SMPTE-Society of Motion Picture & Television Engineers
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Mixbus V4 1 — Last Update: 2017/12/19 Harrison Consoles
Mixbus v4 1 — Last update: 2017/12/19 Harrison Consoles Harrison Consoles Copyright Information 2017 No part of this publication may be copied, reproduced, transmitted, stored on a retrieval system, or translated into any language, in any form or by any means without the prior written consent of an authorized officer of Harrison Consoles, 1024 Firestone Parkway, La Vergne, TN 37086. Table of Contents Introduction ................................................................................................................................................ 5 About This Manual (online version and PDF download)........................................................................... 7 Features & Specifications.......................................................................................................................... 9 What’s Different About Mixbus? ............................................................................................................ 11 Operational Differences from Other DAWs ............................................................................................ 13 Installation ................................................................................................................................................ 16 Installation – Windows ......................................................................................................................... 17 Installation – OS X ............................................................................................................................... -
ABBREVIATIONS EBU Technical Review
ABBREVIATIONS EBU Technical Review AbbreviationsLast updated: January 2012 720i 720 lines, interlaced scan ACATS Advisory Committee on Advanced Television 720p/50 High-definition progressively-scanned TV format Systems (USA) of 1280 x 720 pixels at 50 frames per second ACELP (MPEG-4) A Code-Excited Linear Prediction 1080i/25 High-definition interlaced TV format of ACK ACKnowledgement 1920 x 1080 pixels at 25 frames per second, i.e. ACLR Adjacent Channel Leakage Ratio 50 fields (half frames) every second ACM Adaptive Coding and Modulation 1080p/25 High-definition progressively-scanned TV format ACS Adjacent Channel Selectivity of 1920 x 1080 pixels at 25 frames per second ACT Association of Commercial Television in 1080p/50 High-definition progressively-scanned TV format Europe of 1920 x 1080 pixels at 50 frames per second http://www.acte.be 1080p/60 High-definition progressively-scanned TV format ACTS Advanced Communications Technologies and of 1920 x 1080 pixels at 60 frames per second Services AD Analogue-to-Digital AD Anno Domini (after the birth of Jesus of Nazareth) 21CN BT’s 21st Century Network AD Approved Document 2k COFDM transmission mode with around 2000 AD Audio Description carriers ADC Analogue-to-Digital Converter 3DTV 3-Dimension Television ADIP ADress In Pre-groove 3G 3rd Generation mobile communications ADM (ATM) Add/Drop Multiplexer 4G 4th Generation mobile communications ADPCM Adaptive Differential Pulse Code Modulation 3GPP 3rd Generation Partnership Project ADR Automatic Dialogue Replacement 3GPP2 3rd Generation Partnership -
Creating 4K/UHD Content Poster
Creating 4K/UHD Content Colorimetry Image Format / SMPTE Standards Figure A2. Using a Table B1: SMPTE Standards The television color specification is based on standards defined by the CIE (Commission 100% color bar signal Square Division separates the image into quad links for distribution. to show conversion Internationale de L’Éclairage) in 1931. The CIE specified an idealized set of primary XYZ SMPTE Standards of RGB levels from UHDTV 1: 3840x2160 (4x1920x1080) tristimulus values. This set is a group of all-positive values converted from R’G’B’ where 700 mv (100%) to ST 125 SDTV Component Video Signal Coding for 4:4:4 and 4:2:2 for 13.5 MHz and 18 MHz Systems 0mv (0%) for each ST 240 Television – 1125-Line High-Definition Production Systems – Signal Parameters Y is proportional to the luminance of the additive mix. This specification is used as the color component with a color bar split ST 259 Television – SDTV Digital Signal/Data – Serial Digital Interface basis for color within 4K/UHDTV1 that supports both ITU-R BT.709 and BT2020. 