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The-Story-Of-Ancient-Indian-People
The Story Of The Ancient Indus People Mohenjo-daro - Harappa Yussouf Shaheen Culture and Tourism Department, Government of Sindh, Karachi All Rights Reserved Book’S name: The Story of the Ancient Indus People Mohenjo Daro-Harappa Writer: Yussouf Shaheen TitleL Danish Khan Layout: Imtiaz Ali Ansari Publisher: Culture and Tourism Department, Government of Sindh, Karachi Printer: New Indus Printing Press sukkur Price: Rs.700/- Can be had from Culture, Tourism, and Antiquities Department Book shop opposite MPA Hostel Sir Ghulam Hussain Hidaytullah Road Karachi-74400 Phone 021-99206073 Yussouf Shaheen The Story Of The Ancient Indus People Mohenjo-daro - Harappa Books authored by Yussouf Shaheen: Rise and Fall of Sanskrit Fall of Native Languages of the Americas Slave Nations Under British Monarchs Artificial Borders of the World Rise and Fall of gods – In Historical Perspective William the Bastard and his descendants World Confederation of the Peoples The World of Conquerors Truth Untold Seven other books in Sindhi and Urdu In the memory of my friend Abdul Karim Baloch A TV icon fully reflecting the greatness and wisdom of Mohenjo-daro and blessed with the enduring perception of a Weapon-Free Society created in the Indus Valley Civilization. © Yussouf Shaheen 2018 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical photocopying recording or otherwise , without the prior permission of the publisher. This book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, re-sold hired out or otherwise circulated without the publisher’s prior consent in any form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser. -
The Pottery Classification
Durham Research Online Deposited in DRO: 17 February 2009 Version of attached le: Published Version Peer-review status of attached le: Peer-reviewed Citation for published item: Kennet, D. (2004) 'Sasanian and Islamic pottery from Ras al-Khaimah (eBook version) : classication, chronology and analysis of trade in the Western Indian Ocean.', Oxford: Archaeopress. Society for Arabian Studies Monographs., 1 Further information on publisher's website: http://www.archaeopress.com/searchBar.asp?title=Sub+Seriesid=58sql=%5BSub+Series+ID%5D+%3D+58 Publisher's copyright statement: Additional information: Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in DRO • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full DRO policy for further details. Durham University Library, Stockton Road, Durham DH1 3LY, United Kingdom Tel : +44 (0)191 334 3042 | Fax : +44 (0)191 334 2971 https://dro.dur.ac.uk Sasanian and Islamic pottery from Ras al-Khaimah (eBook version) Classification, chronology and analysis of trade in the Western Indian Ocean Derek Kennet with a contribution by Regina Krahl 1 2 Contents Contents .............................................................................................................................................. -
Walking with the Unicorn Social Organization and Material Culture in Ancient South Asia
Walking with the Unicorn Social Organization and Material Culture in Ancient South Asia Jonathan Mark KenoyerAccess Felicitation Volume Open Edited by Dennys Frenez, Gregg M. Jamison, Randall W. Law, Massimo Vidale and Richard H. Meadow Archaeopress Archaeopress Archaeology © Archaeopress and the authors, 2017. Archaeopress Publishing Ltd Summertown Pavilion 18-24 Middle Way Summertown Oxford OX2 7LG www.archaeopress.com ISBN 978 1 78491 917 7 ISBN 978 1 78491 918 4 (e-Pdf) © ISMEO - Associazione Internazionale di Studi sul Mediterraneo e l'Oriente, Archaeopress and the authors 2018 Front cover: SEM microphotograph of Indus unicorn seal H95-2491 from Harappa (photograph by J. Mark Kenoyer © Harappa Archaeological Research Project). Access Back cover, background: Pot from the Cemetery H Culture levels of Harappa with a hoard of beads and decorative objects (photograph by Toshihiko Kakima © Prof. Hideo Kondo and NHK promotions). Back cover, box: Jonathan Mark Kenoyer excavating a unicorn seal found at Harappa (© Harappa Archaeological Research Project). Open ISMEO - Associazione Internazionale di Studi sul