AUTHOR Lieberman, Marcus; and Others Junior High Language Arts: Behavioral Objectives and Institute for Educational Research, Do
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Menaquale, Sandy
“Prejudice is a burden that confuses the past, threatens the future, and renders the present inaccessible.” – Maya Angelou “As long as there is racial privilege, racism will never end.” – Wayne Gerard Trotman “Not everything that is faced can be changed, but nothing can be changed until it is faced.” James Baldwin “Ours is not the struggle of one day, one week, or one year. Ours is not the struggle of one judicial appointment or presidential term. Ours is the struggle of a lifetime, or maybe even many lifetimes, and each one of us in every generation must do our part.” – John Lewis COLUMBIA versus COLUMBUS • 90% of the 14,000 workers on the Central Pacific were Chinese • By 1880 over 100,000 Chinese residents in the US YELLOW PERIL https://iexaminer.org/yellow-peril-documents-historical-manifestations-of-oriental-phobia/ https://www.nytimes.com/2019/05/14/us/california-today-chinese-railroad-workers.html BACKGROUND FOR USA IMMIGRATION POLICIES • 1790 – Nationality and Citizenship • 1803 – No Immigration of any FREE “Negro, mulatto, or other persons of color” • 1848 – If we annex your territory and you remain living on it, you are a citizen • 1849 – Legislate and enforce immigration is a FEDERAL Power, not State or Local • 1854 – Negroes, Native Americans, and now Chinese may not testify against whites GERMAN IMMIGRATION https://www.pewresearch.org/wp-content/uploads/2014/05/FT_15.09.28_ImmigationMapsGIF.gif?w=640 TO LINCOLN’S CREDIT CIVIL WAR IMMIGRATION POLICIES • 1862 – CIVIL WAR LEGISLATION ABOUT IMMIGRATION • Message to Congress December -
APRIL 1995 R!' a ! DY April 1995 Number 936
APRIL 1995 R!' A ! DY April 1995 Number 936 I Earthquake epicen.,.s -IN THE SEA ?ABOVE THE SEA 4 The wave 22Weather prediction 6 What's going on? 24What is El Nino? 8 Knowledge is power 26Clouds, typhoons and hurricanes 10 Bioluminescence 28Highs, lows and fronts 11 Sounds in the sea 29Acid rain 12 Why is the ocean blue? 30 Waves 14 The sea floor 31The Gulf Stream 16 Going with the floe 32 The big picture: blue and littoral waters 18 Tides *THE ENVIRONMENT 34 TheKey West Campaign 19 Navyoceanographers 36 What's cookin' on USS Theodore Roosevek c 20Sea lanes of communication 38 GW Sailors put the squeeze on trash 40 Cleaning up on the West Coast 42Whale flies south after rescue 2 CHARTHOUSE M BEARINGS 48 SHIPMATES On the Covers Front cover: View of the Western Pacific takenfrom Apollo 13, in 1970. Photo courtesy of NASA. Opposite page: "Destroyer Man,"oil painting by Walter Brightwell. Back cover: EM3 Jose L. Tapia aboard USS Gary (FFG 51). Photo by JO1 Ron Schafer. so ” “I Charthouse Drug Education For Youth program seeks sponsors The Navy is looking for interested active and reserve commandsto sponsor the Drug Education For Youth (DEFY) program this summer. In 1994, 28 military sites across the nation helped more than 1,500 youths using the prepackaged innovative drug demand reduction program. DEFY reinforces self-esteem, goal- setting, decision-making and sub- stance abuse resistance skills of nine to 12-year-old children. This is a fully- funded pilot program of theNavy and DOD. DEFY combines a five to eight- day, skill-building summer camp aboard a military base with a year-long mentor program. -
May-June 293-WEB
May-June 2007 Issue 293 jazz Free &blues report www.jazz-blues.com now in our 33rd year KOKO TAYLOR KOKO TAYLOR Old School Published by Martin Wahl A New CD... Communications On Tour... Editor & Founder Bill Wahl & Appearing at the Chicago Blues Festival Layout & Design Bill Wahl The last time I saw Koko Taylor Operations Jim Martin she was a member of the audience at Pilar Martin Buddy Guy’s Legends in Chicago. It’s Contributors been about 15 years now, and while I Michael Braxton, Mark Cole, no longer remember who was on Kelly Ferjutz, Dewey Forward, stage that night – I will never forget Chris Hovan, Nancy Ann Lee, Koko sitting at a table surrounded by Peanuts, Wanda Simpson, Mark fans standing about hoping to get an Smith, Dave Sunde, Duane Verh, autograph...or at least say hello. The Emily Wahl and Ron Weinstock. Queen of the Blues was in the house that night...and there was absolutely Check out our costantly updated no question as to who it was, or where website. Now you can search for CD Reviews by artists, titles, record she was sitting. Having seen her elec- labels, keyword or JBR Writers. 15 trifying live performances several years of reviews are up and we’ll be times, combined with her many fine going all the way back to 1974. Alligator releases, it was easy to un- derstand why she was engulfed by so Koko at the 2006 Pocono Blues Festival. Address all Correspondence to.... many devotees. Still trying, but I still Jazz & Blues Report Photo by Ron Weinstock. -
Did You Receive This Copy of Jazzweek As a Pass Along?
