JONES, MADISON, 1925- Madison Jones Papers, 1950-1989
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Spring 2017 • May 7, 2017 • 12 P.M
THE OHIO STATE UNIVERSITY 415TH COMMENCEMENT SPRING 2017 • MAY 7, 2017 • 12 P.M. • OHIO STADIUM Presiding Officer Commencement Address Conferring of Degrees in Course Michael V. Drake Abigail S. Wexner Colleges presented by President Bruce A. McPheron Student Speaker Executive Vice President and Provost Prelude—11:30 a.m. Gerard C. Basalla to 12 p.m. Class of 2017 Welcome to New Alumni The Ohio State University James E. Smith Wind Symphony Conferring of Senior Vice President of Alumni Relations Russel C. Mikkelson, Conductor Honorary Degrees President and CEO Recipients presented by The Ohio State University Alumni Association, Inc. Welcome Alex Shumate, Chair Javaune Adams-Gaston Board of Trustees Senior Vice President for Student Life Alma Mater—Carmen Ohio Charles F. Bolden Jr. Graduates and guests led by Doctor of Public Administration Processional Daina A. Robinson Abigail S. Wexner Oh! Come let’s sing Ohio’s praise, Doctor of Public Service National Anthem And songs to Alma Mater raise; Graduates and guests led by While our hearts rebounding thrill, Daina A. Robinson Conferring of Distinguished Class of 2017 Service Awards With joy which death alone can still. Recipients presented by Summer’s heat or winter’s cold, Invocation Alex Shumate The seasons pass, the years will roll; Imani Jones Lucy Shelton Caswell Time and change will surely show Manager How firm thy friendship—O-hi-o! Department of Chaplaincy and Clinical Richard S. Stoddard Pastoral Education Awarding of Diplomas Wexner Medical Center Excerpts from the commencement ceremony will be broadcast on WOSU-TV, Channel 34, on Monday, May 8, at 5:30 p.m. -
Capital and Identity in Motion in Faulkner's the Sound And
i “FATHOMLESS, SYMBOLIC, AND THREATENING”: CAPITAL AND IDENTITY IN MOTION IN FAULKNER’S THE SOUND AND THE FURY AND STYRON’S SET THIS HOUSE ON FIRE A thesis submitted to Kent State University in partial fulfillment of the requirements for the degree of Master of Arts By Aaron Solomon Finley May, 2011 TABLE OF CONTENTS Introduction …....…………………………………..………………..……………….. 1 Chapter I …………………………………….....…………………………………….. 19 Chapter II …..……………...………………….…………………………………..….. 43 Conclusion …………………………………...…………………………………….… 79 Works Cited ………………………………………...………………….…………..… 94 ii Introduction “We seem to try in the single furious breathing (or writing) span of the individual to draw a savage indictment of the contemporary scene or to escape from it into a make-believe region of swords and magnolias and mockingbirds which perhaps never existed anywhere.” – William Faulkner (Hobson 3) The following argument follows a certain chronology. It begins somewhere in the postbellum Southern United States where a group of Southern writers and theorists saw an inevitable change on the horizon and made the conscious decision to define themselves in the struggle against it. That inevitability was the spread and eventual globalization of industrial capitalism which had begun to creep into the American South bringing with it the threat of a complete transformation of the politics, the economy, and the identity of the region. Those who sought to slow or stop the invasion were engaged in a futile battle. The “Lost Cause” of the Confederacy had become the Lost Cause of the Old South – an idealized myth of the American South of generations past. It was a concept created through nostalgia, the very proclamation of which was the first 1 2 significant evidence of its passing. -
Southern Identity in the Stories of Taylor and O'connor
