Jorma Kaukonen Bio and Brief History
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Big Bopper Died for Your Sins
Concordia Seminary - Saint Louis Scholarly Resources from Concordia Seminary Master of Divinity Thesis Concordia Seminary Scholarship 3-1-1970 The iB g Bopper Died For Your Sins: A Study of the Function of Rock as a Form of Religious Expression inn the World of Youth John Metzig Concordia Seminary, St. Louis, [email protected] Follow this and additional works at: https://scholar.csl.edu/mdiv Part of the Practical Theology Commons Recommended Citation Metzig, John, "The iB g Bopper Died For Your Sins: A Study of the Function of Rock as a Form of Religious Expression inn the World of Youth" (1970). Master of Divinity Thesis. 101. https://scholar.csl.edu/mdiv/101 This Thesis is brought to you for free and open access by the Concordia Seminary Scholarship at Scholarly Resources from Concordia Seminary. It has been accepted for inclusion in Master of Divinity Thesis by an authorized administrator of Scholarly Resources from Concordia Seminary. For more information, please contact [email protected]. TABLE OF CONTENTS Content Page I. THE• INTRODUCTION 1 II. THE PAPER . 3 III. THE FOOTNOTES BIBLIOGRAPHY 34 INTRODUCTION I'm not trying to cause a big sensation I'm just ttitkirtg 'bout my generation. -Peter Townshend (for The Who) 1 The problem with trying to write a paper on the subject of rock is that the field is so diverse and varied that it is all but impossible to describe everything in complete detail. Furthermore, the entire subject of the effects of rock on a listening audience varies considerably from listener to listener. The teen-ager just likes, the sound of the music and the feelings that the music brings out in him, while the adult still thinks of rock as a lot of noise no matter how many magazine articles they read or TV programs they see. -
Rock & Keyser Roll Final 3.13.21
ROCK and KEYSER ROLL Music In My Life My Life In Music Dedicated to all the venues, bookers, house and stage managers, sound and lighting techs, promoters, publicists, photographers and videographers and roadies who have supported me and the bands I have represented over the past four plus decades. It is an honor and a privilege to work with so many highly talented musicians. I am filled with gratitude for the road I have traveled, and look forward to many more years of helping to bring live music to the world! Cover photo J.C. Juanis Cover lettering Mike Dolgushkin © 2021 Music has always been my passion. As a young guy I remember riding the #37 bus downtown to stop at the record store to pick up the latest albums. From my hometown of Baltimore I listened to WCAO radio Top 40 hits, and watched The Buddy Deane Dance Party every day after school. My early musical heroes were Dion, Paul Anka, Neil Sedaka, Little Eva, Ray Charles, Chubby Checker, Gene Pitney, Roy Orbison, The Four Tops and, Stevie Wonder…. My parents were also music fans. Here are few photos from back in their day…. Debbie Reynolds ? My mom My dad (dark suit) watching Eddie Fisher at Grossinger’s Resort in the Catskills circa 1958 After dinner with Harpo Marx and his wife at their Hollywood home, Harpo serenaded circa 1963 My first foray into the music world happened on my last day of 4th grade at Liberty School #64. Dr. Carlin, the music teacher, came into our classroom. He told us that next year, in 5th grade, we could be in the school orchestra. -
Songs to Keep You in the Caribbean Cruising Mood!
