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												New Warner March Releases- the Lego Movie 2 3DBD
The Fastest Growing DVD, CD and Blu-ray Retail Catalog The future delivered now. Allied Vaughn. Powering today's leading entertainment supply chain. Volume 9 Issue 4 Congratulations go out to National Geographic and their Best Documentary win for "Free Solo" at the Oscars. We're proud to be distributing the title to our AV Retailers and Wholesalers, it's shaping up to be a major success for retailers. We're also proud of the significant growth in our documentaries and Independent film selections which underscores the advantages of a MOD release, always in stock, speed to market and broadest physical media choice for consumers. Check out all our new releases below and also the new March releases from Warner Archive, something there for every collector! Ask us how we can take your titles to market and grow your catalog sales. Richard Skillman Vice President Allied Vaughn Entertainment [email protected] Allied Vaughn Entertainment Main Page Allied Vaughn Entertainment Studio Catalog Allied Vaughn Entertainment Archives National Geographic's FREE SOLO Wins Best Documentary Congratulations National Geographic on its Academy Award winning documentary! 3/5/2019 024543470229 Free Solo (fka Solo) 2019 The stunning, intimate and unflinching Academy Award Winning portrait of free solo climber Alex Honnold as he prepares to achieve his lifelong dream: scaling the face of the world's most famous rock "the 3,200-foot El Capitan in Yosemite National Park" without a rope. Renowned filmmakers Elizabeth Chai Vasarhelyi and Jimmy Chin capture the death-defying climb with exquisite artistry and masterful, vertigo- inducing camerawork. Warner March Releases Announces along with "The Lego Movie 2: The Second Part" on 3D Blu- ray Warner delivers again with a full slate of New Hit 3D Blu-ray Major Features and remastered Hollywood classics. - 
												
												Taylor Doctoralthesis Complete
21st Century Zombies: New Media, Cinema, and Performance By Joanne Marie Taylor A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Performance Studies and the Designated Emphasis in Film Studies in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Peter Glazer, Chair Professor Brandi Wilkins Catanese Professor Kristen Whissel Fall 2011 21st Century Zombies: New Media, Cinema, and Performance © 2011 by Joanne Marie Taylor Abstract 21st Century Zombies: New Media, Cinema, and Performance by Joanne Marie Taylor Doctor of Philosophy in Performance Studies and a Designated Emphasis in Film Studies University of California, Berkeley Professor Peter Glazer, Chair This project began with a desire to define and articulate what I have termed cinematic performance, which itself emerged from an examination of how liveness, as a privileged performance studies concept, functions in the 21st century. Given the relative youth of the discipline, performance studies has remained steadfast in delimiting its objects as those that are live—shared air performance—and not bound by textuality; only recently has the discipline considered the mediated, but still solely within the circumscription of shared air performance. The cinema, as cultural object, permeates our lives—it is pervasive and ubiquitous—it sets the bar for quality acting, and shapes our expectations and ideologies. The cinema, and the cinematic text, is a complex performance whose individual components combine to produce a sum greater than the total of its parts. The cinema itself is a performance—not just the acting—participating in a cultural dialogue, continually reshaping and challenging notions of liveness, made more urgent with the ever-increasing use of digital technologies that seem to further segregate what is generally considered real performance from the final, constructed cinematic text. - 
												
												(Literary) Special Effect: (Inter)Mediality in the Contemporary US-American Novel and the Digital Age
The (Literary) Special Effect: (Inter)Mediality in the Contemporary US-American Novel and the Digital Age Dissertation zur Erlangung des philosophischen Doktorgrades an der Philosophischen Fakultät der Georg-August-Universität Göttingen vorgelegt von Bogna Kazur aus Lodz, Polen Göttingen 2018 Contents 1 Introduction ......................................................................................................................... 3 2 The Question of Medium Specificity in the Digital Age .................................................. 29 3 House of Leaves (2000) and the Uncanny Dawn of the Digital........................................ 39 3.1 Digital Paranoia: Arriving on Ash Tree Lane ........................................................... 39 3.2 Writing about House of Leaves ................................................................................. 43 3.3 Intermedial Overabundance: Taming House of Leaves ............................................. 49 3.4 An “Explicit” Approach to the Digital Age ............................................................... 54 3.5 What Kind of Movie is THE NAVIDSON RECORD? ..................................................... 68 4 In the Midst of the Post-Cinematic Age: Marisha Pessl’s Night Film (2013) .................. 88 4.1 Meant for Adaptation: Night Film and the Fallacy of First Impressions ................... 88 4.2 The Post-Cinematic Reception of Film ..................................................................... 96 4.3 The Last Enigma: Cordova’s Underworld .............................................................. - 
												
