SAGAMORE Classifieds

Total Page:16

File Type:pdf, Size:1020Kb

SAGAMORE Classifieds THE WEEKLY NEWSPAPER OF INDIANA UNIVERSITY-PURDUE UNIVERSITY AT TH IS W E E K INDEX Opinion................ .. 4 Focus.................. ... 6 The Leisure................ ... 7 Sports.................. ...9 SAGAMORE Classifieds......... ...11 [INDIANA P OLIS Vol. 19. No.10 University responding to crises Blaze causes outages By SCOTT ABEL and MARIE C1IMIELEW8KI An alactrical transformer lo­ cated near Riley Hospital for Chil­ dren buret into flames last Tues­ day, causing power outages and scattered inconveniences on the north side of campus. The fire, which affected most of the IU Medical Center, caused at least 15 buildings to loose povggr. including Phase I of Riley Hospi­ tal and both the Medical Science and Union buildings. The transformer substation, power to much of Getting power to campus more than flick of switch BY SCOTT ABEL heat generated from the furnace causes the water in the pipes to the transformer, shorting it out," boil, thus producing steam. Evans said. T hat caused it (the IUPUI is one of Indiana Power and light's largest commercial Ths steam travels through pipes transformer) to overheat quickly." customers. At any one given time, which lead to a turbine (a fan-like WHEN THE transformer device enclosed in a solid housing) grounded-out, oil, which is used as the IUPUI campus uses a maxi­ a cooling agent inside the unit, mum of 35 megawatts. Thirty-five quickly overheated and began megawatts of electricity can At the other end of the turbine boiling out of the units* protective power 3.5 million 100 watt light shaft there is a generator. This casing. The scalding oil ignited bulbe. particular type of generator is into flames as it made contact The process of getting electricity similar (in theory) to an with the surrounding air. to its consumers is not as easy as automobile alternator. Instead of "Our major concern was to cool flicking a switch on the wall. the transformer down so it In fact, it is a complicated pro­ charging a battery, the function of wouldn't re-ignite," said Mark cess that includes substations, an automobile alternator, the type Rihm, assistant fire marshal for generators and transformers. (See of generator involved in creating the Indianapolis Fire Department related graphic.) electricity produces energy which Transformers are devicee, with Preventing re-ignition of an elec­ ie then directed to a step-up trical fire involving petroleum no moving parts, used to transfer products requires the use of a electricity from one voltage level foam product called ^ight water." to another. Transformers are a The foam is designed to smother necessary element in the firs by coating the oil with a of delivering electric poqpr to the Therefore, the step-up trans­ consumer, because they perform protective coating which prevents former's job is to receive electrical the function of either stepping-up, contact with oxygen. power at one voltage and deliver or atepping-down both the electric », power to it at a higher voltage. After the voltage and current. mmedlately electric power has been stepped- There are two types of trans­ up, it ie sent by “transmission turned off and other temporary former devices: step-up and step- transformers were quickly lints" to Indianapolis, where it is down transformers. Ths trans­ directed to various substations brought in to deal with the elec­ former that shorted out last Tues­ tricity demands of the campus. around ths city. day psrformsd ths function of A TRANSFORMER is a device Ths purpose of ths substation is stepping-down electricity, trans­ to receive ths electric energy and which transfers electric power by Firefighters battle tranformer blaze near Riley Chi- Center photo by forming the high voltage electric route it to a step-down trans­ electromagnetic means from one dren s hospital last Tueedey The fire caused much of power supplied by one of In­ circuit to another. the north aide of the campus to bae power. Photo top former. dianapolis' three power plants The transformer must step The Indianapolis Fire Depart­ the emergency entrance of Riley unit which contained the trans­ alternate location in order to into a more manageable low volt­ down ths electricity in voltage be­ ment responded to two separate Hospital, and immsdiately called former. receive their treat- age power. cause ths incoming electricity it is calls at the Medical Center, the for backup. Hospitals affected by the fire Indianapolis' electricity is sup- too powerful to be used by con­ first of which was at 8:46 a m. and THE SECOND TEAM of relied on back-up generators that plitd by IPL and is gensrated by sumers. ITm