Mediterraneo e l'Oriente Corso Vittorio Emanuele II, 244 Palazzo Baleani Archaeopress Roma, RM 00186 www.ismeo.eu Serie Orientale Roma, 15 This volume was published with the financial assistance of a grant from the Progetto MIUR 'Studi e ricerche sulle culture dell’Asia e dell’Africa: tradizione e continuità, rivitalizzazione e divulgazione' All rights reserved. No part of this book may be reproduced, or transmitted, in any form or by any means, electronic, mechanical, photocopying or otherwise, without the prior written permission of the copyright owners. Printed in England by The Holywell Press, Oxford This book is available direct from Archaeopress or from our website www.archaeopress.com © Archaeopress and the authors, 2017. -
And Mohenjo-Daro (Site) Fariha A
62 Safeguarding Heritage the People’s Way Learning from the Indus Floods in Sindh, Larkana (City) and Mohenjo-Daro (Site) Fariha A. Ubaid Denkmalschutz gemeinsam mit der Bevölkerung. Höhepunkt der Katastrophe bedeckte das Wasser etwa ein Lektionen aus den Hochwassern des Indus in Sindh Fünftel der Landesfläche (800,000 qkm), mehr als 20 Milli- und Larkana–Mohenjo-Daro onen Menschen waren direkt betroffen, ebenso wie Ernten, Leben mit dem Hochwasser war im Industal ein natürlicher Infrastrukturen, Vieh und die bauliche Substanz ganzer Dör- Prozess seit 5000 Jahren. Um mit der beständigen Bedro- fer und Städte. Die bereitgestellte Unterstützung ging über- hung fertig zu werden, hatten die Siedlungen in den Ebenen wiegend in die Soforthilfe, um den Betroffenen Nahrung und des heutigen Pakistan über die Zeit ihre eigenen Verhaltens- Unterkunft zu verschaffen. Der Schutz von Kulturdenkmalen weisen entwickelt. Dennoch war das Land auf die enormen stand verständlicherweise weit hinten auf der Prioritäten- Fluten, die im Jahr 2010 zusammen mit bisher ungekannten liste nationaler Strategiepläne und häufig wurden die his- Mengen an Monsunregen auftraten, nicht vorbereitet. Beim torischen Stätten von den Evakuierten als Notunterkünfte in Fig. 1: Pakistan with the Indus Valley Safeguarding Heritage the People’s Way ... 63 Beschlag genommen. Der Wiederaufbau bedeutete vor allem die Errichtung neuer Häuser und Infrastruktur. Der Beitrag gibt einen Überblick über die Hochwasser- probleme und Vorsorgemaßnahmen bei den wichtigsten Denkmalstätten im Industal. Technisch-zivilisatorische Interventionen in die Landschaft, wie Dämme, Wehre, Ka- näle, Bewässerungssysteme und Hochwasserschutz-Vor- kehrungen, werden vor dem Hintergrund der historischen Bedeutung der Indus-Kulturen betrachtet. Mit einem der- art übergreifenden Blick wird für das Gebiet der heutigen Stadt Larkana und der benachbarten archäologischen Welterbestätte Mohenjo-Daro eine Analyse der Flutereig- nisse durchgeführt. -
Harappan Geometry and Symmetry: a Study of Geometrical Patterns on Indus Objects
Indian Journal of History of Science, 45.3 (2010) 343-368 HARAPPAN GEOMETRY AND SYMMETRY: A STUDY OF GEOMETRICAL PATTERNS ON INDUS OBJECTS M N VAHIA AND NISHA YADAV (Received 29 October 2007; revised 25 June 2009) The geometrical patterns on various Indus objects catalogued by Joshi and Parpola (1987) and Shah and Parpola (1991) (CISI Volumes 1 and 2) are studied. These are generally found on small seals often having a boss at the back or two button-like holes at the centre. Most often these objects are rectangular or circular in shape, but objects of other shapes are also included in the present study. An overview of the various kinds of geometrical patterns seen on these objects have been given and then a detailed analysis of few patterns which stand out of the general lot in terms of the complexity involved in manufacturing them have been provided. It is suggested that some of these creations are not random scribbles but involve a certain understanding of geometry consistent with other aspects of the Indus culture itself. These objects often have preferred symmetries in their patterns. It is interesting to note that though the swastika symbol and its variants are often used on these objects, other script signs are conspicuous by their absence on the objects having geometric patterns. Key words: CISI volumes, Geometric pattern, Grid design, Swastika 1. INTRODUCTION Towns in the Indus valley have generally been recognised for their exquisite planning with orthogonal layout. This has been used to appreciate their understanding of geometry of rectangles and related shapes. -