												Zombies: New Media, Cinema, and Performance
UC Berkeley UC Berkeley Electronic Theses and Dissertations Title 21st Century Zombies: New Media, Cinema, and Performance Permalink https://escholarship.org/uc/item/9hq1z1t7 Author Taylor, Joanne Marie Publication Date 2011 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California 21st Century Zombies: New Media, Cinema, and Performance By Joanne Marie Taylor A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Performance Studies and the Designated Emphasis in Film Studies in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Peter Glazer, Chair Professor Brandi Wilkins Catanese Professor Kristen Whissel Fall 2011 21st Century Zombies: New Media, Cinema, and Performance © 2011 by Joanne Marie Taylor Abstract 21st Century Zombies: New Media, Cinema, and Performance by Joanne Marie Taylor Doctor of Philosophy in Performance Studies and a Designated Emphasis in Film Studies University of California, Berkeley Professor Peter Glazer, Chair This project began with a desire to define and articulate what I have termed cinematic performance, which itself emerged from an examination of how liveness, as a privileged performance studies concept, functions in the 21st century. Given the relative youth of the discipline, performance studies has remained steadfast in delimiting its objects as those that are live—shared air performance—and not bound by textuality; only recently has the discipline considered the mediated, but still solely within the circumscription of shared air performance. The cinema, as cultural object, permeates our lives—it is pervasive and ubiquitous—it sets the bar for quality acting, and shapes our expectations and ideologies. - 
												
												Framing Death. La Morte in Diretta, Tra Cinema E Media Digitali
alphabet 1 Nicolò Gallio FRAMING DEATH La morte in diretta, tra cinema e media digitali Nicolò Gallio FRAMING DEATH La morte in diretta, tra cinema e media digitali Il volume è tratto dalla tesi di dottorato Framing Death. La morte in diretta, tra cinema e media digitali. Alma Mater Studiorum - Università di Bologna, Dottorato di ricerca in Studi teatrali e cinematografici, ciclo XXV, depositata in AMSDottorato - Institutional Theses Repository (http://amsdottorato.unibo.it/) Il testo è stato sottoposto a peer review / This text has been peer reviewed This work is licensed under a Creative Commons Attribution BY-NC-SA 4.0 This license allows you to reproduce, share and adapt the work, in whole or in part, for non-commercial purposes only, providing attribution is made to the authors (but not in any way that suggests that they endorse you or your use of the work). Attribution should include the following information: Nicolò Gallio, Framing Death. La morte in diretta, tra cinema e media digitali, Bologna: Bononia University Press, 2020 Quest’opera è pubblicata sotto licenza Creative Commons BY-NC-SA 4.0 Questa licenza consente di riprodurre, condividere e adattare l’opera, in tutto o in parte, esclusivamente per scopi di tipo non commerciale, riconoscendo una menzione di paternità adeguata (non con modalità tali da suggerire che il licenziante avalli l’utilizzo dell’opera). La menzione dovrà includere le seguenti informazioni: Nicolò Gallio, Framing Death. La morte in diretta, tra cinema e media digitali, Bologna: Bononia University Press, 2020 Bononia University Press Via Ugo Foscolo 7 40124 Bologna tel. - 
												
												Traces of Snuff: Black Markets, Fan Subcultures and Underground Horror in the 1990S
Northumbria Research Link Citation: Walker, Johnny (2016) Traces of snuff: black markets, fan subcultures and underground horror in the 1990s. In: Snuff: Real Death and Screen Media. Bloomsbury, London, pp. 137-152. ISBN 9781628921137 Published by: Bloomsbury URL: This version was downloaded from Northumbria Research Link: http://nrl.northumbria.ac.uk/id/eprint/27964/ Northumbria University has developed Northumbria Research Link (NRL) to enable users to access the University’s research output. Copyright © and moral rights for items on NRL are retained by the individual author(s) and/or other copyright owners. Single copies of full items can be reproduced, displayed or performed, and given to third parties in any format or medium for personal research or study, educational, or not-for-profit purposes without prior permission or charge, provided the authors, title and full bibliographic details are given, as well as a hyperlink and/or URL to the original metadata page. The content must not be changed in any way. Full items must not be sold commercially in any format or medium without formal permission of the copyright holder. The full policy is available online: http://nrl.northumbria.ac.uk/policies.html This document may differ from the final, published version of the research and has been made available online in accordance with publisher policies. To read and/or cite from the published version of the research, please visit the publisher’s website (a subscription may be required.) Chapter 7 Traces of snuff: black markets, fan subcultures and underground horror in the 90s Johnny Walker This chapter seeks to explore the centrality, and significance, of underground horror films to fan cultures in the 1990s, demonstrating how a swelling interest in gory paracinema1 coincided with the emergence of an array of contemporary, direct-to-video “death films” which collated sequences of genuine human tragedy and atrocity for the purposes of entertainment. - 
												