transformer converts the second a t 8:52 a.m. firsfightsrs, responding to the firs reportedly kicked in within three rupted as a rseult of ths firs, how- burning Indiana coal. ths energy into s usabh Two fire crews were dispatched alarm sounded a t 701 N. West to four seconds after the outage. svsr, freshman lab work and In order to transform coal into said Jim Evans, director < fire officials were un- Dr., the Riley Magnetic Resonance second-year medical cl s tees were •lsctricity, a series of events must Imaging Facility, discovered the for Wishard Memorial Hospital occur. (See diagram.) alarm was not sounded as a result were temporarily rerouted. Evans said hs is not of the First, the coal, after being ex­ energy users tap directly into ths of a separate firs in that facility, Nearly a dozen Riley cost to rspair ths but tracted from the earth, is burned transmission lines, thereby avoid- chemotherapy patients were did say it could possibly be in the in giant furnace boxes which are but rather in response to the Sea POWER Page 3 smoke coming from the substation moved from Phase I to an surrounded by water pipes. The Carelessness creates opportunities for thieves Assaults Personal safety is another con­ By CHERYL L. MATTHEWS guard from The Wockenhut Corp. cern of etudents. resale value. Occasionally, object Petty Thefts Reported to IUPD from Jan. to Dec. 1988 fascination and not the monetary to keep an eye on them. When he On Sept. 20 Karen 8. Williams When Ruby Simmons entered Eyeglasses------- ........2 P«*i came back, Patmore's books were was assaulted while walking to worth of the item motivates the a class at ths Madams Walker University Hospital as a patient theft of such things as ceramic Jewelry gone. in August, she never dreamed she 16 rings "1 was furious. I don’t have the Theater. ducks, syeglasset, an American 12 welches Ckxhang William* said shs at no time would be the victim of a robbery. (lag, traffic signs and even a money to buy my books twice," 1 gold chen 5 part pants thought the man was trying to diaper bag, according to Reynolds. Patmore said. Departing from $20 bill and eight $2 normal policy, the assistant store harm her, according to Students and university employ- 6 authorised full reimbur- Lieutenant Bill Abeton of the IU bills in a night stand drawer. 29 While Simmons was out of her Textbooks Police Department a t In­ Calculators 2 dianapolis. Williams was only room for tests, somebody stole her create the opportunity for most 5 Dorothy Calkins, a Butler Uni­ wallet thefts. "People like to think Backpacks versity employee, works hard to informing IUPD of the incident Cessans Tapes 96 On Aug. 26, police recovered the th e /re as safe at school or in the 7 put herself and her son through workplace as they are at home. collegs. On Aug. 23, someone During 1988 there were 35 wallet, but the money was gone. WaMets 96 Unfortunately, that’s not the walked away from ths Cavanaugh batteries reported on campus. T meant to tend my wallet Pursas 37 home with my daughter, but I was case," Reynolds said. Michelle Hall bookstore with Calkins' "A person who knowingly or in such pain I forgot It rsally hurt Sweeney, Jill Branham and Trent 309 intentionally touches another Credh Cards person in a rude, insolent, or me bad when they took my $2 Abraham learned that fact the Owns................ __ 2 bursed by the bookstore. bills. I'd had them 15 years,” hard way. I M7 "I had to rebuy my books, ao Tm angry manner commits battery,” Simmons said. On Sept. 3, Sweeney, a nurse at out twice the money .*•. money according to section 35-42-2-1 of Petty theft ie the largest prob­ University Hospital, placed her that's not easy to come by * Indiana state law. lem the IU Police Department puree containing $45 in h*r lock­ Calkins said. "Everything we get (batteries), faces, according to Sgt. Max er, but did not lock it. To prevent book thefts, James we investigate it," Abeton said. Reynolds, who has been with the T know it was my own fault my Branham noticed h«r brac.l.t waa ht'..W,1U.t CO"Uintn« • » *nd Arthur, manager of ths "Evsn if they (victims) don't IUPD since 1980. purse was stolen. I should have Cavanaugh Hall bookstore sug- want to prosecute, we look a t it Theft represents 80 to 00 per­ locked my locker," Sweeney said. * T r.n*t halj.ni i m* l<*ker like the event still happened." cent of all campus crime. Accord­ "My lock was broksn, and I belongings in ths car or uae a The IUPD patrols three juris­ dictions, ths main or Michigan ing to the IUPD's 1988 Summary didn*ft»th#r replacing it. It's do anything like that," Branham ^ P ' ^ 1 buddy system when visiting the campus, ths Herron School of bad people have to work so said.
