DOCSLIB.ORG

Scope and Mission – Electronic Research Journal of Literature ERJ Literature Aims to Publish Papers on Literature of Any Area of the World

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Scope and Mission – Electronic Research Journal of Literature ERJ Literature Aims to Publish Papers on Literature of Any Area of the World Scope and Mission – Electronic Research Journal of Literature ERJ Literature aims to publish papers on Literature of any area of the world. As Literature is any collection of written works, writing considered to be an art form or any single writing deemed to have artistic or intellectual value is included in literature work. Therefore the scope of the Journal falls but is NOT LIMITED to fiction, non-fiction, poetry, prose. novel, short story, drama; of any historical periods, aesthetic features or genre. Linguistic, Stylistic, CD Analysis etc. of any piece of literature is also acceptable. To elaborate further, authors can submit manuscripts not only about the classic three forms of Ancient Greece, poetry, drama, and prose, but about Academic history Adult literature, Adventure, Alien invasion Alternative history Anti-Nicene Antinovel Apocalyptic Apocrypha Apologetics Aporetic Atompunk Autobiographical novel Autobiography Autograph Ballad, Bhagavad Gita Biblical theology Bildungsroman Biographical novel Biography, Biopunk Bizarro fiction Blessing/Curse Body horror British literature Buddhist texts Burlesque Comedy, Campus novel Campus murder mystery Canonical criticism Ceremonial Chant Children's literature Christian devotional literature Christian fiction Christian literature Christian science fiction Christology Class S Classic, Climate fiction (cli-fi) Clockpunk Comedy Of Manners, Comedy, Comic fantasy Comics/graphic novel, Commentary Confession Contemporary Christian fiction Contemporary fantasy Contemporary slave narrative Contemporary, Contradiction Cosmic (Lovecraftian) Cosmology Covenant Creative nonfiction Creed Crime fiction Crime/detective, Critique Cult literature Cyberpunk Cyberpunk derivatives, aka punk Daily devotional Dark fantasy Detective fiction Dialectic Diaries and journals Dictionary, Didactic Dieselpunk Dirge Divination dramatic, Dying Earth Dystopia, Ecclesiology Education fiction Elegy, Elenctic Encyclical Epic Epistle Ergodic literature Erotic literature Erotic romance Eschatology Essay, treatise Existentialist fiction Experimental fiction Fable, Fairy tale, Family saga Fanfiction, Fantasy of manners Fantasy, Femslash Folktale, Form criticism Genealogy General cross-genre General epistle Ghost story Gong'an fiction Gospel Gothic fiction Graphic novel Haddith Haiku, Hamartiology Hard fantasy Hard science fiction Hebrew poetry Heroic fantasy Higher criticism Hindu literature Historical criticism Historical fantasy Historical fiction Historical mystery (also known as historical whodunit) Historical romance History Hollywood novel Holocaust novels Homily Horror, Humor, Hymn I novel Imaginary voyage Imprecatory psalm Islamic fiction Islamic literature Jewish fiction Jewish literature Jiangshi fiction Journalism, Juvenile fantasy Koan Lab lit Lab report Lament Law Lectionary Legal thriller Legend, Letter Levitical LGBT pulp fiction Light novel Literary fiction Literary nonsense Liturgy Lost world Lotus Sutra Low fantasy Lower criticism Lyric, Magical realism, Manuscript Mariology Mathematical fiction Matron literature Medical fiction Medical romance Medical thriller Medieval fantasy Melodrama Memoir, Men's adventure Messianic prophecy Metafiction Metahistorical romance Metaphysics Milesian tale Military science fiction Monster literature Moral Musical fiction Musical, Mystery fiction Mystery, Mysticism Mythic Mythology, Mythopoeia, Nanopunk Narrative Narrative criticism Narrative history Narrative nonfiction/personal narrative, Natural Natural revelation Natural theology