Songs to keep you in the Caribbean cruising mood! Best Buds’ Favorites (in bold) plus others suggested by Cruisecritic members Title Artist Genre 50 First Dates Album 50 First Dates sndtrk Movie A Beautiful Morning Young Rascals Rock A Lalala Long Inner Circle Reggae A Place in the Sun Pablo Cruise Rock A Salty Dog Procol Harum Rock Action Buju Banton Reggae Adios Mexico Texas Tornadoes Country Ain’t It Good to Know Beres Hammond & Buju Banton Reggae Ain’t No Mountain High Enough Diana Ross & The Supremes Rock Ain’t No Mountain High Enough Marvin Gaye & Tammi Terrel Rock Ali Baba Riddim Dub John Holt, King Tubby & Augustus Pablo Reggae All I Wanna Do Sheryl Crowe Rock All Nighter Elan Atias with Gwen Stefani Romance Almost Paradise Footloose soundtrack Ballad Always Look on the Bright Side of Life Hans Zimmer America the Beautiful Ray Charles Inspire American Pie Don Mclean Rock Anchors Aweigh/Marine Corps Hymn US Naval Academy Glee Club Inspire And Be Loved Damian Marley (Blue Crush sndtrk) Reggae And the Tide Rushes In Moody Blues Ballad Answer Riddim John Holt Reggae Aventura Mi Puerto Rico Dance Baby Blue Echoes Baby Come Back UB40 & Peabo Bryson Baby I Love Your Ways UB40 Back to the Island Baha Men Calypso Barbados Poco Ballad Barbados Goombay Dance Band Barbados Typically Tropical Calypso Barnacle Bill the Sailor Louis Prima Classic Be Young, Be Foolish, Be Happy Tams Rock Beach Baby First Class Rock Beautiful Barbados The Merrymen Island Beautiful Day U2 Rock Better Together Jack Johnson Ballad Between Us Two Ghetto Flex & Michele -
June 2020 Sun., Jun
Sun., Jun. 7 Service: Feed Your Head Rev. Gary Kowalski, on Zoom The Unitarian Sun., Jun. 14 Sharing Circle: Bridging the Gulf Congregation (via email) of Taos Wed., Jun. 17 Men’s Group, 4:30 p.m. online via Zoom June 2020 Sun., Jun. 21 Service: Topic to be announced Bulletin Board Rev. Munro Sickafoose, on Zoom Sun., Jun. 28 Sharing Circle: Risk (via email) Because of the coronavirus, the Unitarian Congregation of Taos has suspended services and sharing circles for an indefinite length of time. We will be meeting online via Zoom for abbreviated services. On My Mind sume, what we produce, and where we find life’s The Rev. Gary Kowalski greatest satisfactions: a conversation, in other I think it was the late Unitarian minister Jack words, about what is essential. Mendelsohn who defined spirituality as the abili- In Antoine de Saint-Exupéry’s classic The Little ty to discern the essential from the non-essential. Prince, the child who falls to earth from an asteroid The definition stuck with me because it’s differ- comments to the narrator, a pilot: ent and down to earth. Spirituality isn’t a feeling “People where you live grow five thousand of peace or calm or blissfulness, although a cer- roses in one garden … yet they don’t find what tain tranquility may result when we learn to stop they’re looking for.” obsessing about the small stuff. Spirituality is “They don’t find it,” I answered. more akin to a sense of proportion: the ability to “And yet what they’re looking for could be assess things, people and events for their true found in a single rose, or a little water...” worth. -
Music & Entertainment
June 2012, Volume 130 KKaarraaookkee OOppeenn MMiicc MMuussiicc CCaalleennddaarr SSPLASHPLASH SSppllaasshheess Music & Entertainment The Voice Of Everything Fun In Hampton Roads BBeeeerr SSnnoobb SSiinnggeerr SSoonnggwwrriitteerr SShhoowwccaassee BIIEE BOOBBB B SS VVoottee FFoorr KKEE BBaarrtteennddeerr ooff tthhee EEAA MMoonntthh www.splashmag.com Later, Bobbie won the role of Macy on the soap opera, The Bold and The Beautiful, which she played over a period of 14 years and which helped her career as an international recording artist. She has two double platinum CDs and has performed in concert throughout Europe. In the U.S., she recorded a duet with country singer Collin Raye and considers singing with him at the Grand Ole Opry one of the highlights of her career. In 2003, Bobbie moved to New York to portray Krystal on the soap opera, All My Children, for which she won two Emmy nominations for Lead Actress. While in New York, she also recorded a smooth jazz CD, Something Beautiful, which debuted at number 21 on the Smooth Jazz charts. Bobbie