2020 field BT.2020 and ST 272 Television – Formatting AES/EBU Audio and Auxiliary Data into Digital Video Ancillary Data Space BT.709 test signal. ST 274 Television – 1920 x 1080 Image Sample Structure, Digital Representation and Digital Timing Reference Sequences for The WFM8300 was Table A1: Illuminant (Ill.) Value Multiple Picture Rates 709 configured for Source X / Y BT.709 colorimetry ST 296 1280 x 720 Progressive Image 4:2:2 and 4:4:4 Sample Structure – Analog & Digital Representation & Analog Interface as shown in the video ST 299-0/1/2 24-Bit Digital Audio Format for SMPTE Bit-Serial Interfaces at 1.5 Gb/s and 3 Gb/s – Document Suite Illuminant A: Tungsten Filament Lamp, 2854°K x = 0.4476 y = 0.4075 session display. -
Technical Specifications for Broadcast Program Material August 2018
Technical Specifications for Broadcast Program Material August 2018 Delivery Specifications: Fox Networks broadcast exclusively in 1280 x 720/59.94. All material shall be delivered per SMPTE ST 296:2012 with 5.1 digital sound per ITU--R BS 775--3 (08/2012) Loudness specifications per ATSC RP/A85 (Doc. A/85 12 March 2013) Programming that does not meet this specification is subject to rejection and correction at the supplier’s expense File Delivery: Fox Networks only accepts MXF file delivery standardized in SMPTE ST 377--1:2011 The file name shall match the on air traffic I.D. SD file delivery requires prior authorization Stereo, 2--channel and monophonic deliveries require prior authorization File Format Specifications: Files shall be wrapped in MXF per SMPTE ST 378:2004, OP1a Segments within the file shall be separated by a minimum of 2 seconds black MXF files shall have one MPEG--2 video stream per ISO/IEC 13818--2:2013 MPEG--2 video essence shall be 1280 x 720/59.94, 4:2:2 profile @ high level, and 50Mbps 5.1 digital surround shall be in phase Channel Channel 1: Left 2: Right 3: Center 4: LFE‐‐‐Low Frequency Enhancement 5: Left surround 6: Right surround 7: DVS, SAP or Mono 8: Mono 9‐‐‐12: (n/a or not used) MXF files shall have 8 audio PCM 16 (16 bits @ 48 kHz PCM) or 8 audio PCM 24 (24 bits @ 48 kHz PCM) channels per SMPTE ST 377--4:2012 Dolby E is not accepted Programming shall be created such that any down mix from 5.1 to stereo or mono represents the original mix 1 Technical Specifications For Broadcast Program Material August 2018 The dynamic range of the material shall be suitable for television broadcast The loudness shall be measured across all channels, except LFE (Low--Frequency Enhancement) in units of LKFS per ATSC RP/A85 (Doc. -
CATV in Central Appalachia: a Feasibility Study. INSTITUTION Morehead State Univ., Ky
DOCUMENT RESUME ED 053 380 AC 010 563 AUTHOR Marchese, Lamar TITLE CATV in Central Appalachia: A Feasibility Study. INSTITUTION Morehead State Univ., Ky. Appalachian Adult Education Center. SPONS AGENCY Appalachian Regional Commission, Washington, D.C. NOTE 75p.; Interim Report EDRS PRICE EDRS Price MF-$0.65 HC-$3.29 DESCRIPTORS *Cable Television, Community Antennas, *Depressed Areas (Geographic), *Educational Needs, *Statistical Data, *Surveys IDENTIFIERS *Appalachia ABSTRACT This document examines the problems and potentials that cable televisions have in public service, with a view toward understanding CATV's growth and how that growth relates to the developmental and educational needs of the Appalachian Region. Six developmental districts in Appalachia were chosen for intensive study.A team of consultants was organized to perform the research. Statistics were collected by the questionnaire method. Data gathered indicate that: (1) Cable systems that have been 0-500 subscribers have an average market saturation of 60%; (2) Systems with between 501 and 1,500 subscribers have an average 