Recommended publications
  • Fro F M V M°J° Nixon Is Mojo Is in A
    TW O G R EA T W H A T'S FILMS FROMI HAPPENING S O U TH T O VIC AFR ICA DUNLO P 9A 11A The Arts and Entertainment Section of the Daily Nexus OF NOTE THIS WEEK 1 1 « Saturday: Don Henley at the Santa Barbara County Bowl. 7 p.m. Sunday: The Jefferson Airplane re­ turns. S.B. County Bowl, 3 p.m. Tuesday: kd. long and the reclines, country music from Canada. 8 p.m. at the Ventura Theatre Wednesday: Eek-A-M ouse deliv­ ers fun reggae to the Pub. 8 p.m. Definately worth blowing off Countdown for. Tonight: "Gone With The Wind," The Classic is back at Campbell Hall, 7 p.m. Tickets: $3 w/student ID 961-2080 Tomorrow: The Second Animation -in n i Celebration, at the Victoria St. mmm Theatre until Oct. 8. Saturday: The Flight of the Eagle at Campbell Hall, 8 p.m. H i « » «MI HBfi MIRiM • ». frOf M v M°j° Nixon is Mojo is in a College of Creative Studies' Art vJVl 1T1.J the man your band with his Gallery: Thomas Nozkowski' paint­ ings. Ends Oct. 28. University Art Museum: The Tt l t f \ T/'\parents prayed partner, Skid Other Side of the Moon: the W orldof Adolf Wolfli until Nov. 5; Free. J y l U J \ J y ou'd never Roper, who Phone: 961-2951 Women's Center Gallery: Recent Works by Stephania Serena. Large grow up to be. plays the wash- color photgraphs that you must see to believe; Free.
    [Show full text]
  • Witty Songs ©Ted Schaar 2011
    Witty Songs ©Ted Schaar 2011 Several years ago through eBay I bought colored-vinyl versions of The Beatles 1962-1966 (The Red Album) and The Beatles 1967-1970 (The Blue Album) from a major fan named Ed. After I paid, he asked if I would be interested in some bootlegs he had that featured sessions recorded while The Beatles were working on their amazing albums—he was willing to transfer them to CD free of charge. I mentioned in my thank you e-mail that I was old enough to have seen the Beatles when they first appeared on The Ed Sullivan Show in 1964. He replied it was "an honor" to meet someone who saw the Beatles live (Ed was born in 1966). This made me think that although those who watched The Beatles that night were part of a huge television audience—almost 74 million1—it's a set whose numbers have decreased tremendously in the 45 years that have passed. That realization, Ed's comment and generous offer to send the CDs, and the about-the-same-time coincidence of having dinner with a man named Bill who saw the Beatles perform in Milwaukee in the fall of 1964 started a chain of events that led me to write two articles. The first, "A Day in the Center of Beatlemania," is about the band's September 4, 1964, appearance at the Arena in Milwaukee. The seed for the second—this one—was planted after Ed's CDs arrived. These were interesting for their roughness and for the insights they provided into the experimentation that produced musical passages such as the unusual Paul McCartney organ part that opens and becomes the backbone of "Lucy in the Sky With Diamonds." On one I was hearing works in progress ranging from the acoustic beginning of "All Together Now" to John Lennon performing an early version of "Good Morning, Good Morning" when out of the blue comes Pete Drake, his talking guitar, and the sliding-steel-words: "I'm just a guitar, everybody picks on me." The track is from the bootleg Through Many Years that focuses on George Harrison and Ringo Starr.2 Ed had combined various bootlegs on each of the CDs he sent.
    [Show full text]
  • The Carroll News
    John Carroll University Carroll Collected The aC rroll News Student 10-5-1989 The aC rroll News- Vol. 77, No. 5 John Carroll University Follow this and additional works at: http://collected.jcu.edu/carrollnews Recommended Citation John Carroll University, "The aC rroll News- Vol. 77, No. 5" (1989). The Carroll News. 941. http://collected.jcu.edu/carrollnews/941 This Newspaper is brought to you for free and open access by the Student at Carroll Collected. It has been accepted for inclusion in The aC rroll News by an authorized administrator of Carroll Collected. For more information, please contact [email protected]. (rSeJYing. •-JohnfF~ « q[CJTTo" 22.. .. :1,., u-<t:irm~!f:YtG~"mi!JffJ ' ·""'~~ ._.: - ~~ :;V#·•'PfiVKI: . ~- ~ The Carroll News Vol. 77, No. 5 John Carroll University, University Heights, Ohio 44118 October 5, 1989 Schlegel garners executive duties expansion of the dining facilities by Meg Savage and in the Student Activities Center. Jodie Solchak Another important physical aspect News Reporters of the university whtch concerns Schlegel is the continued improve­ After one year at John Carroll mentofthequality of resident life. as academic vice president. Rev. Academically, he would like John P. Schlegel, S.J., assumed to see a revision of the Honors this year theposition of executive Program. noting that the program vice president. taking on additional is not being utilized to its full administrative responsibilites. potential. Presently, there is a "The jurisdiction is different. commiuee working on reshaping I'm basically in charge of every­ the program. thing internal of the University," In addition to his administra­ said Schlegel.