JazzWeek with airplay data powered by jazzweek.com • Feb. 6, 2006 Volume 2, Number 11 • $7.95 In This Issue: Surprises at Berklee 60th Anniversary Concert . 4 Classical Meets Jazz in JALC ‘Jazz Suite’ Debut . 5 ALJO Embarks On Tour . 8 News In Brief . 6 Reviews and Picks . 15 Jazz Radio . 18 Smooth Jazz Radio. 25 Industry Legend Radio Panels. 24, 29 BRUCE LUNDVALL News. 4 Part One of our Two-part Q&A: page 11 Charts: #1 Jazz Album – Jae Sinnett #1 Smooth Album – Richard Elliot #1 Smooth Single – Brian Simpson JazzWeek This Week EDITOR/PUBLISHER Ed Trefzger n part one of our two part interview with Bruce Lundvall, the MUSIC EDITOR Tad Hendrickson Blue Note president tells music editor Tad Hendrickson that Iin his opinion radio indeed does sell records. That’s the good CONTRIBUTING EDITORS news. Keith Zimmerman Kent Zimmerman But Lundvall points out something that many others have CONTRIBUTING WRITER/ pointed out in recent years: radio doesn’t make hits. As he tells Tad, PHOTOGRAPHER “When I was a kid I would hear a new release and they would play Tom Mallison it over and over again. Not like Top 40, but over a period of weeks PHOTOGRAPHY you’d hear a tune from the new Hank Mobley record. That’s not Barry Solof really happening much any more.” Lundvall understands the state Founding Publisher: Tony Gasparre of programming on mostly non-commercial jazz stations, and ac- ADVERTISING: Devon Murphy knowledges that kind of focused airplay doesn’t happen. Call (866) 453-6401 ext. 3 or This ties into my question of last week – does mainstream jazz email: [email protected] radio play too much music that’s only good, but not great? I’ve SUBSCRIPTIONS: received a few comments; please email me with your thoughts on Free to qualified applicants this at [email protected]. -
POP Library SUBJECT LIST 12/11/2010
POP Library SUBJECT LIST 12/11/2010 Subject Title Author Location Addictions Narcotics Anonymous World Service 613.8 Ser Adolescents The Secret Survival Manual J.Brent Bill J 155.5 Bil Group Growers Lane Eskew 155.5 Esk Help! I'm A Volunteer Youth Worker! Doug Fields 155.5 Fie Group's Best Jr. High Meetings Cindy Parolini 155.5 Par Adult Education Llifelong Learning Rebecca Grothe 374 Gro Starting Small Groups - And Keeping Them George S Johnson 374 Joh Advent The Jesse Tree Anderson, Raymond And Georgene 263 And Jesse Tree Devotions Marilyn Breckenridge 263 Bre Unto Us Is Born Herbert Brookering 242 Bro Unto Us Is Born Herbert F. Brookering 242.2 Bro Prepare Ye For A New Advent Of God's Love John And Adrian Carr 263 Car The Comings Of God Richard Simon Hanson 263 Han Advent Landmarks Robert Hershey 263 Her Advent Paul M. Lindberg 263 Lin What Child Is This? Samuel H. Miller 263 Mil Won't You Let Him In? James W. Moore 242.3 Mor Family Countdown To Christmas Debbie Trafton O'Neal 263 O'Ne Celebrate Jesus At Christmas Kimberly Ingalls Reese 394 Ree Lighted Windows Margaret Silf 263 Sil Countdown To Christmas Zimmerman, Laura K. E. 263 Zim Advent / Christmas Destination Bethlehem Ann W. Anderson 263 And Come Lord Jesus Susan Briehl 242 Bri Day By Day In Advent Christopher G. Milarch 242 Mil Manger In The Mountains James Arne Nestingen 242 Nes Age Groups New Passages Gail Sheehy 305.2 She Aging Coming Of Age Gracefully Aid Association For Lutherans 155.7 AAL Home Sweet Home Aid Association For Lutherans 362.6 Hom Fullness Of Time Martha Whitmore Hickman 155.6 Hic Caring For Aging Parents Richard P. -
Canadian Inclusive Language Glossary the Canadian Cultural Mosaic Foundation Would Like to Honour And
