “The Brain” Dei Jefferson Airplane
Addio a Paul Kantner, “the brain” dei Jefferson Airplane È morto a 74 anni il chitarrista Paul Kantner, uno dei fondatori della band Jefferson Airplane. Lo riporta il San Francisco Chronicle. Protagonista della scena musicale della west coast americana, Kantner è stato stroncato giovedì 28 gennaio da un attacco di cuore a San Francisco, la città in cui era nato il 17 marzo 1941. Chi era Paul Kantner? Ecco cosa scrive sul sito ufficiale dei Jefferson Airplane Greg Gildersleeve (1998). Anche se non ha mai scritto o cantato come voce leader nessun brano di successo, Paul Kantner ha avuto un impatto maggiore di qualsiasi altro membro sui Jefferson Airplane/Starship. È suo il record della più lunga, ininterrotta appartenenza (19 anni) alla band, ed è stato a volte l’unico membro delle origini della band presente in eventi con JA. Il suo interesse per la fantascienza l’ha portato a trasformare i Jefferson Airplane nei Jefferson Starship, e, in tutto questo, ha presieduto alla democrazia sregolata e talvolta disordinata della band. Se Marty Balin era l’anima della band, e Grace Slick il suo volto, Paul Kantner potrebbe esserne considerato, the brain, il cervello. | 1 Addio a Paul Kantner, “the brain” dei Jefferson Airplane L’unico nativo di San Francisco tra gli iniziatori degli Airplane/Starship, Paul Lorin Kantner nasce il 17 marzo 1941, da Paul S. e Cora Lee (Fortier) Kantner. Paul aveva un fratellastro e una sorellastra parecchio più grandi. Quando Paul aveva otto anni, sua madre morì; e, ricorderà in seguito, non gli fu consentito di partecipare al suo funerale, ma fu portato al circo. -
Signe Toly Anderson, Original Jefferson Airplane Singer, Dies
Sign In ARTS & ENTERTAINMENT // MUSIC & NIGHTLIFE LSociagl nSepo Trtinog lGyre eAn nPdolieticrssoBinz+T,e cohriUgSi &n Waorll dJeOfpifneiornsoDnate boAoikrpFloaodneLifestyle Vault: Archive Pod singer, dies Aidin Vaziri Feb. , Updated: Feb. , : p.m. The original lineup of Jeerson Airplane, featuring singer Signe Toly Anderson. Photo: Sony/Legacy Signe Toly Anderson, the original female lead singer of the Jefferson Airplane, died at her home in Beaverton, Ore., on Thursday — the day the band’s co-founder Paul Kantner died from multiple organ failure and septic shock in San Francisco. She was 74. Her death was confirmed by her daughter, Onateska Ladybug Sherwood, who said Ms. Anderson had been suffering from chronic obstructive pulmonary disease. “I imagine that she and Paul woke up in heaven and said, ‘Hey what are you doing here? Let’s start Sign In a band,’” Marty Balin, one of the Jefferson Airplane’s co-founders, said in a statement. Local Sporting Green Politics Biz+Tech US & World Opinion Datebook Food Lifestyle Vault: Archive Pod A vocalist who had developed her chops singing folk music in Portland, Ore., Ms. Anderson moved to San Francisco and joined the band shortly after it formed in 1965, providing vocals for its debut album, “Jefferson Airplane Takes Off,” most notably on the tracks “Chauffeur Blues” and “Let’s Get Together,” a song that would later become a hit for the Youngbloods. By the summer of 1966, however, she married Merry Prankster Jerry Anderson and became pregnant with her first child. Deciding that touring life would be too difficult with a newborn, Ms. Anderson decided to leave. -
WCXR 2004 Songs, 6 Days, 11.93 GB
Page 1 of 58 WCXR 2004 songs, 6 days, 11.93 GB Artist Name Time Album Year AC/DC Hells Bells 5:13 Back In Black 1980 AC/DC Back In Black 4:17 Back In Black 1980 AC/DC You Shook Me All Night Long 3:30 Back In Black 1980 AC/DC Have a Drink on Me 3:59 Back In Black 1980 AC/DC Dirty Deeds Done Dirt Cheap 4:12 Dirty Deeds Done Dirt… 1976 AC/DC Squealer 5:14 Dirty Deeds Done Dirt… 1976 AC/DC Big Balls 2:38 Dirty Deeds Done Dirt… 1976 AC/DC For Those About to Rock (We Salute You) 5:44 For Those About to R… 1981 AC/DC Highway to Hell 3:28 Highway to Hell 1979 AC/DC Girls Got Rhythm 3:24 Highway to Hell 1979 AC/DC Beating Around the Bush 3:56 Highway to Hell 1979 AC/DC Let There Be Rock 6:07 Let There Be Rock 1977 AC/DC Whole Lotta Rosie 5:23 Let There Be Rock 1977 Ace Frehley New York Groove 3:04 Ace