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February 26, 2021 Amazon Warehouse Workers In
February 26, 2021 Amazon warehouse workers in Bessemer, Alabama are voting to form a union with the Retail, Wholesale and Department Store Union (RWDSU). We are the writers of feature films and television series. All of our work is done under union contracts whether it appears on Amazon Prime, a different streaming service, or a television network. Unions protect workers with essential rights and benefits. Most importantly, a union gives employees a seat at the table to negotiate fair pay, scheduling and more workplace policies. Deadline Amazon accepts unions for entertainment workers, and we believe warehouse workers deserve the same respect in the workplace. We strongly urge all Amazon warehouse workers in Bessemer to VOTE UNION YES. In solidarity and support, Megan Abbott (DARE ME) Chris Abbott (LITTLE HOUSE ON THE PRAIRIE; CAGNEY AND LACEY; MAGNUM, PI; HIGH SIERRA SEARCH AND RESCUE; DR. QUINN, MEDICINE WOMAN; LEGACY; DIAGNOSIS, MURDER; BOLD AND THE BEAUTIFUL; YOUNG AND THE RESTLESS) Melanie Abdoun (BLACK MOVIE AWARDS; BET ABFF HONORS) John Aboud (HOME ECONOMICS; CLOSE ENOUGH; A FUTILE AND STUPID GESTURE; CHILDRENS HOSPITAL; PENGUINS OF MADAGASCAR; LEVERAGE) Jay Abramowitz (FULL HOUSE; GROWING PAINS; THE HOGAN FAMILY; THE PARKERS) David Abramowitz (HIGHLANDER; MACGYVER; CAGNEY AND LACEY; BUCK JAMES; JAKE AND THE FAT MAN; SPENSER FOR HIRE) Gayle Abrams (FRASIER; GILMORE GIRLS) 1 of 72 Jessica Abrams (WATCH OVER ME; PROFILER; KNOCKING ON DOORS) Kristen Acimovic (THE OPPOSITION WITH JORDAN KLEPPER) Nick Adams (NEW GIRL; BOJACK HORSEMAN; -
ANNUAL REPORT 2015 16 A70 TV Acad Ad.Qxp Layout 1 7/8/16 11:43 AM Page 1
ANNUAL REPORT 2015 16_A70_TV_Acad_Ad.qxp_Layout 1 7/8/16 11:43 AM Page 1 PROUD MEMBER OF »CBS THE TELEVISION ACADEMY 2 ©2016 CBS Broadcasting Inc. MESSAGE FROM THE CHAIRMAN AND CHIEF EXECUTIVE OFFICER AS THE QUANTITY AND QUALITY OF CONTENT HAVE INCREASED in what is widely regarded as television’s second Golden Age, so have employment opportunities for the talented men and women who create that programming. And as our industry, and the content we produce, have become more relevant, so has the relevance of the Television Academy increased as an essential resource for television professionals. In 2015, this was reflected in the steady rise in our membership — surpassing 20,000 for the first time in our history — as well as the expanding slate of Academy-sponsored activities and the heightened attention paid to such high-profile events as the Television Academy Honors and, of course, the Creative Arts Awards and the Emmy Awards. Navigating an industry in the midst of such profound change is both exciting and, at times, a bit daunting. Reimagined models of production and distribution — along with technological innovations and the emergence of new over-the-top platforms — have led to a seemingly endless surge of creativity, and an array of viewing options. As the leading membership organization for television professionals and home to the industry’s most prestigious award, the Academy is committed to remaining at the vanguard of all aspects of television. Toward that end, we are always evaluating our own practices in order to stay ahead of industry changes, and we are proud to guide the conversation for television’s future generations. -
B4 the MESSENGER, Friday, March 9, 2012 6:30 7:30 8:30 9:30
B4 B4 THE MESSENGER, Friday, March 9, 2012 03/9 6AM 6:30 7AM 7:30 8AM 8:30 9AM 9:30 10AM 10:30 11AM 11:30 WBKO ^ 5:30 AM Kentucky (N) Good Morning America Andrew Garfield; Richard Blais. (N) Å Live! With Kelly (N) Å The View (N) Å WBKO at Midday (N) % Today Kathy Bates; Elizabeth Olsen. (N) Å The 700 Club (N) Å WHAG News at 12:00PM (N) _ _ Paid Program Storm Stories Å Eyewitness News Daybreak (N) Local 7 News Lifestyles Family Feud Å Family Feud Å Animal Adv Å Swift Justice Å Judge Mathis Å 3 ( 5:00 The Daily Buzz Å Better (N) Å Cash Cab Å Cash Cab Å The Cosby Show Å The Cosby Show Å Law & Order: Criminal Intent Å C ) 5:00 QVC This Morning Perricone MD Cosmeceuticals Kitchen Innovations LizClaiborne New York Fashion. Q Check Style