DOCSLIB.ORG

An Exciting New Legal Thriller

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
An Exciting New Legal Thriller AN EXCITING NEW LEGAL THRILLER AVAILABLE NOW For decades, a small team of prosecutors from the Criminal Section of the Civil Rights Division has traveled across the United States investigating and prosecuting some the most heart wrenching and challenging cases in the justice system - hate crimes and police misconduct. Having been a member of this team, Michael McAuliffe gives voice to the pain felt by entire communities and the difficulties of working to uphold the rule of law when the law doesn’t always follow the rules. Though fiction, at this particular moment in America, McAuliffe’s incredible detail paints the complicated picture of justice we all can learn from.” Roy L. Austin, Jr. Lawyer and former Deputy Assistant to President Barack Obama leading the White House Office of Urban Affairs, Justice, and Opportunity Hate is shockingly alive and well in America these days, but so is moral courage and a passion for justice. This is a compelling, emotionally taut first novel by an accomplished attorney. We are intrigued by the protagonist, a self-doubting white prosecutor who joins forces with a seasoned black agent who knows the sting of prejudice. They battle the Klan, police corruption, and sometimes each other, but in the process, forge a memorable alliance. Through it all, Michael McAuliffe's fresh, image-infused style makes reading a pleasure.” Rose Styron poet, human rights activist, and journalist Pub Date: March 3, 2020 Publisher: Greenleaf Book Group Press NO TRUTH LEFT TO TELL Format: Paperback by Michael McAuliffe Retail Price: $16.95 February 1994 - Lynwood, Louisiana: Flaming crosses light up the night and terrorize the southern town. The resurgent Klan wants a new race war, and the Klansmen will start it here. As federal civil rights prosecutor Adrien Rush is about to discover, the ugly roots of the past run deep in Lynwood. For Nettie Wynn, a victim of the cross burnings and lifelong resident of the town's segregated neighborhood, the hate crimes summon frightful memories of her youth, when she witnessed white townspeople lynch a black man. Her granddaughter Nicole DuBose, a successful journalist in New York City, returns to Lynwood to care for her grandmother. Rush arrives from DC and investigates the crimes with Lee Mercer, a seasoned local FBI special agent. Their partnership is tested as they clash over how far to go to catch the racists before the violence escalates. Rush's role in the case becomes even more complicated after he falls for DuBose. When crucial evidence becomes compromised—threatening to upend what should be a celebrated conviction—the lines between right and wrong, black and white, collide with deadly consequences. No Truth Left to Tell is a timely legal thriller that pulls readers into a compelling courtroom drama and the search for justice in a troubled community. ABOUT THE AUTHOR Michael McAuliffe has been a practicing lawyer for thirty years. He was a federal prosecutor serving both as a supervisory assistant US attorney in the Southern District of Florida and a trial attorney in the Criminal Section of the Civil Rights Division at the Department of Justice in Washington, DC. In 2008, Michael was elected and served as the state attorney for Palm Beach County, leading an office of approximately 125 prosecutors. In 2012, he returned to the private sector as a global company's general counsel. Michael has taught law for many years including as a senior lecturing fellow at Duke University School of Law and as an adjunct professor at the College of William & Mary School of Law. Michael and his wife Robin Rosenberg, a US district judge, have three children and live in Florida and Massachusetts. To learn more, visit No Truth Left To Tell You can order the book now at or look for it at your local bookstore. including Books & Books in South Florida If you enjoy the book, you can post a review online! McAuliffe spins a fabulous story No Truth Left to Tell is an about racism and truth. There were incredible story of courage, good guys and bad, all of whom perseverance, kindness in the face were believable characters. I was of hatred and racism. It is well hooked on this one from the beginning, and you written, with a plot that keeps you reading well will too.” into the night. You can’t put this book down, as you want to see criminals brought to justice and Men Reading Books Blog the shock you feel at our legal system. No Truth Left to Tell is a definite must read novel.” Working Mommy Journal Buzz is Building in the Blogosphere No Truth Left to Tell is worth reading not only for the intriguing legal tangle, but in order to meet Nettie Wynn. I am sure Nettie Wynn is based on someone or perhaps a composite of someone McAuliffe knew. The world is better place for people like her as much as it is for motivated upholders of the law like Adrien Rush. Sure, read the book for the legal thriller and the dangers posed by lawless people. Learn about the Holocaust survivor who brings some understanding to young people after the cross burns at her synagogue. But savor No Truth Left to Tell for the nobility of Nettie Wynn.” English Plus Language Blog © 2020 by Michael McAuliffe.