BEATRICE EILEEN DE CARDI Beatrice Eileen De Cardi 1914–2016
BEATRICE EILEEN DE CARDI Beatrice Eileen de Cardi 1914–2016 BEATRICE DE CARDI, WHO DIED on 5 July 2016 aged 102, achieved the remarkable feat of filling in many of the gaps in our knowledge of the archaeological record over a vast area which stretched from the Persian Gulf to the Khyber Pass. She was able to do this mainly by survey, and then went on to establish the relative chronology of some of the new wares she identified by means of judicious excavation. In addition, she traced some of the connections between her new sites and other better-known ones which provided absolute dates for the new material. She achieved all this without the benefit of permanent institutional backing and never held an academic post, although she was generally acknowledged to be a talented and professional archaeologist. Unusually, she had a second parallel life, until her official retirement, as an outstanding administrator. After retirement she devoted herself solely to archaeology. Beatrice was born, just before the outbreak of the First World War, on 5 June 1914, to a Corsican father and an American mother. She was the second of two daughters. She claimed that one of her earliest memories is of being in the cellar of their house in Ealing during an air raid with her mother dressed in what sounds like full evening dress. Apart from this the war had little impact on her. From an early age Beatrice wanted to be a ballet dancer and, although ill health prevented this, the training she received may well have been the reason for the upright posture and slightly imperious air which stayed with her all her life.1 1 The information on B de C’s life until she joined the Council for British Archaeology comes from an interview she gave to Dr P.-J. -
1.2 Origin of the Indus Valley Civilization
8 MM VENKATESHWARA ASPECTS OF ANCIENT INDIAN OPEN UNIVERSITY ART AND ARCHITECTURE www.vou.ac.in ASPECTS OF ANCIENT INDIAN ART AND ARCHITECTURE AND ART INDIAN ANCIENT OF ASPECTS ASPECTS OF ANCIENT INDIAN ART AND ARCHITECTURE [M.A. HISTORY] VENKATESHWARA OPEN UNIVERSITYwww.vou.ac.in ASPECTS OF ANCIENT INDIAN ART AND ARCHITECTURE MA History BOARD OF STUDIES Prof Lalit Kumar Sagar Vice Chancellor Dr. S. Raman Iyer Director Directorate of Distance Education SUBJECT EXPERT Dr. Pratyusha Dasgupta Assistant Professor Dr. Meenu Sharma Assistant Professor Sameer Assistant Professor CO-ORDINATOR Mr. Tauha Khan Registrar Author: Dr. Vedbrat Tiwari, Assistant Professor, Department of History, College of Vocational Studies, University of Delhi Copyright © Author, 2019 All rights reserved. No part of this publication which is material protected by this copyright notice may be reproduced or transmitted or utilized or stored in any form or by any means now known or hereinafter invented, electronic, digital or mechanical, including photocopying, scanning, recording or by any information storage or retrieval system, without prior written permission from the Publisher. Information contained in this book has been published by VIKAS® Publishing House Pvt. Ltd. and has been obtained by its Authors from sources believed to be reliable and are correct to the best of their knowledge. However, the Publisher and its Authors shall in no event be liable for any errors, omissions or damages arising out of use of this information and specifically disclaim any implied warranties or merchantability or fitness for any particular use. Vikas® is the registered trademark of Vikas® Publishing House Pvt. Ltd. VIKAS® PUBLISHING HOUSE PVT LTD E-28, Sector-8, Noida - 201301 (UP) Phone: 0120-4078900 Fax: 0120-4078999 Regd. -
Transboundary River Basin Overview – Indus