    [Show full text]
  • Two New Orleans Stories
    University of New Orleans ScholarWorks@UNO University of New Orleans Theses and Dissertations Dissertations and Theses 5-16-2003 My Kind of Music: Two New Orleans Stories Mary-Louise Ruth University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/td Recommended Citation Ruth, Mary-Louise, "My Kind of Music: Two New Orleans Stories" (2003). University of New Orleans Theses and Dissertations. 16. https://scholarworks.uno.edu/td/16 This Thesis is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Thesis has been accepted for inclusion in University of New Orleans Theses and Dissertations by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. MY KIND OF MUSIC: TWO NEW ORLEANS STORIES A Thesis Submitted to the Graduate faculty of the University of New Orleans in partial fulfillment of the requirements for the degree of Master of Fine Arts in Creative Writing by Mary-Louise Ruth B.A., University of New Orleans, 1970 Education Credential, St. Mary’s College, 1987 May 2003 Copyright 2003, Mary-Louise Ruth ii ACKNOWLEDGMENTS I wish to thank all of my teachers and fellow students for their perceptive comments, criticisms and support which will inspire me for the rest of my life.
    [Show full text]
  • The Ithacan, 1989-12-14
    Ithaca College Digital Commons @ IC The thI acan, 1989-90 The thI acan: 1980/81 to 1989/90 12-14-1989 The thI acan, 1989-12-14 Ithaca College Follow this and additional works at: http://digitalcommons.ithaca.edu/ithacan_1989-90 Recommended Citation Ithaca College, "The thI acan, 1989-12-14" (1989). The Ithacan, 1989-90. 6. http://digitalcommons.ithaca.edu/ithacan_1989-90/6 This Newspaper is brought to you for free and open access by the The thI acan: 1980/81 to 1989/90 at Digital Commons @ IC. It has been accepted for inclusion in The thI acan, 1989-90 by an authorized administrator of Digital Commons @ IC. " -- - Study 'Aboaurrll '000 .1flhle All21Irmooo Mell]' s JR21slkeftlb21Illlooo page 2 page 8 page 16 TH- ,, E..' The Newspaper For The Ithaca College Community Issue 6 December 14, 1989 16 pages *lFree O 0 ·A n1ma,'ltl RJig:.::Oi(i) 'ht sue. .:J b ate spar~~-•li.T. h eated'' •• d1s«:us§ll.([])IIB BY GIA MORRIS Two professional debaters came Regan described the animals on to Ithaca College to air their Earth, in order to show their simi­ opposing viewpoints on Wednes­ larities to humans. He claimed day, Dec. 6. Ithaca College's that Frey thinks "animals believe department of Philosophy and nothing." In trying to prove this Religion hosted the debate. The wrong, Regan compared animals debate was partially funded by the to babies who although cannot Ithaca College Instructional Devel­ speak, do have "preverbal, non­ opment fund. The two men, Tom verbal beliefs." Regan and Raymond Frey travel The other issue, he stated was around the country debating the more of a moral dilemma.
    [Show full text]
  • Rock Album Discography Last Up-Date: September 27Th, 2021
    Rock Album Discography Last up-date: September 27th, 2021 Rock Album Discography “Music was my first love, and it will be my last” was the first line of the virteous song “Music” on the album “Rebel”, which was produced by Alan Parson, sung by John Miles, and released I n 1976. From my point of view, there is no other citation, which more properly expresses the emotional impact of music to human beings. People come and go, but music remains forever, since acoustic waves are not bound to matter like monuments, paintings, or sculptures. In contrast, music as sound in general is transmitted by matter vibrations and can be reproduced independent of space and time. In this way, music is able to connect humans from the earliest high cultures to people of our present societies all over the world. Music is indeed a universal language and likely not restricted to our planetary society. The importance of music to the human society is also underlined by the Voyager mission: Both Voyager spacecrafts, which were launched at August 20th and September 05th, 1977, are bound for the stars, now, after their visits to the outer planets of our solar system (mission status: https://voyager.jpl.nasa.gov/mission/status/). They carry a gold- plated copper phonograph record, which comprises 90 minutes of music selected from all cultures next to sounds, spoken messages, and images from our planet Earth. There is rather little hope that any extraterrestrial form of life will ever come along the Voyager spacecrafts. But if this is yet going to happen they are likely able to understand the sound of music from these records at least.
