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The Succession After Kumaragupta I
Copyright Notice This paper has been accepted for publication by the Journal of the Royal Asiatic Society, which is published by Cambridge University Press. A final version of the article will be appearing in the JRAS in 2014. 1 The Succession after Kumāragupta I Pankaj Tandon1 Most dynastic lists of the Gupta kings state that Kumāragupta I was succeeded by Skandagupta. However, it is widely accepted that Skandagupta did not accede to the throne peacefully. Nor is it certain that the succession was immediate, since there is a gap between the known dates of Kumāragupta’s and Skandagupta’s reigns. This paper is concerned with the events following the death of Kumāragupta, using numismatic evidence as the primary source, and inscriptional and other epigraphic evidence as further support. Some of the numismatic evidence is new, and even the evidence that is not new has so far received little attention in the literature on the succession after Kumāragupta. Questions are raised about one particular theory that is presently enjoying some currency, that Skandagupta was challenged primarily by his uncle Ghaṭotkacagupta. Some other possible scenarios for the political events in the period after the death of Kumāragupta I will then be proposed and analyzed. Most authors agree that Skandagupta was not the rightful heir to the throne. While he does announce himself on his inscriptions as the son of Kumāragupta I, his mother is not identified by name in any known text or inscription,2 suggesting that he was, at best, the son of a minor queen of Kumāragupta, or more probably the son of a woman who was not a queen at all. -
The Guptas 7
www.tntextbooks.in SPLIT BY - SIS ACADEMY https://t.me/SISACADEMYENGLISHMEDIUM Lesson The Guptas 7 Learning Objectives To learn the importance of Gupta rule in Indian history. To understand the significance of land grants and its impact on agricultural economy of the empire. To acquaint ourselves with the nature of the society and the socio-economic life of the people of the time. To know the development of culture, art and education during the period. Introduction a golden age, it is not entirely accurate. After the Mauryan empire, many small Many scholars would, however, agree that kingdoms rose and fell. In the period from it was a period of cultural florescence and c. 300 to 700 CE, a classical pattern of an a classical age for the arts. imperial rule evolved, paving the way for state formation in many regions. During Sources this period, the Gupta kingdom emerged There are three types of sources for as a great power and achieved the political reconstructing the history of the Gupta unification of a large part of the Indian period. subcontinent. It featured a strong central government, bringing many kingdoms I. Literary sources under its hegemony. Feudalism as an Narada, Vishnu, Brihaspati and institution began to take root during this Katyayana smritis. period. With an effective guild system and overseas trade, the Gupta economy Kamandaka’s Nitisara, a work on boomed. Great works in Sanskrit were polity addressed to the king (400 CE) produced during this period and a high Devichandraguptam and level of cultural maturity in fine arts, Mudrarakshasam by Vishakadutta sculpture and architecture was achieved. -
Sonagiri: Steeped in Faith
T A B L E O F C O N T E N T S Datia Palace: Forgotten Marvel of Bundelkhand Sonagiri: Steeped in Faith Dashavatar Temple: A Gupta-Era Wonder Deogarh’s Buddhist Caves Chanderi and its weaves The Beauty of Shivpuri Kalpi – A historic town I N T R O D U C T I O N Jhansi city also serves as a perfect base for day trips to visit the historic region around it. To the west of Jhansi lies the city of Datia, known for the beautiful palace built by Bundela ruler Bir Singh Ju Dev and the splendid Jain temple complex known as Sonagir. To the south, in the Lalitpur district of Uttar Pradesh lies Deogarh, one of the most important sites of ancient India. Here lies the famous Dashavatar temple, cluster of Jain temples as well as hidden Buddhist caves by the Betwa river, dating as early as 5th century BCE. Beyond Deogarh lies Chanderi , one of the most magnificent forts in India. The town is also famous for its beautiful weave and its Chanderi sarees. D A T I A P A L A C E Forgotten Marvel of Bundelkhand The spectacular Datia Palace, in Datia District of Madhya Pradesh, is one of the finest examples of Bundelkhand architecture that arose in the late 16th and early 17th centuries in the region under the Bundela Rajputs. Did you know that this palace even inspired Sir Edward Lutyens, the chief architect of New Delhi? Popularly known as ‘Govind Mahal’ or ‘Govind Mandir’ by local residents, the palace was built by the powerful ruler of Orchha, Bir Singh Ju Dev (r. -
Temple Structure