0 [Type here] Irrigation in Africa in figures - AQUASTAT Survey - 2016 Transboundary River Basin Overview – Indus Version 2011 Recommended citation: FAO. 2011. AQUASTAT Transboundary River Basins – Indus River Basin. Food and Agriculture Organization of the United Nations (FAO). Rome, Italy The designations employed and the presentation of material in this information product do not imply the expression of any opinion whatsoever on the part of the Food and Agriculture Organization of the United Nations (FAO) concerning the legal or development status of any country, territory, city or area or of its authorities, or concerning the delimitation of its frontiers or boundaries. The mention of specific companies or products of manufacturers, whether or not these have been patented, does not imply that these have been endorsed or recommended by FAO in preference to others of a similar nature that are not mentioned. The views expressed in this information product are those of the author(s) and do not necessarily reflect the views or policies of FAO. FAO encourages the use, reproduction and dissemination of material in this information product. Except where otherwise indicated, material may be copied, downloaded and printed for private study, research and teaching purposes, or for use in non-commercial products or services, provided that appropriate acknowledgement of FAO as the source and copyright holder is given and that FAO’s endorsement of users’ views, products or services is not implied in any way. All requests for translation and adaptation rights, and for resale and other commercial use rights should be made via www.fao.org/contact-us/licencerequest or addressed to [email protected]. -
Tracing the Tradition of Sartorial Art in Indo-Pak Sub-Continen
TRACING THE TRADITION OF SARTORIAL ART IN INDO-PAK SUB-CONTINEN ZUBAIDA YOUSAF Abstract The study of clothing in Pakistan as a cultural aspect of Archaeological findings was given the least attention in the previous decades. The present research is a preliminary work on tracing the tradition of sartorial art in the Indo-Pak Sub-Continent. Once the concept of the use of untailored and minimal drape, and unfamiliarity with the art of tailoring in the ancient Indus and Pre Indus societies firmly established on the bases of early evidences, no further investigation was undertaken to trace the history of tailored clothing in remote antiquity. Generally, the history of tailored clothing in Indo-Pak Sub-Continent is taken to have been with the arrival of Central Asian nations such as Scythians, Parthians and Kushans from 2nd century BC and onward. But the present work stretches this history back to the time of pre-Indus cultures and to the Indus Valley Civilization. Besides Mehrgarh, Mohenjo-Daro and Harappa, many newly exposed proto historic sites such as Mehi, Kulli, Nausharo, Kalibangan, Dholavira, Bhirrana, Banawali etc. have yielded a good corpus of researchable material, but unfortunately this data wasn’t exploited to throw light on the historical background of tailored clothing in the Indo-Pak Sub-Continent. Though we have scanty evidences from the Indus and Pre-Indus sites, but these are sufficient to reopen the discussion on the said topic. Keywords: Indus, Mehrgarh, Dholavira, Kulli, Mehi, Kalibangan, Harappa, Mohenjao- Daro, Clothing, Tailoring. 1 Introduction The traced history of clothing in India and Pakistan goes back to the 7th millennium BC. -
Autochthonous Aryans? the Evidence from Old Indian and Iranian Texts
Michael Witzel Harvard University Autochthonous Aryans? The Evidence from Old Indian and Iranian Texts. INTRODUCTION §1. Terminology § 2. Texts § 3. Dates §4. Indo-Aryans in the RV §5. Irano-Aryans in the Avesta §6. The Indo-Iranians §7. An ''Aryan'' Race? §8. Immigration §9. Remembrance of immigration §10. Linguistic and cultural acculturation THE AUTOCHTHONOUS ARYAN THEORY § 11. The ''Aryan Invasion'' and the "Out of India" theories LANGUAGE §12. Vedic, Iranian and Indo-European §13. Absence of Indian influences in Indo-Iranian §14. Date of Indo-Aryan innovations §15. Absence of retroflexes in Iranian §16. Absence of 'Indian' words in Iranian §17. Indo-European words in Indo-Iranian; Indo-European archaisms vs. Indian innovations §18. Absence of Indian influence in Mitanni Indo-Aryan Summary: Linguistics CHRONOLOGY §19. Lack of agreement of the autochthonous theory with the historical evidence: dating of kings and teachers ARCHAEOLOGY __________________________________________ Electronic Journal of Vedic Studies 7-3 (EJVS) 2001(1-115) Autochthonous Aryans? 2 §20. Archaeology and texts §21. RV and the Indus civilization: horses and chariots §22. Absence of towns in the RV §23. Absence of wheat and rice in the RV §24. RV class society and the Indus civilization §25. The Sarasvatī and dating of the RV and the Bråhmaas §26. Harappan fire rituals? §27. Cultural continuity: pottery and the Indus script VEDIC TEXTS AND SCIENCE §28. The ''astronomical code of the RV'' §29. Astronomy: the equinoxes in ŚB §30. Astronomy: Jyotia Vedåga and the -