has always contributed much of her free time promoting charitable causes. Among her favorites are Broadway Cares/Equity Fights Aids, Ahope for Children, and Desert Aids Project. She resides in Palm Springs, Calif., with her husband of 20 years, actor and writer David Steen. Crowning of The Beer Snob We at Splash would like to announce that we have finally found a suitable replacement for our illustrious Beer Snob. A true Beer Snob is not easily replaced. That is why we have been searching every bar and alcohol serving establishment in Tidewater for someone with an impeccable sense of taste and a sharp enough wit to let the rest of us in on the true beer secrets. -
White Rabbit (1967) Jefferson Airplane
MUSC-21600: The Art of Rock Music Prof. Freeze White Rabbit (1967) Jefferson Airplane LISTEN FOR • Surrealistic lyrics • Spanish inflections • Musical ambition contained in pop AABA form • Overarching dramatic arc (cf. Ravel’s Bolero?) CREATION Songwriters Grace Slick Album Surrealistic Pillow Label RCA Victor 47-9248 (single); LSP-3766 (stereo album) Musicians Electric guitars, bass, drums, vocals Producer Rick Jarrard Recording November 1966; stereo Charts Pop 8; Album 3 MUSIC Genre Psychedelic rock Form AABA Key F-sharp Phrygian mode Meter 4/4 LISTENING GUIDE Time Form Lyric Cue Listen For 0:00 Intro (12) • Bass guitar and snare drum suggest the Spanish bolero rhythm. • Phrygian mode common in flamenco music. • Winding guitar lines evoke Spanish music. • Heavy reverb in all instruments save drums. MUSC-21600 Listening Guide Freeze “White Rabbit” (Jefferson Airplane, 1967) Time Form Lyric Cue Listen For 0.28 A (12) “One pill makes you” • Vocals enter quietly and with echo, with only bass, guitar, and snare drum accompaniment. 0:55 A (12) “And if you go” • Just a little louder and more forceful. 1:23 B (12) “When men on” • Music gains intensity: louder dynamic, second guitar, drums with more traditional rock beat. 1:42 A (21) “Go ask Alice” • Vocal now much more forceful. • Accompaniment more insistent, especially rhythm guitar. • Drives to climax at end. LYRICS One pill makes you larger When the men on the chessboard And one pill makes you small Get up and tell you where to go And the ones that mother gives you And you’ve just had some -
Pressed on 180 Gram HQ, This Specially Packaged Release Includes New Artwork and a Full CD of the Album
RED HOUSE RECORDS Publicity Contact: Ellen Stanley • [email protected] • (651) 644-4161 HOT TUNA Steady As She Goes RHR-CD-241 • Release Date: April 5, 2011 RHR-LP-241 • Release Date: May, 2011 Iconic roots rockers return with their first new studio album in 20 years! Red House Records is pleased to announce the April 5, 2011 release of Steady As She Goes, the first new album in twenty years from the legendary Hot Tuna. Featuring Rock & Roll Hall of Famers and Jefferson Airplane founding members Jack Casady and Jorma Kaukonen, the band celebrates over four decades of playing together. Now, with the release of their Red House debut, they prove that they remain one of the most innovative bands in American music. Why did it take so long for Hot Tuna to record a new album? “Well, it just worked out that way,” Kaukonen says. “Hot Tuna never quit playing. The moment just wasn’t right before; now it is, and we have a great project to show for it.” Returning to upstate New York decades after Kaukonen and Casady first played Woodstock, they went into Levon Helm’s studio over the winter to record twelve new tracks with mandolin player Barry Mitterhoff and drummer Skoota Warner (Cyndi Lauper, Matisyahu, Santana). Working with famed producer Larry Campbell (who Kaukonen worked with on his last solo album River of Time) the band plugged in for the electric Hot Tuna album that fans have been waiting for. Taking no prisoners, the band tears into it, kicking off with the rocking Americana number “Angel of Darkness” (co- written by Kaukonen and Campbell). -
Jefferson Airplane Crown of Creation Mp3, Flac, Wma