DR. JYOTI PRABHA ASSISTANT PROFESSOR DEPARTMENT OF HISTORY M.R.M. COLLEGE, L.N.M.U., DARBHANGA 2ND SEMESTER, SESSION: 2019-21 CC- 8: SOCIETY AND ECONOMY IN INDIAN HISTORY UNIT- 2: ART AND ARCHITECTURE Temple Structure Most of the art and architectural remains that survive from Ancient and Medieval India are religious in nature. That does not mean that people did not have art in their homes at those times, but domestic dwellings and the things in them were mostly made from materials like wood and clay which have perished. This chapter introduces us to many types of temples from India. Although we have focused mostly on Hindu temples, at the end of the chapter you will find some information on major Buddhist and Jain temples too. However, at all times, we must keep in mind that religious shrines were also made for many local cults in villages and forest areas, but again, not being of stone the ancient or medieval shrines in those areas have also vanished. Temple Architecture Gupta period marks the beginning of Indian temple architecture. Manuals were written regarding how to form temples. The Gupta temples were of five main types: 1) Square building with flat roof shallow pillared porch; as Kankali Devi temple at Tigawa and the Vishnu Varaha temples at Eran. The nucleus of a temple – the sanctum or cella (garbhagriha) – with a single entrance and apporch (Mandapa) appears for the first time here. 2) An elaboration of the first type with the addition of an ambulatory (paradakshina) around the sanctum sometimes a second storey; examples the Shiva temple at Bhumara(M.P.) and the lad-khan at Aihole. -
M.A. in Sanskrit CBCS Pattern
Bankura University Department of Sanskrit CHOICE BASED CREDIT SYSTEM (CBCS): The CBCS provides an opportunity for the students to choose courses from the prescribed courses (Core Courses, Foundational Courses, Elective Courses). The courses can be evaluated following the grading system. M A in Sanskrit Programme details: Programme Objectives: This programme tries to aware students of the holistic approach of Sanskrit literature and as well as the modern studies, researches and approaches towards Sanskrit Studies. There are papers from different disciplines of Sanskrit studies, such as Veda, Literature, Grammar, Philosophy etc. Not only that the programme has comparative studies on western methods of literary theory, and interpretation. In the philosophy section one unit describes western methods of logic. Computational Linguistics is also introduced. Understanding of the idea of the research will be nurtured through the course on writing term paper. Major elective courses will initiate the student in a selected area providing in depth and comprehensive understanding of that area. The main aim of this programme is to train students in a way that they would able to do further research on their respective fields. This programme would also help student to be competent as a next- generation teacher of Sanskrit. Programme Specific Outcome: This programme will enable students to have a comprehensive idea of Sanskrit literature. It is expected that the course would form the knowledge and basic skills for the students to take up various teaching assignments and to pursue further research in the field. Assessment Methods: In most of the courses, especially in core courses and in major elective courses the medium of instruction in the class primarily will be Sanskrit. -
The Badoh-Pathari Saptamātṛ Panel Inscription
Indo-Iranian Journal 62 (2019) 191–226 brill.com/iij The Badoh-Pathari Saptamātṛ Panel Inscription Dániel Balogh British Museum [email protected] Abstract Located in Vidisha District, Madhya Pradesh, the area of Badoh-Pathari is home to a rock shelter with a sculpted panel depicting seven mother goddesses. A weathered inscription next to the sculptures was reported as early as 1926. The inscription is date- able to the fifth century on the basis of its palaeography and the art-historical dating of the site. Though partly effaced beyond hope of decipherment, roughly half of the text can be read with confidence, while some of the rest may be restored conjecturally, and some speculatively. The epigraph pays homage to Rudra and Skanda in addition to the Mothers themselves, and is thus a key resource concerning mātṛ worship in the Gupta period. It mentions the otherwise unknown local ruler Jayatsena of Avamukta (a region also named in the Allahabad pillar inscription), and may refer to the reign of Kumāragupta (I). Keywords Badoh-Pathari – Saptamātṛ – mother goddesses – Gupta period – Eastern Malwa – San- skrit epigraphy 1 Introduction Off the beaten path in Eastern Malwa there is a pair of villages, Badoh and Pathari. The surrounding landscape (Fig. 1) is dotted with monadnocks that tell a tale of geological time, microliths in the soil speak of human prehistory, rock paintings bridge the gap to history, and stone monuments—some now hidden in the soil—bear witness to the Gupta period and later historic times.1 Because 1 The environs have been extensively described by Anne Casile (2007, 2014). -