												Walker Tosubmit
Citation: Walker, Johnny (2016) Traces of snuff: black markets, fan subcultures and underground horror in the 1990s. In: Snuff: Real Death and Screen Media. Bloomsbury, London, pp. 137-152. ISBN 9781628921137 Published by: Bloomsbury URL: This version was downloaded from Northumbria Research Link: http://nrl.northumbria.ac.uk/27964/ Northumbria University has developed Northumbria Research Link (NRL) to enable users to access the University’s research output. Copyright © and moral rights for items on NRL are retained by the individual author(s) and/or other copyright owners. Single copies of full items can be reproduced, displayed or performed, and given to third parties in any format or medium for personal research or study, educational, or not-for-profit purposes without prior permission or charge, provided the authors, title and full bibliographic details are given, as well as a hyperlink and/or URL to the original metadata page. The content must not be changed in any way. Full items must not be sold commercially in any format or medium without formal permission of the copyright holder. The full policy is available online: http://nrl.northumbria.ac.uk/policies.html This document may differ from the final, published version of the research and has been made available online in accordance with publisher policies. To read and/or cite from the published version of the research, please visit the publisher’s website (a subscription may be required.) Chapter 7 Traces of snuff: black markets, fan subcultures and underground horror in the 90s Johnny Walker This chapter seeks to explore the centrality, and significance, of underground horror films to fan cultures in the 1990s, demonstrating how a swelling interest in gory paracinema1 coincided with the emergence of an array of contemporary, direct-to-video “death films” which collated sequences of genuine human tragedy and atrocity for the purposes of entertainment. - 
												
												Allied Vaughn Entertainment Studio Catalog
Allied Vaughn’s Media On Demand Collection Allied Vaughn is pleased offer you the opportunity to join us as a partner reseller of a wide selection of titles from the content libraries of select Studios, Networks, Record Labels and Content Publishers. With the changing face of traditional retail, consumers are searching for – and will buy – hard to get films, music, television shows and series on DVD, Blu-ray or CD if made available immediately to purchase. Through Allied Vaughn’s Media on Demand Collection, you can deliver your customers the titles they want today, on DVD, Blu-ray or CD, with minimum costs to you and never a title out of stock or delisted! 800-877-1778 www.alliedvaughn.com | 1 STUDIO Warner Archive MGM Limited Edition SONY Choice Fox Cinema Archives Collection Collection Collection Collection Spanning more than 75 years of The Limited Edition Collection offers titles The SONY Choice Collection features The Fox Cinema Archives Collection from filmmaking, the Warner Archive Collection of all genres and many not available on beloved, never-before-released titles that Twentieth Century Fox opens a fresh offers fans access to Warner Bros. DVD until now. Look for a broad range movie lovers have asked for - covering untapped catalog of classic films with such Entertainment’s unparalleled film library of drama, comedy, westerns, horror and more than 75 years of the Columbia film Fox stars as Tyrone Power, Barbara consisting of pre-1986 MGM, RKO Radio science fiction to choose from. library. Stanwyck and hundreds of others in larger Pictures, and Warner Bros. - 
												
												Allied Vaughn's Media on Demand Collection
Allied Vaughn’s Media On Demand Collection Allied Vaughn is pleased offer you the opportunity to join us as a partner reseller of a wide selection of titles from the content libraries of select Studios, Networks, Record Labels and Content Publishers. With the changing face of traditional retail, consumers are searching for – and will buy – hard to get films, music, television shows and series on DVD, Blu-ray or CD if made available immediately to purchase. Through Allied Vaughn’s Media on Demand Collection, you can deliver your customers the titles they want today, on DVD, Blu-ray or CD, with minimum costs to you and never a title out of stock or delisted! 800-877-1778 www.alliedvaughn.com | 1 STUDIO Warner Archive MGM Limited Edition SONY Choice Fox Cinema Archives Collection Collection Collection Collection Spanning more than 75 years of The MGM Limited Edition Collection offers The SONY Choice Collection features The Fox Cinema Archives Collection from filmmaking, the Warner Archive Collection titles of all genres and many not available beloved, never-before-released titles that Twentieth Century Fox opens a fresh offers fans access to Warner Bros. on DVD until now. Look for a broad range movie lovers have asked for - covering untapped catalog of classic films with such Entertainment’s unparalleled film library of drama, comedy, westerns, horror and more than 75 years of the Columbia film Fox stars as Tyrone Power, Barbara consisting of pre-1986 MGM, RKO Radio science fiction to choose from. library. Stanwyck and hundreds of others in larger Pictures, and Warner Bros. - 
												