    [Show full text]
  • ¿A Costa De Quien?
    tí'-. D -V INFORMATIVO QUINCENAL DIRECTOR: JOSE PALANQUES N"" 41 / AÑO II 1 AL 15 - OCTUBRE - 1989 150 PTAS. PLANIFICACION URBANISTICA DE BENICARLO PROLONGACION HERNAN CORTES ,'"Tlt--; COMERCIO % 'Ttnyin>^ PIZARRO ¿A COSTA DE QUIEN? EDITORIAL póg. 3 DEMOCRACIA, ELECCIONES Y... OLE .póg. 5 A TODOS LOS BENICARLANDOS póg. 10 PICOTAZOS pógs. 12 y 13 DEPORTES pógs. 26 y 27 agenda pág. 2 Ayuntamiento. Policía Municipal 47 00 50 Servicio Butano (Directo) 47 03 41 Ambulatorio 8.8. y Urgencias 47 11 98 SANCHEZ Cruz Roja 47 10 79 (. luua DI t* juNtA, Guardia Civil 47 06 34 Til 4; 49 ^ % llt MIGARLO Guardia Civil (Tráfico) 47 08 40 Parada Taxis 47 06 38 Casal Municipal 47 13 16 Parque de Obras y Servicios 47 03 43 VINARÓS-BENICARLO: 7,00 - 8,00 - 9,00 -10,00 -10,30 - 11,00 -11,30 - 12,00 -12,30 -13,00 - Oficina de Turismo 47 31 80 14,00 - 15,00 - 16,00 - 17,00 - 17,30 - 18,00 - 18,30 - 19,00 ■ 19,30 - 20,00 - 20,30 • 21,00 Hidroeléctrica 47 14 00 BENICARIO-PEÑISCOU: 7,15 - 8,15• 9,15 ■ 9,45 - 10,15 - 10,45 - 11,15 - 11,45 • 12,15 -12,45 - Correos y Telégrafos 47 09 98 13,15 -14,15 -15,15 -16,15 ■ 17,15 ■ 17,45 ■ 18,15 ■ 18,45 - 19,15 - 19,45 ■ 20,15 • 20,45 - 21,15 Servicios de Aguas Potables 47 16 60 PEÑISCOLA-BENICARIO: 7,30 - 8,30 - 9,30 -10,00 -10,30 - 11,00 - 11.30 -12,00 - 12,30 - 13,00 ■ 13,30 - 14,30 - 15,30 - 16,30 - 17,30 - 18,00 - 18,30 ■ 19,00 - 19,30 - 20,00 - 20,30 - 21,00 - 21,30 Estación R.E.N.F.E 47 01 99 BENICARIO-VIHARÓS: 7,45 - 8,45 - 9,45 - 10,15 - 10,45 - 11,15 - 11,45 - 12,15 - 12,45 - 13,15 - Asilo Municipal 47 18 67 13,45
    [Show full text]
  • If Youre Not the One Free
    FREE IF YOURE NOT THE ONE PDF Jemma Forte | 464 pages | 07 Feb 2014 | Harlequin (UK) | 9781848452961 | English | Richmond, United Kingdom DANIEL BEDINGFIELD – “If You’re Not The One” | FreakyTrigger It was released on 25 November as the third single from his debut studio album Gotta Get Thru This The single entered the top 20 on the majority of charts that it appeared on, including being a number-one hit in the UK Singles Chart[1] and reaching number 15 in the United States. You need to go some kind of populist route. So, about three years ago, I sat down with a Westlife song and tried to write something similar. Bedingfield also admitted that he didn't even want to put the song on If Youre Not the One album. I thought it sounded like Westlife. But she Natasha Bedingfieldhis sister loved it. Women that hear it go all soft and think it's lovely" [5]. However, the track also received some negative feedback. When the song If Youre Not the One released as If Youre Not the One single, it was picked up by radio stations. It was the most added pop song on the radio for the week of 20 February The music video was produced by A1 singer Mark Read. It begins with a series of images of Bedingfield singing in various positions against a black backdrop. When the chorus starts he is seen singing with clouds in the background. The initial sequence is repeated for the second verse. However, half-way through, he starts to write on If Youre Not the One wall.