Load more

Recommended publications
  • Here Was Obviously No Way to Imagine the Event Taking Place Anywhere Else
    New theatre, new dates, new profile, new partners: WELCOME TO THE 23rd AND REVAMPED VERSION OF COLCOA! COLCOA’s first edition took place in April 1997, eight Finally, the high profile and exclusive 23rd program, years after the DGA theaters were inaugurated. For 22 including North American and U.S Premieres of films years we have had the privilege to premiere French from the recent Cannes and Venice Film Festivals, is films in the most prestigious theater complex in proof that COLCOA has become a major event for Hollywood. professionals in France and in Hollywood. When the Directors Guild of America (co-creator This year, our schedule has been improved in order to of COLCOA with the MPA, La Sacem and the WGA see more films during the day and have more choices West) decided to upgrade both sound and projection between different films offered in our three theatres. As systems in their main theater last year, the FACF board an example, evening screenings in the Renoir theater made the logical decision to postpone the event from will start earlier and give you the opportunity to attend April to September. The DGA building has become part screenings in other theatres after 10:00 p.m. of the festival’s DNA and there was obviously no way to imagine the event taking place anywhere else. All our popular series are back (Film Noir Series, French NeWave 2.0, After 10, World Cinema, documentaries Today, your patience is fully rewarded. First, you will and classics, Focus on a filmmaker and on a composer, rediscover your favorite festival in a very unique and TV series) as well as our educational program, exclusive way: You will be the very first audience to supported by ELMA and offered to 3,000 high school enjoy the most optimal theatrical viewing experience in students.
    [Show full text]
  • Bethanyhousefiction.Pdf
    2 JANUARY A New Romantic Suspense Series with a Legal Thriller Twist y Deadly Proof won the 2018 FHL Reader’s Choice Award for Romantic Suspense y Dylan’s ATLANTA JUSTICE series established her as a best- selling romantic suspense author on the rise y “Dylan skillfully combines exciting legal suspense and subtle romance that will satisfy inspirational thriller fans.”—Publishers Weekly on Breach of Trust hen elite members of the military are murdered on the streets of WWashington, DC, FBI Special Agent Bailey Ryan and NCIS Special Agent Marco Agostini must work together to bring the perpetrator to jus- tice. Unfortunately, all evidence points to a Navy SEAL sniper whom Bailey refuses to believe is guilty. When Bailey and Marco start to connect the dots between the victims, including a link to a powerful defense contractor, they wonder if there’s a deeper cover-up at play. Then Bailey is targeted, and it becomes clear that someone is willing to kill to keep their dark secrets. With the stakes getting higher by the moment in a twisted conspiracy, there’s a rush against the clock to determine whom they can really trust. As allies turn to enemies, the biggest secret yet to be uncovered could be the end of all of them. End Game Capital intrigue #1 of 3 Rachel Dylan 9 7 8 0 7 6 4 2 3 4 3 0 9 VITAL INFORMATION ABOUT THE AUTHOR ALSO AVAILABLE Available: January 7 Rachel Dylan was a litigator ATLANTA JUSTICE $15.99 in one of the nation’s most elite 1 Deadly Proof 978-0-7642-3430-9 law firms for over eight years 978-0-7642-1980-1 and now works as an attor- 2 Lone Witness trade paper ney at one of the Big Three au- 978-0-7642-1981-8 5½ x 8½ tomobile manufacturers.