Edition . * 14 News Sunrise (N) Å Today Kathy Bates; Elizabeth Olsen. (N) Å Today (N) Å Today (N) Å :15 Midday With Mike (N) Å 9 + 5:00 Eyewitness News Daybreak (N) Å Good Morning America Andrew Garfield; Richard Blais. (N) Å Live! With Kelly (N) Å The View (N) Å FreeCruise Paid Program ) , Arthur (EI) Å Martha Speaks Å Curious George Å Cat in the Hat Å Super Why! Å Dinosaur Train Å Sesame Street (EI) Å Sid the Science Å WordWorld (EI) Å Super Why! Å Barney & Friends Å L ` Morning News Å Morning News Å CBS This Morning Ewan McGregor; Grant Hill. (N) Å The Doctors (N) Å The Price Is Right (N) Å The Young and the Restless (N) Å & 2 BBC World News Å Kentucky Health Å Body Electric Å TV 411 Å GED Connection Å GED Connection Å Paint This-Jerry Å Quilt in a Day Å Knitting Daily Å Beads, Baubles Å Charlie Rose Å WGN / Paid Program Paid Program Bewitched Å Dream of Jeannie Å Matlock “The Ghost” Å Matlock “The Class” Å In the Heat of the Night “Discovery” Å In the Heat of the Night Å INSP 1 Int’nl Fellowship Life Today Å Creflo Dollar Å Feed the Children Victory Today Life Today Å Joseph Prince Å Joyce Meyer Å Humanitarian Int’nl Fellowship The Waltons “The Idol” TBN 5 Spring Praise-A-Thon Spring Praise-A-Thon HGTV 7 Destination De Marriage/Const. -
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Journal of Ethnic and Cultural Studies Copyright 2020 2020, Vol. 7, No. 3, 142-162 ISSN: 2149-1291 http://dx.doi.org/10.29333/ejecs/392 Racism’s Back Door: A Mixed-Methods Content Analysis of Transformative Sketch Comedy in the US from 1960-2000 Jennifer Kim1 Independent Scholar, USA Abstract: Comedy that challenges race ideology is transformative, widely available, and has the potential to affect processes of identity formation and weaken hegemonic continuity and dominance. Outside of the rules and constraints of serious discourse and cultural production, these comedic corrections thrive on discursive and semiotic ambiguity and temporality. Comedic corrections offer alternate interpretations overlooked or silenced by hegemonic structures and operating modes of cultural common sense. The view that their effects are ephemeral and insignificant is an incomplete and misguided evaluation. Since this paper adopts Hegel’s understanding of comedy as the spirit (Geist) made material, its very constitution, and thus its power, resides in exposing the internal thought processes often left unexamined, bringing them into the foreground, dissecting them, and exposing them for ridicule and transformation. In essence, the work of comedy is to consider all points of human processing and related structuration as fair game. The phenomenological nature of comedy calls for a micro-level examination. Select examples from The Smothers Brothers Comedy Hour (1968), The Richard Pryor Show (1977), Saturday Night Live (1990), and Chappelle’s Show (2003) will demonstrate representative ways that comedy attacks and transforms racial hegemony. Keywords: comedy, cultural sociology, popular culture, race and racism, resistance. During periods of social unrest, what micro-level actions are available to the public? Or, how does a particular society respond to inequities that are widely shared and agreed upon as intolerable aspects of a society? One popular method to challenge a hegemonic structure, and to survive it, is comedy. -
18-Wheeler Slams Into Bridge the Gathering
Lady Bears’ top point guard is ready for tipoff 4 Baylor’s Niya Johnson, top ranked point guard in the NCAA, will play against the No. 2 guard today. see Sports, page 7 baylorlariat com The Baylor Lariat WE’RE THERE WHEN YOU CAN’T BE David Crowder will perform at the Woodlands this weekend. He took time out of his tour for a Q&A with the Lariat. see A&E, page 5 Friday | March 27, 2015 Gather at the Brazos McLane Stadium to host historic service on Palm Sunday By Kalli Damschen Staff Writer Thousands of worshipers are expected to fill McLane Stadium for the Gathering, a historic Palm Sunday worship service, at 5 p.m. Sunday. The Gathering, named from the hymn “Shall We Gather at the River?” which will be sung at the event. Kevin Harrison, pastor of Victori- ous Life Church and lead administrator of the