Lan- guage De- Coded Canadian Inclusive Language Glossary The Canadian Cultural Mosaic Foundation would like to honour and acknowledgeTreaty aknoledgment all that reside on the traditional Treaty 7 territory of the Blackfoot confederacy. This includes the Siksika, Kainai, Piikani as well as the Stoney Nakoda and Tsuut’ina nations. We further acknowledge that we are also home to many Métis communities and Region 3 of the Métis Nation. We conclude with honoring the city of Calgary’s Indigenous roots, traditionally known as “Moh’Kinsstis”. i Contents Introduction - The purpose Themes - Stigmatizing and power of language. terminology, gender inclusive 01 02 pronouns, person first language, correct terminology. -ISMS Ableism - discrimination in 03 03 favour of able-bodied people. Ageism - discrimination on Heterosexism - discrimination the basis of a person’s age. in favour of opposite-sex 06 08 sexuality and relationships. Racism - discrimination directed Classism - discrimination against against someone of a different or in favour of people belonging 10 race based on the belief that 14 to a particular social class. one’s own race is superior. Sexism - discrimination Acknowledgements 14 on the basis of sex. 17 ii Language is one of the most powerful tools that keeps us connected with one another. iii Introduction The words that we use open up a world of possibility and opportunity, one that allows us to express, share, and educate. Like many other things, language evolves over time, but sometimes this fluidity can also lead to miscommunication. This project was started by a group of diverse individuals that share a passion for inclusion and justice. -
Discografía De BLUE NOTE Records Colección Particular De Juan Claudio Cifuentes
CifuJazz Discografía de BLUE NOTE Records Colección particular de Juan Claudio Cifuentes Introducción Sin duda uno de los sellos verdaderamente históricos del jazz, Blue Note nació en 1939 de la mano de Alfred Lion y Max Margulis. El primero era un alemán que se había aficionado al jazz en su país y que, una vez establecido en Nueva York en el 37, no tardaría mucho en empezar a grabar a músicos de boogie woogie como Meade Lux Lewis y Albert Ammons. Su socio, Margulis, era un escritor de ideología comunista. Los primeros testimonios del sello van en la dirección del jazz tradicional, por entonces a las puertas de un inesperado revival en plena era del swing. Una sentida versión de Sidney Bechet del clásico Summertime fue el primer gran éxito de la nueva compañía. Blue Note solía organizar sus sesiones de grabación de madrugada, una vez terminados los bolos nocturnos de los músicos, y pronto se hizo popular por su respeto y buen trato a los artistas, que a menudo podían involucrarse en tareas de producción. Otro emigrante aleman, el fotógrafo Francis Wolff, llegaría para unirse al proyecto de su amigo Lion, creando un tandem particulamente memorable. Sus imágenes, unidas al personal diseño del artista gráfico Reid Miles, constituyeron la base de las extraordinarias portadas de Blue Note, verdadera seña de identidad estética de la compañía en las décadas siguientes mil veces imitada. Después de la Guerra, Blue Note iniciaría un giro en su producción musical hacia los nuevos sonidos del bebop. En el 47 uno de los jóvenes representantes del nuevo estilo, el pianista Thelonious Monk, grabó sus primeras sesiones Blue Note, que fue también la primera compañía del batería Art Blakey. -
Virginian Writers Fugitive Verse
VIRGIN IAN WRITERS OF FUGITIVE VERSE VIRGINIAN WRITERS FUGITIVE VERSE we with ARMISTEAD C. GORDON, JR., M. A., PH. D, Assistant Proiesso-r of English Literature. University of Virginia I“ .‘ '. , - IV ' . \ ,- w \ . e. < ~\ ,' ’/I , . xx \ ‘1 ‘ 5:" /« .t {my | ; NC“ ‘.