Jefferson Airplane Crown of Creation mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Crown of Creation Country: US Style: Acid Rock MP3 version RAR size: 1587 mb FLAC version RAR size: 1559 mb WMA version RAR size: 1405 mb Rating: 4.7 Votes: 458 Other Formats: ADX AC3 APE ASF MP2 XM MP4 Tracklist Hide Credits Lather A1 2:55 Written-By – Slick* In Time A2 4:07 Written-By – Balin*, Kantner* Triad A3 4:54 Written-By – Crosby* Star Track A4 3:09 Written-By – Kaukonen* Share A Little Joke A5 3:04 Written-By – Balin* Chushingura A6 1:17 Written-By – Dryden* If You Feel B1 3:30 Written-By – Blackman*, Balin* Crown Of Creation B2 2:52 Written-By – Kantner* Ice Cream Phoenix B3 2:59 Written-By – Cockey*, Kaukonen* Greasy Heart B4 3:25 Written-By – Slick* The House At Pooneil Corners B5 5:46 Written-By – Balin*, Kantner* Companies, etc. Recorded At – RCA Studios Mastered At – RCA Studios Pressed By – RCA Records Pressing Plant, Rockaway Manufactured By – Radio Corporation Of America Copyright (c) – RCA Credits Bass [Yggdrasil] – Jack Casady Bongos – Dan Woody* Congas – Tim Davis Design [Album], Art Direction – J. Van Hamersveld* Drums, Percussion [Steel Balls] – Spencer Dryden Effects [Sound] – Gene Twombly Engineer – Rich Schmitt Engineer [Featuring At The 8-Track] – Maurice Guitar – David Crosby Guitar, Vocals – Charles Cockey Humming [Nose Solo] – Gary Blackman Lead Guitar, Percussion [Electric Chicken] – Jorma Kaukonen Percussion [Talking Drum] – Bill Goodwin Photography By [Cover, Back Cover] – Hiro Photography By [Hiroshima Bomb] – USAF Piano, Organ – Grace Slick, Spencer Dryden Producer – Al Schmitt Rhythm Guitar – Marty Balin, Paul Kantner Vocals – Grace Slick, Jorma Kaukonen, Marty Balin, Paul Kantner, Spencer Dryden Notes © RCA, New York, N.Y. -
Taken by an Unknown 17-Year-Old Photography Student – Published Posthumously for the First Time in a New Limited Edition Publication, Woodstock Experience
UNSEEN ARCHIVE OF WOODSTOCK IMAGES UNEARTHED Taken by an unknown 17-year-old photography student – published posthumously for the first time in a new limited edition publication, Woodstock Experience. London August 2009: A forgotten archive of photographs, taken at the Woodstock Music & Art Fair 40 years ago has been unearthed by UK-based limited edition publishers Genesis Publications. Taken by 17-year-old high school student Dan Garson, the archive has spent the last four decades in a basement, stored in a cardboard box. As well as images of the mud, rain, trampled fences, drugs, skinny dippers and eccentric festival goers that have made Woodstock so iconic, the archive features previously unseen shots of Jimi Hendrix, Joan Baez, Ravi Shankar, Arlo Guthrie and The Band in performance. Rona Elliot, the former entertainment correspondent for NBC!s Today Show, worked at Woodstock as a community relations officer and helped track down Dan Garson!s archive and researched his story. RONA ELLIOT: Dan!s remarkable photographs reveal an exceptional talent, fully formed at 17 years of age. His pictures provide a cohesive narrative of his own Woodstock experience. They demonstrate that he understood, perfectly, both where he was at that moment in time, and the culturally shifting spectacle he was recording. While Dan worked in the photo pit, shooting the musicians onstage, he separated himself from the other photographers. Rather than huddle together with the group, Dan stationed himself adjacent to the film crew. As a result, his images are both unfamiliar and fresh to the eye nearly 40 years after they were taken. -
The George-Anne Student Media
Georgia Southern University Digital Commons@Georgia Southern The George-Anne Student Media 2-15-1977 The George-Anne Georgia Southern University Follow this and additional works at: https://digitalcommons.georgiasouthern.edu/george-anne Part of the Higher Education Commons Recommended Citation Georgia Southern University, "The George-Anne" (1977). The George-Anne. 822. https://digitalcommons.georgiasouthern.edu/george-anne/822 This newspaper is brought to you for free and open access by the Student Media at Digital Commons@Georgia Southern. It has been accepted for inclusion in The George-Anne by an authorized administrator of Digital Commons@Georgia Southern. For more information, please contact [email protected]. _ o o a e & e *■■ 4 ... ,. ■:. ;. 