Frehley 1978 Aerosmith Make It 3:41 Aerosmith 1973 Aerosmith Somebody 3:46 Aerosmith 1973 Aerosmith Dream On 4:28 Aerosmith 1973 Aerosmith One-Way Street 7:02 Aerosmith 1973 Aerosmith Mama Kin 4:29 Aerosmith 1973 Aerosmith Rattkesnake Shake (live) 10:28 Aerosmith 1971 Aerosmith Critical Mass 4:52 Draw the Line 1977 Aerosmith Draw The Line 3:23 Draw the Line 1977 Aerosmith Milk Cow Blues 4:11 Draw the Line 1977 Aerosmith Livin' on the Edge 6:21 Get a Grip 1993 Aerosmith Same Old Song and Dance 3:54 Get Your Wings 1974 Aerosmith Lord Of The Thighs 4:15 Get Your Wings 1974 Aerosmith Woman of the World 5:50 Get Your Wings 1974 Aerosmith Train Kept a Rollin 5:33 Get Your Wings 1974 Aerosmith Seasons Of Wither 4:57 Get Your Wings 1974 Aerosmith Lightning Strikes 4:27 Rock in a Hard Place 1982 Aerosmith Last Child 3:28 Rocks 1976 Aerosmith Back In The Saddle 4:41 Rocks 1976 WCXR Page 2 of 58 Artist Name Time Album Year Aerosmith Come Together 3:47 Sgt. -
Rock Album Discography Last Up-Date: September 27Th, 2021
Rock Album Discography Last up-date: September 27th, 2021 Rock Album Discography “Music was my first love, and it will be my last” was the first line of the virteous song “Music” on the album “Rebel”, which was produced by Alan Parson, sung by John Miles, and released I n 1976. From my point of view, there is no other citation, which more properly expresses the emotional impact of music to human beings. People come and go, but music remains forever, since acoustic waves are not bound to matter like monuments, paintings, or sculptures. In contrast, music as sound in general is transmitted by matter vibrations and can be reproduced independent of space and time. In this way, music is able to connect humans from the earliest high cultures to people of our present societies all over the world. Music is indeed a universal language and likely not restricted to our planetary society. The importance of music to the human society is also underlined by the Voyager mission: Both Voyager spacecrafts, which were launched at August 20th and September 05th, 1977, are bound for the stars, now, after their visits to the outer planets of our solar system (mission status: https://voyager.jpl.nasa.gov/mission/status/). They carry a gold- plated copper phonograph record, which comprises 90 minutes of music selected from all cultures next to sounds, spoken messages, and images from our planet Earth. There is rather little hope that any extraterrestrial form of life will ever come along the Voyager spacecrafts. But if this is yet going to happen they are likely able to understand the sound of music from these records at least. -
Jefferson Airplane Ignition Mp3, Flac, Wma
Jefferson Airplane Ignition mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Ignition Country: US Released: 2001 Style: Folk Rock, Psychedelic Rock, Classic Rock MP3 version RAR size: 1609 mb FLAC version RAR size: 1319 mb WMA version RAR size: 1604 mb Rating: 4.6 Votes: 956 Other Formats: MIDI APE AC3 AHX AUD WAV XM Tracklist J e f f erson Airplane Takes Off Blues From An Airplane 1-1 1-2 Let Me In 1-3 Bringing Me Down 1-4 It's No Secret 1-5 Tobacco Road Runnin' 'Round This World 1-6 1-7 Come Up The Years 1-8 Run Around Let's Get Together 1-9 1-10 Don't Slip Away 1-11 Chauffeur Blues 1-12 And I Like It Blues From An Airplane 1-13 1-14 Let Me In 1-15 Bringing Me Down 1-16 It's No Secret 1-17 Tobacco Road Runnin' 'Round This World 1-18 1-19 Come Up The Years 1-20 Run Around 1-21 Let's Get Together 1-22 Don't Slip Away 1-23 Chauffeur Blues 1-24 And I Like It Surrealistic Pillow She Has Funny Cars 2-1 2-2 Somebody To Love 2-3 My Best Friend 2-4 Today 2-5 Comin' Back To Me 3/5 Of A Mile In 10 Seconds 2-6 2-7 D.C.B.A. - 25 2-8 How Do You Feel Embryonic Journey 2-9 2-10 White Rabbit 2-11 Plastic Fantastic Lover 2-12 She Has Funny Cars 2-13 Somebody To Love 2-14 My Best Friend 2-15 Today 2-16 Comin' Back To Me 3/5 Of A Mile In 10 Seconds 2-17 2-18 D.C.B.A. -
Lucy Puls' New Show Examines Consumer