- ‘ '\ ’ 1 I Nor, \‘ /" . -. \\ ' ~. I -. Gil-T 'J 1’: II. D' VI. Doctor: .. _ ‘i 8 » $9793 Copyrighted 1923 by JAMES '1‘. WHITE & C0. :To MY FATHER ARMISTEAD CHURCHILL GORDON, A VIRGINIAN WRITER OF FUGITIVE VERSE. ACKNOWLEDGMENTS. The thanks of the author are due to the following publishers, editors, and individuals for their kind permission to reprint the following selections for which they hold copyright: To Dodd, Mead and Company for “Hold Me Not False” by Katherine Pearson Woods. To The Neale Publishing Company for “1861-1865” by W. Cabell Bruce. To The Times-Dispatch Publishing Company for “The Land of Heart‘s Desire” by Thomas Lomax Hunter. To The Curtis Publishing Company for “The Lane” by Thomas Lomax Hunter (published in The Saturday Eve- ning Post, and copyrighted, 1923, by the Curtis Publishing 00.). To the Johnson Publishing Company for “Desolate” by Fanny Murdaugh Downing (cited from F. V. N. Painter’s Poets of Virginia). To Harper & Brothers for “A Mood” and “A Reed Call” by Charles Washington Coleman. To The Independent for “Life’s Silent Third”: by Charles Washington Coleman. To the Boston Evening Transcript for “Sister Mary Veronica” by Nancy Byrd Turner. To The Century for “Leaves from the Anthology” by Lewis Parke Chamberlayne and “Over the Sea Lies Spain” by Charles Washington Coleman. To Henry Holt and Company for “Mary‘s Dream” by John Lowe and “To Pocahontas” by John Rolfe. -
Recorded Jazz in the 20Th Century
Recorded Jazz in the 20th Century: A (Haphazard and Woefully Incomplete) Consumer Guide by Tom Hull Copyright © 2016 Tom Hull - 2 Table of Contents Introduction................................................................................................................................................1 Individuals..................................................................................................................................................2 Groups....................................................................................................................................................121 Introduction - 1 Introduction write something here Work and Release Notes write some more here Acknowledgments Some of this is already written above: Robert Christgau, Chuck Eddy, Rob Harvilla, Michael Tatum. Add a blanket thanks to all of the many publicists and musicians who sent me CDs. End with Laura Tillem, of course. Individuals - 2 Individuals Ahmed Abdul-Malik Ahmed Abdul-Malik: Jazz Sahara (1958, OJC) Originally Sam Gill, an American but with roots in Sudan, he played bass with Monk but mostly plays oud on this date. Middle-eastern rhythm and tone, topped with the irrepressible Johnny Griffin on tenor sax. An interesting piece of hybrid music. [+] John Abercrombie John Abercrombie: Animato (1989, ECM -90) Mild mannered guitar record, with Vince Mendoza writing most of the pieces and playing synthesizer, while Jon Christensen adds some percussion. [+] John Abercrombie/Jarek Smietana: Speak Easy (1999, PAO) Smietana -
White Attitudes Toward Latinos and Policy Preferences in Orange County California
Mapping Latino Racialization: White Attitudes Toward Latinos and Policy Preferences in Orange County California By Celia Olivia Lacayo A dissertation submitted in partial satisfaction of the Requirements for the degree of Doctor of Philosophy in Ethnic Studies In the Graduate Division Of the University of California, Berkeley Committee in charge Professor Stephen Small, Chair Professor Michael Omi Professor Taeku Lee Spring 2013 Abstract Mapping Latino Racialization: White Attitudes Toward Latinos and Policy Preferences in Orange County California by Celia Olivia Lacayo Doctor of Philosophy in Ethnic Studies University of California, Berkeley Professor Stephen Small, Chair The dissertation develops our theorizing about the dynamics of racialization, and the role of race and ethnicity, in the United States, particularly in order to account for the dynamics and processes unique to Latinos. It does so by examining white attitudes towards Latinos in Orange County, California through public discourse analysis of the “Ask a Mexican” column, a survey instrument and a series of in-depth interviews to triangulate