Neo-slave narrative New adult fiction, New Testament New Weird Newspaper, Nonfiction novel Novel of ideas Occult detective Occult literature Occupational fiction ode, Official history Old Testament Oracle Owner's manual, Parallel universe, aka alternative universe Paranormal fantasy Paranormal romance Patristic Pauline epistle People's history Philosophical fiction Philosophical theology Philosophy Philosophy of religion Picaresque novel (picaresco) Picture book, Planetary romance Plantation tradition Platonic dialogues Play, Pneumatology Poetry Political fiction Political satire Political thriller Popular history Post-apocalyptic Postcyberpunk Postmodern criticism Post-Nicene Prayer Prediction Prehistoric fantasy Prehistoric fiction Prophecy Psalms Pseudepigrapha Psychological Psychological criticism Psychological thriller Pulp fiction Quantum fiction Quran Rabbinic Realistic fiction, Redaction criticism Reference book, Regency novel Regency romance Religious epistemology Religious fiction Religious text Revelation Rhetorical criticism Romance Romance novel Romantic fantasy Royal decree Saga Satire, Satirical comedy, School story Science fantasy Science fiction, Scientific romance Scientific writing Scripture Sea story Self-help book, Semi-autobiographical novel sentimental comedy, Shenmo fantasy Slave narrative Slipstream Social Social criticism Soft science fiction Song sonnet, Soteriology Source criticism Southern Gothic Space opera Special revelation Speculative cross-genre fiction Speculative fiction Speech, Spiritual autobiography Splatterpunk Sports fiction Spy fiction Steampunk Subterranean fiction Superhero fantasy Supernatural / paranormal Suspense fiction Suspense/thriller, Sutra Swashbuckler, Sword and planet Sword and sorcery Tall tale, Techno-thriller Testament Textbook. Textual criticism Theological fiction, Theology Theology proper Thriller Tragedy Tragicomedy tragicomedy, Tripitaka True crime Urban fantasy Urban fiction Vampire fiction Varsity novel Vedas Vision Weird fiction Werewolf fiction Western, Whig history Wisdom literature Woe oracle Women's erotica Women's fiction Workplace tell-all Wuxia Yaoi Young adult fiction Yuri .
Load more

Recommended publications
  • A Very Short History of Cyberpunk
    A Very Short History of Cyberpunk Marcus Janni Pivato Many people seem to think that William Gibson invented The cyberpunk genre in 1984, but in fact the cyberpunk aesthetic was alive well before Neuromancer (1984). For example, in my opinion, Ridley Scott's 1982 movie, Blade Runner, captures the quintessence of the cyberpunk aesthetic: a juxtaposition of high technology with social decay as a troubling allegory of the relationship between humanity and machines ---in particular, artificially intelligent machines. I believe the aesthetic of the movie originates from Scott's own vision, because I didn't really find it in the Philip K. Dick's novel, Do Androids Dream of Electric Sheep (1968), upon which the movie is (very loosely) based. Neuromancer made a big splash not because it was the "first" cyberpunk novel, but rather, because it perfectly captured the Zeitgeist of anxiety and wonder that prevailed at the dawning of the present era of globalized economics, digital telecommunications, and exponential technological progress --things which we now take for granted but which, in the early 1980s were still new and frightening. For example, Gibson's novels exhibit a fascination with the "Japanification" of Western culture --then a major concern, but now a forgotten and laughable anxiety. This is also visible in the futuristic Los Angeles of Scott’s Blade Runner. Another early cyberpunk author is K.W. Jeter, whose imaginative and disturbing novels Dr. Adder (1984) and The Glass Hammer (1985) exemplify the dark underside of the genre. Some people also identify Rudy Rucker and Bruce Sterling as progenitors of cyberpunk.