6 © S « © i m " ' i—— ^\^ Vol. 57- No. 17 Statesboro, Georgia Cites Lack Of Support Loudermilk Resigns CCC Position By SUSAN CLARY personal, but I was getting through Friday of this week, nation was as follows: little physical or moral support said Marshall Turner, presi- "It has become apparent that Kerry Loudermilk, coordina- from the other officers. We dent. the performance within the tor of academic affairs of the haven't worked together closely The other five officers office of Academic Affairs has Central Coordinating Commit- enough to really see where expressed surprise at Louder- fallen below the minimum level. tee (CCC), resigned his post problems exist. There's just not milk's resignation. "I heard This is attributable to only one effective Feb. 17, citing a feeling of unity that's nothing about it," Turner said. factor: my lack of motivation to personal reasons and a lack'of exhibited in any way besides a "If Kerry had noticed these perform the duties and support among CCC officers as vote to pay the secretary more problems before, as a responsi- responsibilities as required by main causes of his action. -
Newsletter 1993A
SMOKEY'S RECORDS N E w s L E T T E R VOLUME ONE, NUMBER THREE SPRING, 1993 OUR FAVORITE PICKS We thought you might be interested in what we are listening to here at Smokey's, so we asked each employee to list their favorite album of the moment. Here are their responses: --:-.r:-•"'~~ t . -. ;:/"~/~ Tetevision j o=-~>'"'Ji ~ . ·. ~ ' ·.·· ~// !.'t~~.... ~; ~/ l ~ -~ ~ ':<. ~\.>··· "~ I I• " . ll ,-,.P/j ,) \1! ·..{~ 'l: ,.. ;t MYRA JOES. Neil Young: Harvest Moon Television gems include his playful duet with the Mills Reprise 45057 Capitol 98396 Brothers on "Dinah" and one of the greatest Neil Young's new album harkens back to The legendary band Television returns jazz recordings of all time on "Sweet his work of old, like After the Gold Rush, after a hiatus of nearly 15 years with Tom Georgia Brown." Harvest and Comes a Time. Actually, it's Verlaine and Richard Lloyd once again even more mellow than most, complete trading gorgeous guitar leads over a solid with Neil's good old musical stock in trade: rhythm section. straight harp, lazy rhythms and that sleepy Verlaine's lyrics are as elliptic as ever and SMOKEY southern California sound reminiscent of his "been there done that" vocals sound like Lo Mejor De Jose Alfredo Jiminez most of his earlier work. Once again an Arlo Guthrie for the 90s. This is the 33 Grandes Exitos showing his political folk roots, this album band that inspired a · generation of RCA Int'l 2254 shows that his dedication to political alternative rockers. It's great to welcome In keeping with my current infatuation involvement hasn't waned since 1969 and them back. -
Addio a Paul Kantner, “The Brain” Dei Jefferson Airplane
Addio a Paul Kantner, “the brain” dei Jefferson Airplane È morto a 74 anni il chitarrista Paul Kantner, uno dei fondatori della band Jefferson Airplane. Lo riporta il San Francisco Chronicle. Protagonista della scena musicale della west coast americana, Kantner è stato stroncato giovedì 28 gennaio da un attacco di cuore a San Francisco, la città in cui era nato il 17 marzo 1941. Chi era Paul Kantner? Ecco cosa scrive sul sito ufficiale dei Jefferson Airplane Greg Gildersleeve (1998). Anche se non ha mai scritto o cantato come voce leader nessun brano di successo, Paul Kantner ha avuto un impatto maggiore di qualsiasi altro membro sui Jefferson Airplane/Starship. È suo il record della più lunga, ininterrotta appartenenza (19 anni) alla band, ed è stato a volte l’unico membro delle origini della band presente in eventi con JA. Il suo interesse per la fantascienza l’ha portato a trasformare i Jefferson Airplane nei Jefferson Starship, e, in tutto questo, ha presieduto alla democrazia sregolata e talvolta disordinata della band. Se Marty Balin era l’anima della band, e Grace Slick il suo volto, Paul Kantner potrebbe esserne considerato, the brain, il cervello. | 1 Addio a Paul Kantner, “the brain” dei Jefferson Airplane L’unico nativo di San Francisco tra gli iniziatori degli Airplane/Starship, Paul Lorin Kantner nasce il 17 marzo 1941, da Paul S. e Cora Lee (Fortier) Kantner. Paul aveva un fratellastro e una sorellastra parecchio più grandi. Quando Paul aveva otto anni, sua madre morì; e, ricorderà in seguito, non gli fu consentito di partecipare al suo funerale, ma fu portato al circo.