    [Show full text]
  • WHAT I LEARNED at the MOVIES ABOUT LEGAL ETHICS and PROFESSIONALISM by Anita Modak-Truran
    WHAT I LEARNED AT THE MOVIES ABOUT LEGAL ETHICS AND PROFESSIONALISM By Anita Modak-Truran HOW I GOT HERE I’ve been fortunate. I practice law. I make movies. I write about both. I took up my pen and started writing a film column for The Clarion-Ledger, a Gannett-owned newspaper, back in the late 90s, when I moved from Chicago, Illinois, to Jackson, Mississippi. (It was like a Johnny Cash song… “Yeah, I’m going to Jackson. Look out Jackson Town….”) I then turned my pen to writing for The Jackson Free Press, an indie weekly newspaper, which provided me opportunities to write about indie films and interesting people. I threw down the pen, as well as stopped my public radio movie reviews and the television segment I had for an ABC affiliate, when I moved three years ago from Jackson to Nashville to head Butler Snow’s Entertainment and Media Industry Group. During my journey weaving law and film together in a non-linear direction with no particular destination, I lived in the state where a young lawyer in the 1980s worked 60 to 70 hours a week at a small town law practice, squeezing in time before going to the office and during courtroom recesses to work on his first novel. John Grisham writes that he would not have written his first book if he had not been a lawyer. “I never dreamed of being a writer. I wrote only after witnessing a trial.” See http://www.jgrisham.com/bio/ (last accessed January 24, 2016). My law partners at Butler Snow have stories about the old days when Mr.
    [Show full text]
  • Colcoa-Press-2019-Part I
    Media Coverage 2019 September 24, 2019 Filme francés "Les Miserables" es una alerta "universal", dice su director AFP / Nick AGRODirector francés Ladj Ly dijo haberse sorprendido al saber que "Les Miserables" será la candidata francesa al Óscar "Les Miserables", el crudo retrato de la violencia policial en los suburbios de París y candidata de Francia para el Óscar, es un grito de alerta "universal" sobre pobreza y racismo, dijo su director a la AFP. Es una película "universal que debe llegar a tanta gente sea posible", dijo Ladj Ly en la alfombra roja del festival de cine francés de Los Ángeles, Colcoa. "La pobreza se encuentra en las cuatro esquinas del mundo, podemos estar en Estados Unidos, en las favelas de Brasil o en Sudáfrica". August 28, 2019 Au festival du film français à Hollywood, Amazon et Netflix sont les bienvenus Le meilleur du cinéma français à Hollywood: c'est la vocation de Colcoa, le plus important festival consacré au film français dans le monde où, signe des temps, Amazon et Netflix sont tous deux présents cette année en bonne place dans la programmation. La 23e édition (23 au 28 septembre) présentera en ouverture le film de Ladj Ly, "Les Misérables", qui a fait sensation à Cannes où il a remporté le prix du jury. Et où il a aussi été acheté par Amazon pour son service de vidéo à la demande. C'est la première fois qu'un film porté par Amazon se fraye un chemin jusqu'au Colcoa (pour "City of Lights, City of Angels"), qui mettra aussi à l'affiche cette année "J'ai perdu mon corps", film d'animation de Jérémy Clapin acheté par Netflix à Cannes où il a également été primé.
    [Show full text]
  • GSC Films: S-Z
    GSC Films: S-Z Saboteur 1942 Alfred Hitchcock 3.0 Robert Cummings, Patricia Lane as not so charismatic love interest, Otto Kruger as rather dull villain (although something of prefigure of James Mason’s very suave villain in ‘NNW’), Norman Lloyd who makes impression as rather melancholy saboteur, especially when he is hanging by his sleeve in Statue of Liberty sequence. One of lesser Hitchcock products, done on loan out from Selznick for Universal. Suffers from lackluster cast (Cummings does not have acting weight to make us care for his character or to make us believe that he is going to all that trouble to find the real saboteur), and an often inconsistent story line that provides opportunity for interesting set pieces – the circus freaks, the high society fund-raising dance; and of course the final famous Statue of Liberty sequence (vertigo impression with the two characters perched high on the finger of the statue, the suspense generated by the slow tearing of the sleeve seam, and the scary fall when the sleeve tears off – Lloyd rotating slowly and screaming as he recedes from Cummings’ view). Many scenes are obviously done on the cheap – anything with the trucks, the home of Kruger, riding a taxi through New York. Some of the scenes are very flat – the kindly blind hermit (riff on the hermit in ‘Frankenstein?’), Kruger’s affection for his grandchild around the swimming pool in his Highway 395 ranch home, the meeting with the bad guys in the Soda City scene next to Hoover Dam. The encounter with the circus freaks (Siamese twins who don’t get along, the bearded lady whose beard is in curlers, the militaristic midget who wants to turn the couple in, etc.) is amusing and piquant (perhaps the scene was written by Dorothy Parker?), but it doesn’t seem to relate to anything.