												Studio Allied Vaughn's Media on Demand DVD Collection
Allied Vaughn’s Media On Demand DVD Collection Allied Vaughn is pleased offer you the opportunity to join us as a partner reseller of a wide selection of titles from the content libraries of select Studios, Networks, Record Labels and Content Publishers. With the changing face of traditional retail, consumers are searching for – and will buy – hard to get films, music, television shows and series on DVD or CD if made available immediately to purchase. Through Allied Vaughn’s Media on Demand Collection, you can deliver your customers the titles they want today, on DVD or CD, with minimum costs to you and never a title out of stock or delisted! Studio The Warner Archive Collection Spanning more than 75 years of filmmaking, the Warner Archive Collection offers fans access to Warner Bros. Entertainment’s unparalleled film library consisting of pre-1986 MGM, RKO Radio Pictures, and Warner Bros. Pictures films and television shows. The MGM Limited Edition Collection offers titles of all genres and many not available on DVD until now. Look for a broad range of drama, comedy, westerns, horror and science fiction to choose from. The SONY Choice Collection features beloved, never-before-released titles that movie lovers have asked for - covering more than 75 years of the Columbia film library. The Fox Cinema Archives Collection from Twentieth Century Fox opens a fresh untapped catalog of classic films with such Fox stars as Tyrone Power, Barbara Stanwyck and hundreds of others in larger than life dramas, war films, comedies and spectacles. Universal Vault Series Featuring rare, hard-to-find movies from the Universal achives, this DVD series showcases some of the best talent in Hollywood history with genres for everyone, including comedy, romance, horror, westerns, action, family and more! The TCM Vault Collection, in partnership with major studios, releases many of the greatest and rarest classic films from Hollywood. - 
												
												Issues in International Horror Movie Circuits
Rethinking genre studies through distribution analysis: issues in international horror movie circuits Ramon Lobato (Swinburne University of Technology) Postdoctoral research fellow Swinburne Institute for Social Research Swinburne University of Technology Hawthorn VIC 3122 [email protected] Tel: +61 411 588456 Mark David Ryan (Queensland University of Technology) Research fellow Creative Industries Precinct Queensland University of Technology Musk Ave, Kelvin Grove QLD 4059 [email protected] Tel: +61 400 757968 May 2010 Draft only – not for citation 1 Rethinking genre studies through distribution analysis: issues in international horror movie circuits Abstract The existence of any film genre depends on the effective operation of distribution networks. Contingencies of distribution play an important role in determining the content of individual texts and the characteristics of film genres; they enable new genres to emerge at the same time as they impose limits on generic change. This article sets out an alternative way of doing genre studies, based on an analysis of distributive circuits rather than film texts or generic categories. Our objective is to provide a conceptual framework that can account for the multiple ways in which distribution networks leave their traces on film texts and audience expectations, with specific reference to international horror networks, and to offer some preliminary suggestions as to how distribution analysis can be integrated into existing genre studies methodologies. 2 Distribution, often considered a neutral technology of transmission linking production and exhibition, is a relatively unpopular topic of research in film studies. Far removed from the drama of the set and the glitz of the red carpet, distribution is imagined as a purely logistical space of transportation, warehousing, inventory, stocktaking, and market research. - 
												
												Allied Vaughn's Media on Demand Collection
Allied Vaughn’s Media On Demand Collection Allied Vaughn is pleased offer you the opportunity to join us as a partner reseller of a wide selection of titles from the content libraries of select Studios, Networks, Record Labels and Content Publishers. With the changing face of traditional retail, consumers are searching for – and will buy – hard to get films, music, television shows and series on DVD, Blu-ray or CD if made available immediately to purchase. Through Allied Vaughn’s Media on Demand Collection, you can deliver your customers the titles they want today, on DVD, Blu-ray or CD, with minimum costs to you and never a title out of stock or delisted! 800-877-1778 www.alliedvaughn.com | 1 STUDIO Warner Archive MGM Limited Edition SONY Choice Fox Cinema Archives Collection Collection Collection Collection Spanning more than 75 years of The Limited Edition Collection offers titles The SONY Choice Collection features The Fox Cinema Archives Collection from filmmaking, the Warner Archive Collection of all genres and many not available on beloved, never-before-released titles that Twentieth Century Fox opens a fresh offers fans access to Warner Bros. DVD until now. Look for a broad range movie lovers have asked for - covering untapped catalog of classic films with such Entertainment’s unparalleled film library of drama, comedy, westerns, horror and more than 75 years of the Columbia film Fox stars as Tyrone Power, Barbara consisting of pre-1986 MGM, RKO Radio science fiction to choose from. library. Stanwyck and hundreds of others in larger Pictures, and Warner Bros.