63% market saturation; (3) Cable systems with 1,501 to 3,500 and above have an average market penetration of 62%. This survey also showed that the CATV operators would be interested in participating in a regional cable television network. Upon completion of the research, an engineering report will be issued. (CK) U.S. DEPARTMENT OF HEALTH. EDUCATION & WELFARE OFFICE OF EDUCATION THIS DOCUMENT HAS BEEN REPRO- DUCED EXACTLY AS RECEIVED FROM THE PERSON OR ORGANIZATION ORIG- INATING IT POINTS OF VIEW OR OPIN IONS STATED DO NOT NECESSARILY REPRESENT OFFICIAL OFFICE OF EDU CATION POS,ION OR POLICY CATV IN CENTRALAPPALACHIA A FEASIBILITY STUDY Prepared. -
MXF Application Specification for Archiving and Preservation
AS-AP MXF Archive and Preservation DRAFT FADGI Application Specification AS-AP MXF Archive and Preservation August 15, 2011 (rev 1h) Document Status This document-in-progress is being drafted by the Audio-Visual Working Group of the Federal Agencies Digitization Guidelines Initiative (FADGI; http://www.digitizationguidelines.gov/audio-visual/). The Working Group will transmit a refined version of this MXF Application Specification for Archive and Preservation (AS-AP) for finalization and publication by the Advanced Media Workflow Association (AMWA). Finalization will also depend upon the resolution of some technical matters that are dependencies for this specification. These dependencies are highlighted in the explanatory notes within this specification and in the accompanying document Preservation Video File Format Issues and Considerations (http://www.digitizationguidelines.gov/audio-visual/documents/FADGI_MXF_ASAP_Issues_20110815.pdf). This document has been drafted in the style of other AMWA application specifications (http://www.amwa.tv/projects/application_specifications.shtml), has borrowed a number of features from AS- 03, and refers to AS-02. Since AS-02 has not been published at this writing, this document (especially Annex B) includes wording copied from draft versions of that specification. Executive Summary This document describes a vendor-neutral subset of the MXF file format to use for long-term archiving and preservation of moving image content and associated materials including audio, captions and metadata. Archive and Preservation and files (AS-AP files) may contain a single item, or an entire series of items. Various configurations of sets of AS-AP files are discussed in the Overview. AS-AP files are intended to be used in combination with external finding aids or catalog records. -
Type D-11 HDCAM Data Stream and AES3 Data Mapping Over SDTI
PROPOSED SMPTE 369M SMPTE STANDARD for Television ¾ Type D-11 HDCAM Data Stream and AES3 Data Mapping over SDTI Page 1 of 11 pages Table of contents 1 Scope 2 Normative references 3 General specifications 4 Header data 5 Payload data 6 AES3 data 7 Auxiliary data 8 EDH Annex A SDI and SDTI operation at 23.98… Hz) Annex B SDI and SDTI operation at 24 Hz) Annex C Bibliography 1 Scope This standard specifies the mapping of type D-11 HDCAM compressed picture data stream into the SDTI payload area (SMPTE 305.2M) together with the mapping of four channels of AES3 data and time code data into H-ANC packets. Type D-11 HDCAM compressed picture data stream mapping is defined for source coded picture rates of 24/1.001/P, 24/P, 25/P, 50-I, 30/1.001/P, and 60/1.001. For the transmission of compressed picture data coded at source picture rates of 25/P and 50/I, the SDTI interface operates at a frame rate of 25 Hz. For the transmission of compressed picture data coded at source picture rates of 30/1.001P and 60/1.001I, the SDTI interface operates at a frame rate of 30/1.001 Hz. The transmission of compressed picture data coded at the source picture rates of 24/1.001/P and 24/P require the SDTI interface to operate at frame rates of 24/1.001 Hz and 24 Hz with the parameters defined in normative annex A and annex B of this standard. -
Avid Filmscribe User's Guide