    [Show full text]
  • Swinburne University of Technology Jason Bainbridge Lawyer As Critic
    Bainbridge Lawyer as critic Swinburne University of Technology Jason Bainbridge Lawyer as critic: analysing the legal thriller through the works of John Grisham, Erle Stanley Gardner and Harper Lee Abstract: Focusing on selected ‘classic’ novels by John Grisham, with reference to how they are informed by the earlier works of Erle Stanley Gardner and Harper Lee, this paper explores how these authors, writing in the legal thriller genre, present their lawyer protagonists as critics of both the law and the legal systems of which they are a part. Both Gardner’s and Grisham’s writings have been the focus of much criticism from legal scholars who suggest they are unduly critical of lawyers and provide outlandishly happy endings. This article challenges these criticisms by analysing how Gardner’s and Grisham’s narratives explore notions of law’s contingency on crime and materiality. In this way the article concludes that these narratives offer a way of understanding how just practitioners can operate in an unjust system and therefore constitute a powerful interrogation of how law operates. Biographical note: Jason Bainbridge is Professor and Chair of Media and Communication at Swinburne University of Technology. He has published widely on popular cultural representations of law and justice in print, on film and on television, media convergence, merchandising and material culture. He is co-author of the textbook Media and Journalism: New Approaches to Theory Practice (3rd ed, OUP, 2015) and is currently working on a monograph around media franchises. Keywords: Creative writing – Crime fiction – Legal Thriller – Postmaterial Law – Popular Culture TEXT Special Issue 37: Crime fiction and the creative/critical nexus 1 eds Rachel Franks, Jesper Gulddal and Alistair Rolls, October 2016 Bainbridge Lawyer as critic Introduction The lawyer has always occupied an unusual position in crime fiction, simultaneously a figure of reverence and revulsion.
    [Show full text]
  • The Top 5 of Another 5 Genres: Historical Fiction, Literary Fiction, Romance, Science Fiction, Suspense/Thriller
    Books and Authors: The Top 5 of Another 5 Genres: Historical Fiction, Literary Fiction, Romance, Science Fiction, Suspense/Thriller Notes on the original 5 covered at PLA 2010 can be found online at: http://shelfrenewal.com/programs/pla2010presentation/ Historical Fiction : Barry Trott, Digital Services Director, Williamsburg Regional Library. [email protected] Barry Trott received his MSLS from The Catholic University of America School of Library and Information Science in 1997, and has worked at the Williamsburg Regional Library as reference librarian, as readers’ services librarian, and as Adult Services Director prior to taking on responsibility for digital services. Barry is the past-chair of the RUSA CODES Readers’ Advisory Committee for ALA, edited the readers’ advisory column for RUSQ for eight years and is currently the editor of RUSQ. He also writes for the NoveList readers’ advisory database. He is the author of Read On . Crime Fiction (Libraries Unlimited 2008) and is series editor for the Read On series. In 2007, Barry was awarded both the Public Library Association’s Allie Beth Martin Award and the ALA Reference and User Services Association’s Margaret E. Monroe Library Adult Services Award in recognition for his work in readers’ advisory services. Top 5 must-know historical fiction writers: Mary Renault – The King Must Die Michael Shaara – Killer Angels Philippa Gregory – Earthly Joys Dorothy Dunnet – Game of Kings Edward Rutherfurd -- Sarum Top 5 must-read historical fiction books: Regeneration – Pat Barker Lonesome Dove—Larry
    [Show full text]
  • James G. Mcgiffin, Jr. Delaware State Bar Association President, 2011-2012
    SeptemberSeptember 2011 2011 • •Volume Volume 35,35, NumberNumber 2 James G. McGiffin, Jr. Delaware State Bar Association President, 2011-2012 September 2011 • The Journal of The Delaware State Bar Association 1 EGA L L E G D IN U U C N A I T T I O N N O C Upcoming DSBA D • S •CLEB • A Seminars Social Security Disability EGAL 2.0 hours CLE credit L E Wednesday, September 14, 2011 • Noon – 2:00 p.m. G D Delaware State Bar Association, 301 N. Market St., Wilmington, DE N Also broadcast to Dover and Georgetown I U Topics include: Supplemental Security Income and Social Security Disability Insurance; How benefi ts can impact personal injury awards and workers’ C compensation benefi ts; What happens when unique medical factors or unforeseen details are encountered; The RulesU of Professional Conduct and Social Security claims; The attorney’s duty to advise clients on the impact a claim can have on