3.5 Obtaining the Barco ICMP Certificate
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Dolby Cineasset User Manual 005058 Issue 6
Dolby CineAsset User’s Manual 22 July 2019 CAS.OM.005058.DRM Issue 6 Notices Notices Copyright © 2019 Dolby Laboratories. All rights reserved. Dolby Laboratories, Inc. 1275 Market Street San Francisco, CA 94103-1410 USA Telephone 415-558-0200 Fax 415-645-4000 http://www.dolby.com Trademarks Dolby and the double-D symbol are registered trademarks of Dolby Laboratories. The following are trademarks of Dolby Laboratories: Dialogue Intelligence™ Dolby Theatre® Dolby® Dolby Vision™ Dolby Advanced Audio™ Dolby Voice® Dolby Atmos® Feel Every Dimension™ Dolby Audio™ Feel Every Dimension in Dolby™ Dolby Cinema™ Feel Every Dimension in Dolby Atmos™ Dolby Digital Plus™ MLP Lossless™ Dolby Digital Plus Advanced Audio™ Pro Logic® Dolby Digital Plus Home Theater™ Surround EX™ Dolby Home Theater® All other trademarks remain the property of their respective owners. Patents THIS PRODUCT MAY BE PROTECTED BY PATENTS AND PENDING PATENT APPLICATIONS IN THE UNITED STATES AND ELSEWHERE. FOR MORE INFORMATION, INCLUDING A SPECIFIC LIST OF PATENTS PROTECTING THIS PRODUCT, PLEASE VISIT http://www.dolby.com/patents. Third-party software attributions Portions of this software are copyright © 2012 The FreeType Project (freetype.org). All rights reserved. Dolby CineAsset software is based in part on the work of the Qwt project (qwt.sf.net). This software uses libraries from the FFmpeg project under the LGPLv2.1. This product includes software developed by the OpenSSL Project for use in the OpenSSL Toolkit (openssl.org). This product includes cryptographic software -
Bit-Serial Digital Interface for High-Definition Television Systems
ANSI/SMPTE 292M-1996 SMPTE STANDARD for Television ---- Bit-Serial Digital Interface for High-Definition Television Systems Page 1 of 9 pages 1 Scope ANSI/SMPTE 274M-1995, Television ---- 1920 × 1080 Scanning and Interface This standard defines a bit-serial digital coaxial and fiber-optic interface for HDTV component signals ANSI/SMPTE 291M-1996, Television ---- Ancillary operating at data rates in the range of 1.3 Gb/s to 1.5 Data Packet and Space Formatting Gb/s. Bit-parallel data derived from a specified source format are multiplexed and serialized to form the serial SMPTE RP 184-1995, Measurement of Jitter in Bit- data stream. A common data format and channel Serial Digital Interfaces coding are used based on modifications, if necessary, to the source format parallel data for a given high- IEC 169-8 (1978), Part 8: R.F. Coaxial Connectors with definition television system. Coaxial cable interfaces Inner Diameter of Outer Conductor 6.5 mm (0.256 in) are suitable for application where the signal loss does with Bayonet Lock ---- Characteristic Impedance 50 not exceed an amount specified by the receiver manu- Ohms (Type BNC), and Appendix A (1993) facturer. Typical loss amounts would be in the range of up to 20 dB at one-half the clock frequency. Fiber IEC 793-2 (1992), Optical Fibres, Part 2: Product optic interfaces are suitable for application at up to 2 Specifications km of distance using single-mode fiber. IEC 874-7 (1990), Part 7: Fibre Optic Connector Several source formats are referenced and others Type FC operating within the covered data rate range may be serialized based on the techniques defined by this 3 Definition of terms standard. -
Digital Cinema System Specification Version 1.3
Digital Cinema System Specification Version 1.3 Approved 27 June 2018 Digital Cinema Initiatives, LLC, Member Representatives Committee Copyright © 2005-2018 Digital Cinema Initiatives, LLC DCI Digital Cinema System Specification v. 1.3 Page | 1 NOTICE Digital Cinema Initiatives, LLC (DCI) is the author and creator of this specification for the purpose of copyright and other laws in all countries throughout the world. The DCI copyright notice must be included in all reproductions, whether in whole or in part, and may not be deleted or attributed to others. DCI hereby grants to its members and their suppliers a limited license to reproduce this specification for their own use, provided it is not sold. Others should obtain permission to reproduce this specification from Digital Cinema Initiatives, LLC. This document is a specification developed and adopted by Digital Cinema Initiatives, LLC. This document may be revised by DCI. It is intended solely as a guide for companies interested in developing products, which can be compatible with other products, developed using this document. Each DCI member company shall decide independently the extent to which it will utilize, or require adherence to, these specifications. DCI shall not be liable for any exemplary, incidental, proximate or consequential damages or expenses arising from the use of this document. This document defines only one approach to compatibility, and other approaches may be available to the industry. This document is an authorized and approved publication of DCI. Only DCI has the right and authority to revise or change the material contained in this document, and any revisions by any party other than DCI are unauthorized and prohibited. -
Type D-11 HDCAM Data Stream and AES3 Data Mapping Over SDTI