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 1986 From the Country to the City: Southern Identity in the Stories of Taylor and O'Connor Catherine Anne Clark College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the American Literature Commons Recommended Citation Clark, Catherine Anne, "From the Country to the City: Southern Identity in the Stories of Taylor and O'Connor" (1986). Dissertations, Theses, and Masters Projects. Paper 1539625353. https://dx.doi.org/doi:10.21220/s2-wxw1-dg89 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. FROM THE COUNTRY TO THE CITY: SOUTHERN IDENTITY IN THE STORIES OF TAYLOR AND O'CONNOR A Thesis Presented to The Faculty of the Department of English The College of William and Mary in Virginia In Partial Fulfillment Of the Requirements for the Degree of Master of Arts by Catherine Anne Clark 1986 APPROVAL SHEET This thesis is submitted in partial fulfillment of the requirements for the degree of Master of Arts C J t t d 0 A K j V U /A m a a I . Catherine. Anne Clark Approved, August 1986 Susan Donaldson Walter Wenska Conlee ii DEDICATION To my mother and father who have taught me the most important of my lessons "And if I have the gift of prophecy, and know all mysteries and all knowledge; and if I have all faith, so as to remove mountains, but do not have love, I am nothing." — I Corinthians 13:2 iii TABLE OF CONTENTS Page ACKNOWLEDGEMENTS .................................. -
Stuart Wright Booklet
Joyner Library Presents Stuart Wright: A Life In Collecting September 7, 2011 A Message from the Dean East Carolina University® Like Tom Douglass, I first met Stuart Wright when I stepped off the train with my wife Sue in Ludlow, England—the English country squire waiting for us soon proved to be a Southern Gentleman in exile. In fact, I think this was confirmed the night STUART WRIGHT: Sue prepared “southern fried chicken” and mashed potatoes. Stuart asked for the recipe after his first helping, feasted on the leftovers for several days, and said it The Badger of Old Street stirred memories in him from long ago. On our short visit to 28 Old Street, Stuart showed and told us as much as we could absorb about the extraordinary collection of southern American literature that he hoped would eventually come to East Carolina University and Joyner Library. I was delighted with what I saw and heard and carefully calculated how much space we would need to house the collection if we could agree on price and terms. Being only acquainted with the work of some of the authors like Robert Penn Warren, Randall Jarrell, and Eudora Welty, I could not truly appreciate the importance of the book collection or the exceptional quality of the many boxes of letters, journals, and manuscripts that comprised the collection. Fortunately, Tom Douglass could and he and Stuart spent many hours poring over the materials and discussing their significance while I could only listen in amazement. My amazement and delight have only increased markedly since the collection has come to Joyner Library. -
In the Wake of the Sun: Navigating the Southern Works of Cormac Mccarthy © 2009 by Christopher J
In the Wake of the Sun Navigating the Southern Works of Cormac McCarthy Christopher J. Walsh In the Wake of the Sun In the Wake of the Sun Navigating the Southern Works of Cormac McCarthy Christopher J. Walsh Newfound Press THE UNIVERSITY OF TENNESSEE LIBRARIES, KNOXVILLE In the Wake of the Sun: Navigating the Southern Works of Cormac McCarthy © 2009 by Christopher J. Walsh Digital version at www.newfoundpress.utk.edu/pubs/walsh Newfound Press is a digital imprint of the University of Tennessee Libraries. Its publications are available for non-commercial and educational uses, such as research, teaching and private study. The author has licensed the work under the Creative Commons Attribution-Noncommercial 3.0 United States License. To view a copy of this license, visit <http://creativecommons.org/licenses/by-nc/3.0/us/>. For all other uses, contact: Newfound Press University of Tennessee Libraries 1015 Volunteer Boulevard Knoxville, TN 37996-1000 www.newfoundpress.utk.edu ISBN-13: 978-0-9797292-7-0 ISBN-10: 0-9797292-7-0 Walsh, Christopher J., 1968- In the wake of the sun : navigating the southern works of Cormac McCarthy / by Christopher J. Walsh. Knoxville, Tenn. : Newfound Press, University of Tennessee Libraries, c2009. xxiii, 376 p. : digital, PDF file. Includes bibliographical references (p. [357]-376). 1. McCarthy, Cormac, 1933- -- Criticism and interpretation. I. Title. PS3563.C337 Z943 2009 Book and cover design by Jayne Rogers Cover image by Andi Pantz I dedicate this book to my mother, Maureen Lillian Walsh, and to the memory of my father, Peter Anthony Walsh (1934-2000), as their hard work and innumerable sacrifices made all of this possible. -