Mohenjo-Daro's Small Public Structures: Heterarchy, Collective Action, and a Re- Visitation of Old Interpretations with GIS and 3D Modelling
Accepted Manuscript Title: Mohenjo-daro's Small Public Structures: Heterarchy, Collective Action, and a Re- visitation of Old Interpretations with GIS and 3D Modelling Author: Adam S. Green Journal: Cambridge Archaeological Journal DOI:10.1017/S0959774317000774 Submitted: 15 December 2016 Accepted: 6 September 2017 Revised: 4 July 2017 1 MOHENJO-DARO’S SMALL PUBLIC STRUCTURES: HETERARCHY, COLLECTIVE 2 ACTION, AND A RE-VISITATION OF OLD INTERPRETATIONS WITH GIS AND 3D 3 MODELLING 4 5 Abstract 6 7 Together, the concepts of heterarchy and collective action offer potential explanations for how 8 early state societies may have established high degrees of civic coordination and sophisticated 9 craft industries in absence of exclusionary political strategies or dominant centralised political 10 hierarchies. The Indus civilisation (c.2600-1900 B.C.) appears to have been heterarchical, which 11 raises critical questions about how its infrastructure facilitated collective action. Digital re- 12 visitation of early excavation reports provides a powerful means of re-examining the nuances of 13 the resulting datasets and the old interpretations offered to explain them. In an early report on 14 excavations at Mohenjo-daro, the Indus civilisation’s largest city, Ernest Mackay described a 15 pair of small non-residential structures at a major street intersection as a “hostel” and “office” for 16 the “city fathers.” In this article, Mackay’s interpretation that these structures had a public 17 orientation is tested using a geographical information systems approach (GIS) and 3D models 18 derived from plans and descriptions in his report. In addition to supporting aspects of Mackay’s 19 interpretation, the resulting analysis indicates that Mohenjo-daro’s architecture changed through 20 time, increasingly favouring smaller houses and public structures. -
Museum Brochure
CENTRAL UNIVERSITY OF PUNJAB MUSEUM AN INTRODUCTION Subhash Parihar Central University of Punjab Mansa Road, Bathinda-151001. The Malwa region of Punjab—the plains lying between the rivers Sutlej and the Ghaggar—has a long and rich history. On the basis of archaeological excavations, the history of the region can be traced back to the Harappan period, i.e., more than four millenniums. But these traces of its history are fast falling prey to the unplanned development and avarice of the greedy people for land. Although life styles have always been in a flux, the speed of change has accelerated during recent times. Old life styles are vanishing faster and faster. The artefacts, tools, vessels, people used a few decades back are rarely seen now. Although the change cannot be halted, a record of these life styles and specimens of objects must be preserved for future generations. Keeping in view the significance of preserving the material remains of the past, Prof. (Dr.) Jai Rup Singh, the Vice-Chancellor of the Central University of Punjab decided to establish a museum in the university to preserve the rich history and culture of the region. The main purpose of this museum is to ‘acquire, conserve, research, communicate and exhibit, for purposes of study, education and enjoyment, material evidence of people and their environment.’ The CUPB Museum is housed in the Hall No. 1 of the Academic Block of the university, measuring 91 X 73.25 feet, covering a floor area of about 6600 square feet. The collection is organized in a number of sections, each dealing with a specific theme.