PROPOSED SMPTE 369M SMPTE STANDARD for Television ¾ Type D-11 HDCAM Data Stream and AES3 Data Mapping over SDTI Page 1 of 11 pages Table of contents 1 Scope 2 Normative references 3 General specifications 4 Header data 5 Payload data 6 AES3 data 7 Auxiliary data 8 EDH Annex A SDI and SDTI operation at 23.98… Hz) Annex B SDI and SDTI operation at 24 Hz) Annex C Bibliography 1 Scope This standard specifies the mapping of type D-11 HDCAM compressed picture data stream into the SDTI payload area (SMPTE 305.2M) together with the mapping of four channels of AES3 data and time code data into H-ANC packets. Type D-11 HDCAM compressed picture data stream mapping is defined for source coded picture rates of 24/1.001/P, 24/P, 25/P, 50-I, 30/1.001/P, and 60/1.001. For the transmission of compressed picture data coded at source picture rates of 25/P and 50/I, the SDTI interface operates at a frame rate of 25 Hz. For the transmission of compressed picture data coded at source picture rates of 30/1.001P and 60/1.001I, the SDTI interface operates at a frame rate of 30/1.001 Hz. The transmission of compressed picture data coded at the source picture rates of 24/1.001/P and 24/P require the SDTI interface to operate at frame rates of 24/1.001 Hz and 24 Hz with the parameters defined in normative annex A and annex B of this standard. -
Eidr 2.6 Data Fields Reference
EIDR 2.6 DATA FIELDS REFERENCE Table of Contents 1 INTRODUCTION ............................................................................................................................................... 5 1.1 Introduction to Content ................................................................................................................................ 5 1.2 Composite Details ......................................................................................................................................... 5 1.3 How to read the Tables ................................................................................................................................. 6 1.4 EIDR IDs ........................................................................................................................................................ 7 2 BASE OBJECT TYPE ......................................................................................................................................... 9 2.1 Summary ...................................................................................................................................................... 9 2.2 Referent Type Details ................................................................................................................................. 25 2.3 Title Details ................................................................................................................................................ 26 2.4 Language Code Details ............................................................................................................................... -
Multi-Rate Serial Digital Interface (SDI) Physical Layer IP Core Is an Ipexpress User-Configurable Core and Can Be Used to Generate Any Allowable Configuration
ispLever TM CORECORE Multi-Rate Serial Digital Interface Physical Layer IP Core User’s Guide January 2012 ipug70_01.2 Multi-Rate Serial Data Interface Physical Layer Lattice Semiconductor IP Core User’s Guide Introduction Serial Digital Interface (SDI) is the most popular raw video link standard used in television broadcast studios and video production facilities. Field Programmable Gate Arrays (FPGAs) with SDI interface capability can be used for acquisition, mixing, storage, editing, processing and format conversion applications. Simpler applications use FPGAs to acquire SDI data from one or more standard definition (SD) or high definition (HD) sources, perform sim- ple processing and retransmit the video data in SDI format. Such applications require an SDI physical layer (PHY) interface and some basic processing blocks such as a color space converter and frame buffer. In more complex applications, the acquired video receives additional processing, such as video format conversion, filtering, scaling, graphics mixing and picture-in-picture display. FPGA devices can also be used as a bridge between SDI video sources and backplane protocols such as PCI Express or Ethernet, with or without any additional video processing. In an FPGA-based SDI solution, the physical interface portion is often the most challenging part of the solution. This is because the PHY layer includes several device-dependent components such as high speed I/Os (inputs/outputs), serializer/deserializer (SERDES), clock/data recovery, word alignment and timing signal detection logic. Video processing, on the other hand, is algorithmic and is usually achieved using proprietary algorithms developed by in-house teams. The Lattice Multi-Rate SDI PHY Intellectual Property (IP) Core is a complete SDI PHY interface that connects to the high-speed SDI serial data on one side and the formatted parallel data on the other side. -
Special Rules for the International Feature Film Award