whites’ use and logic of racial stereotypes and policy preferences. Orange County is a good testing ground for contemporary Latino racialization because it is a majority minority area, which has a long history of migration from Mexico, with deep racial segregation that reflects racial inequalities between whites and Latinos. While Latinos in the United States as a whole are a heterogeneous group my data demonstrates how the current racialization of Latinos in the United States has a homogenizing effect. Empirically my data maps racial stereotypes whites have had and continue to reference as the Latino population has increased. -
Tourist Gaze
Toward a Feminist Travel Perspective: Re- thinking Tourism, Digital Media, and the "Gaze" Item Type text; Electronic Dissertation Authors Winet, Kristin Kay Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 30/09/2021 08:20:35 Link to Item http://hdl.handle.net/10150/565902 Winet 1 TOWARD A FEMINIST TRAVEL PERSPECTIVE: RE-THINKING TOURISM, DIGITAL MEDIA, AND THE “GAZE” by Kristin Kay Winet __________________________ Copyright © Kristin K. Winet 2015 A Dissertation Submitted to the Faculty of the DEPARTMENT OF ENGLISH In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY WITH A MAJOR IN RHETORIC, COMPOSITION, AND THE TEACHING OF ENGLISH In the Graduate College THE UNIVERSITY OF ARIZONA 2015 Winet 2 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE As members of the Dissertation Committee, we certify that we have read the dissertation prepared by Kristin Winet, titled Toward a Feminist Travel Perspective: Re-thinking Tourism, Digital Media, and the “Gaze,” and recommend that it be accepted as fulfilling the dissertation requirement for the Degree of Doctor of Philosophy. _______________________________________________________________________ Date: May 5, 2015 Dr. Anne-Marie Hall _______________________________________________________________________ Date: May 5, 2015 Dr. Ken McAllister _______________________________________________________________________ Date: May 5, 2015 Dr. Judy N. Temple Final approval and acceptance of this dissertation is contingent upon the candidate’s submission of the final copies of the dissertation to the Graduate College. -
The Social Life of Slurs
The Social Life of Slurs Geoff Nunberg School of Information, UC Berkeley Jan. 22, 2016 To appear in Daniel Fogal, Daniel Harris, and Matt Moss (eds.) (2017): New Work on Speech Acts (Oxford, UK: Oxford University Press). Chaque mot a son histoire. —Jules Gilliéron A Philological Caution The Emergence of Slurs We wear two hats when we talk about slurs, as engaged citizens and as scholars of language. The words had very little theoretical interest for philosophy or linguistic semantics before they took on a symbolic role in the culture wars that broke out in and around the academy in the 1980s.1 But once scholars’ attention was drawn to the topic, they began to discern connections to familiar problems in meta-ethics, semantics, and the philosophy of language. The apparent dual nature of the words—they seem both to describe and to evaluate or express— seemed to make them an excellent test bed for investigations of non-truth-conditional aspects of meaning, of certain types of moral language, of Fregean “coloring,” and of hybrid or “thick” terms, among other things. There are some writers who take slurs purely as a topical jumping-off point for addressing those issues and don’t make any explicit effort to bring their discussions back to the social questions that drew scholars’ attention to the words in the first place. But most seem to feel that their research ought to have some significance beyond the confines of the common room. That double perspective can leave us a little wall-eyed, as we try to track slurs as both a social and linguistic phenomenon.