Type D-11 HDCAM Data Stream and AES3 Data Mapping Over SDTI
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Bit-Serial Digital Interface for High-Definition Television Systems
ANSI/SMPTE 292M-1996 SMPTE STANDARD for Television ---- Bit-Serial Digital Interface for High-Definition Television Systems Page 1 of 9 pages 1 Scope ANSI/SMPTE 274M-1995, Television ---- 1920 × 1080 Scanning and Interface This standard defines a bit-serial digital coaxial and fiber-optic interface for HDTV component signals ANSI/SMPTE 291M-1996, Television ---- Ancillary operating at data rates in the range of 1.3 Gb/s to 1.5 Data Packet and Space Formatting Gb/s. Bit-parallel data derived from a specified source format are multiplexed and serialized to form the serial SMPTE RP 184-1995, Measurement of Jitter in Bit- data stream. A common data format and channel Serial Digital Interfaces coding are used based on modifications, if necessary, to the source format parallel data for a given high- IEC 169-8 (1978), Part 8: R.F. Coaxial Connectors with definition television system. Coaxial cable interfaces Inner Diameter of Outer Conductor 6.5 mm (0.256 in) are suitable for application where the signal loss does with Bayonet Lock ---- Characteristic Impedance 50 not exceed an amount specified by the receiver manu- Ohms (Type BNC), and Appendix A (1993) facturer. Typical loss amounts would be in the range of up to 20 dB at one-half the clock frequency. Fiber IEC 793-2 (1992), Optical Fibres, Part 2: Product optic interfaces are suitable for application at up to 2 Specifications km of distance using single-mode fiber. IEC 874-7 (1990), Part 7: Fibre Optic Connector Several source formats are referenced and others Type FC operating within the covered data rate range may be serialized based on the techniques defined by this 3 Definition of terms standard. -
Creating 4K/UHD Content Poster
Creating 4K/UHD Content Colorimetry Image Format / SMPTE Standards Figure A2. Using a Table B1: SMPTE Standards The television color specification is based on standards defined by the CIE (Commission 100% color bar signal Square Division separates the image into quad links for distribution. to show conversion Internationale de L’Éclairage) in 1931. The CIE specified an idealized set of primary XYZ SMPTE Standards of RGB levels from UHDTV 1: 3840x2160 (4x1920x1080) tristimulus values. This set is a group of all-positive values converted from R’G’B’ where 700 mv (100%) to ST 125 SDTV Component Video Signal Coding for 4:4:4 and 4:2:2 for 13.5 MHz and 18 MHz Systems 0mv (0%) for each ST 240 Television – 1125-Line High-Definition Production Systems – Signal Parameters Y is proportional to the luminance of the additive mix. This specification is used as the color component with a color bar split ST 259 Television – SDTV Digital Signal/Data – Serial Digital Interface basis for color within 4K/UHDTV1 that supports both ITU-R BT.709 and BT2020. 2020 field BT.2020 and ST 272 Television – Formatting AES/EBU Audio and Auxiliary Data into Digital Video Ancillary Data Space BT.709 test signal. ST 274 Television – 1920 x 1080 Image Sample Structure, Digital Representation and Digital Timing Reference Sequences for The WFM8300 was Table A1: Illuminant (Ill.) Value Multiple Picture Rates 709 configured for Source X / Y BT.709 colorimetry ST 296 1280 x 720 Progressive Image 4:2:2 and 4:4:4 Sample Structure – Analog & Digital Representation & Analog Interface as shown in the video ST 299-0/1/2 24-Bit Digital Audio Format for SMPTE Bit-Serial Interfaces at 1.5 Gb/s and 3 Gb/s – Document Suite Illuminant A: Tungsten Filament Lamp, 2854°K x = 0.4476 y = 0.4075 session display. -
Digital Audio and Ancillary Data Services for ATV--The Work of The
DIGITAL AUDIO AND ANCILLARY DATA SERVICES FOR ATV - THE WORK OF THE ATSC SPECIALIST GROUP Graham S. Stubbs Eidak Corporation ABSTRACf that it is important that appropriate em phasis should be placed on defining the This paper describes the advice and accompanying sound channels, the features suggestions put forth by the Technology of the ancillary data and control services, Group on Distribution (T3) of the Advanced and the way in which they may be included Television System Committee (ATSC) re in the ATV transmission format. garding digital services for Advanced Televi sion (A TV). These recommendations were The charter of the ATSC Specialist based on the background work of the Spe Group on Digital Services (T3/S3) has been cialist Group (T3/S3) on Digital Services to conduct industry surveys and technical which conducted technical studies, and studies and to develop technical information surveys, and developed the suggestions and and recommendations on the following sub recommendations. jects. The Specialist Group commenced its studies in December, 1990. Rapid advances in multichannel com posite digital audio coding technology now A Sound & Ancilla:ry Data Services make it possible to plan to provide the con sumer (e.g. cable subscriber) with an expand Identification of the range of ATV ed audio experience to match wide screen sound channel requirements and high definition TV pictures. This paper how they might be satisfied with re summarizes the suggestions adopted by cent rapid advances in the state-of ATSC's T3 Group regarding audio and the art digital audio coding. Identifi ancillary data services, including the advice cation of the range of desirable that a standard service for A1V should in ancillary data services--including clude capacity for a minimum of five audio those already in use and in some channels with composite encoding. -