Avid® FilmScribe™ User’s Guide ™ make manage move | media Avid ® Copyright and Disclaimer Product specifications are subject to change without notice and do not represent a commitment on the part of Avid Technology, Inc. The software described in this document is furnished under a license agreement. You can obtain a copy of that license by visiting Avid's Web site at www.avid.com. The terms of that license are also available in the product in the same directory as the software. The software may not be reverse assembled and may be used or copied only in accordance with the terms of the license agreement. It is against the law to copy the software on any medium except as specifically allowed in the license agreement. Avid products or portions thereof are protected by one or more of the following United States Patents: 4,746,994; 4,970,663; 5,045,940; 5,077,604; 5,267,351; 5,309,528; 5,355,450; 5,396,594; 5,440,348; 5,452,378; 5,467,288; 5,513,375; 5,528,310; 5,557,423; 5,568,275; 5,577,190; 5,583,496; 5,584,006; 5,627,765; 5,634,020; 5,640,601; 5,644,364; 5,654,737; 5,724,605; 5,726,717; 5,729,673; 5,745,637; 5,752,029; 5,754,180; 5,754,851; 5,799,150; 5,812,216; 5,828,678; 5,842,014; 5,852,435; 6,061,758; 6,532,043; 6,546,190; 6,636,869; 6,747,705. -
Quality Assurance Workbook for Radiographers & Radiological Technologists
(/ J . ' WHO/DIUOU DISTRIBUTION: GENERAL ORIGINAL: ENGLISH Quality assurance workbook for radiographers & radiological technologists by Peter J Lloyd MIR, OCR, ARMI~ Grad Dip FEd Lecturer (retired), School of Medical Radiation, University of South Australia Diagnostic Imaging and Laboratory Technology Blood Safety and Clinical Technology Health Technology' and Pharmaceuticals WORLD HEALTH ORGANIZATION Geneva © World Health Organization, 2001 This document is not a formal publication of the World Health Organization (WHO), and all rights are reserved by the Organization. The document may, however, be freely reviewed, abstracted, reproduced and translated, in part or in whole, but not for sale for use in conjunction with commercial purposes. The views expressed in documents by named authors are solely the responsibility of those authors. Designed in New Zealand Typeset in Hong l<ong Printed in Malta 2001/13663- minimum graphics/Best Set/Interprint- 3000 Ill Contents Introductory remarks vii Acknowledgements viii Introduction 1 Purpose of this workbook 1 Who this workbook is aimed at 2 What this workbook aims to achieve 2 Summary of this workbook 2 How to use this workbook 2 Roles and responsibilities 3 Questionnaire-student's own department 5 Pretest 7 Teaching techniques 10 Overview of teaching methods in common use 10 Assessment 10 Teacher performance 12 Suggested method of teaching with this workbook 12 Conclusions 12 Health and safety 15 Machinery 15 Electrical 15 Fire 15 Hazardous chemicals 16 Radiation 16 Working with the patient 17 Disaster 17 Module 1. Reject film analysis 19 Setting up a reject film analysis program 19 Method 20 Analysis 20 Action 20 Tasks to be carried out by the student 24 Module 2. -
Episode Engine User’S Guide
Note on License The accompanying Software is licensed and may not be distributed without writ- ten permission. Disclaimer The contents of this document are subject to revision without notice due to con- tinued progress in methodology, design, and manufacturing. Telestream shall have no liability for any error or damages of any kind resulting from the use of this doc- ument and/or software. The Software may contain errors and is not designed or intended for use in on-line facilities, aircraft navigation or communications systems, air traffic control, direct life support machines, or weapons systems (“High Risk Activities”) in which the failure of the Software would lead directly to death, personal injury or severe physical or environmental damage. You represent and warrant to Telestream that you will not use, distribute, or license the Software for High Risk Activities. Export Regulations. Software, including technical data, is subject to Swedish export control laws, and its associated regulations, and may be subject to export or import regulations in other countries. You agree to comply strictly with all such regulations and acknowledge that you have the responsibility to obtain licenses to export, re-export, or import Software. Copyright Statement ©Telestream, Inc, 2010 All rights reserved. No part of this document may be copied or distributed. This document is part of the software product and, as such, is part of the license agreement governing the software. So are any other parts of the software product, such as packaging and distribution media. The information in this document may be changed without prior notice and does not represent a commitment on the part of Telestream. -
