Account of BOG May 2005
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
National Heritage Memorial Fund – Reappointment of Chair & Trustees
Department for Culture, Media and Sport National Heritage Memorial Fund – Reappointment of Chair & Trustees The Prime Minister has reappointed Dame Jenny Abramsky CBE as Chair of The National Heritage Memorial Fund, for the three years commencing 1 September 2011. He has also reappointed Kim Evans OBE and Hilary Lade as Trustees, for the three years commencing 22 July 2011 and 1 October 2011 respectively, and reappointed Dan Clayton Jones as the Trustee for Wales and Deputy Chairman of the UK Board, for the six months to 11 January 2012. Biographical details Dame Jenny Abramsky CBE Director of BBC Audio & Music, with responsibility for all BBC national radio networks, for the BBC’s digital radio services, and for music across television, radio, online and live events, until retiring in 2008. She was also a member of the BBC Executive Board, responsible for the delivery of BBC services and day-to-day operations across the organisation. She has spent most of her working life at the BBC, where she was the editor of the Today programme on Radio 4; launched BBC Radio Five Live, BBC News Online and BBC News 24 as well as 5 digital radio stations; and commissioned the Electric Proms (an annual festival of popular contemporary music, designed to complement the BBC Proms season of classical music). She is Chair of the University of London’s Board of Trustees, Chair of the Hampstead Theatre, a Trustee of the Central School of Ballet and of the Shakespeare Schools Festival and an Honorary Member of the Royal Academy of Music. Previously she served as Governor of the British Film Institute and on the Economic Social and Research Council. -
BBC Procurement
House of Commons Committee of Public Accounts BBC Procurement Nineteenth Report of Session 2007–08 Report, together with formal minutes, oral and written evidence Ordered by The House of Commons to be printed 31 March 2008 HC 221 Published on 13 May 2008 by authority of the House of Commons London: The Stationery Office Limited £0.00 The Committee of Public Accounts The Committee of Public Accounts is appointed by the House of Commons to examine “the accounts showing the appropriation of the sums granted by Parliament to meet the public expenditure, and of such other accounts laid before Parliament as the committee may think fit” (Standing Order No 148). Current membership Mr Edward Leigh MP (Conservative, Gainsborough) (Chairman) Mr Richard Bacon MP (Conservative, South Norfolk) Angela Browning MP (Conservative, Tiverton and Honiton) Mr Paul Burstow MP (Liberal Democrat, Sutton and Cheam) Rt Hon David Curry MP (Conservative, Skipton and Ripon) Mr Ian Davidson MP (Labour, Glasgow South West) Mr Philip Dunne MP (Conservative, Ludlow) Angela Eagle MP (Labour, Wallasey) Nigel Griffiths MP (Labour, Edinburgh South) Rt Hon Keith Hill MP (Labour, Streatham) Mr Austin Mitchell MP (Labour, Great Grimsby) Dr John Pugh MP (Liberal Democrat, Southport) Geraldine Smith MP (Labour, Morecombe and Lunesdale) Rt Hon Don Touhig MP (Labour, Islwyn) Rt Hon Alan Williams MP (Labour, Swansea West) Phil Wilson MP (Labour, Sedgefield) The following were also Members of the Committee during the period of the enquiry: Annette Brooke MP (Liberal Democrat, Mid Dorset and Poole North) and Mr John Healey MP (Labour, Wentworth). Powers Powers of the Committee of Public Accounts are set out in House of Commons Standing Orders, principally in SO No 148. -
Annual Report 2018-19
ANNUAL REPORT 2018-19 ANNUAL CONTENTS 2018-19 has been another highly successful year, we invested £4.6m in scholarships and financial support STATEMENT REPORT centred, as ever, on providing a world-class educational for gifted musicians, many of whom could not otherwise 2018-19 experience for our student population. The wonderful afford to study here; as we approach our Bicentenary achievements of our students, staff and alumni, in 2022, we are looking at a range of new ways to many of which are summarised in this report, reflect expand our initiatives in this area and support even our unswerving focus on musical excellence and more students. demonstrate why we remain the conservatoire of choice for many. With ongoing uncertainty around the terms of the UK’s departure from the European Union, it has been – LOOKING BACK .....................................................................................................5 We have continued to recruit musicians from over 60 and continues to be – more important than ever to countries and follow the fortunes of alumni whose demonstrate our commitment to our EU students impact on musical life resonates globally. The reciprocal (both current and future) and European partners. We PHILANTHROPY ..................................................................................................19 sharing of information, knowledge and artistry with welcomed the announcement in May 2019 from the peer institutions, the profession at large, and musicians Department of Education that EU students starting of all kinds has always played a critical part in Academy university in England in 2020 will pay the same fees BENEFICIARIES ................................................................................................... 23 life. Over the past year, we have once again enjoyed a as home students, and will be eligible for student fruitful collaboration with The Juilliard School, as well as finance for the duration of their course. -