Inscriptions, Coins and Historical Ideology
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by ZENODO Journal of the Royal Asiatic Society of Great Britain & Ireland http://journals.cambridge.org/JRA Additional services for Journal of the Royal Asiatic Society of Great Britain & Ireland: Email alerts: Click here Subscriptions: Click here Commercial reprints: Click here Terms of use : Click here Later Gupta History: Inscriptions, Coins and Historical Ideology Michael Willis Journal of the Royal Asiatic Society of Great Britain & Ireland / Volume 15 / Issue 02 / July 2005, pp 131 150 DOI: 10.1017/S135618630500502X, Published online: 26 July 2005 Link to this article: http://journals.cambridge.org/abstract_S135618630500502X How to cite this article: Michael Willis (2005). Later Gupta History: Inscriptions, Coins and Historical Ideology. Journal of the Royal Asiatic Society of Great Britain & Ireland, 15, pp 131150 doi:10.1017/ S135618630500502X Request Permissions : Click here Downloaded from http://journals.cambridge.org/JRA, IP address: 131.251.133.25 on 25 Oct 2012 Later Gupta History: Inscriptions, Coins and Historical Ideology MICHAEL WILLIS In memory of Wladimir Zwalf 1932–2002 Some time before May 1886 a large metal seal was unearthed when the foundations for a house were being excavated at Bhitr¯ı, the important Gupta site near Var¯ an¯ . asi. An old and respectable family at the place (their name is not recorded in the published sources) presented the seal to C. J. Nicholls, a judge at Kanpur, who accepted it on behalf of government.1 In due course the seal was passed to the Government Museum at Lucknow. -
Temples of India
TEMPLES OF INDIA A SELECT ANNOTATED BIBLIOCRAPHY SUBMITTED !N PARTIAL FULFILMENT FOR THE AWARD OF THE DEGREE OF iHagter of librarp Science 1989-90 BY ^SIF FAREED SIDDIQUI Roll. No. 11 Enrolment. No. T - 8811 Under the Supervision of MR. S. MUSTAFA K. Q. ZAIDI Lecturer DEPARTMENT OF LIBRARY SCIENCE ALIGARH MUSLIIVi UNIVERSITY ALIGARH 1990 /> DS2387 CHECKED-2002 Tel t 29039 DEPARTMENT OF LIBRARY SCIENCE AUGARH MUSLIM UNIVERSITY ALIGARH 202001 (India) September 9, 1990 This is to certify that the PI* Lib* Science dissertation of ^r* Asif Fareed Siddiqui on ** Temples of India t A select annotated bibliography " was compiled under my supervision and guidance* ( S. nustafa KQ Zaidi ) LECTURER Dedicated to my Loving Parents Who have always been a source of Inspiration to me CONTENTS Page ACKNOWLEDGEMENT i - ii LISTS OF PERIODICALS iii - v PART-I INTRODUCTION 1-44 PART-II ANNOTATED BIBLIOGRAPHY 45 - 214 PART-III INDEX 215 - 256 ACKNOWLEDGEMENT I wish to express my sincere and earnest thanks to my teacher and supervisor Mr. S.Mustafa K.Q. Zaidi, Lecturer, Department of Library Science, Aligarh Muslim University, Aligarh who inspite of his many pre-occupation spared his precious time to guide and inspire me at each and every step during the course of this study. His deep and critical understanding of the problem helped me a lot in compiling this bibliography. I am highly indebted to Professor Mohd. Sabir Husain, Chairman, Department of Library Science, Aligarh Muslim University, Aligarh for his able guidance and suggestions whenever needed. I am also highly indebted to Mr. Almuzaffar Khan,Reader, Department of Library Science, Aligarh Muslim University, Aligarh whose invaluable guidance and suggestions were always available to me. -
Neill, Rebecca MH (2020)
Neill, Rebecca M.H. (2020) Empires, materials and entanglements: the power of material entanglements in the Gupta Political Formation. MPhil(R) thesis. http://theses.gla.ac.uk/81918/ Copyright and moral rights for this work are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This work cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Enlighten: Theses https://theses.gla.ac.uk/ [email protected] EMPIRES, MATERIALS AND ENTANGLEMENTS The Power of Material Entanglements in the Gupta Political Formation DECEMBER 10, 2020 REBECCA M.H. NEILL, BA (HONS) A DISSERTATION SUBMITTED FOR THE FULFILMENT OF THE DEGREE OF MPHIL IN ARCHAEOLOGY AT THE UNIVERSITY OF GLASGOW 0 | P a g e Empires, Materials and Entanglements The Power of Material Entanglements in the Gupta Political Formation Rebecca Mary-Ann Hilary Neill, BA (hons.) Archaeology, School of Humanities, College of Arts, University of Glasgow December 2020 1 | P a g e Abstract The Gupta Political Formation has been called “the golden-age” of India yet little archaeological study has been done on the period. Through the ideas of new materialism, in particular Hodder’s (2012) Theory of Entanglement, and Katchadurian’s (2016) Satrapal Conditions, this thesis aims to explore three powerful materials: textile clothing, metals and spices. -
Attribution of the Nameless Coins of the Archer Type