Dolby DP600 Program Optimizer Manual
0. Dolby® DP600 Program Optimizer Manual Issue 2 Part Number 91963 Dolby Laboratories, Inc. Corporate Headquarters Dolby Laboratories, Inc. 100 Potrero Avenue San Francisco, CA 94103‐4813 USA Telephone 415‐558‐0200 Fax 415‐863‐1373 www.dolby.com European Headquarters Dolby Laboratories, Inc. Wootton Bassett Wiltshire SN4 8QJ England Telephone 44‐1793‐842100 Fax 44‐1793‐842101 DISCLAIMER OF WARRANTIES: EQUIPMENT MANUFACTURED BY DOLBY LABORATORIES IS WARRANTED AGAINST DEFECTS IN MATERIALS AND WORKMANSHIP FOR A PERIOD OF ONE YEAR FROM THE DATE OF PURCHASE. THERE ARE NO OTHER EXPRESS OR IMPLIED WARRANTIES AND NO WARRANTY OF MERCHANTABILITY OR FITNESS FOR A PARTICULAR PURPOSE, OR OF NONINFRINGEMENT OF THIRD‐PARTY RIGHTS (INCLUDING, BUT NOT LIMITED TO, COPYRIGHT AND PATENT RIGHTS). LIMITATION OF LIABILITY: IT IS UNDERSTOOD AND AGREED THAT DOLBY LABORATORIES’ LIABILITY, WHETHER IN CONTRACT, IN TORT, UNDER ANY WARRANTY, IN NEGLIGENCE, OR OTHERWISE, SHALL NOT EXCEED THE COST OF REPAIR OR REPLACEMENT OF THE DEFECTIVE COMPONENTS OR ACCUSED INFRINGING DEVICES, AND UNDER NO CIRCUMSTANCES SHALL DOLBY LABORATORIES BE LIABLE FOR INCIDENTAL, SPECIAL, DIRECT, INDIRECT, OR CONSEQUENTIAL DAMAGES (INCLUDING, BUT NOT LIMITED TO, DAMAGE TO SOFTWARE OR RECORDED AUDIO OR VISUAL MATERIAL), COST OF DEFENSE, OR LOSS OF USE, REVENUE, OR PROFIT, EVEN IF DOLBY LABORATORIES OR ITS AGENTS HAVE BEEN ADVISED, ORALLY OR IN WRITING, OF THE POSSIBILITY OF SUCH DAMAGES. Dolby, Pro Logic, and the double‐D symbol are registered trademarks of Dolby Laboratories. Part Number 91963 Dialogue Intelligence is a trademark of Dolby Laboratories. S08/18709/19636 All other trademarks remain the property of their respective owners. -
Understanding HD and 3G-SDI Video Poster
Understanding HD & 3G-SDI Video EYE DIGITAL SIGNAL TIMING EYE DIAGRAM The eye diagram is constructed by overlaying portions of the sampled data stream until enough data amplitude is important because of its relation to noise, and because the Y', R'-Y', B'-Y', COMMONLY USED FOR ANALOG COMPONENT ANALOG VIDEO transitions produce the familiar display. A unit interval (UI) is defined as the time between two adjacent signal receiver estimates the required high-frequency compensation (equalization) based on the Format 1125/60/2:1 750/60/1:1 525/59.94/2:1, 625/50/2:1, 1250/50/2:1 transitions, which is the reciprocal of clock frequency. UI is 3.7 ns for digital component 525 / 625 (SMPTE remaining half-clock-frequency energy as the signal arrives. Incorrect amplitude at the Y’ 0.2126 R' + 0.7152 G' + 0.0722 B' 0.299 R' + 0.587 G' + 0.114 B' 259M), 673.4 ps for digital high-definition (SMPTE 292) and 336.7ps for 3G-SDI serial digital (SMPTE 424M) sending end could result in an incorrect equalization applied at the receiving end, thus causing Digital video synchronization is provided by End of Active Video (EAV) and Start of Active Video (SAV) sequences which start with a R'-Y' 0.7874 R' - 0.7152 G' - 0.0722 B' 0.701 R' - 0.587 G' - 0.114 B' as shown in Table 1. A serial receiver determines if the signal is “high” or “low” in the center of each eye, and signal distortions. Overshoot of the rising and falling edge should not exceed 10% of the waveform HORIZONTAL LINE TIMING unique three word pattern: 3FFh (all bits in the word set to 1), 000h (all 0’s), 000h (all 0’s), followed by a fourth “XYZ” word whose B'-Y' -0.2126 R' - 0.7152 G' + 0.9278 B' -0.299 R' - 0.587 G' + 0.886 B' detects the serial data.