BBC Annual Report and Accounts 2004/2005 1 Chairman’S Statement
Annual Report and Accounts 2004/2005 Purpose, vision and values Purpose Our purpose is to enrich people’s lives with programmes and services that inform, educate and entertain Vision Our vision is to be the most creative organisation in the world Values I Trust is the foundation of the BBC: we are independent, impartial and honest I Audiences are at the heart of everything we do I We take pride in delivering quality and value for money I Creativity is the lifeblood of our organisation I We respect each other and celebrate our diversity so that everyone can give their best I We are one BBC: great things happen when we work together Contents 02 54 Chairman’s statement Building public value 04 58 Director-General’s Being accountable report and responsible 06 How the BBC is run 66 Governors’ review of 08 commercial activities Board of Governors 10 68 Executive Board Performance against Statements of 12 Programme Policy Governors’ review commitments of objectives 2004/2005 20 The BBC at a glance 78 Compliance Governors’ review of services 94 Financial review 22 Television 96 Financial statements 30 Radio 136 38 Broadcasting facts New Media and figures 42 14 7 News Getting in touch with the BBC 46 BBC World Service 14 8 & Global News Other information 50 Nations & Regions BBC Annual Report and Accounts 2004/2005 1 Chairman’s statement As we approach the end of the current clear about the principles underlying any BBC Royal Charter at the end of 2006, new governance arrangements: the plans to replace it are becoming independence; rigorous stewardship of clearer.The Government’s Green Paper public money; accountability to licence fee set out the new framework and paved payers; clarity of roles; and practicality.The the way for a White Paper later this year. -
Annual Review & Accounts 2019-2020
Life NATIONAL Review and Accounts 2019/2020 National Life Stories Highlights of the Year When many people think about history, they think about books has been oral history fieldwork. For over thirty years it has • In 2019 we added more than 800 hours of new recorded interviews and documents, castles or stately homes. In fact history is all initiated a series of innovative interviewing programmes to the collections. around us, in our own families and communities, in the living funded almost entirely from sponsorship, charitable and memories and experiences of older people. Everyone has a story individual donations and voluntary effort. NLS receives no to tell about their life which is unique to them. Whilst some funding from government. • 23 oral history collections totalling 6,139 analogue items were people have been involved in momentous historical events, regardless of age or importance we all have interesting life Each collection comprises recorded in-depth interviews of a high digitised through the National Lottery Heritage Funded ‘Unlocking Our Sound stories to share. Unfortunately, because memories die when standard, plus content summaries and transcripts to assist users. Heritage’ programme, including the Book Trade Lives and Lives in the Oil people do, if we don’t record what people tell us, that history Access is provided via the Sound and Moving Image Catalogue can be lost forever. at sami.bl.uk and a growing number of interviews are made Industry projects. There were 5,731 cassettes and 246 reels. available for remote web use through British Library Sounds at National Life Stories was established in 1987 and its mission sounds.bl.uk. -
ANNUAL REPORT 2019/20 This PDF Document Has Been Optimised for Accessibility
ANNUAL REPORT 2019/20 This PDF document has been optimised for accessibility. Royal Academy of Music ©2021 Every effort has been made to ensure that the information included in this publication is correct at the time of going to print. Any queries about its content should be addressed to [email protected]. 2 CONTENTS LOOKING BACK 6 PHILANTHROPY 24 ALUMNI 29 FINANCIAL OVERVIEW 34 ABOUT US 38 3 Michael Johnson WELCOME As we write, several months into the 2020/21 academic year (and in the midst of another national lockdown), we are reflecting on one of the most extraordinary years in the Academy’s recent history. The pandemic has had a profound impact on us all, no matter where we are in the world, but has also brought home the importance of music in our collective wellbeing. Music-making is our raison d’être, and it was business as usual for nearly two terms, with our students enjoying as rich a schedule of projects and performances as ever. But when Covid-19 hit and we had to close our doors, our institutional way of life was upended. Chris Christodoulou Chris As a community we are nothing if not resilient. Staff, students and alumni, while geographically distanced and often coping with difficult personal situations, continued to do what they do best – strive to make music at the highest level, and with a new flair for communicating it. The challenging task of moving teaching online was handled with commitment, and it was uplifting to see how we pulled together to support those struggling the most. -