Lucy Puls’ new show examines consumer- world castoffs By Victoria Dalkey | SEPTEMBER 17, 2015 “Recinere (TV)” is part of the “Lucy Puls: [just you]” exhibit through Oct. 25 at Verge. Lucy Puls hasn’t had a solo show in Sacramento in nearly 30 years. That makes her current exhibition of 40 works from 1987 to 2015 at Verge Center for the Arts something of an occasion. Puls, who has been an influential teacher at the University of California, Davis, since 1985, has shown widely in the Bay Area and across the United States as well as in Canada and Italy. As Verge’s founding director. Liv Moe, who studied with Puls as an undergraduate at UCD, writes, “For the past three decades, Lucy Puls has been turning unwanted objects and photos of abandoned domestic environs into insignias of the consumer world.” In her exhibition catalog essay, curator Dena Beard elaborates, describing Puls’ initial fascination with thrift-shop castoffs and subsequent exploration of foreclosed houses during the recent recession. The bursting of the housing bubble left empty houses with abandoned furniture on the streets, prompting Puls to push her work further both in terms of subject matter and form. The earliest pieces in the show seem charmingly accessible and not very demanding. A stack of someone’s castoff diet and exercise books is worth a laugh, as is a stack of 45 records with Olivia Newton John’s “Physical” on top. Both pieces and a resin-coated crocheted blanket, denoting the abandonment of comfort, perhaps, are from 1999. Darker and more premonitory of the later work is “Notae (Funk and Wagnalls Standard)” from 2003, a dictionary opened to the pronunciation key with handwritten notes saying “paraplegic,” “psychiatric” and “Vietnam” suggesting a grim narrative. -
Stefan Firca Dissertation
Circles and Circuses: Carnivalesque Tropes in the Late 1960s Musical and Cultural Imagination DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of the Ohio State University by Stefan Firca , B.M., M.A. Graduate Program in Music The Ohio State University 2011 Dissertation Committee: Professor Arved Ashby, Advisor Professor Graeme Boone Professor Danielle Fosler-Lussier Copyright by Stefan Firca 2011 Abstract Circus, fairground, carousel, carnival imagery is everywhere during the late 1960s: in cover art, song lyrics, band names and song titles, music criticism, names of music venues, festivals, movies, literature. From circus tents to clowns, from jugglers to magicians, from carousels to parades, an entire carnivalesque lexis seems to be at play in what is generally termed “psychedelia.” The current study attempts to read and offer “thick description” (Geertz) of this vocabulary as part of a larger cultural and countercultural imagination, and integrate musical manifestations of the period (popular psychedelia and avant-garde / experimental music) in a semiotic network of metaphoric representation. If language is nothing more than a chain of metaphors (Lakoff), it is nevertheless true that we often take such metaphors as “rock ’n’ roll circus,” “song-carousel,” “riot of sound” for granted, since they are so widespread and culturally shared that an explanation of their meaning may appear pedantic. But what do these word-images actually mean? What is the range of their connotations? What is the relationship between them? Why are they so frequent in the late 1960s? And how are these tropes translated or suggested musically? One possible answer to the last question involves the broad concept of circularity , emblematic for the psychedelic era: a round melodic motive or harmonic progression, ii a cyclic phrase articulation, a motoric-recurrent riff, a spiraling or whirling waltz in triple time. -
Used Vinyl ––– New Arrivals ––– 17Th June 2020