Multi-Rate Serial Digital Interface (SDI) Physical Layer IP Core Is an Ipexpress User-Configurable Core and Can Be Used to Generate Any Allowable Configuration
ispLever TM CORECORE Multi-Rate Serial Digital Interface Physical Layer IP Core User’s Guide January 2012 ipug70_01.2 Multi-Rate Serial Data Interface Physical Layer Lattice Semiconductor IP Core User’s Guide Introduction Serial Digital Interface (SDI) is the most popular raw video link standard used in television broadcast studios and video production facilities. Field Programmable Gate Arrays (FPGAs) with SDI interface capability can be used for acquisition, mixing, storage, editing, processing and format conversion applications. Simpler applications use FPGAs to acquire SDI data from one or more standard definition (SD) or high definition (HD) sources, perform sim- ple processing and retransmit the video data in SDI format. Such applications require an SDI physical layer (PHY) interface and some basic processing blocks such as a color space converter and frame buffer. In more complex applications, the acquired video receives additional processing, such as video format conversion, filtering, scaling, graphics mixing and picture-in-picture display. FPGA devices can also be used as a bridge between SDI video sources and backplane protocols such as PCI Express or Ethernet, with or without any additional video processing. In an FPGA-based SDI solution, the physical interface portion is often the most challenging part of the solution. This is because the PHY layer includes several device-dependent components such as high speed I/Os (inputs/outputs), serializer/deserializer (SERDES), clock/data recovery, word alignment and timing signal detection logic. Video processing, on the other hand, is algorithmic and is usually achieved using proprietary algorithms developed by in-house teams. The Lattice Multi-Rate SDI PHY Intellectual Property (IP) Core is a complete SDI PHY interface that connects to the high-speed SDI serial data on one side and the formatted parallel data on the other side. -
Preparing for the Broadcast Analog Television Turn-Off: How to Keep Cable Subscribers’ Tvs from Going Dark
White Paper Preparing for the Broadcast Analog Television Turn-Off: How to Keep Cable Subscribers’ TVs from Going Dark Learn about the NTSC-to-ATSC converter/ receiver and how TANDBERG Television’s RX8320 ATSC Broadcast Receiver solves the Analog Turn-Off issues discussed in this paper Matthew Goldman Vice President of Technology TANDBERG Television, part of the Ericsson Group First presented at SCTE Cable-Tec Expo® 2008 in Philadelphia, Pennsylvania © TANDBERG Television 2008. All rights reserved. Table of Contents 1. The “Great Analog Television Turn-Off” ..............................................................................................3 1.1 Receiving Over-the-Air TV Transmissions ..............................................................................3 1.2 ATSC DTV to NTSC Analog Conversion ...................................................................................5 2. Video Down-Conversion .........................................................................................................................5 2.1 Active Format Description ..........................................................................................................8 2.2 Bar Data .............................................................................................................................................9 2.3 Color Space Correction ................................................................................................................9 3. Audio Processing .......................................................................................................................................9 -
1. Introduction
AN377 TIMING AND SYNCHRONIZATION IN BROADCAST VIDEO 1. Introduction Digitization of video signals has been common practice in broadcast video for many years. Early digital video was commonly encoded on a 10-bit parallel bus, but as higher processing speeds became practical, a serial form of the digitized video signal called the Serial Digital Interface (SDI) was developed and standardized. Serialization of the digital video stream greatly facilitates its distribution within a professional broadcast studio. Master Sync Generator Sync Video Server (Mass Storage) (Genlock) On-site Video Cameras SDI SDI Video Switching/ Processing SDI Transmission Facility SDI SDI Distribution Video Amplifier SDI SDI Router Frame Synchronizer SDI SDI Remote Professional Video Server Video Camera Monitor (Storage) Figure 1. Typical Example of a Professional Broadcast Video In a studio with multiple cameras, it is important that video signals coming from multiple sources are frame aligned or synchronized to allow seamless switching between video sources. For this reason, a synchronization signal is often distributed to all video sources using a master synchronization generator as shown in Figure 1. This allows video switching equipment to select between multiple sources without having to buffer and re-synchronize all of its input video signals. In this application note, we will take a closer look at the various components that make up a broadcast video system and how each of the components play a role in the synchronization chain. Rev. 0.1 8/09 Copyright © 2009 by Silicon Laboratories AN377 AN377 2. Digitizing the Video Signal A video camera uses sensors to capture and convert light to electrical signals that represent the three primary colors– red, green, and blue (RGB). -