other pending legal matters. N A I How to Avoid Being Intimidated by the Law T T 3.0 hours CLE credit I O Tuesday, September 20, 2011 • 9:00 a.m. – 12:15 p.m. N Delaware State Bar Association, 301 N. Market St., Wilmington, DE N Also broadcast to Dover and Georgetown O See ad on page 11 for more information. C Closing and Retiring from a Law Practice 3.0 hours CLE credit Thursday, September 22, 2011 • 9:00 a.m. – 12:15 p.m. D • • • Delaware State Bar Association, 301 N. Market St., Wilmington, DE S B A Also broadcast to Dover and Georgetown The ODC, members of the Bench and Bar, the Delaware Lawyers’ Assistance Program, and a representative from the insurance industry will discuss: (a) different categories of Bar membership, (b) a checklist for transitioning out of private practice, (c) the ethical implications of retiring or closing a law practice, and (d) observations of issues that arise with senior members of the Bar.
    [Show full text]
  • Monetaristi E Teorici Dell'economia Reale Serve Un Dibat
    25COM01A2504 ZALLCALL 11 21:30:22 04/24/97 ICOMMENTI l’Unità 15 Venerdì 25 aprile 1997 DALLA PRIMA UN’IMMAGINE DA... L’INTERVENTO Come si misura Baggio l’autorevolezza e buonsenso di un magistrato? FOLCO PORTINARI FRANCA FOSSATI che la storia sta cambiando OM’È fluida e provvisoria l’autorevolezza! nell’«Uomo che prende gli Quella di Luisa Muraro che fino all’altro ieri, schiaffi» (con la dose di miliar- giorno in cui è stato pubblicato sull’Unità il suo di che ha messo da parte può C intervento sulla giustizia, era quasi indiscutibile, farmi pena nemmeno un po- si è all’improvviso appannata, ai miei occhi. Non per- co). E adesso Cesare Maldini ci ché Muraro si sia schierata con Mani pulite, come re- ha vendicato tutti quanti: ha cita il titolo apposto al suo articolo. Piuttosto per gli preso il panchinaro (ridotto ta- argomenti usati per criticare la ormai celebre frase di le da Sacchi) più ricco del Elena Paciotti: «Meglio una cattiva legge votata da un mondoelohaconvocatoin libero Parlamento che una buona legge imposta da nazionale. Il fatto che gioisca troppo autorevoli magistrati». significa che Sacchi mi è anti- Osservo di passaggio che solo un paese ammalato patico, se possibile, più del Mi- può soffermarsi su una frase altrove desueta, perché lan. scontata da cent’anni. Ma Muraro rovescia la senten- Fin qui il viscere, che è l’ele- za e arriva a sostenere che «i parlamenti sono liberi mento decisivo in questi feno- perché possano fare buone leggi, non altro». E se ne meni. È la catarsi, che per sua deduce che, se dalla libertà nascono cattive azioni, natura non può dar retta alla meglio abolirla.
    [Show full text]
  • Philip Mclaren and the Indigenous-Australian Crime Novel
    Coolabah, No.20, 2016, ISSN 1988-5946, Observatori: Centre d’Estudis Australians / Australian Studies Centre, Universitat de Barcelona Philip McLaren and the Indigenous-Australian Crime Novel Cornelis Martin Renes University of Barcelona [email protected] Copyright©2016 Cornelis Martin Renes. This text may be archived and redistributed both in electronic form and in hard copy, provided that the author and journal are properly cited and no fee is charged. Abstract: This paper locates the postcolonial crime novel as a space for disenfranchised groups to write back to the marginalisation inherent in the process of colonisation, and explores the example of Australia. From its inception in the mid-19th century, Australian crime fiction reflected upon the challenging harshness and otherness of the Australian experience for the free and convict settler, expelled from the metropole. It created a series of popular subgenres derived from the convict narrative proper, while more ‘standard’ modes of crime fiction, popularised in and through British and American crime fiction, were late to develop. Whereas Australian crime fiction has given expression to the white experience of the continent in manifold ways, up until recently it made no room for Indigenous voices – with the exception of the classic Inspector Napoleon Bonaparte series written by the prolific Arthur Upfield in the first half of the 20th century. For the longest time, this absence reflected the dispossession, dispersal and disenfranchisement of the colonised Indigenous peoples at large; there were neither Aboriginal voices nor Aboriginal authors, which made the textual space of the Australian crime novel a discursive terra nullius. This paper will look at the only Indigenous-Australian author to date with a substantial body of work in crime fiction, Philip McLaren, and elucidate how his four crime novels break new ground in Australian crime fiction by embedding themselves within a political framework of Aboriginal resilience and resistance to neo/colonialism.