USED VINYL ––– NEW ARRIVALS ––– 17TH JUNE 2020 REFCODE ARTIST TITLE RRP LP/12 626 A - HA HUNTING HIGH AND LOW - USA 24.95 LP 686846 AEROSMITH DRAW THE LINE 11.95 LP 633 ALLMAN BROTHERS WIN LOSE OR DRAW 12.95 LP 653 ANDERSON LAURIE MISTER HEARTBREAK 14.95 LP 655 ANGELS NIGHT ATTACK - NZ / AUS 9.95 LP 342273 ARMATRADING JOAN JOAN ARMATRADING - USA 15.95 LP 552999 AURORA ALL MY DEMONS GREETING ME AS A 25.95 LP FRIEND 467881 AURRA SEND YOUR LOVE 14.95 LP 8343 B52S BOUNCING OFF THE SATELLITES - USA 11.95 LP 44924 BAD COMPANY DANGEROUS AGE 12.95 LP 8328 BAD COMPANY BURNIN SKY 14.95 LP 508267 BANGLES DIFFERENT LIGHT - USA 17.95 LP 26275 BEACH BOYS WILD HONEY 29.95 LP 429023 BEATLES LOVE SONGS - 2LP - USA / CANADIAN 34.95 LP 110877 BEATLES MEET THE BEATLES - US CAPITOL STEREO 19.95 LP 34348 BEE GEES LIFE IN A TIN CAN - US GATEFOLD 14.95 LP 513549 BEE GEES RARE PRECIOUS AND BEAUTIFUL - US 14.95 LP 317178 BELL ARCHIE AND THE DANCE YOUR TROUBLES AWAY 17.95 LP DRELLS 27608 BLOOMFIELD MICHAEL / AL LIVE ADVENTURES OF MIKE BLOOMFIELD 15.95 LP KOOPER AND AL KOOPER - 2LP 552991 BLUE BOY SCATTERED EMOTIONS EP - REMEMBER 21.95 12 ME 291052 BONFA LUIZ JACARANDA 15.95 LP 329068 BOW WOW WOW LAST OF THE MOHICANS EP 12.95 LP 955 BOWIE DAVID CHANGESONEBOWIE - USA 35.95 LP 552994 BROWN JAMES PAPAS GOT A BRAND NEW BAG - 12 12.95 LP 515210 BRUBECK DAVE TIME OUT - US STEREO - 1962 2 EYE 29.95 LP 553007 BT EXPRESS FUNCTION AT THE JUNCTION 15.95 LP 285376 BURRELL KENNY GOD BLESS THE CHILD - USA 12.95 LP 463066 BUTTS BAND HEAR AND NOW 14.95 LP 448672 CAMEO KNIGHTS OF -
Gamble in the House Wtv Stev2 Carbe Red R D Slides% Dio Spinets" and Discover Oneself .Uwvaa A&%En a A"A Avow [
LSD dlefendee Lea ym .•best gamble in the house wtv Stev2 Carbe Red r d slides% dio spinets" and discover oneself .uwvaa A&%en a a"A avow [. Dr. Leary,; who spoke firrst, pre- He added that man had always Mr. psychedelic ran head on sented an impressive sppectacle. turned on, be it through flagella- into a passionate reaffirmation of Dressed in a white pajauna-like tion, sexuality, or some other the value of taking a vigorous garment and seated on a large means. "Today," he said, "the stand in life rather than "drop- red rug, he spoke with a back- sacrament is a chemical." Though ping out" in Kresge Wednesday. ground of music and s uroperim he conceded that the "sacrament A capacity croGwd was enthralled posed slides and film whiich sup- is a risk," he maintained that in for three hours as Dr. Timothy our day of poluted air and Viet Leary, founder and head of his posedly depicted the LSD experi- ence. Nam, "LSD is the best gamble own LsD religion, and Professor in the house." Jerome Lettvin of the Depart- After noting that fire anid water ments of Biology and Electrical are usefifi but can be misused Only the rside counts Engineering d e b a t e d possible (like, he implied, LSD), Drr. Leary Appealing to thb youth -of the ways of extricating. the world got down to business by discuss- audience, Dr. Leary then urged l from what they both agreed was a ing the need to drop ouat from his listeners to undertake the .................................... -
Emancipation Through Rock Music at the Woodstock Festival
School of History, Classics and Archaeology ‘A Change Is Gonna Come’: Emancipation through Rock Music at the Woodstock Festival April 2018 Exam Number: B069659 Supervisor: Professor Robert Mason Word Count: 11,978 B069659 Acknowledgements I would like to thank Professor Mason, Madeleine Loll and my parents, Iain and Rebecca, for their support throughout this project. 2 B069659 Table of Contents Acknowledgements.................................................................................................................... 2 Introduction ............................................................................................................................... 4 Chapter 1 - ‘Take Me Higher’: Refashioning the Self and Love at Woodstock .......................... 9 Chapter 2 - ‘Gimme an F’: Embracing the Political at Woodstock ........................................... 22 Chapter 3 - Creating a New Utopia: Community and Rock at Woodstock .............................. 34 Conclusions and Reflections .................................................................................................... 46 Bibliography ............................................................................................................................. 49 3 B069659 Introduction Woodstock remains for many Americans a defining moment of the 1960s, mythologised as a weekend where socio-cultural divisions and conflicts were set aside in the name of peace, love and music. Considering that not even the attendance is agreed upon –estimates ranging from