    [Show full text]
  • Fantasy and Imagination: Discovering the Threshold of Meaning David Michael Westlake
    The University of Maine DigitalCommons@UMaine Electronic Theses and Dissertations Fogler Library 5-2005 Fantasy and Imagination: Discovering the Threshold of Meaning David Michael Westlake Follow this and additional works at: http://digitalcommons.library.umaine.edu/etd Part of the Modern Literature Commons Recommended Citation Westlake, David Michael, "Fantasy and Imagination: Discovering the Threshold of Meaning" (2005). Electronic Theses and Dissertations. 477. http://digitalcommons.library.umaine.edu/etd/477 This Open-Access Thesis is brought to you for free and open access by DigitalCommons@UMaine. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of DigitalCommons@UMaine. FANTASY AND IMAGINATION: DISCOVERING THE THRESHOLD OF MEANING BY David Michael Westlake B.A. University of Maine, 1997 A MASTER PROJECT Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts (in Liberal Studies) The Graduate School The University of Maine May, 2005 Advisory Committee: Kristina Passman, Associate Professor of Classical Language and Literature, Advisor Jay Bregrnan, Professor of History Nancy Ogle, Professor of Music FANTASY AND IMAGINATION: DISCOVERING THE THRESHOLD OF MEANING By David Michael Westlake Thesis Advisor: Dr. Kristina Passman An Abstract of the Master Project Presented in Partial Fulfillment of the Requirements for the Degree of Master of Arts (in Liberal Studies) May, 2005 This thesis addresses the ultimate question of western humanity; how does one find meaning in the present era? It offers the reader one powerful way for this to happen, and that is through the stories found in the pages of Fantasy literature. It begins with Frederick Nietzsche's declaration that, "God is dead." This describes the situation of men and women in his time and today.
    [Show full text]
  • The 2021 Guide to Manuscript Publishers
    Publish Authors Emily Harstone Authors Publish The 2021 Guide to Manuscript Publishers 230 Traditional Publishers No Agent Required Emily Harstone This book is copyright 2021 Authors Publish Magazine. Do not distribute. Corrections, complaints, compliments, criticisms? Contact [email protected] More Books from Emily Harstone The Authors Publish Guide to Manuscript Submission Submit, Publish, Repeat: How to Publish Your Creative Writing in Literary Journals The Authors Publish Guide to Memoir Writing and Publishing The Authors Publish Guide to Children’s and Young Adult Publishing Courses & Workshops from Authors Publish Workshop: Manuscript Publishing for Novelists Workshop: Submit, Publish, Repeat The Novel Writing Workshop With Emily Harstone The Flash Fiction Workshop With Ella Peary Free Lectures from The Writers Workshop at Authors Publish The First Twenty Pages: How to Win Over Agents, Editors, and Readers in 20 Pages Taming the Wild Beast: Making Inspiration Work For You Writing from Dreams: Finding the Flashpoint for Compelling Poems and Stories Table of Contents Table of Contents .......................................................................................................... 5 Introduction ................................................................................................................. 13 Nonfiction Publishers.................................................................................................. 19 Arcade Publishing ..................................................................................................
    [Show full text]
  • Panels Seeking Participants
    Panels Seeking Participants • All paper proposals must be submitted via the Submittable (if you do not have an account, you will need to create one before submitting) website by December 15, 2018 at 11:59pm EST. Please DO NOT submit a paper directly to the panel organizer; however, prospective panelists are welcome to correspond with the organizer(s) about the panel and their abstract. • Only one paper proposal submission is allowed per person; participants can present only once during the conference (pre-conference workshops and chairing/organizing a panel are not counted as presenting). • All panel descriptions and direct links to their submission forms are listed below, and posted in Submittable. Links to each of the panels seeking panelists are also listed on the Panel Call for Papers page at https://www.asle.org/conference/biennial-conference/panel-calls-for-papers/ • There are separate forms in Submittable for each panel seeking participants, listed in alphabetical order, as well as an open individual paper submission form. • In cases in which the online submission requirement poses a significant difficulty, please contact us at [email protected]. • Proposals for a Traditional Panel (4 presenters) should be papers of approximately 15 minutes-max each, with an approximately 300 word abstract, unless a different length is requested in the specific panel call, in the form of an uploadable .pdf, .docx, or .doc file. Please include your name and contact information in this file. • Proposals for a Roundtable (5-6 presenters) should be papers of approximately 10 minute-max each, with an approximately 300 word abstract, unless a different length is requested in the specific panel call, in the form of an uploadable .pdf, .docx, or .doc file.
