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1. August Angellier in Robert Burns, La Vie, Les Oeuvres, 2 Vols (Paris
Notes CHAPTER 1 THE EARLY PERIOD: BURNS' INTUITIVE USE OF SCOTTISH TRADITION 1. August Angellier in Robert Burns, La Vie, Les Oeuvres, 2 vols (Paris, 1983) pointed to this when he said: 'But underneath this scholarly poetry there existed a popular poetry which was very abundant, very vigorous, very racy and very original'. See especially p. 14 of Jane Burgoyne's selected translation from Angellier in the Burns Chronicle and Club Directory, 1969. Other portions of the translation appeared in 1970, 1971, 1972, 1973. 2. J. De Lancey Ferguson (ed.) The Letters of Robert Burns, 2 vols (Oxford: Clarendon Press, 1931), 1: 106, no. 125. Burns adopted a superior tone here in keeping with the accepted pose of the eighteenth-century man of letters. All references to Burns' letters are to Ferguson's edition. Only letter numbers will be given when the citation appears in the text proper. 3. Most critics and students of Burns take some stance towards his relationship with previous work. Hans Hecht, Robert Burns: The Man and His Work, 2nd rev. ed. (London: William Hodge & Company, 1950), p. 29, suggests that Burns was the culmination of a tradition, but he speaks of a literary rather than a cultural inheritance. 4. See T. S. Eliot, The Sacred Wood (London: Methuen, 1950), pp. 47-59. 5. Angellier earlier suggested this division and I agree with him that Burns' work prior to Edinburgh was dominated by depiction of the world around him. After Edinburgh, Angellier indicates that Burns relied less on the specific incidents and more on general sentiments. -
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Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2008 Imagining Scotland in Music: Place, Audience, and Attraction Paul F. Moulton Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC IMAGINING SCOTLAND IN MUSIC: PLACE, AUDIENCE, AND ATTRACTION By Paul F. Moulton A Dissertation submitted to the College of Music in partial fulfillment of the requirements of the degree of Doctor of Philosophy Degree Awarded: Fall Semester, 2008 The members of the Committee approve the Dissertation of Paul F. Moulton defended on 15 September, 2008. _____________________________ Douglass Seaton Professor Directing Dissertation _____________________________ Eric C. Walker Outside Committee Member _____________________________ Denise Von Glahn Committee Member _____________________________ Michael B. Bakan Committee Member The Office of Graduate Studies has verified and approved the above named committee members. ii To Alison iii ACKNOWLEDGMENTS In working on this project I have greatly benefitted from the valuable criticisms, suggestions, and encouragement of my dissertation committee. Douglass Seaton has served as an amazing advisor, spending many hours thoroughly reading and editing in a way that has shown his genuine desire to improve my skills as a scholar and to improve the final document. Denise Von Glahn, Michael Bakan, and Eric Walker have also asked pointed questions and made comments that have helped shape my thoughts and writing. Less visible in this document has been the constant support of my wife Alison. She has patiently supported me in my work that has taken us across the country. She has also been my best motivator, encouraging me to finish this work in a timely manner, and has been my devoted editor, whose sound judgement I have come to rely on. -
Introduction to Scots Literacy
Introduction to Scots Literacy Speakin’ Scots Guid Fer a Laugh Level 2 - Pack 5 Jiggin Dicht Reekin Nieves Sonsie Forbye Fiddle Boosin Moose Bletherin Wabster Haggis 1 Introduction to Guid Fer A Laugh We are part of the City of Edinburgh Council, South West Adult Learning team and usually deliver ‘Guid Fer a Laugh’ sessions for community groups in South West Edinburgh. Unfortunately, we are unable to meet groups due to Covid-19. Good news though, we have adapted some of the material and we hope you will join in at home. Development of Packs We plan to develop packs from beginner level 1 to 5. Participants will gradually increase in confidence and by level 5, should be able to: read, recognise, understand and write in Scots. Distribution During Covid-19 During Covid-19 restrictions we are emailing packs to community forums, organisations, groups and individuals. Using the packs The packs can be done in pairs, small groups or individually. They are being used by: families, carers, support workers and individuals. The activities are suitable for all adults but particularly those who do not have access to computer and internet. Adapting Packs The packs can be adapted to suit participants needs. For example, the Pilmeny Development Project used The Scot Literacy Pack as part of a St Andrews Day Activity Pack which was posted out to 65 local older people. In the pack they included the Scot Literacy Pack 1 and 2, crosswords, short bread and a blue pen. Please see photo. 2 The Aims of the Session – Whit’s it a’aboot? • it’s about learning Scots language and auld words • takes a look at Scots comedy, songs, poetry and writing • hae a guid laugh at ourselves and others Feedback fae folk This is pack number five and we move on a little to Level 2. -