    [Show full text]
  • Conflict and Controversy in Small Cinemas
    Interdisciplinary Studies in Performance 12 12 Interdisciplinary Studies in Performance 12 Janina Falkowska /Krzysztof Loska (eds.) Janina Falkowska / Krzysztof Loska (eds.) Conflict and Controversy in Small Cinemas This book examines small cinemas and their presentation of society in times of crisis and conflict from an interdisciplinary and intercultural point of view. The authors concentrate on economic, social and political challenges and Conflict and Controversy point to new phenomena which have been exposed by film directors. They present essays on, among others, Basque cinema; gendered controversies in Small Cinemas in post-communist small cinemas in Slovakia and Czech Republic; ethnic stereotypes in the works of Polish filmmakers; stereotypical representation of women in Japanese avant-garde; post-communist political myths in Hungary; the separatist movements of Catalonia; people in diasporas and during Falkowska/KrzysztofJanina Loska (eds.) migrations. In view of these timely topics, the book touches on the most serious social and political problems. The films discussed provide an excellent platform for enhancing debates on politics, gender, migration and new aesthetics in cinema at departments of history, sociology, literature and film. The Author Janina Falkowska is a retired professor from the University of Western Ontario in London, Ontario (Canada) and Professor at the University of Economics and Humanities (WSEH) in Bielsko-Biala (Poland). She specializes in East-Central European and Western European cinemas and has published extensively on Polish and East-Central European cinemas in journals and books related to Eastern and Central Europe. She has initiated a series of conferences about small cinemas in Europe and organized workshops and conferences on European cinemas in Canada.
    [Show full text]
  • The Tumor Ebook.Pdf
    NO. 1 BESTSELLING AUTHOR JOHN GRISHAM A NON- LEGAL THRILLER THE TUMOR FOCUSED ULTRASOUND FOUNDATION THE TUMOR A NON- LEGAL THRILLER John Grisham Focused Ultrasound Foundation . Charlottesville VA Focused Ultrasound Foundation 1230 Cedars Court, Suite 206 Charlottesville VA 22903 fusfoundation.org Text: ©2015–2020 John Grisham Medical Illustrations: © 2015–2020 Anatomical Justice, LLC, pp. 16, 17, 18 (fig. 6 & 7) All rights reserved under International and Pan-American Copyright Convention. ISBN 978-1-4951-7940-2 2 JOHN GRISHAM 4 Dear Reader 6 Chapter 1 The Patient 9 Chapter 2 The Tumor 15 Chapter 3 The Treatment 24 Chapter 4 The End 29 Chapter 5 The Alternative 34 Chapter 6 The End—Revised Version 37 Chapter 7 The Present 44 Focused Ultrasound Foundation 46 The Ask THE TUMOR | Focused Ultrasound Foundation 3 Dear Reader My knowledge of medicine and medical research is quite limited. When I was a student, I drifted away from science and math, preferring instead subjects I considered less demanding. I eventually made it to law school and became a lawyer. After a brief career suing people (never a doctor, though), I stumbled upon fiction and wrote a couple of books. Others followed, and I happily shuttered the law office. Because the books have done well, I have been lucky enough to dabble in philanthropy. Once you get the reputation of being generous, a lot of opportunities present themselves. Seven years ago, my friend and neighbor, Neal Kassell, gave a PowerPoint presentation on focused ultrasound therapy. Neal is a prominent neurosurgeon who’s spent his career drilling through skulls and making repairs to brains.
    [Show full text]