    [Show full text]
  • Bodies Without Borders: Body Horror As Political Resistance in Classical
    Bodies without Borders: Body Horror as Political Resistance in Classical Hollywood Cinema By Kevin Chabot A thesis submitted to the Faculty of Graduate and Postdoctoral Affairs in partial fulfillment of the requirements for the degree of Master of Arts in Film Studies Carleton University Ottawa, Ontario ©2013 Kevin Chabot Library and Archives Bibliotheque et Canada Archives Canada Published Heritage Direction du 1+1Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-94622-0 Our file Notre reference ISBN: 978-0-494-94622-0 NOTICE: AVIS: The author has granted a non­ L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, preter, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distrbute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non­ support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre imprimes ou autrement printed or otherwise reproduced reproduits sans son autorisation.
    [Show full text]
  • Climate Fiction
    CLIMATE FICTION Instructor: Christopher A. Walker Course Number: EN/ES 337 Lecture: MW 2:30-3:45 in Miller 319 Office Hours: Mondays 4:00-6:00 (and by appointment) in Miller 216 Mailbox: Miller 216 Email: [email protected] Course Description Contemporary fiction is now investigating the possibilities and limits of story-telling in the era of global climate change. These works, referred to as “climate fiction” or “cli-fi,” explore humanity’s connection to- and impact upon Earth by asking questions such as: what will human and nonhuman communities look like after sea-level rise, desertification, and biodiversity loss remap our planet?; how might species evolve in response to ecological collapse?; what affects— melancholy, despair, hope—will eulogize a lost home-world? Reading cli-fi novels, short stories, poetry, and film, this course will situate our texts within the Environmental Humanities, an interdisciplinary field that combines scientific and cultural discourses about the environment with humanistic concerns for social justice. Working through the narrative conventions of the utopian, dystopian, and apocalyptic genres, we will ask how cli- fi not only narrates impending disaster on a global scale but also strives to imagine a more just future, one that combines environmentalism and social equality. These texts will be paired with excerpts from philosophical and ecocritical writings which will aid our development of the humanistic methodologies needed to analyze and appreciate this new genre. Course Materials Items with an asterisk (*) on reserve in Miller Library. Books to purchase: (Available at The Colby Bookstore) Margaret Atwood, Oryx and Crake (ISBN 978-0-385-72167-7) (2003) * J.
    [Show full text]
  • Razorcake Issue #82 As A
    RIP THIS PAGE OUT WHO WE ARE... Razorcake exists because of you. Whether you contributed If you wish to donate through the mail, any content that was printed in this issue, placed an ad, or are a reader: without your involvement, this magazine would not exist. We are a please rip this page out and send it to: community that defi es geographical boundaries or easy answers. Much Razorcake/Gorsky Press, Inc. of what you will fi nd here is open to interpretation, and that’s how we PO Box 42129 like it. Los Angeles, CA 90042 In mainstream culture the bottom line is profi t. In DIY punk the NAME: bottom line is a personal decision. We operate in an economy of favors amongst ethical, life-long enthusiasts. And we’re fucking serious about it. Profi tless and proud. ADDRESS: Th ere’s nothing more laughable than the general public’s perception of punk. Endlessly misrepresented and misunderstood. Exploited and patronized. Let the squares worry about “fi tting in.” We know who we are. Within these pages you’ll fi nd unwavering beliefs rooted in a EMAIL: culture that values growth and exploration over tired predictability. Th ere is a rumbling dissonance reverberating within the inner DONATION walls of our collective skull. Th ank you for contributing to it. AMOUNT: Razorcake/Gorsky Press, Inc., a California not-for-profit corporation, is registered as a charitable organization with the State of California’s COMPUTER STUFF: Secretary of State, and has been granted official tax exempt status (section 501(c)(3) of the Internal Revenue Code) from the United razorcake.org/donate States IRS.