Published by the British Broadcasting Corporation Broadcasting House
Published by the British Broadcasting Corporation Broadcasting House London W1A 1AA Website: www.bbc.co.uk © BBC 2001 Annual Report and Accounts 2000/2001 Annual Report and Accounts 2000/2001 Annual Report and Accounts 2000/2001 Contents The BBC in 2000/2001 1 Chairman’s Foreword 2 Running the BBC Board of Governors 4 Executive Committee 6 Overview 8 Review of the Year: Public Services Television 10 Radio 14 Nations and Regions 17 News 20 New Media 22 Education 23 Review of the Year: Commercial Services BBC Worldwide Limited 24 BBC Resources Limited 26 Review of the Year: BBC World Service 27 Review of the Year: Performance against Objectives 28 Accountability 32 Reports from Advisory Bodies 37 Looking Ahead 40 Compliance and Regulatory Matters 44 Financial Review 56 Glossary of Terms 58 Statement of Accounting Policies 59 Financial Statements 62 Broadcasting Facts and Figures 80 Getting in Touch 85 This BBC Annual Report and Accounts is available in public The BBC’s wholly-owned commercial subsidiaries, libraries throughout the UK and on the BBC’s website at BBC Worldwide Limited, BBC Resources Limited and www.bbc.co.uk/info/bbc. It is also available in Welsh, on audio BBC Technology Holdings Limited trade at arm’s length cassette, and in Braille. from the BBC and their accounts are independently audited.This Annual Report includes a summary of their We also publish a BBC Review of the Year, based on the Annual activities in 2000/2001. Report, specially designed to report to licence payers on BBC performance and value for money.This is available in English Copies of any of these reports may be obtained by writing to and Welsh – in print, as an audio cassette and in a version The Secretary, BBC, Broadcasting House, London W1A 1AA. -
Review and Accounts 2014/2015 National Life Stories Chairman’S
Life NATIONAL Review and Accounts 2014/2015 National Life Stories Chairman’s When many people think about history, they think about series of innovative interviewing programmes funded almost books and documents, castles or stately homes. In fact history entirely from sponsorship, charitable and individual donations Foreword is all around us, in our own families and communities, in the and voluntary effort. living memories and experiences of older people. Everyone has a story to tell about their life which is unique to them. Each collection comprises recorded in-depth interviews of Whilst some people have been involved in momentous a high standard, plus content summaries and transcripts to historical events, regardless of age or importance we all assist users. Access is provided via the Sound and Moving have interesting life stories to share. Unfortunately, because Image Catalogue at http://sami.bl.uk and a growing number memories die when people do, if we don’t record what of interviews are made available for remote web use through people tell us, that history can be lost forever. British Library Sounds at http://sounds.bl.uk. Each individual life story interview is several hours long, covering family National Life Stories was established in 1987 and its mission background, childhood, education, work, leisure and later life. is: ‘To record the first-hand experiences of as wide a cross section of society as possible, to preserve the recordings, to Alongside the British Library’s other oral history holdings, make them publicly available and encourage their use’. As an which stretch back to the beginning of the twentieth century, independent charitable trust within the Oral History Section NLS’s recordings form a unique and invaluable record of of the British Library, NLS’s key focus and expertise has been people’s lives in Britain today. -
Digital Radio Pack
Contents Make Time For Digital Radio Introduction – Make time for digital radio . 2 The BBC’s five new digital radio networks . 3 Interviews: Double Trouble, Phill Jupitus and Phil Wilding (6 Music) . 5 Stand up And Be Counted, Robin Ince (BBC 7) . 8 Listening highlights . 10 Facts and figures . 23 BBC radio networks on DAB . .24 Coverage . 25 Frequently asked questions . 26 Radio milestones . 30 Make Time For Digital Radio Introduction Make time for digital radio Make time for digital radio this summer with This summer sees for the first time a major five new stations from the BBC. on-air promotional campaign by the BBC for its new digital radio portfolio, with radio, From the best in UK garage on 1Xtra to top television and online trails running from late comedy from the nation’s favourite performers June to the end of July. on BBC 7, from exclusive sporting events on Five Live Sports Extra to new Asian talent on Andy Duncan, Director, BBC Marketing & the Asian Network, plus the best in Communications explains:“Our big goal is to contemporary and classic pop on 6 Music, see as many people as possible getting access the BBC’s portfolio of digital radio networks to our new radio networks.We expect new is great news for listeners, bringing them stocks of DAB digital radios to be available in more choice, more great programmes and the shops at the same time as the campaign, so more great radio talent. the impact should be considerable.” Alongside the BBC’s existing family of six Another landmark for summer 2003 is the speech and music stations – Radio 1, Radio 2, expansion of the BBC’s DAB transmitter Radio 3, Radio 4, Radio Five Live and the World network. -