Gathering, said he hopes the event will provide a sense of unity. “This is not just about having a service,” Har- rison said. “It’s the genesis of a movement of unity. We see the division in our world. How in the world can our world come together and be united if the church isn’t?” The official website describes the Gathering’s ASSOCIATED PRESS goal as building a bridge between the church Authorities investigate a tractor-trailer that crashed into an overpass under construction on Thursday, in Salado. Department of Transportation spokeswoman Becky Ozuna says and the community by bringing people together the truck hit a beam being used to build a bridge across Interstate 35 on Thursday morning. -
We'll Have a Gay Ol'time: Trangressive Sexulaity and Sexual Taboo In
We’ll have a gay ol’ time: transgressive sexuality and sexual taboo in adult television animation By Adam de Beer Thesis Presented for the Degree of DOCTOR OF PHILOSOPHY in Film Studies in the Faculty of Humanities and the Centre for Film and Media Studies UNIVERSITY OF CAPE TOWN UniversityFebruary of 2014Cape Town Supervisor: Associate Professor Martin P. Botha The copyright of this thesis vests in the author. No quotation from it or information derived from it is to be published without full acknowledgement of the source. The thesis is to be used for private study or non- commercial research purposes only. Published by the University of Cape Town (UCT) in terms of the non-exclusive license granted to UCT by the author. University of Cape Town Declaration I declare that this thesis is my own unaided work. It is submitted for the degree of Doctor of Philosophy at the University of Cape Town. It has not been submitted before for any other degree or examination at any other university. Adam de Beer February 2014 ii Abstract This thesis develops an understanding of animation as transgression based on the work of Christopher Jenks. The research focuses on adult animation, specifically North American primetime television series, as manifestations of a social need to violate and thereby interrogate aspects of contemporary hetero-normative conformity in terms of identity and representation. A thematic analysis of four animated television series, namely Family Guy, Queer Duck, Drawn Together, and Rick & Steve, focuses on the texts themselves and various metatexts that surround these series. The analysis focuses specifically on expressions and manifestations of gay sexuality and sexual taboos and how these are articulated within the animated diegesis. -
Larry the Cable Guy Actor/Comedian
Larry The Cable Guy Actor/Comedian With his signature catchphrase, “Git-R-Done”, Larry the Cable Guy is selling out theatres and arenas across the United States. Larry most recently taped “Larry the Cable Guy’s Star Studded Christmas Extravaganza,” which will air on CMT, November 21, 2008. The show includes special guests Tony Orlando, Fred Willard, Victoria Jackson, Charlie Callas, Joey Fatone, musical guest Montgomery Gentry and many more. Larry also co-starred with Ivana Milicevic, Yaphet Kotto, Peter Stormare, Joe Mantegna, Jenny McCarthy and Eric Roberts in Witless Protection. In this feature film, Larry stars as a small town sheriff who witnesses what he believes is a kidnapping, and rushes to rescue the beautiful victim, played by Ivana Milicevic (Casino Royale). The film is currently available on DVD. Prior to Witless Protection, Larry starred in the film Delta Farce which was released by Lionsgate on May 11, 2007. The movie also starred Bill Engvall and DJ Qualls and is currently available on DVD. His first feature Larry the Cable Guy: Health Inspector was released by Lionsgate on March 24, 2006. The comedy starred Joe Pantoliano, Joanna Cassidy, and Tony Hale. The DVD was released by Paramount Home Video on August 8, 2006 and sold more than 1 million copies in the first week of release. Larry is the voice of Mater in the Golden Globe winning animated feature film Cars from Disney/Pixar. Cars was released on June 9, 2006 and opened at # 1 at the box office, and grossed over 200 million dollars domestically. Larry was part of the highly successful concert Blue Collar Comedy Tour, which grossed more than 15 million dollars. -