94th ACADEMY AWARDS RULE THIRTEEN SPECIAL RULES FOR THE INTERNATIONAL FEATURE FILM AWARD The unprecedented coronavirus/COVID-19 global pandemic mandated the closure of commercial motion picture theaters worldwide. Country-selected films that had a previously planned theatrical release but are initially made available through a reputable commercial streaming distribution service or video on demand may qualify for Awards consideration in the International Feature Film category for the 94th Academy Awards under these provisions: Provide to the Academy documentation (original document(s) and an English translation) of government-mandated theater/cinema closure dates, previously planned theatrical release and streaming distribution or video on demand agreements; Make the selected film available on the secure Academy Screening Room member site within 60 days of the film being officially selected; Meet all other eligibility requirements. When theaters reopen in accordance with national and local specified guidelines and criteria, and on a date to be determined by the Academy, this exemption to the rules will no longer apply. All films released thereafter will be expected to comply with the standard International Feature Film category theatrical qualifying requirements. In order for films to more easily meet theatrical exhibition requirements, the Academy will allow films to qualify outside the country of origin, provided the film is theatrically exhibited outside of the United States and its territories for at least seven consecutive days in a commercial motion picture theater for paid admission. The International Feature Executive Committee will evaluate all matters of rules and eligibility. Film festivals have been impacted by the coronavirus/COVID-19 pandemic. Participation in an impacted festival’s online/virtual platform will not affect a film’s eligibility for Awards consideration provided the festival has a transactional pay wall or password-protected entry. -
1. Introduction
AN377 TIMING AND SYNCHRONIZATION IN BROADCAST VIDEO 1. Introduction Digitization of video signals has been common practice in broadcast video for many years. Early digital video was commonly encoded on a 10-bit parallel bus, but as higher processing speeds became practical, a serial form of the digitized video signal called the Serial Digital Interface (SDI) was developed and standardized. Serialization of the digital video stream greatly facilitates its distribution within a professional broadcast studio. Master Sync Generator Sync Video Server (Mass Storage) (Genlock) On-site Video Cameras SDI SDI Video Switching/ Processing SDI Transmission Facility SDI SDI Distribution Video Amplifier SDI SDI Router Frame Synchronizer SDI SDI Remote Professional Video Server Video Camera Monitor (Storage) Figure 1. Typical Example of a Professional Broadcast Video In a studio with multiple cameras, it is important that video signals coming from multiple sources are frame aligned or synchronized to allow seamless switching between video sources. For this reason, a synchronization signal is often distributed to all video sources using a master synchronization generator as shown in Figure 1. This allows video switching equipment to select between multiple sources without having to buffer and re-synchronize all of its input video signals. In this application note, we will take a closer look at the various components that make up a broadcast video system and how each of the components play a role in the synchronization chain. Rev. 0.1 8/09 Copyright © 2009 by Silicon Laboratories AN377 AN377 2. Digitizing the Video Signal A video camera uses sensors to capture and convert light to electrical signals that represent the three primary colors– red, green, and blue (RGB). -
Aspen 3232HD-3G 32X32 3G HD−SDI Router
Aspen 3232HD-3G 32x32 3G HD−SDI Router The Aspen series routers are high−performance matrix switcher for 3G HD−SDI and HD−SDI dual link video signals. These units can switch any or all inputs to any or all outputs. Aspen 3232HD-3G HD-SDI Video Features Guaranteed 3G Bandwidth - Fully Loaded. Max Data Rate - 2.97Gbps. Multi-Standard Operation - SDI (SMPTE 259M & SMPTE 344M), HD−SDI (SMPTE 292M), 3G HD−SDI (SMPTE 424M) and dual link HD−SDI (SMPTE 372M). Advanced Equalization - Allows recovery of signals at over 155 meters at 3Gb/s, over 200 meters at 1.5Gb/s Reclocking & EQ Control - Reclockers and Equalizers can be turned on or off on a per port basis to allow non- SMPTE data such as MPEG-2 to pass through. - Input Equalization - Per input. - Re-Clocking - 5 modes: auto, bypass, 3G HD-SDI, HD-SDI & SD per input. Sync Features Looping Sync Input - Composite or Tri-sync. Control Features Front Panel XY Control (1616/3232HD-3G) - Multi-color I/O & function buttons. Built-in Web Control Interface - - Configuration and Set up - including Names, Salvos, Layers, Output Reclockers, Input Equalizers and more. - Touch and Click compatible for control via tablets or smartphones RS-232, RS-422 & Ethernet. Optional Remote Control Panels - Via RJ-45 (Ethernet). Supports TCP/IP Protocol - Rear Panel RJ-45 connector. Other Features 7 Year warranty - Parts and Labor Take - The Take button executes a selected function when pressed (switch, salvo recall, IP address change, etc.). Salvos - Memory locations of switching lists that are saved in the router and recalled by a single command. -