The Peter Taylor Papers Addition
THE ANDREW NELSON LYTLE ADDITION (MSS. 599) Inventory ARRANGED AND DESCRIBED BY CATHERINE ASHLEY VIA 2005 SPECIAL COLLECTIONS JEAN AND ALEXANDER HEARD LIBRARY VANDERBILT UNIVERSITY 419 21ST Avenue South Nashville, TN 37240 615-322-2807 CONTENTS OF INVENTORY Contents Page # Summary 3 Biographical/Historical Note 4-11 Scope and Content Note 12 List of Series and Subseries 13-15 Series and Subseries Descriptions 16-18 Container List 19-39 2 SUMMARY Size 13 linear ft. Geographic United States Locations Inclusive 1853-1995 Dates Bulk 1961-1992 Dates Languages English Summary The Papers of Andrew Nelson Lytle (1902-1995), author, educator, editor, critic and Vanderbilt University alumnus (B.A. 1925), were acquired in 1998 from Lytle’s son-in-law & literary executor, George Chamberlain. Lytle was a member of the Agrarian literary movement and was close colleagues with Robert Penn Warren, John Crowe Ransom, and Allen Tate. Access No restrictions. Restrictions Copyright Andrew Lytle’s literary executor is his son-in-law, George Chamberlain of Sewanee. His address is: George I. Chamberlain 233 Quintard Road Sewanee, TN 37375 Telephone: 931-598-0532 Stack Manuscripts Locations 3 BIOGRAPHICAL/HISTORICAL NOTE 1902 Born on December 26, in Murfreesboro, Tennessee, to Robert Logan and Lillie Belle Lytle. 1907 Father buys the Log Cabin at Monteagle, Tennessee. 1916-1920 Enrolls in Sewanee Military Academy as a day student in fall of 1916; attends as boarding student after fall of 1917 when mother buys house in Sewanee; wins the Golden Medal for Scholarship; upon graduation is offered, but refuses an appointment to West Point; travels in France with mother and sister, Polly; writes a letter from France to Sewanee’s headmaster, Major Henry Gass, which is printed in The Little Tiger, the student publication; prepares for admission to Oxford while at the home of Mademoiselle Durieux on the Left Bank in Paris with an English tutor; studies fencing. -
The Novels of Andrew Lytle: a Study in the Artistry of Fiction
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1972 The oN vels of Andrew Lytle: a Study in the Artistry of Fiction. Charles Chester Clark Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Clark, Charles Chester, "The oN vels of Andrew Lytle: a Study in the Artistry of Fiction." (1972). LSU Historical Dissertations and Theses. 2199. https://digitalcommons.lsu.edu/gradschool_disstheses/2199 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS This dissertation was produced from a microfilm copy of the original document. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the original submitted. The following explanation of techniques is provided to help you understand markings or patterns which may appear on this reproduction. 1. The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting thru an image and duplicating adjacent pages to insure you complete continuity. 2. When an image on the film is obliterated with a large round black mark, it is an indication that the photographer suspected that the copy may have moved during exposure and thus cause a blurred image. -
Proquest Dissertations
'Between the House and the Chicken Yard' The Masks of Mary Flannery O'Connor Jolly Kay Sharp Approved Graduate Committee: |/v } i> i f'l v-K^cr u-^ Dr. Will Brantley, Major Professor (ilk, RA^UT: Dr. Allen Hibbard, Reader A c •U>"*' *\*J&k- Dr. Tom Strawman, Chair of the Department of English Dr. Michael D. Allen, Dean of the College of Graduate Studies "Between the House and the Chicken Yard": The Masks of Mary Flannery O'Connor Jolly Kay Sharp A Dissertation Submitted to the Graduate Faculty of Middle Tennessee State University In Partial Fulfillment of the Requirements for the Doctor of Philosophy Degree December 2008 UMI Number: 3347094 Copyright 