Attribution of the Nameless Coins of the Archer Type Pankaj Tandon1 Abstract: This paper seeks to reattribute the so-called “Nameless Coins” of the Archer type, hitherto assumed by all to be Gupta issues, to the Huns. The Nameless Coins are Archer type coins that do not provide the ruler’s name on the obverse as do almost all other Archer type coins. At present, they are most plausibly attributed to the Gupta king Budhagupta, on account of their use of the epithet śrī vikrama on the reverse, an epithet used also by Budhagupta. The reattribution is inspired by the discovery of a Nameless coin that bears the epithet śrī prakāśa, the epithet used by the Hun king Toramāṇa on his Horseman Lion- slayer coins. The paper shows that the Nameless coins, including the śrī prakāśa coin, share strong stylistic similarities with one another which differentiate them from attributable Gupta coins. Thus a strong case can be made that all the Nameless cons are Hun issues. A long-standing problem in Gupta numismatics is the attribution of the coins of the late period Archer type which do not feature the king’s name under the arm. Almost all coins of the Archer type carry a shortened version of the king’s name in a vertical format somewhere on the obverse. For example, the coins of Samudragupta feature the legend samudra, the coins of Candragupta II bear the legend candra, and so on. Normally, this name is under the left arm, but sometimes it is in the right or even left field. -
History of Buddhism and Jainism Upto 1000 A.D
Syllabus M.A. Part - II Paper - VII : (Option B) History of Buddhism and Jainism upto 1000 A.D. 1. Sources (Buddhism) a) Canonical and Non-Canonical Pali Literature b) Art and Architecture. 2. The Buddha Life of Buddha (from Birth till the Mahaparinirvana). 3. Teachings of Buddha a) Four Noble Truths. Eight fold path b) Law of Dependent Origination. (Paticcaccsamuccapada) c) Origin and Development of Sangha and Vinaya. 4. Buddhism and its Expansion a) Three Buddhist Councils b) Dhamma messengers sent by Asoka (Ashoka) after 3rd Buddhist Council, c) Buddhist Sects. 5. Impact of Buddhism on Society. a) Epistemological and Logical Aspects of Buddhism. 6. Sources (Jainism) Agamas - Literature of Jaina. Art and Architecture. 7. The Mahavira. Life of Mahavira. 8. Teachings of Mahavira a) Ethics b) NineTattvas c) Anekaravada • d) Six Dravyas 9. Spread of Jainism. a) Three Jaina councils b) King Samprati‘s contribution. c) Major Jain Sects 10. Impact of Jainism on Society 1 SOURCES OF BUDDHISM : (LITERARY SOURCES) Unit Structure : 1.0 Objectives 1.1 Introduction 1.2 Importance of Various Sources 1.3 Literary Sources Canonical Pali Literature 1.4 Non-Canonical Pali Literature 1.5 How Authentic is Pali -Literature ? 1.6 Summary 1.7 Suggested Readings 1.8 Unit End Questions 1.0 OBJECTIVES (A) By reading this material student will understand which sources should be utilized for getting the information about Ancient Indian History and Culture & History of Buddhism itself. (B) Student will understand importance of the original literary sources known as ‗BUDDHA VACANA‘(Words of the Buddha) and its allied literature as a chief source for deriving information pertaining to history and culture. -
Chapter III Sources of the Data Which Are Mainly Used
69 Chapter III Sources of the Data which are Mainly Used Having elaborated in the previous chapter different devices of external embellishments of Kdvya, in this chapter some Inscriptions are selected for the study of over-all poetical aspects. This chapter is formulated with the material from the texts of the Inscriptions. It forms a basis for the study of peculiarities of language and styles of different Inscriptions. The present study is based on the analysis of both primary and secondary sources. Sanskrit Inscriptions of the Post-Maurya period and of the Gupta period in India and Sanskrit Inscriptions of the Funan period in Cambodia have been used for the purpose of our present study. The study is limited to 21 Sanskrit Inscriptions of the Post-Maurya period and the Gupta period in India; and 48 Sanskrit Inscriptions of the Funan period in Cambodia. A. Selected Sanskrit Inscriptions in Indja 1. Allahabad Stone Pillar Inscription of Samudragupta 2. Eran Stone Pillar Inscription of Samudragupta 3. Udayagiri Cave Inscription of Chandragiipta-ll 70 4. Meharaulr Iron Pillar Inscription of Chandra 5. Bilsad Stone Pillar Inscription of Kumaragupta-I 6. Dhanaidaha Copperplate Inscription of the Time of Kumaragupta-I 7. Damodarpur Copperplate Inscription of the Time of Kumaragupta-I 8. Damodarpur Copperplate Inscription of the Time of Kumaragupta-I 9. Tumain Fragmentary Inscription of Kumaragupta-I and Ghatotkachagupta 10. Junagarh Rock Inscription of Skandagupta 11. Kahaum Stone Pillar Inscription of Skandagupta 12. Indor Copperplate Inscription of Skandagupta 13. BhitarT Stone Pillar Inscription of Skandagupta 14. Samath Buddhist Stone Image Inscription of Kumaragupta-II 15.