    [Show full text]
  • The Journal of Shakespeare and Appropriation 11/14/19, 1'39 PM
    Borrowers and Lenders: The Journal of Shakespeare and Appropriation 11/14/19, 1'39 PM ISSN 1554-6985 VOLUME XI · (/current) NUMBER 2 SPRING 2018 (/previous) EDITED BY (/about) Christy Desmet and Sujata (/archive) Iyengar CONTENTS On Gottfried Keller's A Village Romeo and Juliet and Shakespeare Adaptation in General (/783959/show) Balz Engler (pdf) (/783959/pdf) "To build or not to build": LEGO® Shakespeare™ Sarah Hatchuel and the Question of Creativity (/783948/show) (pdf) and Nathalie (/783948/pdf) Vienne-Guerrin The New Hamlet and the New Woman: A Shakespearean Mashup in 1902 (/783863/show) (pdf) Jonathan Burton (/783863/pdf) Translation and Influence: Dorothea Tieck's Translations of Shakespeare (/783932/show) (pdf) Christian Smith (/783932/pdf) Hamlet's Road from Damascus: Potent Fathers, Slain Yousef Awad and Ghosts, and Rejuvenated Sons (/783922/show) (pdf) Barkuzar Dubbati (/783922/pdf) http://borrowers.uga.edu/7168/toc Page 1 of 2 Borrowers and Lenders: The Journal of Shakespeare and Appropriation 11/14/19, 1'39 PM Vortigern in and out of the Closet (/783930/show) Jeffrey Kahan (pdf) (/783930/pdf) "Now 'mongst this flock of drunkards": Drunk Shakespeare's Polytemporal Theater (/783933/show) Jennifer Holl (pdf) (/783933/pdf) A PPROPRIATION IN PERFORMANCE Taking the Measure of One's Suppositions, One Step Regina Buccola at a Time (/783924/show) (pdf) (/783924/pdf) S HAKESPEARE APPS Review of Stratford Shakespeare Festival Behind the M. G. Aune Scenes (/783860/show) (pdf) (/783860/pdf) B OOK REVIEW Review of Nutshell, by Ian McEwan
    [Show full text]
  • Media Arts Design 1
    Media Arts Design 1 • Storyboarding Certificate (https://catalog.nocccd.edu/cypress- MEDIA ARTS DESIGN college/degrees-certificates/media-arts-design/storyboarding- certificate/) Division: Fine Arts Courses Division Dean MAD 100 C Introduction to Media Arts Design 3 Units Dr. Katy Realista Term hours: 36 lecture and 72 laboratory. This course focuses on the use of digital design, video, animation and page layout programs. This course Faculty is designed for artists to design, create, manipulate and export graphic Katalin Angelov imagery including print, video and motion design elements. This course is Edward Giardina intended as a gateway into the varied offerings of the Media Arts Design program, where the student can pursue more in-depth study on the topic(s) Counselors that most attracted them during this introductory class. $20 materials fee payable at registration. (CSU, C-ID: ARTS 250) Renay Laguana-Ferinac MAD 102 C Introduction to WEB Design (formerly Introduction to WEB Renee Ssensalo Graphics-Mac) 3 Units Term hours: 36 lecture and 72 laboratory. This course is an overview of the Degrees and Certificates many uses of media arts design, with an emphasis on web publishing for • 2D Animation Certificate (https://catalog.nocccd.edu/cypress- the Internet. In the course of the semester, students create a personal web college/degrees-certificates/media-arts-design/associate-in-science- page enriched with such audiovisual elements as animation, sound, video in-film-television-and-electronic-media-for-transfer-degree/) and different types of still images. This course is intended as a gateway into • 3D Animation Certificate (https://catalog.nocccd.edu/cypress- the varied offerings of the Media Arts Design program, where the student college/degrees-certificates/media-arts-design/3d-animation- can pursue more in-depth study on the topics that most attracted them certificate/) during this introductory class.
    [Show full text]
  • Jonathan Greenberg
    Losing Track of Time Jonathan Greenberg Ottessa Moshfegh’s My Year of Rest and Relaxation tells a story of doing nothing; it is an antinovel whose heroine attempts to sleep for a year in order to lose track of time. This desire to lose track of time constitutes a refusal of plot, a satiric and passive- aggressive rejection of the kinds of narrative sequences that novels typically employ but that, Moshfegh implies, offer nothing but accommodation to an unhealthy late capitalist society. Yet the effort to stifle plot is revealed, paradoxically, as an ambi- tion to be achieved through plot, and so in resisting what novels do, My Year of Rest and Relaxation ends up showing us what novels do. Being an antinovel turns out to be just another way of being a novel; in seeking to lose track of time, the novel at- tunes us to our being in time. Whenever I woke up, night or day, I’d shuffle through the bright marble foyer of my building and go up the block and around the corner where there was a bodega that never closed.1 For a long time I used to go to bed early.2 he first of these sentences begins Ottessa Moshfegh’s 2018 novelMy Year of Rest and Relaxation; the second, Proust’s In Search of Lost Time. More ac- T curately, the second sentence begins C. K. Scott Moncrieff’s translation of Proust, whose French reads, “Longtemps, je me suis couché de bonne heure.” D. J. Enright emends the translation to “I would go to bed”; Lydia Davis and Google Translate opt for “I went to bed.” What the translators famously wrestle with is how to render Proust’s ungrammatical combination of the completed action of the passé composé (“went to bed”) with a modifier (“long time”) that implies a re- peated, habitual, or everyday action.