A History of BBC Local Radio in England C1960 – 1980
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by WestminsterResearch WestminsterResearch http://www.westminster.ac.uk/research/westminsterresearch A history of BBC local radio in England c1960 – 1980 Matthew Linfoot School of Media, Arts and Design This is an electronic version of a PhD thesis awarded by the University of Westminster. © The Author, 2011. This is an exact reproduction of the paper copy held by the University of Westminster library. The WestminsterResearch online digital archive at the University of Westminster aims to make the research output of the University available to a wider audience. Copyright and Moral Rights remain with the authors and/or copyright owners. Users are permitted to download and/or print one copy for non-commercial private study or research. Further distribution and any use of material from within this archive for profit-making enterprises or for commercial gain is strictly forbidden. Whilst further distribution of specific materials from within this archive is forbidden, you may freely distribute the URL of WestminsterResearch: (http://westminsterresearch.wmin.ac.uk/). In case of abuse or copyright appearing without permission e-mail [email protected] A HISTORY OF BBC LOCAL RADIO IN ENGLAND c1960 – 1980 MATTHEW LINFOOT A thesis submitted in partial fulfillment of the requirements of the University of Westminster for the degree of Doctor of Philosophy August 2011 ABSTRACT The story of BBC Local Radio in England, from the days of its conception around 1960, through to the launch of the first stations in 1967 and the finalisation of how to complete the chain in 1980 is a neglected area of research in media history. -
BBC AR Cover 03
BBC Annual Report and Accounts 2002/2003 Annual Report and Accounts 2002/2003 Purpose, vision and values Our purpose is to enrich people’s lives with programmes and services that inform, educate and entertain Our vision is to be the most creative organisation in the world Our values • Trust is the foundation of the BBC: we are independent, impartial and honest • Audiences are at the heart of everything we do • We take pride in delivering quality and value for money • Creativity is the lifeblood of our organisation • We respect each other and celebrate our diversity so that everyone can give their best • We are one BBC: great things happen when we work together Contents 2 Chairman’s foreword An historic and successful year Commercial activities as the BBC delivered the full range of its digital services How the BBC’s commercial subsidiaries performed 4 Board of Governors The men and women who 54 BBC Worldwide Limited make sure the BBC puts the public interest first 56 BBC Ventures Group Limited 5 Running the BBC How the BBC Governors, Director-General and Executive Committee work to 58 Putting audiences first What audiences told ensure the BBC serves the public effectively the BBC on key issues and how the BBC was accountable to licence payers and Parliament 6 Summary of the year 64 The BBC in the community What the BBC Key facts about the BBC’s did to achieve high standards of corporate finances and audiences in social responsibility 2002/2003 67 BBC people and talent Training, talent and how Making it Happen is developing creativity -
Kent Academic Repository Full Text Document (Pdf)
Kent Academic Repository Full text document (pdf) Citation for published version Luckhurst, Tim and Cocking, Ben and Reeves, Ian and Bailey, Rob (2019) Assessing the Delivery of BBC Radio 5 Live's Public Service Commitments. Abramis Academic Publishing, Bury St Edmunds, Suffolk, UK, 44 pp. ISBN 978-1-84549-558-9. (In press) DOI Link to record in KAR https://kar.kent.ac.uk/71586/ Document Version Publisher pdf Copyright & reuse Content in the Kent Academic Repository is made available for research purposes. Unless otherwise stated all content is protected by copyright and in the absence of an open licence (eg Creative Commons), permissions for further reuse of content should be sought from the publisher, author or other copyright holder. Versions of research The version in the Kent Academic Repository may differ from the final published version. Users are advised to check http://kar.kent.ac.uk for the status of the paper. Users should always cite the published version of record. Enquiries For any further enquiries regarding the licence status of this document, please contact: [email protected] If you believe this document infringes copyright then please contact the KAR admin team with the take-down information provided at http://kar.kent.ac.uk/contact.html Assessing the Delivery of BBC Radio 5 Live’s Public Service Commitments By Tim Luckhurst, Ben Cocking, Ian Reeves and Rob Bailey, Centre for Journalism, University of Kent Published 2019 by Abramis academic publishing www.abramis.co.uk ISBN 978 1 84549 ** * ©Tim Luckhurst, Ben Cocking, Ian Reeves & Rob Bailey 2019 All rights reserved his publication is copyright.