Comedian Bill Engvall to Play Pikes Peak Center Thursday, October 10 Tickets Will Go on Sale on Friday, June 14
“Here’s Your Sign” Comedian Bill Engvall to play Pikes Peak Center Thursday, October 10 Tickets will go on sale on Friday, June 14 COLORADO SPRINGS (June 10, 2019) – Grammy-nominated, multi-platinum selling recording artist and one of the country’s top comedians Bill Engvall is coming to Colorado Springs to appear at Pikes Peak Center for the Performing Arts on Thursday, October 10. Most recently a contestant on season 17 of ABC’s Dancing with the Stars where his popularity kept him on the show until the finals, Engvall is very well known for his platinum album Here’s Your Sign which held the No. 1 position on the Billboard Comedy Chart for 15 straight weeks. His second album, Dorkfish, also debuted at No. 1 on Billboard’s Comedy Chart. Engvall was part of the enormously successful Blue Collar concert films that sold more than nine million units and received a Grammy nomination. He also starred on the WB’s hit sketch comedy show Blue Collar TV and in several solo specials for Comedy Central. In 2012 Engvall reunited with Jeff Foxworthy and Larry the Cable Guy on the Them Idiots Whirled Tour, which aired as a special on CMT. Tickets for Engvall at Pikes Peak Center range in price from $39 to $119 plus applicable fees and will go on sale on Friday, June 14 at 10 a.m. at the Pikes Peak Center and The Broadmoor World Arena box offices; online at PikesPeakCenter.com, BroadmoorWorldArena.com and AXS.com; and via phone at (719) 520-SHOW. -
January 13 2017.Qxd
Distributed FREE Each Friday January 13, 2017 www.pcpatriot.com Locally Owned And Operated Community Bulletin Board Down, But Not Done Pulaski Church of God Carries On Jenny Martin / The Patriot The main sanctuary at the Pulaski Church of God lies in rubble following Tuesday night’s massive fire that also gutted the church’s old sanctuary. Probe of church fire underway By MIKE WILLIAMS attended the service, "hundreds of individuals from The Patriot the church and com- munity worshiped the Members of the Pulaski Church of God gathered Lord and were for services Wednesday night as usual. Only this reminded that, 'We time the building in which they worshipped was dif- are the church, not a ferent. building.'" Two of the three structures which had comprised Fire destroyed both WEEKEND WEATHER the Pulaski Church of God burned late Tuesday the newer and older night in a massive, windswept blaze which appar- sanctuaries, with only SATURDAY SUNDAY ently had started well before fire fighters were the church's Family called to the scene. Life Center and gym- The congregation gathered Wednesday at the nasium surviving rel- Rain likely, mainly before 7am. Rain likely, mainly after 5pm. empty Duncan Automotive building - just across atively unscathed. Cloudy, with a high near 46. Cloudy, with a high near 52. Bob White Boulevard from the ruins of their Local residents wondered all day Wednesday Southeast wind around 5 mph Chance of precipitation is 60%. church. what had started the late-night fire. Likely that becoming southwest in the after- According to the Facebook posting of one who FIRE noon. -
Man Injured in Crash After Being Ejected from Vehicle
June 30th, 2016 The Ocean County Gazette - www.ocgazette.news 1 The OC Gazette P.O. Box 577 Seaside Heights NJ 08751 On The Web at: www.ocgazette.news JUNE 30TH, 2016 VOL. 16 NO. 567 THIS WEEKS Man Injured in Crash After Being ISSUE Pages 10-11 Ejected from Vehicle Ocean County Manchester Twp NJ – On Friday, June 24, Featured Events 2016, at approximately 1:11 AM, members of the Manchester Township Police Department Pages 12-18 responded to the intersection of Route 571 Around all the and Seminole Street for the report of a multiple Ocean County vehicle crash. Upon arrival, officers learned Towns - News, Information that it was a two vehicle crash involving a 2011 Events Nissan Altima and a 2001 Mazda Tribute. The Nissan was being operated by Joseph M. Diperi, Pages 22-23 23, of Manalapan and the Mazda was being Ocean County operated by Jevon I. Cotte, 24, of South Toms Library Weekend