    [Show full text]
  • Modern Mythopoeia &The Construction of Fictional Futures In
    Modern Mythopoeia & The Construction of Fictional Futures in Design Figure 1. Cassandra. Anthony Fredrick Augustus Sandys. 1904 2 Modern Mythopoeia & the Construction of Fictional Futures in Design Diana Simpson Hernandez MA Design Products Royal College of Art October 2012 Word Count: 10,459 3 INTRODUCTION: ON MYTH 10 SLEEPWALKERS 22 A PRECOG DREAM? 34 CONCLUSION: THE SLEEPER HAS AWAKEN 45 APPENDIX 77 BIBLIOGRAPHY 90 4 Figure 1. Cassandra. Anthony Fredrick Augustus Sandys. 1904. Available from: <http://culturepotion.blogspot.co.uk/2010/08/witches- and-witchcraft-in-art-history.html> [accessed 30 July 2012] Figure 2. Evidence Dolls. Dunne and Raby. 2005. Available from: <http://www.dunneandraby.co.uk/content/projects/69/0> [accessed 30 July 2012] Figure 3. Slave City-cradle to cradle. Atelier Van Lieshout. 2009. Available from: <http://www.designboom.com/weblog/cat/8/view/7862/atelier-van- lieshout-slave-city-cradle-to-cradle.html> [accessed 30 July 2012] Figure 4. Der Jude. 1943. Hans Schweitzer. Available from: <http://www.calvin.edu/academic/cas/gpa/posters2.htm> [accessed 15 September 2012] Figure 5. Lascaux cave painting depicting the Seven Sisters constellation. Available from: <http://madamepickwickartblog.com/2011/05/lascaux- and-intimate-with-the-godsbackstage-pass-only/> [accessed 05 July 2012] Figure 6. Map Presbiteri Johannis, Sive, Abissinorum Imperii Descriptio by Ortelius. Antwerp, 1573. Available from: <http://www.raremaps.com/gallery/detail/9021?view=print > [accessed 30 May 2012] 5 Figure 7. Mercator projection of the world between 82°S and 82°N. Available from: <http://en.wikipedia.org/wiki/Mercator_projection> [accessed 05 July 2012] Figure 8. The Gall-Peters projection of the world map Available from: <http://en.wikipedia.org/wiki/Gall–Peters_projection> [accessed 05 July 2012] Figure 9.
    [Show full text]
  • Iacs2017 Conferencebook.Pdf
    Contents Welcome Message •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• 4 Conference Program •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• 7 Conference Venues ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• 10 Keynote Speech ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• 16 Plenary Sessions •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• 20 Special Sessions •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• 34 Parallel Sessions •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• 40 Travel Information •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• 228 List of participants ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• 232 Welcome Message Welcome Message Dear IACS 2017 Conference Participants, I’m delighted to welcome you to three exciting days of conferencing in Seoul. The IACS Conference returns to South Korea after successful editions in Surabaya, Singapore, Dhaka, Shanghai, Bangalore, Tokyo and Taipei. The IACS So- ciety, which initiates the conferences, is proud to partner with Sunkonghoe University, which also hosts the IACS Con- sortium of Institutions, to organise “Worlding: Asia after/beyond Globalization”, between July 28 and July 30, 2017. Our colleagues at Sunkunghoe have done a brilliant job of putting this event together, and you’ll see evidence of their painstaking attention to detail in all the arrangements
    [Show full text]