    [Show full text]
  • Eurythmics Thorn in My Side Mp3, Flac, Wma
    Eurythmics Thorn In My Side mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: Thorn In My Side Country: US Released: 1986 Style: Synth-pop MP3 version RAR size: 1911 mb FLAC version RAR size: 1323 mb WMA version RAR size: 1366 mb Rating: 4.4 Votes: 937 Other Formats: AUD XM WMA WAV DXD AHX MP1 Tracklist A Thorn In My Side 4:12 B In This Town 3:44 Credits Artwork By [Design] – Timothy Eames Artwork By [Photography] – Jeff Katz Backing Vocals – Bernita Turner, Joniece Jamison Bass – John McKenzie Drums – Clem Burke Engineer [1st Assistant Engineer] – Fred Defaye Engineer [2nd Assistant Engineer] – Serge Pauchard Engineer [Mix] – Jon Bavin, Manu Guiot Guitar, Vocals – David A. Stewart Keyboards – Patrick Seymour Other [Creative Co-ordination] – Billy Poveda Producer – David A. Stewart Saxophone, Harmonica – Jimmy "Z" Zavala* Vocals – Annie Lennox Written-By – Lennox*, Stewart* Notes (P) 1986, RCA/Ariola Ltd. From the "Revenge" album, AJL1-5847. Side A recorded at Conny's Studio, Cologne & Studio Grand Armée, Paris. Side B recorded at Manu's Party. Actual duration for Track A is listed above. Printed duration is 4:45. Other versions Category Artist Title (Format) Label Category Country Year Thorn In My Side (7", DA 8 Eurythmics RCA DA 8 UK 1986 Single) Thorn In My Side RCA Australia & TDS 345 Eurythmics TDS 345 1986 (12") Victor New Zealand Thorn In My Side (7", PB40899 Eurythmics RCA PB40899 Europe 1986 Single) Thorn In My Side (7", RPS-227 Eurythmics RCA RPS-227 Japan 1986 Promo) 5058-7-RAA Thorn In My Side (7", 5058-7-RAA Eurythmics RCA US 1986 (5058-7-R) Promo) (5058-7-R) Related Music albums to Thorn In My Side by Eurythmics Eurythmics - Beethoven Kiki Dee - Another Day Comes (Another Day Goes) Eurythmics - Revenge Eurythmics - Right By Your Side Eurythmics - You Have Placed A Chill In My Heart Eurythmics - There Must Be An Angel (Playing With My Heart) Eurythmics - Shame Eurythmics - Revival Eurythmics - We Too Are One Eurythmics - Right By Your Side = Justo A Tu Lado Eurythmics - Touch Eurythmics - Savage.
    [Show full text]
  • NC Cabeçalho
    Partituras - Canto Livraria MusiMed junho de 2009 www.livrariamusimed.com.br preços sujeitos a alteração sem aviso prévio CodMusimed Autor Título R$ Editora Instrumento 04155 HAL . BEST OF STEELY DAN - 10 GREAT SONGS 56,85 HAL LEONARD BATERIA E CANTO 03733 HAL . BALLADS WHIT BIG BAND ACCOMP - VOCAL SOLOTRAX 44,85 HAL LEONARD CANTO FK7000001 . SCHONSTEN DEUTSCHEN WEIHNACHTSLIEDER - K7 9,95 POCKET SONGS CANTO SR0020561 . NOVENA DO SANTO NATAL (ED. ANTIGA) 6,00 SEM REPOSICAO CANTO 05237 RIC . VIVA LA MUSICA! - VOL.1 - CANCIONES INFANTILES 12,60 RICORDI CANTO BUTZMANN (DER) - CAPA DURA - TEXTO EM ALEMÃO 03831 SHT . (ED. ANTIGA) 25,20 SCHOTT CANTO 04278 RIC . MADE IN ITALY - VOL.2 205,00 RICORDI CANTO A 013 118 . ANTOLOGIA MUSICAL - VOL.1 6,00 RICORDI CANTO 03341 HAL . KIDSONGS - NOW EVERBODY SING (CD) 38,85 HAL LEONARD CANTO 03734 HAL . SOUND OF THE 80´S - VOCAL SOLO TRAX +K7 29,85 HAL LEONARD CANTO 02384 SHT . FROHLICHE WEIHNACHT UBERALL 12,60 SCHOTT CANTO A 011 118 . ANTOLOGIA MUSICAL - VOL.4 (ED. ANTIGA) 6,00 RICORDI CANTO 03423 HAL . MOTOWN HITS (PAPERBACK SONGS) 20,85 HAL LEONARD CANTO 05712 RIC . LIRA POPULAR - 185 CANTOS POP. (ED. ANTIGA) 21,00 RICORDI CANTO 04277 RIC . MADE IN ITALY - VOL.1 205,00 RICORDI CANTO 00267 ALF . BROADWAY+CD - ULTIMATE VOCAL SING-ALONG VOL.2 46,75 ALFRED CANTO 00001 PAU . HINARIO LITURGICO VOL.3 31,80 PAULUS CANTO 00001 VID . SALMOS E HINOS COM MÚSICAS SACRAS 43,00 VIDA CANTO 00108 OXF . EARS AND EYES - VOL.3 (ED. ANTIGA) 21,00 OXFORD CANTO 01414 SHT .