IMF) Specification
Interoperable Master Format (IMF) Specification February 19, 2011 Version 1.0 http://entechcenter.com/files/imf/2011.02.19/IMF_Specification_V1.0.pdf Copyright 2009, 2010, 2011 by Entertainment Technology Center 509 West 29th Street Los Angeles, California 90007 United States of America 213-743-1600 www.etcenter.org 1 NOTICE The Entertainment Technology Center at the University of Southern California (ETC) is the author and creator of this draft specification for the purpose of copyright and other laws in all countries throughout the world. The ETC copyright notice must be included in all reproductions, whether in whole or in part, and may not be deleted or attributed to others. ETC hereby grants to persons and entities reviewing this document a limited, non-exclusive license to reproduce this specification for their own use, provided it is not sold. Inquiries regarding permission to reproduce or distribute this specification should be directed to the Entertainment Technology Center at the University of Southern California; Attn: CEO and Executive Director; 509 West 29 th Street, Los Angeles, California 90007; USA; (213) 743-1600 (voice); (213) 743-1803 facsimile; e-mail: [email protected]. This document is a draft specification developed by the Interoperable Master Format (IMF) project participants, as hosted by the ETC. It is intended solely as a guide for companies interested in developing products that can be compatible with other products developed using this document. Neither the IMF project participants nor ETC shall be liable for any direct, exemplary, incidental, proximate or consequential damages or expenses arising from the use of this document. -
SMPTE-259M SDI.Pdf
© SMPTE 2005 – All rights reserved SMPTE Standard for Television Date: 2005-12 08 SMPTE 259M Revision of 259M - 1997 SMPTE Technology Committee N26 on File Management & Networking Technology TP Rev 1 SDTV1DigitalSignal/Data - Serial Digital Interface Note 1 SDTV - Standard Definition Television Warning This document is not a SMPTE Standard. It is distributed for review and comment. It is subject to change without notice and may not be referred to as a SMPTE Standard. Recipients of this document are invited to submit, with their comments, notification of any relevant patent rights of which they are aware and to provide supporting documentation. Distribution does not constitute publication. Page 1 of 16 Contents Page Foreword 2 Introduction 2 1 Scope 3 2 Normative References 3 3 Signal Levels and Specifications 3 4 Connector and cable Types 5 5 Channel coding 5 6 Transmission order 5 7 Component 4:2:2 signals 5 8 Levels of operation 7 Annex A (Normative) Composite NTSC 4fsc signals 8 Annex B (Informative) Composite PAL 4fsc signals 10 Annex C (informative) Generator polynomial implementations 13 Annex D (informative) Timing jitter specification 14 Annex E (informative) Waveform measurement method 14 Annex F (Informative) Optional Ancillary Data 4fsc PAL 14 Annex G (informative) 259M Road Map 15 Bibliography 16 Page 2 of 16 Foreword SMPTE (the Society of Motion Picture and Television Engineers) is an internationally recognized standard developing organization. Headquartered and incorporated in the United States of America, SMPTE has members in over 80 countries on six continents. SMPTE’s Engineering Documents, including Standards, Recommended Practices and Engineering Guidelines, are prepared by SMPTE’s Technology Committees. -
EIDR in Digital Cinema Using EIDR in Digital Cinema
Using EIDR in Digital Cinema Using EIDR in Digital Cinema Interim Technical Note – Version 0.5 (11-Apr-2016) 1. Scope This Technical Note specifies best practices for the use of Entertainment ID Registry (EIDR) identifiers in the theatrical exhibition of Digital Cinema. Associating a unique, persistent, non-proprietary identifier with theatrical content (including but not restricted to Features and Trailers), will enable the integration of disparate systems and automate existing manual processes. The scope of this document is restricted to the portion of the digital distribution chain that begins with SMPTE Digital Cinema Packages (DCPs), and encompasses other downstream systems used by theatrical distributors. Explicitly out-of-scope are post-production workflows, where the use of EIDR identifiers is already well- established and documented elsewhere. Also excluded are so-called “Interop” DCPs. This is a legacy format that is being phased out in favor of SMPTE DCPs. Note: The Composition Playlist discussed in this document should not be confused with a similar structure found within the Interoperable Mastering Format (an emerging post-production standard): despite superficial similarities, they have separate SMPTE specifications. 2. Overview DCPs are the means of distributing cinematic content to theatrical exhibitors who have deployed digital projection systems. Work to develop a standard architecture was initiated early in the 2000’s by Digital Cinema Initiatives, LLC (a joint venture of several major studios), and the architecture is embodied in a series of standards developed by SMPTE. DCPs are the replacement for reels of 35mm film, and (as of 2010) are the only mechanism for theatrical distribution.