Comprehension – Robert Burns – Y5m/Y6d – Brainbox Remembering Burns Robert Burns May Be Gone, but He Will Never Be Forgotten
Robert Burns Who is He? Robert Burns is one of Scotland’s most famous poets and song writers. He is widely regarded as the National Poet of Scotland. He was born in Ayrshire on the 25th January, 1759. Burns was from a large family; he had six other brothers and sisters. He was also known as Rabbie Burns or the Ploughman Poet. Childhood Burns was the son of a tenant farmer. As a child, Burns had to work incredibly long hours on the farm to help out. This meant that he didn’t spend much time at school. Even though his family were poor, his father made sure that Burns had a good education. As a young man, Burns enjoyed reading poetry and listening to music. He also enjoyed listening to his mother sing old Scottish songs to him. He soon discovered that he had a talent for writing and wrote his first song, Handsome Nell, at the age of fifteen. Handsome Nell was a love song, inspired by a farm servant named Nellie Kilpatrick. Becoming Famous In 1786, he planned to emigrate to Jamaica. His plans were changed when a collection of his songs and poems were published. The first edition of his poetry was known as the Kilmarnock edition. They were a huge hit and sold out within a month. Burns suddenly became very popular and famous. That same year, Burns moved to Edinburgh, the capital city of Scotland. He was made very welcome by the wealthy and powerful people who lived there. He enjoyed going to parties and living the life of a celebrity. -
"Auld Lang Syne" G
University of South Carolina Scholar Commons Selected Essays on Robert Burns by G. Ross Roy Robert Burns Collections 3-1-2018 "Auld Lang Syne" G. Ross Roy University of South Carolina - Columbia Publication Info 2018, pages 77-83. (c) G. Ross Roy, 1984; Estate of G. Ross Roy; and Studies in Scottish Literature, 2019. First published as introduction to Auld Lang Syne, by Robert Burns, Scottish Poetry Reprints, 5 (Greenock: Black Pennell, 1984). This Chapter is brought to you by the Robert Burns Collections at Scholar Commons. It has been accepted for inclusion in Selected Essays on Robert Burns by G. Ross Roy by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. “AULD LANG SYNE” (1984) A good case can be made that “Auld Lang Syne” is the best known “English” song in the world, & perhaps the best known in any language if we except national anthems. The song is certainly known throughout the English-speaking world, including countries which were formerly part of the British Empire. It is also known in most European countries, including Russia, as well as in China and Japan. Before and during the lifetime of Robert Burns the traditional Scottish song of parting was “Gude Night and Joy be wi’ You a’,” and there is evidence that despite “Auld Lang Syne” Burns continued to think of the older song as such. He wrote to James Johnson, for whom he was writing and collecting Scottish songs to be published in The Scots Musical Museum (6 vols. Edinburgh, 1787-1803) about “Gude Night” in 1795, “let this be your last song of all the Collection,” and this more than six years after he had written “Auld Lang Syne.” When Johnson published Burns’s song it enjoyed no special place in the Museum, but he followed the poet’s counsel with respect to “Gude Night,” placing it at the end of the sixth volume. -
The Prayer of Holy Willie
University of South Carolina Scholar Commons Faculty Publications English Language and Literatures, Department of 7-7-2015 The rP ayer of Holy Willie: A canting, hypocritical, Kirk Elder Patrick G. Scott University of South Carolina - Columbia, [email protected] Follow this and additional works at: https://scholarcommons.sc.edu/engl_facpub Part of the Literature in English, British Isles Commons Publication Info Published in 2015. Introduction and editorial matter copyright (c) Patrick Scott nda Scottish Poetry Reprint Series, 2015. This Book is brought to you by the English Language and Literatures, Department of at Scholar Commons. It has been accepted for inclusion in Faculty Publications by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. THE PRAYER OF HOLY WILLIE by ROBERT BURNS Scottish Poetry Reprints Series An occasional series edited by G. Ross Roy, 1970-1996 1. The Life and Death of the Piper of Kilbarchan, by Robert Semphill, edited by G. Ross Roy (Edinburgh: Tragara Press, 1970). 2. Peblis, to the Play, edited by A. M. Kinghorn (London: Quarto Press, 1974). 3. Archibald Cameron’s Lament, edited by G. Ross Roy (London: Quarto Press, 1977). 4. Tam o’ Shanter, A Tale, by Robert Burns, ed. By G. Ross Roy from the Afton Manuscript (London: Quarto Press, 1979). 5. Auld Lang Syne, by Robert Burns, edited by G. Ross Roy, music transcriptions by Laurel E. Thompson and Jonathan D. Ensiminger (Greenock: Black Pennell Press, 1984). 6. The Origin of Species, by Lord Neaves, ed. Patrick Scott (London: Quarto Press, 1986). 7. Robert Burns, A Poem, by Iain Crichton Smith (Edinburgh: Morning Star, 1996). -