River. The investigation revealed that the Nissan Events and Exhibits was making a left turn from Seminole Street on to Route 571 when it collided with the Mazda, Page - 26 which was traveling eastbound on Route 571. Long Beach Island The impact caused the Mazda to overturn. Foundation of the The operator, Cotte, who was not wearing his Arts & Sciences seatbelt at the time, was ejected through the Events Manchester Township Water Utility sunroof. Cotte sustained injuries and was transported via ambulance Eastern Service Area Customers Page 30 to Jersey Shore University Medical Center by MONOC Paramedics for Museums, Historic, treatment. -
Dorm Rates Going Upa, Up, Un "Self-Sufficiency"To Bring $200 Rate Hi;&Es for Residentsnext Y Ear by Scott Mullen Mcalevey
Dorm Rates Going Upa, Up, Un "Self-Sufficiency"to Bring $200 Rate Hi;&es for ResidentsNext Y ear By Scott Mullen McAlevey. "We're looking at large rent A New York State proposal for"dorm increases that they're going to try and self-sufficiency' - which would make ease in over the next few years. It's going SUNY universities responsible for gen- to be at least a $600 increase in that erating most of their dorm costs - will period." lead to at least a $200 increase in dorm "Stony Brook faces many increased rents next year, according to Dallas costs over the next few years, primarily Baumann, director of Residence Life. because of LILCO." added McAlevey. "We The proposal could also eventually got the Board of Trustees to put off a make Stony Brook's dorm rates the resolution on cross subsidation, which highest in the SUNY system, if SUNY's would lead to different dorm rates at Board of Trustees votes to allow the different schools... there would be some schools to set their own dorm rates. schools, like Stony Brook, where stu- "The governor and the Legislature dents would have to pay a lot of money." have been trying to reduce the state, "Despite what SASU thinks, self- budget, and the concept of self- sufficiency is inevitable," Baumann sufficiency is seen as an important piece said. "The state has to cover dorm costs, of this," Baumann said. 'What self- and it's either going to be through self- | sufficiency will do is give the dorms sufficiency itself or just from charging back to the universities .. -
This Is How We Do: Living and Learning in an Appalachian Experimental Music Scene
THIS IS HOW WE DO: LIVING AND LEARNING IN AN APPALACHIAN EXPERIMENTAL MUSIC SCENE A Thesis by SHANNON A.B. PERRY Submitted to the Graduate School Appalachian State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS MAY 2011 Center for Appalachian Studies THIS IS HOW WE DO: LIVING AND LEARNING IN AN APPALACHIAN EXPERIMENTAL MUSIC SCENE A Thesis by SHANNON A.B. PERRY May 2011 APPROVED BY: ________________________________ Fred J. Hay Chairperson, Thesis Committee ________________________________ Susan E. Keefe Member, Thesis Committee ________________________________ Patricia D. Beaver Member, Thesis Committee ________________________________ Patricia D. Beaver Director, Center for Appalachian Studies ________________________________ Edelma D. Huntley Dean, Research and Graduate Studies Copyright by Shannon A.B. Perry 2011 All Rights Reserved ABSTRACT THIS IS HOW WE DO: LIVING AND LEARNING IN AN APPALACHIAN EXPERIMENTAL MUSIC SCENE (2011) Shannon A.B. Perry, A.B. & B.S.Ed., University of Georgia M.A., Appalachian State University Chairperson: Fred J. Hay At the grassroots, Appalachian music encompasses much more than traditional music genres, like old-time and bluegrass. While these prevailing musics continue to inform most popular and scholarly understandings of the region’s musical heritage, many contemporary scholars dismiss such narrow definitions of “Appalachian music” as exclusionary and inaccurate. Many researchers have, thus, sought to broaden current understandings of Appalachia’s diverse contemporary and historical cultural landscape as well as explore connections between Appalachian and other regional, national, and global cultural phenomena. In April 2009, I began participant observation and interviewing in an experimental music scene unfolding in downtown Boone, North Carolina.