Source Image Format and Ancillary Data Mapping for the 3 Gb/S Serial
SMPTE ST 425-1:2017 Revision of SMPTE ST 425-1:2014 SMPTE STANDARD Source Image Format and Ancillary Data Mapping for the 3 Gb/s Serial Interface Page 1 of 32 pages Table of Contents Page 1 Scope ................................................................................................................................................... 3 2 Conformance Notation ....................................................................................................................... 3 3 Normative References ................................ ................................ ................................ ........................ 4 4 Level A — Direct Mapping of Source Image Formats ..................................................................... 5 4.1 20-Bit Virtual Interface ................................ ................................ ....................................................... 6 4.2 Virtual Interface — Data Stream Mappings .................................................................................... 13 5 Level B ― Mapping of SMPTE ST 372 Dual-Link .......................................................................... 23 5.1 SMPTE ST 372 Dual Link Mapping ................................ ................................ .................................. 24 6 Level B ― 2 x SMPTE ST 292-1 (HD-SDI) Dual-Stream Mapping ................................................. 26 6.1 2 x SMPTE ST 292 -1 (HD-SDI) Dual Stream Mapping ................................ .................................... 26 7 Levels -
Aspen 3232HD-3G 32X32 3G HD−SDI Router
Aspen 3232HD-3G 32x32 3G HD−SDI Router The Aspen series routers are high−performance matrix switcher for 3G HD−SDI and HD−SDI dual link video signals. These units can switch any or all inputs to any or all outputs. Aspen 3232HD-3G HD-SDI Video Features Guaranteed 3G Bandwidth - Fully Loaded. Max Data Rate - 2.97Gbps. Multi-Standard Operation - SDI (SMPTE 259M & SMPTE 344M), HD−SDI (SMPTE 292M), 3G HD−SDI (SMPTE 424M) and dual link HD−SDI (SMPTE 372M). Advanced Equalization - Allows recovery of signals at over 155 meters at 3Gb/s, over 200 meters at 1.5Gb/s Reclocking & EQ Control - Reclockers and Equalizers can be turned on or off on a per port basis to allow non- SMPTE data such as MPEG-2 to pass through. - Input Equalization - Per input. - Re-Clocking - 5 modes: auto, bypass, 3G HD-SDI, HD-SDI & SD per input. Sync Features Looping Sync Input - Composite or Tri-sync. Control Features Front Panel XY Control (1616/3232HD-3G) - Multi-color I/O & function buttons. Built-in Web Control Interface - - Configuration and Set up - including Names, Salvos, Layers, Output Reclockers, Input Equalizers and more. - Touch and Click compatible for control via tablets or smartphones RS-232, RS-422 & Ethernet. Optional Remote Control Panels - Via RJ-45 (Ethernet). Supports TCP/IP Protocol - Rear Panel RJ-45 connector. Other Features 7 Year warranty - Parts and Labor Take - The Take button executes a selected function when pressed (switch, salvo recall, IP address change, etc.). Salvos - Memory locations of switching lists that are saved in the router and recalled by a single command. -
XAVCTM MXF Mapping and Operating Points
SMPTE RDD 32:2017 Revision of RDD 32:2014 SMPTE REGISTERED DISCLOSURE DOCUMENT XAVCTM MXF Mapping and Operating Points Page 1 of 34 pages The attached document is a Registered Disclosure Document prepared by the proponent identified below. It has been examined by the appropriate SMPTE Technology Committee and is believed to contain adequate information to satisfy the objectives defined in the Scope, and to be technically consistent. This document is NOT a Standard, Recommended Practice or Engineering Guideline, and does NOT imply a finding or representation of the Society. Errors in this document should be reported to the proponent identified below, with a copy to [email protected]. All other inquiries in respect of this document, including inquiries as to intellectual property requirements that may be attached to use of the disclosed technology, should be addressed to the proponent identified below. This document is intended to support the development of applications that read and process XAVC MXF files. It is not intended to support the development of hardware or software applications that create XAVC MXF files, and creation of such files is reserved to individuals and organizations that have entered into agreements with the proponent identified below for such file creation. Proponent contact information: Satoshi Katsuo Sony Corporation 4-14-1 Asahi-cho, Atsugi Kanagawa, 243-0014 Japan Email: [email protected] Copyright © 2017 by THE SOCIETY OF MOTION PICTURE AND TELEVISION ENGINEERS Approved August 30, 2017 445 Hamilton Avenue, White Plains, NY 10601 (914) 761-1100 SMPTE RDD 32:2017 Table of Contents Page 1 Scope ............................................................................................................................................................ 4 2 Related Documents ....................................................................................................................................... -