2009 by Sharp, Jolly Kay All rights reserved. INFORMATION TO USERS The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleed-through, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. ® UMI UMI Microform 3347094 Copyright 2009 by ProQuest LLC. All rights reserved. This microform edition is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 E. Eisenhower Parkway PO Box 1346 Ann Arbor, Ml 48106-1346 Acknowledgements This dissertation came about as a result of my life's circumstances and the desire to rise above them. Many people have challenged or inspired me throughout its completion, especially my mother, Emma Sharp; my daughter, Jessica; my son, Josh; my son-in-law, Michael; and my grandsons Liam and Seth. -
The Peter Taylor Papers Addition
THE ANDREW NELSON LYTLE PAPERS (MSS. 267) Inventory ARRANGED AND DESCRIBED BY CATHERINE ASHLEY VIA 2005 SPECIAL COLLECTIONS JEAN AND ALEXANDER HEARD LIBRARY VANDERBILT UNIVERSITY 419 21ST Avenue South Nashville, TN 37240 615-322-2807 CONTENTS OF INVENTORY Contents Page # Summary 3 Biographical/Historical Note 4-11 Scope and Content Note 12 List of Series and Subseries 13-14 Series and Subseries Descriptions 15-16 Container List 17-47 2 SUMMARY Size 6 linear ft. Geographic United States Locations Inclusive 1873-1988 Dates Bulk 1920-1960 Dates Languages English Summary The Papers of Andrew Nelson Lytle (1902-1995), author, educator, editor, critic and Vanderbilt University alumnus (B.A. 1925), were acquired from Mr. Lytle in three segments. Lytle was a member of the Agrarian literary movement and was close colleagues with Robert Penn Warren, John Crowe Ransom, and Allen Tate. Access No restrictions. Restrictions Copyright Andrew Lytle’s literary executor is his son-in-law, George Chamberlain of Sewanee. His address is: George I. Chamberlain 233 Quintard Road Sewanee, TN 37375 Telephone: 931-598-0532 Stack Manuscripts Locations 3 BIOGRAPHICAL/HISTORICAL NOTE 1902 Born on December 26, in Murfreesboro, Tennessee, to Robert Logan and Lillie Belle Lytle. 1907 Father buys the Log Cabin at Monteagle, Tennessee. 1916-1920 Enrolls in Sewanee Military Academy as a day student in fall of 1916; attends as boarding student after fall of 1917 when mother buys house in Sewanee; wins the Golden Medal for Scholarship; upon graduation is offered, but refuses an appointment to West Point; travels in France with mother and sister, Polly; writes a letter from France to Sewanee’s headmaster, Major Henry Gass, which is printed in The Little Tiger, the student publication; prepares for admission to Oxford while at the home of Mademoiselle Durieux on the Left Bank in Paris with an English tutor; studies fencing. -
The Critical Reception of I'll Take My Stand and John
TRADITION, MYTH AND THE AGRARIAN COMMUNITY: THE CRITICAL RECEPTION OF I’LL TAKE MY STAND AND JOHN CROWE RANSOM’S AGRARIAN PHILOSOPHY BY MATTHEW ERIC JORDAN (Under the direction of Dr. James E. Kibler) ABSTRACT Seeking to define aspects of John Crowe Ransom’s agrarian philosophy, particularly as it relates to individuals, communities, and the traditions and myths associated with each. While critics dismissed the offering as a sentimentalized eulogy for the fantasy of antebellum culture, Ransom articulated that principles and ideas, those elements addressing the humane life lived in contemplation, were the focus of his contributions to I’ll Take My Stand. This examination presents key criticisms that represent the harshest charges leveled against Ransom, and, in doing so, a context is provided in which the subtleties of the Agrarian philosophy can be contrasted with those of Industrialism. Ultimately, this examination will reveal that Ransom’s philosophical position was dismissively misunderstood at I’ll Take My Stand’s original critical reception. INDEX WORDS: John Crowe Ransom, I’ll Take My Stand, Critical Reception, Agrarianism, Philosophy, Agrarians, Myth, Tradition. TRADITION, MYTH AND THE AGRARIAN COMMUNITY: THE CRITICAL RECEPTION OF I’LL TAKE MY STAND AND JOHN CROWE RANSOM’S AGRARIAN PHILOSOPHY by MATTHEW ERIC JORDAN B.A., The University of Georgia, 1997 A Thesis Submitted to the Graduate Faculty of The University of Georgia in Partial Fulfillment of the Requirements for the Degree MASTER OF ARTS ATHENS, GEORGIA 2002 2002 Matthew Eric Jordan All Rights Reserved TRADITION, MYTH AND THE AGRARIAN COMMUNITY: THE CRITICAL RECEPTION OF I’LL TAKE MY STAND AND JOHN CROWE RANSOM’S AGRARIAN PHILOSOPHY by MATTHEW ERIC JORDAN Approved: Major Professor: James Kibler Committee: Jonathan Evans Carl Rapp Electronic Version Approved: Gordhan L. -