A Poem Ne Ly Sprung in Fairvie
A Poem Ne ly Sprung in Fairvie by CLARK AYCOCK ave you ever sung “Auld Lang therefore able to write in the local Ayrshire Syne” on New Year’s Eve? dialect, as well as in “Standard” English. He Or have you ever uttered the wrote many romantic poems that are still phrase, when frustrated, “the recited and sung today, and some of us may best-laid schemes of mice and men…”? remember his songs more easily than we do Did you know that John Steinbeck’s classic his poetry. in a human book Of Mice and Men was based on a line Robert Burns infl uenced many other head, though I in a poem written “To a Mouse”... or that poets including Wordsworth, Coleridge have seen the most a Tam O’ Shanter cap was named aft er a distinguished men of my time.” and Shelley. Walter Scott was also a great A commemorative plate showing character in a poem by that name? And admirer and wrote this wonderful descrip- In the late 1700s, many Scots migrated did you know that singer and songwriter tion of Burns that provides us with a clear from the Piedmont into the mountains of Robert Burns in the center Bob Dylan said his biggest creative impression of the man. “His person was WNC, bringing with them their country's surrounded by characters from inspiration was the poem and song “A strong and robust; his manners rustic, not culture and craft and inherent connection his poems Red, Red Rose”? Yes, we are talking about clownish, a sort of dignifi ed plainness and with Burns. -
The Influence of Jacobite Coding on Robert Burns's Poetry. (2014) Directed by Dr
EUDY, VIRGINIA BLAIRE, M.A. “Disturb not her Dream:” The Influence of Jacobite Coding on Robert Burns's Poetry. (2014) Directed by Dr. Anne Wallace. 33 pp. Robert Burns has collected many personas throughout literary history. Known separately as a political satirist, bawdy poet, and romantic bard, Burns is often attributed with only one of these identities at a time. Many critics seem to ignore the importance of viewing Burns holistically. By unifying Burns’s reputations we can elicit a deeper meaning from his lesser known works. Furthermore, by applying the lens of Jacobite coding, a form of communication often used during the Jacobite Movement (1688-1745), to his less overtly political love songs “Afton Water” and “Ae Fond Kiss,” we as an audience can better understand Burns’s unified identity. Through an extensive exploration of Jacobite lore and imagery in the love songs, I will demonstrate Burns’s capacity for fostering various readings in the same source. More importantly, by establishing these sign posts we can continue to explore Burns’s other works in order to better unify his multiple reputations and gain a deeper knowledge of his 18th century audience’s reactions. i EUDY, VIRGINIA BLAIRE, M.A. Neither Black nor White: Gray’s Liminal Pastoral. (2014) Directed by Dr. Jennifer Keith. 31 pp. Throughout Thomas Gray’s “Elegy Written in a Country Churchyard” the speaker applauds the poor for their “heroic” suffering. As a poem sentimentalizing the poor, Marxist critics have often attacked the speaker’s motives and his ability to identify with the poor he idealizes. -
Hume Supplement
The Tattler Supplement The Jack Hume Heather & Thistle Poetry Competition June 2020 A s indicated in the main edition of O n the pages following are the sec- the Tattler, the wining entry in the 2020 ond place entry, also written by Jim Jack Hume Heather & Thistle Poetry McLaughlin, the equal third place en- competition was written by Jim tries, both written by previous winner McLaughlin of the Calgary Burns Club. Jim Fletcher of Halifax, and fifth place The epic entry of over 3,000 words is entry written by new RBANA President printed inside Henry Cairney 1 Scotland’s Bard, the Poet Robert Burns A Biography in Verse The date of January 25th in seventeen-fifty-nine, At first a shy retiring youth, and slow to court a lass, Is honoured all around the globe, this day for auld lang syne. Our lad would learn the art of love, and other friends surpass; Wi’ right guid cheer we celebrate and toast his name in turns, ‘Fair Enslavers’ could captivate, and oft times would infuse Scotland’s own Immortal Bard, the poet Robert Burns. His passionate, creative mind, that gave flight to his muse. His father William Burnes met his mother Agnes Broun A brash elan would soon emerge as youth was left behind, At a country fair in Maybole, more a village than a town. With age came self-assurance and an independent mind. Agnes kept another suitor waiting for seven years, He formed Tarbolton’s Bachelors’ Club, a forum for debate, Till she found he’d been unfaithful, confirming her worst fears. -