Digital Video Broadcasting (DVB); Companion Screens and Streams;
! ! ! ! ! ! ! ! ! ! ! ! ! ! ! Digital Video Broadcasting (DVB); Companion Screens and Streams; Part 2: Content Identification and Media Synchronisation DVB Document A167-2 June 2016 3 Contents Intellectual Property Rights ................................................................................................................................ 9 Foreword............................................................................................................................................................. 9 Modal verbs terminology ................................................................................................................................... 9 Introduction ...................................................................................................................................................... 10 1 Scope ...................................................................................................................................................... 14 2 References .............................................................................................................................................. 14 2.1 Normative references ....................................................................................................................................... 14 2.2 Informative references ..................................................................................................................................... 16 3 Definitions and abbreviations ................................................................................................................ -
SMPTE-259M SDI.Pdf
© SMPTE 2005 – All rights reserved SMPTE Standard for Television Date: 2005-12 08 SMPTE 259M Revision of 259M - 1997 SMPTE Technology Committee N26 on File Management & Networking Technology TP Rev 1 SDTV1DigitalSignal/Data - Serial Digital Interface Note 1 SDTV - Standard Definition Television Warning This document is not a SMPTE Standard. It is distributed for review and comment. It is subject to change without notice and may not be referred to as a SMPTE Standard. Recipients of this document are invited to submit, with their comments, notification of any relevant patent rights of which they are aware and to provide supporting documentation. Distribution does not constitute publication. Page 1 of 16 Contents Page Foreword 2 Introduction 2 1 Scope 3 2 Normative References 3 3 Signal Levels and Specifications 3 4 Connector and cable Types 5 5 Channel coding 5 6 Transmission order 5 7 Component 4:2:2 signals 5 8 Levels of operation 7 Annex A (Normative) Composite NTSC 4fsc signals 8 Annex B (Informative) Composite PAL 4fsc signals 10 Annex C (informative) Generator polynomial implementations 13 Annex D (informative) Timing jitter specification 14 Annex E (informative) Waveform measurement method 14 Annex F (Informative) Optional Ancillary Data 4fsc PAL 14 Annex G (informative) 259M Road Map 15 Bibliography 16 Page 2 of 16 Foreword SMPTE (the Society of Motion Picture and Television Engineers) is an internationally recognized standard developing organization. Headquartered and incorporated in the United States of America, SMPTE has members in over 80 countries on six continents. SMPTE’s Engineering Documents, including Standards, Recommended Practices and Engineering Guidelines, are prepared by SMPTE’s Technology Committees. -
What's New for Avid® Media Composer® V5.0
What’s New for Avid® Media Composer® v5.0 The following lists what’s new for the current editor release. Feature Description For More Info Mixing Frame Sizes and You can now mix frame sizes and aspect See “Mixing Frame Sizes and Aspect Ratios ratios in the same sequence. Aspect Ratios” on page 4. n The reformatting capabilities that let you mix frame sizes and aspect ratios in a sequence are also not generally appropriate for use with stereoscopic material. The image scaling and resizing that occurs affects the separation between objects in the left and right images. Transcoding Mixed Rate You can transcode clips of any edit rate. See “Transcoding Mixed Frame Material Rate Material” on page 9. Timeline Direct You can now edit sequences without having See “Working with the Timeline Manipulation to enter specific edit modes. Palette” on page 13. Film Based Metadata Changes were made to improve your See “File Based Metadata enhancements workflow in many areas of the application, Enhancements” on page 37. including support of file based media, entering your own custom key numbers, changes to FilmScribe, AutoSync, Relink, and EDL. Alternate Source Capture You can enter a different timecode and tape See “Alternate Source Capture” name when you batch capture. on page 39. Selecting Items in a Bin The way in which you select and sort items in See “Selecting Clips and a bin has changed. It now follows a standard Sequences” on page 42 and operating system selection process. “Sorting Clips and Sequences” on page 42. Feature Description For More Info Promoting Effects You might need to update some effects if you See “Updating and Reverting are working with sequences that contain Existing Effects in Sequences” on effects created in an earlier version of the page 43 editing application.