The John Crowe Ransom Papers
THE JOHN CROWE RANSOM PAPERS (MSS. 006) Inventory ARRANGED AND DESCRIBED BY CATHERINE ASHLEY VIA 2005 SPECIAL COLLECTIONS JEAN AND ALEXANDER HEARD LIBRARY VANDERBILT UNIVERSITY 419 21ST Avenue South Nashville, TN 37240 615-322-2807 CONTENTS OF INVENTORY Contents Page # Summary 3 Biographical/Historical Note 4-8 Scope and Content Note 9 List of Series and Subseries 10-11 Series and Subseries Descriptions 12-13 Container List 14-33 2 SUMMARY Size 3 linear ft. Geographic United States Locations Inclusive 1908-1976 Dates Bulk 1911-1974 Dates Languages English Summary The Papers of John Crowe Ransom (1888-1974), poet, educator, editor, critic, Vanderbilt alumnus (B.A. 1909) and former Vanderbilt faculty member (1914-1937), were acquired by The Jean and Alexander Heard library during the summer of 1988 from collector Stuart T. Wright of Winston-Salem, North Carolina. Access No Restrictions Restrictions Copyright Consult Head of Special Collections Stack Locations Manuscripts 3 BIOGRAPHICAL/HISTORICAL NOTE 1888 John Crowe Ransom was born April 30, in Pulaski, Tennessee, the third of the four children of John James Ransom (1853-1934) and Sara Ella Crowe Ransom (1859-1947); his siblings were Annie Phillips, Richard B. (Dick), and Ella Irene (Ellene). 1891-1899 Ransom lived in four Middle Tennessee communities served by his father, a Methodist minister, Spring Hill, Franklin, Springfield, and Nashville. Educated at home until he was ten, Ransom entered public school in October 1898. 1899 In September entered the Bowen School in Nashville. Angus Gordon Bowen, the headmaster, Ransom wrote many years later, “did more for my...education than any other man.” 1903 In June he was graduated at the head of his class from Bowen, and in September he entered Vanderbilt University. -
Fugitive and Agrarian Collection Addition Finding
Fugitive and Agrarian Collection Addition MSS 622 Arranged and described in Spring/Summer 2010 SPECIAL COLLECTIONS Jean and Alexander Heard Library Vanderbilt University 419 21st. Avenue South Nashville, Tennessee 37203 Telephone: (615) 322-2807 © 2012 Vanderbilt University Special Collections and University Archives Scope and Content Note This collection, 3.34 linear feet, is an addition to the Fugitive and Agrarian Collection MSS 160. It includes a wide range of items relating to the Fugitive and Agrarian groups and is especially valuable in the holdings of items from the 1980’s and 1990’s including correspondence, articles, book reviews, and other materials. In addition to the Fugitives and Agrarians themselves, whose biographical notes follow below, associates represented in this collection include: William T. Bandy Arthur Mizener Richmond Croom Beatty Flannery O’Connor Melvin E. Bradford Katherine Anne Porter Cleanth Brooks Sister Bernetta Quinn Wyatt Cooper Louis D. Rubin, Jr. Louise Cowan James Seay James Dickey Jesse Stuart Fellowship of Southern Writers Isabella Gardner Tate Ford Madox Ford Peter Taylor George Garrett Rosanna Warren Caroline Gordon Richard Weaver M. Thomas Inge Eudora Welty Randall and Mary Jarrell Kathryn Worth (Mrs. W. C. Curry) Robert Lowell David McDowell Biographical Notes Walter Clyde Curry Walter Clyde Curry received his B.A. from Wofford College in 1909 and his M.A. and Ph.D. from Stanford University in 1913 and 1915, respectively. Upon his graduation from Stanford, he accepted a faculty position at Vanderbilt University in 1915 and remained until 1955, when he retired from active teaching. During the last thirteen years of his stay at Vanderbilt, he served as chairman of the English department.