A Primer of Burns
.VCj A PRIMER OF BURNS A PRIMER OF BURNS BY WILLIAM A. CRAIGIE, B.A. ASSISTANT AND LECTURER IN TII&-CMIVERSITY OF ST. ANDREWS METHUEN & CO. 36 ESSEX STREET, W.C. LONDON 1896 RICHARD CLAY & SONS, LIMITED, LONDON & BUNGAY. PREFACE THESE pages are mainly intended to supply the reader of Burns with such facts concerning his life and works, as are most necessary for the understanding of his poetry. These facts have been chiefly derived from the editions the latter's by Chambers and Scott Douglas ; arrangement of the poems has also been followed in tracing the development of the poet's work. The bibliography has been selected from various sources, and it is hoped that no work of importance has been omitted. CONTENTS LIFE CHAP. PAGE i. AYRSHIRE I ii. EDINBURGH . 25 in. DUMFRIESSHIRE 42 WORKS iv. POEMS 53 v. POEMS (continued} 86 vi. SONGS 108 vn. LETTERS 132 vni. LANGUAGE . 155 BIBLIOGRAPHY 167 A PRIMER OF BURNS CHAPTER I. X AYRSHIRE. THE life of Robert Burns falls naturally into three periods. The first of these covers the years spent in his various Ayrshire homes, down to his twenty-eighth the second includes the two winters in year ; spent Edinburgh, the most brilliant period of his career, so the third far as worldly success and reputation go ; comprises the eight years in Nithsdale and Dumfries, in which he fell to some extent out of acquaintance with his older friends, and out of the notice of his country, only to become more famous in death. The family of Burnes, or Burness, belonged to Kincardineshire, where the poet's ancestors have been diligently traced back for several generations. -
Scottish Songs
SC O TTI SH S NG 0 O 4 , A SELECTI ON ogfi ‘rH E I I f : CH OI CE S T L YRI CS 01” SCO TLAN D OMPI ED AN D ARRAN G ED W ' H BRI E F N OTE S C L , U B Y 1 , / MARY CARLYLE AI FK EN ' A L LA N RA MSA Y fi lmmon A L L A N A N D M C M I C O . 1 8 7 4 R A E P EF C . T H E peculiar merits of the Songs of Scotland have so often been insisted upon, that little e a r emains for me here , exc pt to point out wh t my aim has been in adding one more to the r H r alr eady long list of p inted collections . ithe to compiler s have studied to have quantity r ather than quality ; there is not a suffi cient r e ex numbe of really xcellent Scottish Songs , ’ clusive Burn s s of , to fill more than a small volume ; so that the wheat has in few cases been r sepa ated from the chaff. I have inserted no song except such as I believed to be possessed of r r e eal me it ; and, at the same time, have chos n only those that have won their way to the hearts S r e -in of the cottish people , and dwelt the , ‘ e its lf a good test, for, as Goethe says , What has kept its place in the hearts of the people P RE FA CE . -
Burns Chronicle 2012
Burns Chronicle Summer 2012 Making Teacakes for your Thomas Tunnock Ltd., 34 Old Mill Road, Uddingston G71 7HH Tel: 01698 813551 Fax: 01698 815691 01387 262960 Tel: Printers, Dumfries. Email: [email protected] the enjoyment www.tunnock.co.uk Solway Offset Solway Offset 22208_OTM 297x210 1205.indd 1 12/05/2011 14:18 High quality fine wool neck tie THE BURNS FEDERATION1885 – 1985. James A Mackay. A comprehensive account of the history of the Burns Federation, published for the centenary. James Mackay traces the origins and development of the Burns movement over the years since the death of Robert Burns in 1796, with special reference to the Burns Federation. Manufactured in lightweight “Reiver” worsted wool Fourteen chapters covering in depth all aspects of Burns by Lochcarron appreciation and the Federation with detailed appendices. RRP £15.95, The Robert Burns World Federation From the Federation Office at the modest price of President 2011 - 2012, RBWF price £10.00Jim Shields £7.50 plus post and packaging. Burns Chronicle Summer 2012 SUMMER 2012 Contents Editorial ..............................................................................................................................2 No 7 in our series 20th C Burns Scholars, Robert D Thornton. Patrick Scott, University of South Carolina ..........................................................................3 Hamilton Paul: A Forgotten Hero. Clark McGinn .............................................................8 News of our Built Heritage ..............................................................................................13