    [Show full text]
  • View the Blad Online
    ALL THE SONGS THE STORY BEHIND EVERY TRACK PHILIPPE MARGOTIN & JEAN-MICHEL GUESDON Springsteen was modelled on the classic rock ‘n’ roll look at the beginning of his career, something NS that shifted in later DUTCH ORIGI years as his on-stage Springsteen is of Italian, Irish, and Dutch descent. persona evolved. The Boss’s ancestors include Casper Springsteen and his wife Geertje, who were both born in Groningen, circa 1620, and left the United Provinces several years later for New Netherland (a Dutch colony between New England and Virginia). Interesting fact: the name Springsteen is derived and steen, meaning from two Dutch words, spring “leap” and “stone.” INTRODUCTION A New Jersey boy New Jersey, to the south of New York state with the Atlantic the production lines in the Ford factory in Edison, and was a Ocean to the east, has witnessed the arrival of successive regular in the local bars. “I was not my father’s favorite waves of Europeans, starting with the first settlers from the citizen,”1 Bruce Springsteen writes in his autobiography Born United Provinces of the Netherlands in the 1630s. In the early to Run, describing their complex relationship. “He loved me 20th century, the population of the Garden State, as it is but he couldn’t stand me.”1 Adele, his mother, worked as a known, was 90 percent white and included large Irish and legal secretary at Lawyers Title Inc. “My mother showered me Italian Catholic communities. Bruce Springsteen belongs to with affection,” he adds. “The love I missed from my father she both these groups, as well as to the Dutch community.
    [Show full text]
  • The Representation of the Feminine, Feminist and Musical Subject in Popular Music Culture
    University of Wollongong Research Online University of Wollongong Thesis Collection University of Wollongong Thesis Collections 2001 The eprr esentation of the feminine, feminist and musical subject in popular music culture Emma Mayhew University of Wollongong Recommended Citation Mayhew, Emma, The er presentation of the feminine, feminist and musical subject in popular music culture, Doctor of Philosophy thesis, Faculty of Arts, University of Wollongong, 2001. http://ro.uow.edu.au/theses/1743 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] THE REPRESENTATION OF THE FEMININE, FEMINIST AND MUSICAL SUBJECT IN POPULAR MUSIC CULTURE A thesis submitted in fulfilment of the requirements for the award of the degree Doctor of Philosophy from UNIVERSITY OF WOLLONONG By EMMA MAYEW B.A. (Hons) ARTS FACULTY 2001 CERTIFICATION I, Emma Mayhew, declare that this thesis, submitted in partial fulfilment of the requirements for the award of Doctor of Philosophy, at the University of Wollongong, is wholly my own work unless otherwise referenced or acknowledged. The document has not been submitted for qualifications at any other academic institution. Emma Mayhew 18 August 2001 CHAPTER TWO FEMINIST POSTSTRUCTURALISM, THE POPULAR MUSICAL TEXT AND THE AUDIENCE - THEORETICAL DEBATES 58 Introduction 58 General Concepts and Debates 58 Discourse, Power and Agency 62 Patriarchy and Power 72 Theorising Music as Social Text 74 Musical Discourses
    [Show full text]